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The Energetic Cost of Pollen Collection Bees use as much energy collecting pollen through “floral buzzing” as they do taking off in flight, a study shows. Scientists have found the vibrations bumblebees use to shake pollen loose from flowers are among the most exhausting behaviours they perform, forcing bees to “carefully choose” which flowers are worth visiting. The Study's Findings The study, released by the Royal Society, is the first to directly measure the energy cost of floral sonication, or “buzz pollination” – where bees vibrate flowers to extract pollen. Natacha Rossi, a University of Sussex research fellow who led the study, said: “As nectar availability shifts due to climate change or habitat loss, the energetic demands of pollination could influence bee behaviour and, ultimately, where bees forage and which plants they pollinate. The Data Analysis Using lasers and respirometry equipment to monitor three colonies of buff-tailed bumblebees, researchers discovered that a single “buzzing event” required about the same amount of energy as a flight take-off. Because buzzing can last longer, the total drain on energy can be even greater. The metabolic rate of a floral buzzing bee is more than 30 times higher than its resting metabolism, according to the study, making the process among its most energetically demanding behaviours. The Impact Analysis The researchers warned that declining nectar supplies caused by climate crisis and habitat destruction could intensify the strain on pollinators. Prof Mario Vallejo-Marin, at Uppsala University, said: “We long suspected that buzz pollination was an energetically expensive affair. We can now put a number to it and begin making quantitative predictions of how it could affect the ecology and evolution of bees and buzzpollinated flowers.” The Prediction The study points out that the energetic drain on the bee does not stop when the pollination stops. According to the paper, after the bee vibrates the pollen loose, it must engage in a “grooming and pollen-packing phase”. This grooming takes even more energy. The bee then has to force a high-power take-off to carry its new, heavier load away, making the whole process a demanding two-phase sequence.

The Historic 150th Test at Lord'sLord's Cricket Ground in London is making history this week by hosting its 150th Test match, becoming the first ground in the world to reach this significant milestone. While other venues like Melbourne's MCG follow with 118 Tests, Lord's has maintained its privileged position through hosting two games annually this century. Despite being a late starter to Test cricket (its first match was in July 1884), long after venues like Melbourne, Sydney, The Oval, and Old Trafford, Lord's has cemented its status as cricket's most iconic venue.The Three Lord's of LondonInterestingly, there are actually three Lord's in London. The original ground is now buried under Dorset Square near Marylebone station, while another lies beneath the Lisson Grove moorings on the Regents canal. The current world-famous ground on Wellington Road was rented in the 19th century from the Eyre family, who made their fortune in wine and slavery. This historic patch of land has remained cricket's spiritual home for nearly two centuries.The Cultural Significance of Lord'sDespite its stuffy atmosphere, expensive tickets, and sometimes stifling rules, Lord's holds a special place in cricket lovers' hearts. The venue offers a unique thrill that connects spectators with centuries of cricket history. At Lord's, fans don't just share the game with fellow spectators but with the hundreds of thousands who watched great players before them. Honours boards display heroes' names, museum exhibits showcase their bats, library shelves hold their books, and plaques commemorate their feats.The Evolution of Lord's Cricket GroundLord's wasn't always the established institution it is today. In its early years, the ground held as many pony races and stone-picking contests as cricket matches. The MCC (Marylebone Cricket Club) has faced financial challenges throughout its history, requiring bailouts from wealthier members and even considering building houses on the outfield. The venue has also had to defend against urban encroachment, with red brick walls constructed to guard against the surrounding city and developers attempting to claim the tunnels beneath the ground.Lord's: More Than Just CricketWhile known as the 'Home of Cricket,' Lord's is actually the home of the MCC, a private club that has historically governed the sport. Like Augusta National in golf, it represents a private club running a publicly beloved event. After losing its governing role in 1993, the MCC has been searching for a new identity. Today, it runs charitable programs, hosts special matches, offers tours, and even fields its own professional team in the London Spirit.Five of the Most Memorable Tests at Lord'sEngland v Australia, 1896: England won by six wickets in WG Grace's last Test at Lord's. The crowd was so packed they spilled onto the field, and Australia was skittled for 53 in just 75 minutes on the first morning.England v Australia, 1930: Australia won by seven wickets in Don Bradman's first Test at Lord's. He scored 254, which he later described as 'the best innings of my life'.England v Australia, 1981: Ian Botham's iconic performance with both bat and ball helped England win after following on, one of cricket's greatest comebacks.England v West Indies, 1984: Michael Holding's devastating spell of 6-57 destroyed England, widely regarded as one of the greatest fast bowling performances.England v Australia, 2005: The first Test of the famous Ashes series that ended Australia's reign as world champions, with England's dramatic two-run victory.

