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The Birth of a Classic The Mekons and Gang of Four emerged from the same fine art course at Leeds University. After being inspired by the Clash and the Sex Pistols, the Mekons formed and recorded their first single, 'Never Been in a Riot', on a two-track tape recorder in a living room. The Making of 'Where Were You?' For their song 'Where Were You?', Bob Last from the Fast Product label helped them record at Spaceward in Cambridge. The song came together quickly with Kevin Lycett strumming two chords, Tom playing a choppy counter-melody, and Jon on drums. Mark White wrote the lyrics, and Andy Corrigan sang them. The Impact of 'Where Were You?' 'Where Were You?' became a huge success, selling over 27,000 copies and receiving significant airplay from John Peel. The song gained even more popularity when David Bowie compared the Mekons to T. Rex on a Radio 1 programme. The Legacy of 'Where Were You?' The song has remained a classic, with the Mekons still playing it live almost 50 years later. The song's lyrics, influenced by Buzzcocks' Pete Shelley, deal with themes of loneliness and feminism. The Mekons' decision to include women in the band and their anti-macho approach to music set them apart from other rock bands at the time. The Song's Enduring Influence 'Where Were You?' continues to have an impact, with the song being used in an advert for Honda's Acura cars and generating a substantial amount of money for the band. The Mekons' story serves as a testament to the power of creativity and perseverance in the music industry.

The Masterpiece of John Woo The title of this 1990 John Woo extravaganza might lead the uninitiated to expect a chillingly focused, targeted assassination. Actually, there are innumerable bullets and innumerable heads in this over-the-top gonzo spectacle. It is a crime thriller, a wartime action film set in Vietnam, but it offers something other than the usual Hollywood perspective; it is a parable of greed comparable to The Treasure of the Sierra Madre, and even a kind of romantic melodrama. The Symbolic Bullet There is, however, one key bullet in a head, a literal bullet lodged in the skull of someone who achieves a macabre zombie-like semi-survival, the bullet being symbolic of the way violence takes root in the brain, dehumanising its victim. The final “boardroom” scene disclosing this image is toweringly mad and strange. Yet in this movie, as in so many other Woo films, we can see how the director counterintuitively uses sad music – harmonica, woodwind – over grisly, brutal action sequences, as if what he wants us to register is not the violence or the shock but just how poignantly futile and pathetic it all is. The Plot Unfolds The setting is – initially – late 60s Hong Kong; Tony Leung plays Ben, a young guy getting married to his sweetheart Jane (Fennie Yuen), and on hand are his buddies Frank (Jacky Cheung) and Paul (Waise Lee). This trio are involved in a gang war with a rival mob who corner Frank when he has gone to get cash from the local moneylender to pay for the wedding. The confrontation ends in violence and, simply to get away and avoid the heat – Woo has a cameo as a police inspector – the three guys accept a crooked job from a local gang boss smuggling contraband pharmaceuticals in Vietnam. The Climax In Saigon, all their plans explode in pure anarchy; they are at first arrested under suspicion of working for the Vietcong, then upgrade their strategy to cynical arms smuggling for the North Vietnamese, and stealing the gold belonging to the local wiseguy who was supposed to be distributing their drugs. They make contact with a worldly fixer called Luke (Simon Yam), who has a Catherine Deneuve poster in his apartment, and also gallantly undertake to rescue a Hong Kong singer Sally (Yolinda Yam), who has been trafficked to Vietnam to sell sex. They end up on the spectacular field of battle itself (with helicopters, explosions, burning villages), where Paul, increasingly obsessed with the gold, finds himself at a key moment at mortal risk of detection if he cannot keep the wounded Frank quiet, whose cries of pain might alert the enemy to their position. The Legacy It’s an extraordinary, uninhibited barnstormer from Woo, who takes us from regular, domestic crime to military chaos with confidence and sweep. One moment, in which someone stands in front of a tank, even appears to echo the Tiananmen Square protests. No one else could have made it. The Release Bullet in the Head is in UK cinemas from 1 June, and on 4K UHD and Blu-ray from 22 June.

