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The LeadThere will be plenty that Bernardo Silva will miss about Manchester City but driving rain in May and playing against the lowest of blocks will not be two of them. The midfielder's penultimate game at the Etihad Stadium after nine years at the club was a reminder of how difficult it will be to replace him.The Versatile FoundationAmid six changes, as Pep Guardiola rested and rotated, keeping "grandfather" Silva in the team was imperative. Without Rodri, the head coach needed someone he could rely on and no one better fits the category than the 31-year-old. Playing alongside Phil Foden in midfield, as the deeper of the two, one of a plethora of roles he's taken on down the years, he utilised his mix of steel and finesse to set an example.The Architect of ControlVersatility is not the reason Silva will go down as one of City's greats, but it shows that in a world of egos, he is willing to adapt for the sake of the team. From left-back to false 9, Silva has covered a lot of ground, making him hard to define in the modern game. What Guardiola has always loved about him is his ability to dictate a match, replacing Joy Division as the leading author of control in the north-west of England.The Statistical LegacyOver the past nine seasons, no one has won more Premier League games than Silva – 217 to be precise – and he has been Guardiola's most used player in the period, making 457 appearances in all competitions, 85 more than Ederson, his closest rival. It is a testament to his longevity and fitness, not to mention rarely dipping in form. Even in the matches he was not at his best, there was always a desire to succeed and Silva's attitude never dampened.The Mentor's RoleIt seems inevitable that Silva will go into coaching once his playing days have ended, probably somewhere warmer than Manchester on Wednesday night. He coaches others through the game, ensuring they know their role in the team. Considering Foden's poor form this season, he looked very comfortable alongside Silva, offering more spark than has regularly been witnessed in recent times, proving it with a magical backheel to create Antoine Semenyo's opener.The Selfless ActsNatural instincts make Silva want to join every attack but he knows City are susceptible to the counterattack, forcing him to be constrained. Holding back to assist those behind him should a positive quickly turn into a negative is a selfless act, one much appreciated by what is a relatively inexperienced pairing. Intelligent use of the ball is integral to the Silva repertoire.The Cool ComposureIntelligent use of the ball is integral to the Silva repertoire. Ten minutes into the second half there was a sublime touch and simple pass to a teammate, something that goes relatively unnoticed in the grand scheme of things but it was on the edge of his own box, with Palace shirts all around. Silva was not panicked, he never is, and this coolness radiates around his teammates. Without Rodri, there is always a little more trepidation in the ranks, so the comfort of Silva is welcome. Should the two be absent at any point, one wonders who could fill the void.The Final Standing OvationWith 11 minutes to go, Guardiola relented and brought his metronome off for a break, with more key fixtures to come. It gave the supporters a second-to-last chance to give their hero a thoroughly deserved standing ovation. Passing on the captain's armband to Nathan Aké was Silva's easiest task of the night but felt ceremonial considering his impending departure.The Final Trophy HopesSaturday at Wembley gives Silva the chance of a third FA Cup medal, to add to the Champions League crown and six Premier League titles, with a seventh still a possibility. Guardiola insists he does not have an archetypal player but if he did, they would resemble Silva. "Everything is replaceable in football life," Guardiola said. "But there are players that it's even more difficult."