The Lead: UK Regulator's AI Content DecisionThe UK's competition watchdog has ordered Google to change how it uses publishers' content in its AI-powered search results, in a move that will have global ramifications. The Competition and Markets Authority (CMA) is using special powers to set bespoke rules for major tech firms that it deems to have 'strategic market status', with Google being one of those companies.The Regulatory Breakthrough: New Content Requirements for GoogleThe CMA has imposed a set of 'conduct requirements' on Google, which the tech firm must adhere to. It must allow publishers to block Google from using their content to power features such as AI Overviews and AI mode (an expanded version of overviews). An AI Overview is an answer to a query, produced by the search engine's Gemini AI model, that summarises material from news publishers and other websites to produce an answer.Under the current set-up, news publishers who allow their content to be listed in ordinary Google search results are defaulted into AI Overview responses as well. With this ruling, they will now be able to opt out from appearing in such responses. Google will also be required to make sure that publisher content is properly flagged and attributed in overview results, using clear links to the material.The Industry Impact: Publisher Leverage and Revenue ConcernsThe CMA hopes this will give publishers greater leverage in content deals with Google, by forcing the company to seek permission to use their intellectual property. Publishers have seen dramatic falls in Google traffic to their websites, and therefore revenue, since their content was pulled into AI summaries. However, they have not been able to negotiate AI content deals without jeopardising inclusion in traditional Google search, which has been central to online journalism since its inception.Tim Cowen, co-founder of the Movement for an Open Web (MOW) and competition lawyer at Preiskel, believes the CMA's move means publishers will now have the power to make money from Google's use of their content in AI. 'It provides a baseline that Google can't just take content,' he says. 'This provides a framework to monetisation, which is welcome, but there is a long way to go.'The Financial Analysis: Cost of Compliance and Potential Revenue ShiftsGoogle will have nine months to implement the changes but the CMA wants swift action on the most important aspects of its decision. The search company announced it was testing a new control that lets website owners manage how their links and content appear in AI features such as AI Overviews or AI Mode. Google will also give websites more information about how much their content is being used in its AI features.This will be trialled with a 'subset' of UK websites before being rolled out globally, underlining the impact of the CMA's new digital competition powers. Earlier this week, AG Sulzberger, the chairperson of the New York Times, revealed that the publisher has already spent $20m (£15m) on lawsuits against OpenAI and AI startup Perplexity over the use of its copyrighted content.The Market Transformation: Shifting Power Dynamics in Digital ContentPublishers have welcomed the CMA's move with the News Media Association (NMA), which represents UK news publishers, hailing it as a 'significant step towards levelling the playing field' in an online environment where big tech-controlled algorithms dictate how and where content appears.However, concerns remain that dealing with Google will remain a difficult proposition with the Silicon Valley company being left to provide 'periodic reporting' to the CMA, but little detail on how frequently this will be and what will be provided to prove it is remaining in compliance with its obligations.The Future Outlook: New Alliances and Content Licensing ModelsPublishers are attempting to address this through the formation of SPUR – the so-called 'Nato for news' coalition formed earlier this year that includes the BBC, Guardian, Financial Times, Telegraph and Sky. The group added another 20 major publishers this week as it seeks to strike better AI deals by agreeing common standards and content usage rights.Publishers have signed deals with AI firms. For instance the FT and Washington Post have reached agreements with OpenAI, the developer of ChatGPT, over using their content in responses. The Guardian has signed deals with a variety of businesses including OpenAI, Google, Amazon and Microsoft to allow those companies to use its journalism in some GenAI products.