The Lead Irish writer-director John Carney delivers a terrific comedy of bromance and betrayal in the world of music with 'Power Ballad', starring Nick Jonas as Danny Wilson, a preeningly insecure ex-boyband superstar trying to go solo, and Paul Rudd as Rick Power, a washed-up wedding singer. The Event Details The film revolves around the unlikely friendship between Danny and Rick, who bond over music and creativity. Rick plays Danny a catchy song he's been working on, which becomes a hit. The movie explores the themes of success and failure in the music industry, highlighting the struggles of those who don't make it big. The Impact Analysis 'Power Ballad' offers a fresh take on the music industry, focusing on the often-overlooked stories of those who don't achieve stardom. The film features a standout performance by Paul Rudd, who brings depth and nuance to his character. The movie's portrayal of the music industry is both humorous and poignant, making it a compelling watch. The Prediction With its talented cast and insightful direction, 'Power Ballad' is set to resonate with audiences. The film's release on May 28 in Australia and May 29 in the UK and US is expected to generate buzz in the entertainment industry. As a comedy about music, 'Power Ballad' has the potential to strike a chord with viewers and leave a lasting impression.

John Lewis Launches High‑Summer Fish‑Print CollectionThree years after proclaiming the "death of florals," John Lewis has introduced a new print that is making a splash among shoppers. The retailer’s high‑summer line features everything from sardine‑covered dresses to fish‑shaped homeware, positioning fish as the season’s "catch of the day."Sales Surge: Starfish Earrings +300%, Fish‑Shaped Tumblers +400%Starfish‑shaped earrings up 300% month‑on‑month.Silky blue fish‑print skirt on a waiting list due to high demand.Glass tumblers that stack into a fish shape up 400% month‑on‑month.Wade Pottery fish earthenware jug sales up 129% month‑on‑month.Why Fish Motifs Are Resonating with UK ShoppersThe surge aligns with a growing UK obsession with tinned fish, which has shifted from a cheap pantry staple to a "bougie" ingredient featured in premium packaging. Influencers on TikTok have helped drive an 18% rise in tinned tuna sales at Tesco, while designers use fish imagery to signal social and political identity, according to senior reporter Bettina Makalintal of Eater.Retailers such as Asos, Anthropologie and Accessorize have rolled out fish‑themed apparel and accessories, from oversized sardine tees to raffia fish‑shaped bags, echoing a broader cultural narrative that blends food, fashion and lifestyle aspirations.What the Wave Means for Summer 2026 FashionExperts predict the fish motif will extend beyond summer, influencing autumn collections and inspiring new sustainable material experiments that mimic marine textures. As consumers continue to seek "Euro‑summer" simplicity over overt luxury, the fish trend may become a staple reference point for designers aiming to capture a relaxed, coastal aesthetic.

Spurs Force Game 7 with Wembanyama’s 28‑Point PerformanceIn Game 6 of the Western Conference finals, the San Antonio Spurs crushed the Oklahoma City Thunder 118‑91, advancing the series to a decisive Game 7 on Saturday in Oklahoma City.Early Explosions and Defensive Stands Define the ContestWembanyama set the tone within the first 90 seconds, sinking two three‑pointers and blocking a shot. The Spurs surged ahead, hitting eight first‑quarter threes (three from Wembanyama) while the Thunder managed only one of six attempts from beyond the arc.San Antonio built a 15‑point lead early in the second quarter, weathered a Thunder comeback that trimmed the deficit to five, and then pulled away with a 20‑0 run late in the third quarter. Oklahoma City endured a 14‑shot streak without a make and went nearly eight minutes between points.Stat Line Highlights and Series TrendsVictor Wembanyama: 28 points, 10 rebounds, 2 three‑pointers, 1 blockDylan Harper (Spurs bench): 18 pointsStephon Castle (Spurs): 17 points, 9 assists, 1 turnoverShai Gilgeous‑Alexander (Thunder): 15 points on 6‑of‑18 shooting – his lowest output since a 14‑point game in the 2025 finalsThunder bench: 38 points (Spurs bench: 46 points)Thunder’s third‑quarter scoring: 13 points – fewest in a quarter this seasonImplications for the Western Conference FinalsThe decisive win underscores the Spurs’ ability to translate Wembanyama’s talent into team defense and bench production. Coach Mitch Johnson’s demand for more from his star after Game 5 was met, and the Thunder’s decision to sit key players (Gilgeous‑Alexander, Chet Holmgren, Isaiah Hartenstein) in the fourth quarter highlighted depth concerns.Oklahoma City now faces a must‑win scenario in Game 7, needing to rebound from a demoralizing loss and find offensive rhythm without the early spark that characterized their series‑opening victories.What to Expect in Game 7 in Oklahoma CityGame 7 will likely hinge on:Whether the Thunder can re‑establish perimeter shooting after a 1‑of‑6 start in Game 6.How the Spurs’ bench continues to out‑score the Thunder’s reserves.Wembanyama’s ability to dominate both ends – his early aggression in Game 6 suggests he will look to repeat the opening burst.Coach Mark Daigneault’s adjustments, especially regarding rotation and defensive assignments against San Antonio’s interior threats.The winner will advance to face the New York Knicks in the NBA finals, making the upcoming showdown a pivotal moment for both franchises.