The Global Obesity Landscape: Not a Uniform EpidemicA continuing rise in obesity around the world is not inevitable, research suggests, with rates in some countries levelling off or potentially in decline. Researchers say focusing on what has been described as a global epidemic of obesity hides large variations in trends across different countries, sexes and age groups.Majid Ezzati, a professor of global environmental health at Imperial College London and author of the study, said: "I think the thing that's really important is this diversity exists even across countries that have really similar economic, environmental, technological features. So countries may look the same on the surface of it but obesity looks different."Comprehensive Analysis Reveals Complex PatternsWriting in the journal Nature, the international team, which involved a network of almost 2,000 researchers, described how for each country they calculated the change in the prevalence of obesity each year between 1980 and 2024. They drew on data from 4,050 population-based studies involving 232 million participants aged five years and above.They found that the prevalence of obesity increased in almost all countries over the 45-year period. However, in most high-income countries, a rapid rise in the prevalence of obesity has been replaced by a slower increase, a plateau, or a potential decline.Regional Variations in Obesity PrevalenceThe rate of growth in obesity is slowing in adults in the US and UK, reaching a prevalence of 40-43% and 27-30% respectively in 2024. Obesity is increasing steadily in Finland, has plateaued in Germany and may have started to decline in France, where 24-25%, 20-23% and 11-12% of adults respectively were thought to have the condition in 2024.Slowdowns were often seen in children and adolescents before adults. For the former group, the slowdown started as early as 1990 in Denmark and rates stabilised in most high-income countries by the mid-2000s. Obesity has plateaued in boys and girls in the UK, US, Germany and Japan at prevalences of 10-12%, 20-23%, 7-12% and 3-7% respectively.Meanwhile, obesity among young people and adults in many low-income and middle-income countries continues to rise and in some cases this is accelerating.Understanding the Drivers Behind Divergent TrendsThe team say it is important now to unpick what is behind the trends in different countries. The situation is complex: while there may be shared reasons for obesity, such easy access to unhealthy foods or a decrease in physical activity, the team say country-specific factors rooted in social, economic and policy considerations could also be important, from perceptions around body image to the presence or absence of interventions such as healthy school meals.Naveed Sattar, a professor of metabolic medicine at the University of Glasgow, who was not involved in the work, said the study highlighted how obesity trends were diverging sharply across countries. "English-speaking nations are doing particularly poorly, with the UK now among the countries with the highest obesity levels worldwide," he said.Sattar said it was encouraging that some countries appeared to have reached a plateau in obesity rates. "Understanding what has worked in those settings is crucial as it could help shape more effective public health strategies for the UK," he said, although he noted there could be country-specific aspects or customs at play.Future Outlook and Potential InterventionsHe said the rapid rise in obesity across many developing countries was especially concerning, not least as it could result in increases in diabetes and cardiovascular conditions.He added: "Looking ahead, it will be important to see how wider use of effective weight-loss medicines affects obesity trends, particularly in the UK and the United States. Recent signs of stabilisation in the USA suggest there may be room for cautious optimism. Combining evidence-based medicines with strong public health measures could begin to shift obesity rates in the right direction."

New research from the International Data Center Association (IDCA) reveals that datacentres are now responsible for roughly 6% of electricity consumption in the United Kingdom and the United States, intensifying public and political scrutiny over the sector’s rapid energy growth.Datacentre Power Demand Hits 6% of UK and US GridsThe study notes a 15% worldwide increase in datacentre electricity use over the past two years, driven by the surge in AI workloads and internet traffic. Annual global investment in new facilities is approaching $1tn (£740bn), equivalent to nearly 1% of the global economy. In the UK, datacentre electricity share has risen to 5.9%, while the US sits at 6%, far above the global average of 2%. Smaller nations such as Singapore and Lithuania face even higher pressures, with datacentres consuming 19% and 11% of their national grids respectively.Financial and Energy Metrics Highlight Rapid GrowthGlobal investment: ~$1tn in 2025UK grid‑connection queue: grew 460% in H1 2025US “zombie” services: account for 13% of datacentre load, equating to over 3 GW of wasted powerProjected UK demand: could quadruple by 2030These figures align with the International Energy Agency’s estimate that global energy use by datacentres rose 17% in 2025, outpacing overall electricity demand growth of 3%.Community Pushback and Policy Implications Across NationsThe IDCA warns that once a country’s datacentre footprint reaches the 5%‑6% threshold, “significant community and political pushback” becomes inevitable. In the UK, activists and groups such as Greenpeace UK have warned of an “unchecked AI boom” leading to higher energy bills, water‑stress, and renewed reliance on fossil fuels. The report calls for:Greater transparency from tech firms on future datacentre plansMandatory environmental impact assessmentsA ban on new polluting power plants dedicated to AI workloadsAdditionally, the study highlights emerging security concerns, noting that recent attacks on datacentres in the Middle East have underscored the need for integrated cyber‑physical protection strategies.Outlook: Regulation, Transparency, and Security Challenges AheadLooking forward, the IDCA predicts that pressure will mount for:Stricter national grid connection policies to curb the 460% surge in pending requestsIndustry‑wide standards to eliminate “zombie” services and improve energy efficiencyCoordinated security frameworks that address both cyber threats and physical vulnerabilitiesIf policymakers act swiftly, the sector could mitigate its environmental footprint while sustaining the growth of AI and cloud services. Failure to do so may trigger broader societal resistance and accelerate regulatory clampdowns.

