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BackgroundAndy Simpson, a 71‑year‑old former Sale hooker, spent the bulk of his international career on the sidelines, sitting on England's bench for 21 matches during the 1970s and 1980s without ever taking the field.RFU Retroactive DecisionThe Rugby Football Union reviewed historic fixtures and re‑classified several games against full‑strength national sides – including a 1986 Italy vs England B match in which Simpson featured – as official Tests. This move added 47 former players to the capped list and scheduled a belated ceremony on 8 June.Key Career MomentsBench‑only record: 21 matches without a cap.Tour games: represented England in six non‑Test tour matches.Injury setback: severed thumb in a freak accident before the 1981 Five Nations, jeopardising a likely debut.Missed opportunities: was overlooked in the 1985 New Zealand second Test and the 1986 Scotland match despite injuries to starters.Notable Teammates and RivalsSimpson played alongside legends such as Bill Beaumont, Fran Cotton and Roger Uttley, and was often second‑string to Peter Wheeler, Steve Brain and Steve Mills. He recalls moments when coaches chose a lock (Nigel Redman) or another back‑row player (Jon Hall) instead of him.Impact and ReflectionThe retroactive cap not only validates Simpson's perseverance but also highlights the evolving nature of player recognition in the amateur era. Former teammate Richard Lee echoed the sentiment, noting that many “long‑suffering” forwards finally receive the acknowledgment they earned on the field.

Disney introduced InfinityVision at this year’s CinemaCon, positioning it as a certification for premium large‑format (PLF) auditoriums that meet or exceed undisclosed standards for screen size, brightness and sound quality. While the name sounds like a Marvel spin‑off, the label applies to any film, not just superhero titles. Disney claims roughly 300 screens worldwide already carry the badge, though a public directory has yet to appear. The timing is strategic: Disney’s Avengers: Doomsday is slated for a December debut that coincides with the release of the third Dune film, which has secured a limited run on coveted Imax screens. By promoting InfinityVision, Disney hopes to reassure audiences that alternative PLF venues—such as Dolby, RPX and other branded auditoriums—can deliver an equally spectacular experience, a tactic the author dubs screenmaxxing. Screenmaxxing has become a lifeline for a theatrical sector under pressure from streaming and rising ticket prices. Even the smallest multiplex PLF screens dwarf the televisions owned by the majority of consumers, yet theatres cannot simply charge a $5 premium for a larger screen; they need to sell a demonstrably superior visual and auditory package. Today’s market offers a bewildering array of PLF options, especially in cities where multiple chains compete. Directors like Ryan Coogler (Sinners) and the team behind Project Hail Mary use the variety of formats as a marketing hook, explaining aspect‑ratio differences and visual nuances to fans. Even legacy formats have resurfaced: Paul Thomas Anderson’s One Battle After Another revived the rarely used VistaVision, an analog high‑definition process dormant for half a century, alongside traditional 70mm and Imax prints. Adding to the mix, a new digital projector brand—HDR by Barco—is being rolled out to compete with Dolby‑branded auditoriums. The technology promises deeper blacks, heightened contrast and unprecedented brightness, and has already been adopted by the Alamo Drafthouse chain for its dine‑in locations. Many of these Barco‑equipped rooms also feature Dolby Atmos sound, though the author cautions against conflating sound systems with projection technologies. To gauge HDR by Barco’s performance, the writer visited the Brooklyn Alamo Drafthouse, one of three New York venues using the system (the others are Regal locations equipped with RPX screens). While the recent Super Mario Galaxy movie showcased the projector’s vivid palette, the reviewer chose a more demanding test: Lee Cronin’s horror‑reimagining The Mummy. Compared with a prior Dolby projection of the same film, the Barco version delivered a noticeable boost in clarity—especially in shadow‑heavy scenes—without the oversharpening or motion‑smoothing artifacts sometimes seen on consumer TVs. The experience was “brighter” yet retained natural colour balance, offering a subtle but real upgrade over standard cinema projection. Despite the technical gains, the piece questions whether another premium brand can truly shift audience habits. The author argues that healthy competition among laser‑projection systems may prevent theatres from settling for “dim” images, encouraging cinephiles to seek out PLF venues. However, blockbuster spectacles like the climactic battle in Avengers: Endgame remain visually underwhelming even on an InfinityVision‑certified screen, suggesting that format alone cannot rescue a film’s visual impact. Ultimately, the most compelling case for premium formats may be the construction of genuine Imax theatres, not retrofits. True Imax auditoriums prioritize height over width, delivering an immersive field of view that even high‑end digital projectors struggle to match. Yet only a few dozen such venues exist worldwide; most “Imax” screens are simply Dolby, Barco or RPX rooms equipped with the brand’s hardware. Screenmaxxing, therefore, is likely to remain a niche pursuit rather than a universal solution for the exhibition industry. While hunting for the loudest, sharpest presentation can be entertaining, an overabundance of competing formats may reinforce the perception that a standard movie‑going experience is insufficient—potentially undermining the very audience the industry hopes to attract.