The Lead: Qatar's World Cup JourneyFour years on from their FIFA World Cup debut on home soil, Qatar are gearing up for a new "dream." The reigning – and back-to-back – Asian champions head to the June 11-July 19 football tournament in North America, having qualified outright for the first time in the Arab nation's history.The Event Details: Qatar's Group B ChallengeMaking their way to the showpiece after three successful rounds of qualifiers, the Qataris find themselves in an interesting, and potentially inviting, Group B, facing Switzerland, Canada and Bosnia and Herzegovina. The prospect of reaching the knockout stages for the first time appears a realistic target.The Data Analysis: Opponent Rankings and Historical ContextIn Switzerland and Bosnia and Herzegovina, Qatar face two strong teams from Europe. Switzerland are making their 13th appearance at the finals, having reached the knockouts in each of their last three campaigns. The 19th-ranked Swiss, whose best finish has been the quarterfinals on three occasions, are frontrunners to finish as table toppers of Group B.At number 65 in the FIFA rankings, Bosnia and Herzegovina are placed lower than Qatar, but it would be foolish to write them off based on that alone. Returning to the World Cup for the first time in 12 years, Bosnia and Herzegovina pulled off one of the biggest upsets of the qualifiers when they knocked out four-time world champions Italy on penalties.Qatar can expect a tough challenge from both European teams, but the two-time Asian champions could take a point or three against Canada, the number 30 team in the world and the co-hosts of the tournament, alongside the United States and Mexico.The Impact Analysis: Lopetegui's Philosophy and Qatar's DevelopmentTalking to Al Jazeera ahead of the tournament, Qatar's Spanish coach Lopetegui said the team achieved a "big goal" by qualifying for the 48-team World Cup on merit. While the achievement is momentous for all of Qatar, it also holds special importance for Lopetegui, who is heading to his first World Cup as a coach.Lopetegui, who took over in May 2025, admitted that while Qatar are weaker than their opponents, there is no shortage of ambition among his players. "Each moment that you have at the World Cup is top," he added. "So in this case, you analyse each country, talking about each player and which competition they are playing… you're playing against the best players in the world. Now, we have to be ready and prepare ourselves to be competitive."Qatar's squad remains built around a domestically developed core shaped through the Aspire Academy system that underpinned their rise over the past decade. Many of the squad have progressed through the same development pathway, giving Qatar continuity and cohesion, though questions remain over whether a group drawn largely from the domestic league has the depth and experience required to compete consistently with elite opposition.The Prediction: Qatar's Path to the KnockoutsQatar have a chance, even if it is a slim one, of reaching the knockouts. Their best bet for collecting points is against Canada. Should Qatar beat Canada, they will have three points, which should be enough to qualify for the round of 32 as one of the eight best third-placed teams.If Qatar draw all three games – which is less likely than the above scenario – even that could see them through to the knockouts for the first time in history. Simply put, the game against Canada is a must-win for Qatar if they dream of a deep run.Key Players to WatchIf Qatar are to crush Canadian hopes in Vancouver, the Gulf country will have to rely on the goal-scoring prowess of striker Almoez Ali, Qatar's all-time marksman with 60 goals, and star winger Akram Afif, the two-time Asian player of the year and the team's main source of creativity.Having played every minute of Qatar's last World Cup campaign, Afif shares the record for most appearances at the tournament (three) alongside defenders Boualem Khoukhi and Abdelkarim Hassan. Captain Hassan Al-Haydos, who came out of retirement in June 2025 at Lopetegui's request, is another fan favourite and holds the record of being Qatar's most-capped player with 188 appearances.Qatar's World Cup 2026 ScheduleAll times in local timeJune 13, 12pm PDT (19:00 GMT) – Qatar vs Switzerland – Santa Clara, California (US)June 18, 4pm PDT(23:00 GMT) – Canada vs Qatar – Vancouver (Canada)June 24, 12pm PDT (19:00 GMT) – Bosnia and Herzegovina vs Qatar – Inglewood, California (US)

The Violent Protests British Home Secretary Shabana Mahmood has condemned as 'completely unacceptable' violent, racially charged demonstrations over the case of an 18-year-old student who was handcuffed by police as he lay dying after his killer falsely claimed to be a victim of a racist attack. The Event Details The riots on Tuesday were spurred by claims that the United Kingdom has 'two-tier justice' that disadvantages white people. Henry Nowak was murdered in December by Vickrum Digwa, a 23-year-old British Sikh. This week, a court found Digwa stabbed 18-year-old Nowak five times and then falsely claimed to be the victim of a racist assault. The Data Analysis Two people were arrested, and 11 officers and a police dog were injured, police reported. Police were pelted with chairs, cans, rocks and flares late on Tuesday by hundreds of people in the southern English coastal city of Southampton. The Impact Analysis Nowak's death has triggered debates about policing and knife crime, and inflamed claims by right-wing activists and politicians that there are double standards in the UK's justice system with a bias against white people. The Prediction Mahmood accused protesters of hijacking a tragedy to stir up violence against the police. She called on people to listen to the Nowak family's 'powerful call' and thanked the police for their bravery and calm in the face of disgraceful violence.