Demi Moore warned at a Cannes press conference that the film industry “cannot fight” the rise of artificial intelligence, describing resistance as a losing battle and calling for collaborative approaches.The Cannes Jury’s Candid Take on AI’s Inevitable RoleDuring a Tuesday press conference, the actress – a member of the Cannes Film Festival jury – answered questions about AI’s impact on cinema. She said, “AI is here. To fight it is a battle we will lose,” and suggested that filmmakers should explore ways to work with the technology rather than oppose it.Absence of Quantitative Data Highlights Qualitative ConcernsThe discussion contained no specific financial figures or usage statistics, underscoring that the debate is currently driven by ethical and creative considerations rather than measurable market impacts.Implications for Filmmakers and the Regulatory LandscapeMoore expressed doubt that the industry is doing enough to protect creators, hinting at a need for stronger regulation.Fellow juror Park Chan-wook reinforced the idea that art and politics should not be divided, linking the AI conversation to broader questions of creative freedom.Screenwriter Paul Laverty warned of potential “blacklisting” in Hollywood, suggesting that AI‑driven content controls could exacerbate existing censorship pressures.Future Outlook: Collaboration Over ConflictMoore concluded that the “beautiful aspects” of AI can enhance filmmaking, but the “true art” will always come from the human soul. The prevailing view among the jury is that embracing AI as a tool, while safeguarding artistic integrity, will shape the next era of cinema.

Conan O’Brien has been officially announced as the host for the 99th Academy Awards, scheduled for 14 March 2027, extending his run as the ceremony’s comedic anchor for a third year in a row.Academy Confirms O’Brien as Host for the 99th AwardsThe Academy’s leaders, Bill Kramer and Lynette Howell Taylor, praised the “incredible team” behind the past two shows and highlighted O’Brien’s “brilliance and humor” as central to the celebration. Executive producers Raj Kapoor and Katy Mullan will return, ensuring continuity in the production’s tone and style.Viewership Trends and Social Engagement Under O’Brien’s Tenure2025 inaugural year: 19.7 million TV viewers tuned in.2026 ceremony: traditional broadcast ratings dipped (exact figure not disclosed), but social‑media interaction rose 42% compared to the previous year.2027 broadcast will air live on ABC from the Dolby Theatre in Los Angeles.What O’Brien’s Return Means for the Oscars’ Brand and Broadcast FutureIndustry analysts note that O’Brien’s comedic style has revitalized audience perception, offsetting the ratings slump with heightened online buzz. Craig Erwich, president of the Disney Television Group, emphasized that O’Brien “makes Hollywood’s biggest night one of the most entertaining celebrations of the year.” The continuity also buys the Academy time as it prepares for a major platform shift slated for 2029.Looking Ahead: Potential Shifts in Hosting and Platform StrategyThe 99th ceremony will be the penultimate event held at the Hollywood Dolby Theatre and the last on traditional broadcast TV. By 2029, the Oscars are set to move to YouTube and relocate to downtown Los Angeles for the 101st awards, suggesting a long‑term pivot toward digital distribution. O’Brien’s presence in 2027 serves as a bridge between the legacy broadcast era and the forthcoming streaming‑first model.

The Lead: Anthropic's Legal AI Expansion Anthropic announced Tuesday that it is launching a host of new chatbot features designed to provide automated assistance to law firms. The new features expand Claude for Legal — the law-focused offering that launched earlier this year — offering users a new set of legal plugins and MCP connectors designed for specific areas of law. The Event Details: New Legal Plugins and Connectors Anthropic's new tools are designed to help law firms automate specific clerical functions — things like document search and review, case law resources, deposition prep, document drafting, and other related areas. The plugins — which represent a bundle of functions and automated tools — are designed to work across legal fields like commercial, privacy, corporate, employment, product, and AI governance. Anthropic is also offering a number of model context protocol connectors. MCPs connect specific data sources and third-party systems to AI models, allowing the models to interact with them directly. In this case, the new MCP connectors integrate Claude into a variety of software applications that are already routinely used by law firms — applications for document management like DocuSign and file search platforms like Box. Legal research sites like Thomson Reuters (which operates Westlaw) can also be connected. The Data Analysis: Funding Surge in Legal AI The new tools come amid hot competition in the legal AI space. In March, the AI law startup Harvey, which uses agentic AI to automate legal workflows, raised $200 million at a valuation of $11 billion. Last month, a rival startup, Legora, raised a $600 million series D, and launched a high-profile ad campaign featuring Jude Law. Legora offers similar services to Harvey — automated solutions built to simplify the often byzantine law processes that have traditionally involved entire teams of humans. The Impact Analysis: Transforming the Legal Profession As AI companies have sought to court law firms, AI-related failures have caused real problems in court. Dozens of lawyers have been caught using AI to generate error-ridden legal documents, as has at least one major law firm. Last year, California issued a first-of-its-kind fine against an attorney who had used ChatGPT to draft an appeal riddled with fake quotes. Federal judges have also been caught using it to draft rulings, a trend that drew the scrutiny of Congressional leaders last year. Meanwhile, AI-generated lawsuits are said to be clogging the arteries of justice — overwhelming courts with stacks of bizarrely argued legal "slop." Despite these challenges, the legal sector is facing mounting pressure to adopt AI, and the firms and in-house teams that move are pulling ahead fast. The Prediction: Future of AI in Legal Services "Claude is making a deeper push into knowledge work, with the legal sector emerging as one of its most significant and fastest-growing industries," a spokesperson for Anthropic said. As the competition intensifies and AI capabilities improve, we can expect to see more specialized legal AI tools that address specific practice areas while mitigating the risks of errors and misinformation. The integration of AI into legal workflows appears inevitable, but the pace and manner of adoption will likely vary across different types of legal practices and firms.