Jessie Ware's latest album, Superbloom, marks a return to her disco-pop roots, building on the success of her previous albums What's Your Pleasure? and That! Feels Good!. The album features a more straightforwardly retro sound, with lush orchestration and a focus on grownup pop.The album's sound is influenced by Table Manners, Ware's popular podcast co-hosted with her mother Lennie, which has attracted A-list guests like Margot Robbie and Paul McCartney. This crossover appeal is evident in tracks like Automatic, featuring a spoken-word appearance from Colman Domingo.Ware's songwriting and production are notable for their classiness and taste, with Superbloom showcasing her ability to craft great melodies and choruses. While the album may lack a standout hit like Free Yourself from her previous album, it is well-written and well-made, with a focus on disco-infused pop.The album's string arrangements are particularly noteworthy, avoiding glitterball cliches and instead evoking the ghost of Charles Stepney's psychedelic soul. Overall, Superbloom is a confident and well-crafted album that solidifies Ware's position as a leading figure in the disco-pop genre.

The gaming industry has reached a new cultural milestone with the rise of 'unc games' - games predominantly played by older gamers. This shift towards intergenerational gaming is gaining momentum, with 50-60% of all gamers now over 30 years old and the average age of gamers increasing to 41.The term 'unc' is a semi-disparaging Gen Z name for anyone over 30. 'Unc games' refer to games that are popular among older gamers, such as World of Warcraft and other titles from the 1990s and 2000s. The article's author, Keza MacDonald, argues that it's time to embrace this cultural shift and recognize the value of older gamers.Circana data suggests that 97% of console purchasers in the US last year were over 25. This demographic is profitable, with older gamers buying consoles and spending money on games. Developers and publishers should consider catering to this demographic, as they have been propping up the gaming industry's traditional business model for years.The article also touches on the topic of game pricing, with rumors that Grand Theft Auto VI may be the first $100 game. While this may seem steep, it's argued that games have become more expensive to produce and that different price points will cater to various gamers.Ultimately, the gaming industry is becoming more intergenerational, with retro games and classic consoles gaining popularity. Media outlets and game developers are now supported by people's sustained interest in retro games, and new games are being developed with homage to influential older titles.

American Classic is a heartwarming comedy that celebrates the power of art and human connection. The show follows Richard Bean, played by Kevin Kline, a former theatre star who returns to his small hometown of Millersburg after his mother's death. Richard's journey is filled with humor, wit, and tenderness, as he helps restore the local theatre's fortunes and comes to terms with his past.The show features a talented ensemble cast, including Laura Linney as Kristen, Richard's sister-in-law and the mayor of Millersburg. The series explores themes of grief, love, and the importance of community, making it a delightful watch. American Classic is now available on MGM+ and consists of eight episodes.The show's combination of charm, wit, and tenderness is reminiscent of popular comedies like Ted Lasso and Schitt's Creek. Its retro-tropes and nostalgic feel make it a comforting watch, perfect for audiences looking for a lighthearted and uplifting series.American Classic is a testament to the power of art to bring people together and provide comfort in times of need. The show's authentic belief in the power of art is evident throughout, making it a sweet and moving watch.

The Organisation of Islamic Cooperation (OIC) issued a strong rebuke on Friday after Israel’s security cabinet secretly approved 34 new settlements in the occupied West Bank, describing the action as a direct contravention of international law. Israeli rights organization Peace Now disclosed that the decision was made in early April, a fact later corroborated by multiple Israeli media outlets. The OIC’s general secretariat emphasized that Israel, as the occupying power, has no sovereignty over the Occupied Palestinian Territory, including East Al‑Quds (Jerusalem), and that any measures intended to alter the region’s geographic or demographic reality are null and void under international statutes. According to the OIC statement, the approval of these settlements adds to 68 settlements already sanctioned since Prime Minister Benjamin Netanyahu’s right‑wing coalition assumed power in 2022. The body warned that the accelerating settlement policy, coupled with land confiscation and settler‑related violence, jeopardizes the viability of a two‑state solution and infringes on the rights of the Palestinian people. Turkey echoed the OIC’s condemnation, labeling the move a “serious violation of international law and UN resolutions.” Meanwhile, Israel’s own Channel 24 reported that the security cabinet’s decision was taken “secretly” and marked the largest number of settlements ever approved in a single session. Ynet cited military chief Eyal Zamir, who warned that the Israel Defense Forces could “collapse” under the strain of expanding settlement demands, including the retroactive legalization of dozens of outposts. Of the 34 approved sites, 10 are existing outposts that were previously illegal under Israeli law but will now be legitimized; the remaining 24 are slated for construction. All settlements in the occupied West Bank are deemed illegal under international law. The decision has not been formally published by any Israeli governmental body. Since the 1967 occupation, more than 500,000 Israeli settlers now reside in the West Bank alongside roughly three million Palestinians. Settlement expansion has been a consistent policy of successive Israeli governments, but it has accelerated markedly under the Netanyahu administration, especially after the Gaza war that began in October 2023 and has resulted in over 72,000 Palestinian deaths. By highlighting the legal and demographic implications of the new settlements, the OIC aims to rally international opposition and reinforce the call for a negotiated two‑state solution, warning that continued expansion could further destabilize an already volatile region.