Victor Wembanyama delivered a dominant 28‑point, 10‑rebound, 3‑block night to push the San Antonio Spurs past the Oklahoma City Thunder 118‑91, tying the Western Conference semifinals at 3‑3 and setting up a winner‑takes‑all Game 7 in Oklahoma City.Spurs Force Decisive Game Seven with Wembanyama’s 28‑Point PerformanceThe Spurs surged early, opening a 9‑2 lead after a quick three‑pointer from Julian Champagnie and two buckets from Wembanyama. A barrage of eight three‑pointers in the first quarter set the tone, while a 20‑0 run in the third quarter blew the game open. The Thunder struggled, missing 13 straight shots and scoring only 13 points in the third period.Stat Sheet: 28 Points, 10 Rebounds, 3 Blocks and a 20‑0 RunVictor Wembanyama: 28 points, 10 rebounds, 3 blocksDylan Harper (bench): 18 pointsSpurs three‑pointers Q1: 8 (most in any postseason quarter this year)Spurs third‑quarter run: 20‑0Final score: Spurs 118, Thunder 91What This Means for the Western Conference LandscapeThe victory keeps the Spurs alive for a first‑ever back‑to‑back NBA Finals appearance since the Golden State Warriors in 2019. For the Thunder, the loss erases a chance to become the first team to clinch the conference on the road this postseason. Meanwhile, the New York Knicks await the Western champion after sweeping the Cavaliers and 76ers.Looking Ahead: Game Seven Preview and Potential NBA Finals MatchupCoach Mitch Johnson warned his squad to expect a hostile environment in Oklahoma City, while Thunder coach Mark Daigneault emphasized execution in the final showdown. If the Spurs carry their defensive intensity, they could force a historic Finals rematch with the Knicks; a Thunder win would give them a chance to rewrite the narrative of a defending champion’s resilience.

Olly Murs Steps Into the Unknown for Soccer AidOlly Murs recently completed a brutal 400km journey from Old Trafford in Manchester to the London Stadium by running, cycling and rowing – and raised £830,000 for Unicef. On Sunday, he will take part in the 20th annual Soccer Aid match, along with Jill Scott, Tom Hiddleston, Wayne Rooney, Jermain Defoe, Owen Cooper and Angry Ginge.Under the VinesPressing concerns: the first season of this breezy wine-making daytime drama saw chalk-and-cheese step-cousins Louis (Charles Edwards) and Daisy (Rebecca Gibney) grow close after jointly inheriting a kaput New Zealand vineyard. But as this second run begins, Louis seems set on heading back to London with his ex.Gardeners' WorldWith summer making an early appearance, now is the time to embrace Monty Don’s colourful, bold flowers. Only got a patio to play with? Rekha Mistry has big plans for a small space. And Carol Klein is discovering the science of what happens to a seed from the very moment it is sown.Hunting Britain’s Fugitives: DispatchesHow many people are at large in the UK, guilty of serious crimes, but on the run and easily evading the authorities? Lawbreakers may think justice will never catch up with them, but some are less successful at escaping the attentions of reporter Matt Shea, who takes it upon himself to track them down and, in spite of the potential threat of violence, confront them.PoniesAmerican widows Bea (Emilia Clarke) and Twila (Haley Lu Richardson) have made an impactful debut as spies in Moscow in 1977: they’ve burned down a pub. How can they top that? A confident comedy drama fleshes out its two protagonists by giving Bea a new mission that requires her to toughen up, while Twila benefits from letting her guard down.Smoggie QueensLike a more chaotic, camper Beautiful People, the series ends with a bang as the gang, through flashbacks, recount a cheating scandal that happened during the final of the Mr Teesside competition. Expect several unreliable narrators, fake chest hair and “Detective Sexy” (AKA Dickie wearing fake breasts and a Sherlock cap).Film choiceFuze (David Mackenzie, 2025), 6.15am, 12.10pm, 8pm, Sky Cinema Premiere. Two of the bookies’ favourites to be the next James Bond go head to head in David Mackenzie’s tense, rug-pulling thriller. Aaron Taylor-Johnson stars as no-nonsense army bomb disposal major Will Tranter, called to defuse a second world war bomb in central London.