The Founders' Vision Mariama Diallo and Ayooluwa Odemuyiwa, former employees of Goldman Sachs and Meta, respectively, left their jobs to build voice AI for emerging markets. Their startup, AethexAI, aims to provide customer support and service solutions for businesses in Africa and the Middle East. The Challenge of Localized Dialects Building a product that sounds human and responds without noticeable delay is harder in some markets than others. Most major players weren’t built with Africa and the Middle East in mind, leaving a gap for AethexAI to fill. The Technical Breakthrough Rather than using existing orchestration tools, AethexAI built its own small model and orchestration layer from scratch to handle localized dialects of English, French, and Arabic. The company developed its Kora series, with parameters ranging from 300 million to 1.7 billion, to tackle the latency problem while maintaining accuracy. The Data Collection Process AethexAI used anonymized recordings from a call center partner. The startup shipped hard drives to radio stations across Africa to collect more audio data. A contributor network of university students was built to annotate data and pronounce local names. The Business Strategy The company is taking care to walk clients who are new to voice AI through the process, offering onsite demos and workshops to help them identify the best use cases for automation. AethexAI is open to working across all industries, but currently focuses on calls for debt collection, customer activation, or KYC verification. The Market Opportunity The Africa and Middle East market is fundamentally different from the markets most voice AI companies were built to serve. Enterprises in these regions process roughly three times the call volume of their Western counterparts, making AethexAI's solution a valuable opportunity. The Future Outlook With the $3 million in pre-seed funding, AethexAI plans to continue developing its voice AI solutions for emerging markets. The startup is hiring forward-deployed engineers and building channel partnerships with telecoms providers to handle telephony for voice AI calls.

The Communication CrisisSouth East Water failed to adequately communicate with customers during outages last winter that left tens of thousands of people without water, a report has concluded. Fewer than one in 10 SEW customers were satisfied with how the company handled the water supply crisis that stretched across parts of Kent and Sussex last winter, the consumer council for water said. The report found communication was the company's greatest failing.Customer Impact and DissatisfactionMike Keil, the chief executive of the consumer council for water said: "Our research lays bare the scale of disruption inflicted on the lives of tens of thousands of South East Water customers last winter. People understand that things can sometimes go wrong with their water and sewerage services, but they expect their water company to minimise the impact – not make it worse. With the right handling, companies can build trust during challenging incidents, but when the response falls short, it can make a bad situation even more difficult."The Scale of Water DisruptionsThe winter disruption to water supplies hit in November and December when around 24,000 customers lost water supply or pressure in the Tunbridge Wells area after a water quality failure at the Pembury Water Treatment Works. A formal precautionary boil water notice was issued from 3 December 2025 and lifted on 12 December 2025. Then weeks later in January this year some 69,000 properties were hit with water shortages and low pressure.Customer Experiences During OutagesOne customer surveyed for the report said: "You suddenly realise how much you rely on water for everything." Another customer shared: "If we had known it would be several days, I'd have planned things very differently... I was starting to think if it goes on much longer then I just have to move out because this is not an option for me to live here." A third customer noted: "I think the messaging from the very beginning was very confusing and then coupled with the constant 'it'll be back later today, back tomorrow morning, back tomorrow evening.' We weren't fed accurate information."Vulnerable Customers Left Without SupportPeople with health vulnerabilities also highlighted concerns about the outage, especially in relation to maintaining hygiene. The report found that about half of customers in vulnerable circumstances who were registered for priority services said they did not receive the support they expected. This failure to protect the most vulnerable customers has become a significant point of criticism against the company.Regulatory ConsequencesThe report was published as South East Water faced further criticism for water outages which saw hundreds of households across Kent and Sussex without water during the hottest days of the year last week. The company, which faces a £22m fine from the industry's regulator, Ofwat, over serious disruptions to the water supply over many years, had comprehensively failed to deliver for the consumers it served, according to MPs who accused senior executives of incompetence.Future Outlook for South East WaterAs the company continues to face mounting criticism and regulatory action, the future of South East Water's leadership and operations remains uncertain. With the CEO stepping down and significant financial penalties looming, the company will need to fundamentally reassess its customer communication strategies and infrastructure maintenance to restore public trust in its services.