The Confederation of African Football (CAF) chief Patrice Motsepe arrived in Dakar this week, marking his first visit to Senegal since the body’s controversial decision to strip the nation of its Africa Cup of Nations (AFCON) crown and hand it to Morocco.Motsepe announced the itinerary at the end of March, pledging to meet leaders in both countries to stress the need for "working together to grow African football" as CAF confronts mounting criticism.President Bassirou Diomaye Faye is scheduled to receive Motsepe at the presidential palace, followed by a joint news conference intended to calm tensions.The visit comes in the wake of CAF’s surprise reversal of the January 18 final, where Senegal had defeated hosts Morocco 1‑0. Citing a breach of regulations concerning players leaving the field, CAF retroactively recorded a 3‑0 victory for Morocco on March 17.During the match in Rabat, Senegal’s squad, head coach Pape Thiaw and staff walked off after Morocco were awarded an added‑time penalty, which forward Brahim Diaz ultimately missed.In response, the Senegalese Football Federation lodged an appeal with the Court of Arbitration for Sport (CAS), while the Senegalese government demanded an international probe into alleged corruption within CAF.Motsepe, speaking late last month, affirmed that he would respect and implement the CAS ruling, adding that his personal view on the matter was “irrelevant.”

Donald Trump's open threats to commit war crimes in Iran have raised concerns about his impunity. The US Supreme Court's recent ruling in Trump v United States has given him reason to believe he can act with impunity within the US. However, there are international options for prosecution that lie beyond the court's lawless license.Trump's plan to bomb Iran and destroy civilian infrastructure, such as desalination plants, electrical-generating facilities, and bridges, would violate international humanitarian law's rule of proportionality. The destruction of civilian infrastructure would have a disproportionate impact on civilians, and therefore, it is not justified.The International Criminal Court (ICC) has charged Russian military commanders with war crimes for attacking electrical infrastructure in Ukraine. Similarly, Trump's actions could be prosecuted as war crimes. However, the ICC has no jurisdiction over crimes committed on Iranian territory since Iran is not a member of the ICC.There are alternative routes for prosecution. The Iranian government could join the ICC and grant it retroactive jurisdiction, similar to what Ukraine did to allow prosecution of Russian war crimes. Additionally, under the concept of universal jurisdiction, governments can use their national courts to prosecute certain crimes even if committed by non-nationals abroad.A group of countries, such as the European Union, NATO, or the G7, could establish an international tribunal to address crimes committed in Iran, including war crimes and aggression. This would allow Trump to be prosecuted as soon as the tribunal is established, without waiting for him to leave office.

Lush has launched a new range of skincare and bathing products tied to the Super Mario Galaxy movie, following the success of their previous Minecraft and Super Mario Bros ranges. The collection includes body sprays, shower gels, lip balms, and bath bombs, all inspired by the Mario universe.The products feature sweet and fruity fragrances, such as the Princess Rosalina lip scrub with edible stars, the Protect the Galaxy shower gel with a sparkly lustre, and the Luma bubble bath star filled with tiny stars. The Yoshi Egg bath bomb contains a shower gummy that comes in one of four colours, which has gone viral due to its unexpected behaviour in water.The author, Keith Stuart, reviews the products and finds them to be as nice as the original set, with some notes on their texture and scent. He concludes that the shower and bath products are easy to use and smell gorgeous, making amusing stylistic nods to the Super Mario Galaxy universe.The article highlights the unexpected partnership between Lush and a major video game franchise, which has proven successful and led to further collaborations. The author's experience with the products is filled with nostalgia, recalling childhood memories of pick 'n' mix counters and retro sweets.