Sonny Rollins' Enduring Legacy: 10 Essential Recordings Sonny Rollins, a jazz icon, has left an indelible mark on the music world. With a career spanning over seven decades, Rollins has consistently pushed the boundaries of jazz, showcasing his mastery and innovation. Here are 10 of his greatest recordings: Tenor Madness (released on Craft/OJC, 1956) A 30-year-old Sonny Rollins had already made his unique mark with Miles Davis and Thelonious Monk by the time this 1956 session was cut. Hooking up with his contemporary and admirer John Coltrane happened by chance on the two-tenor blues chase of this album's title. Saxophone Colossus (Prestige, 1957) This writer's first connection with Sonny Rollins' music was occasioned not by music but words: poetic New Yorker writer Whitney Balliett's evocative review of Sonny Rollins' 1957 Saxophone Colossus. Rollins was partnered on this classic set by pianist Tommy Flanagan, bassist Doug Watkins, and bebop-pioneering drummer Max Roach. Way Out West (Contemporary, 1957) When UK jazz musician Courtney Pine was blossoming as a teenage saxophonist in the early 80s, he would recall that Sonny Rollins' 1957 recording Way Out West was a key inspiration. The format was a Rollins favourite in his own early years – the demanding setup of a sax improviser with just bass and drums in support. A Night at the Village Vanguard (Blue Note, 1957) Rollins' live recordings are not as abundant as his genius in open situations deserves, but this music from New York's Village Vanguard makes up a lot of the ground. Freed from the march of chords by the absence of a pianist, he's in storming form in the company of rock-solid bassist Wilbur Ware and soon to be legendary Coltrane drummer Elvin Jones. Freedom Suite (Riverside, 1958) Rollins was never a natural composer – like Miles Davis, he preferred tunes that could be sketched on the back of envelopes. But Freedom Suite was an interesting departure for him, occasioned by the political climate of US race relations and civil rights in the late 1950s. The Bridge (RCA, 1962) Rollins took a creative break between 1959 and 1961, and his return came with The Bridge, named after the eccentric refuge he found: practising alone on New York's Williamsburg Bridge with only passing trains for company. Live at Ronnie Scott's (Gearbox Records; recorded January 1965) Rollins' visits as a solo performer to London's Ronnie Scott's club in the late 50s and early 60s introduced his mesmerising magic to UK audiences, and also helped to galvanise the local scene's confidence at a time when European jazz became increasingly emancipated from the US. Sunny Days, Starry Nights (Milestone, 1984) From the 1980s onwards, Rollins settled into a concert groove that was predictable – by his exacting improvisational standards – and frequently dazzling for audiences new to him. Sunny Days, Starry Nights showcased him with partners who would regularly join him on stage for the rest of his life. This Is What I Do (Milestone, 2000) The best and most affectionately closeup manifestation of Sonny Rollins' genius as he hit his 70s. The saxophonist's later-life partners are present, and so is one of contemporary jazz's greatest drums pioneers in Jack DeJohnette. Without a Song: The 9/11 Concert (Milestone; recorded 2001) Sonny Rollins and his wife, Lucille, lived close to the World Trade Center, witnessed the buildings' collapse on 9/11, and had to evacuate their apartment shortly afterwards. Four days later, the saxophonist performed and recorded this evocative session with his regular sidemen at the Berklee School of Music in Boston.

The Vinnie Jones Documentary: A Chaotic but Enjoyable Biopic The Untold UK documentary series on Netflix has taken a new turn with its latest episode, focusing on the life and career of Vinnie Jones, a former footballer and film star. The documentary is an energetic and celebratory portrayal of Jones' life, but it falls short in providing in-depth analysis or critical questioning. Early Life and Football Career Vinnie Jones, born just outside Watford, began his football career as a semi-pro at Wealdstone, combining it with his work on a building site. He became captain of the boys' team and eventually joined Wimbledon in 1986, where he became part of 'the Crazy Gang' alongside John Fashanu. The team caused endless ruckus but also achieved a brief spell at the top of the newly promoted first division. The Crazy Gang and Rise to Fame Jones' time at Wimbledon was marked by his reputation as a hard man on the pitch, with numerous yellow and red cards. The documentary lovingly documents his successes and controversies, including his infamous tackles and tactics. However, it lacks critical questioning about his career choices and the impact of his image on his personal life. Hollywood and Later Life The documentary also touches on Jones' time in Hollywood, but it is a brief and unenlightening segment. Overall, the documentary is an enjoyable but shallow portrayal of Vinnie Jones' life and career. The Verdict Despite its shortcomings, the documentary is an unexpected amount of fun, providing a lighthearted and entertaining look at Vinnie Jones' life. The documentary is available on Netflix, and viewers can decide for themselves whether it is a fitting tribute to the man and his career. Untold UK: Vinnie Jones is on Netflix