A Symphony of Second ChancesIn a remarkable display of quick thinking and musical prowess, a 21-year-old university student recently saved a live performance of the movie La La Land in Sydney. When the band's keyboardist fell ill during the intermission, Oscar-winning composer and conductor Justin Hurwitz asked the audience if anyone could play. Sterling Nasa answered the call, sight-reading the entire second half without a single mistake.The Sydney Spectacle: A Student Steps UpThe incident highlights the incredible skill present not just on stage, but sometimes in the crowd. Nasa not only performed the complex film score but also improvised a solo and perfectly navigated tempo changes and key signatures. This event breaks the invisible wall between the audience and the performers, turning a potential disaster into a historic night of entertainment.Location: Sydney, AustraliaEvent: Live orchestral performance of La La LandHero: Sterling Nasa, a university studentOutcome: Flawless execution of the second half, including an improvised soloHistorical Precedents: The 1974 Proms RescueWhile Nasa's story is making headlines, it is not the first time an audience member has saved a classical performance. In the summer of 1974, a similar miracle occurred at the Royal Albert Hall during a BBC Proms performance of Carl Orff's Carmina Burana.Baritone Thomas Allen collapsed mid-performance into the cello section.Conductor André Previn made the split-second decision to keep the music playing.Audience member and recent music graduate Patrick McCarthy, who was following the score, rushed backstage to offer his services.McCarthy was given a dinner jacket and performed the rest of the baritone part flawlessly, unbeknownst to the radio listeners at home.The High-Wire Act of Live Classical MusicThese stories serve as a reminder of the superhuman achievement required to put on a live classical concert. Every serene moment is the result of a never-ending battle with risk. From broken strings to cracked oboe reeds, the potential for disaster is ever-present. Perhaps the most famous example of live adaptation involved pianist Maria João Pires, who realized she had prepared the wrong concerto only when the orchestra began playing. In a miraculous turn of events, she performed Mozart's Piano Concerto No 20 entirely from memory.The Enduring Spirit of Live PerformanceAs we look to the future of live orchestral and classical music, the energy of the audience remains a crucial component of the experience. The unpredictability of live performance is not a flaw, but a feature that creates unforgettable moments. As long as there are live musicians walking the high-wire act, there will be a need for the audience's energy to carry them through—and occasionally, for a well-practiced audience member to step into the spotlight.

The Director's Digital PivotMartin Scorsese's announcement that he has invested in an AI company and uses the technology to create storyboards has triggered a backlash from fellow members of the film industry.The New York Times reported that Scorsese had been appointed in 2025 as a partner and adviser to Black Forest Labs, a German-based venture that specialises in text-to-image generative AI.Scorsese said in a statement to the New York Times: "I'm interested in the intersection of technology and storytelling, and seeing how that can push the bounds of creativity to create deeper and richer experiences for audiences. Remember, cinema is a young medium, only around 125 years old, so we have to be open to how it can evolve."He added: "For 70 years, I've been creating my own storyboards. There's always been this problem of how do you communicate what you see in your head to your cast and crew. There are some things you have to see and feel. Now with this tool, I can share what I'm visualising more clearly and efficiently to my creative team."The Artist's RebellionStoryboard and concept artists responded angrily, with Karla Ortiz, a concept artist on a string of Marvel films including Black Panther, Avengers: Endgame and Avengers: Infinity War saying on social media: "He throws every single storyboard artist he's ever worked with under the bus ... To use his legacy and power for this is just so disgusting."Samuel Deats, director of animated TV series Castlevania, added on social media: "There is absolutely no reason to need AI built on the stolen work of millions of artists to storyboard your vision, have some damn pride and respect your peers."The AI Wave in HollywoodWith this move, Scorsese has joined the swelling ranks of significant film industry figures who are endorsing and utilising AI. Steven Soderbergh used AI generated sequences in his recent documentary John Lennon: The Last Interview while Jurassic World Rebirth director Gareth Edwards described AI as "a fucking genius at helping you". Tribeca film festival co-founder Jane Rosenthal defended plans to screen Dreams of Violets, a fully AI-generated film about protesters in Iran, saying that "it's something that should be seen right now at this time".The Production RevolutionThere is no suggestion, however, that Scorsese is planning to use gen-AI images in a film, but rather as part of the preparatory process. In his statement he said: "I recently tested this out on a scene, and the ability to visualise and immediately share the storyboard was creatively freeing. During the preproduction process, time costs money, and this allowed us to move faster without sacrificing quality or craft."