The LeadHelen Charlston, a strikingly original talent in the classical music world, has released "A Poet's Love," an innovative album that reimagines Robert Schumann's classic Dichterliebe cycle. The mezzo-soprano's latest recording pushes into unexpected territory by complementing Schumann's work with other Heine settings by early-19th-century German contemporaries and presenting the first recording of Knight's Dream, a new piece by composer Héloïse Werner.A Fresh Interpretation of DichterliebeThe album centers on Schumann's Dichterliebe, a cycle on poems by Heinrich Heine that remains relatively unusual territory for the female voice. Charlston and pianist Sholto Kynoch offer a decidedly individual interpretation, taking time to land their points. Their approach begins with a trancelike start in "Im wunderschönen Monat Mai," stretching certain phrases to the limit. The duo returns to this mood frequently, surprising listeners with elongated measures and delivering an uncommonly elastic "Ich grolle nicht." Charlston's honeyed middle register draws the ear throughout, complemented by Kynoch's perceptive handling of Schumann's postludes.Complementary Works and New CommissionCharleston enhances the Schumann cycle with other Heine settings by early-19th-century German contemporaries, including both Felix and Fanny Mendelssohn. The album also features the first recording of Knight's Dream, commissioned as a companion piece for the Schumann from composer Héloïse Werner. The latter tells of a gallant lover blundering about in an enchanted fever dream. Charlston relishes Werner's haunting, folk-inflected vocal lines, her wine-dark mezzo-soprano savoring every nuance. Kynoch proves an exceptional collaborator, embellishing the narrative by speaking, humming, and even knocking on the piano.Vocal and Artistic BrillianceThroughout the album, Charlston's voice flows like molten lava, with every word crystal clear. This same resourcefulness breathes life into Loewe's Die Lotosblume and Fanny Mendelssohn's Schwanenlied. The mezzo-soprano's distinctive vocal style—characterized by her wine-dark timbre and honeyed middle register—creates a compelling listening experience. Kynock's accompaniment is equally impressive, demonstrating thorough understanding of the repertoire and exceptional sensitivity to the texts.The Future of Artistic Innovation in Classical Music"A Poet's Love" represents the kind of innovative programming that can revitalize classical music for contemporary audiences. By juxtaposing established masterworks with new commissions and exploring repertoire less commonly performed by female voices, Charlston and her collaborators demonstrate how tradition and innovation can coexist. This approach not only honors the past but also creates space for new voices and perspectives in the classical music landscape, suggesting a promising direction for the future of the art form.

The Trump-Xi Summit: A New Era for US-China Relations? US President Donald Trump is set to arrive in Beijing on Wednesday for a two-day summit with China’s President Xi Jinping, marking the two leaders’ first face-to-face talks six months after reaching a trade war truce. The Event Details: Trade, Security, and Global Governance The summit, which was delayed from March because of the US-Israeli war on Iran, comes as Trump needs a foreign policy win amid dissatisfaction at home over the latest Middle East quagmire. The Data Analysis: Economic Impact of the Trade War US-China ties have also been strained by the war, which has damaged Beijing’s economy. Iran’s closure of the Strait of Hormuz and Washington’s competing blockade of Iranian ports have left Chinese ships stranded and severely affected China’s crude oil imports, half of which are shipped from the Middle East. The Impact Analysis: Global Implications of a G2 As Trump threatens to quit NATO over the alliance’s refusal to back the US-Israeli war on Iran, further distancing the US from its traditional allies, the Trump-Xi summit has revitalised the idea of a Group of Two (G2) – an informal grouping in which the world’s two largest superpowers could steer the world’s collective future. The Prediction: Future Outlook for US-China Relations Jing Gu, director of the Centre for Rising Powers and Global Development at the Institute of Development Studies (IDS) in the UK, said the meeting should not be seen as the beginning of a G2, but instead as “strategic reconnaissance”. “Both sides are trying to read the other’s latest bottom line, clarify red lines and test how far pressure can go before stable tension turns into rupture,” Gu told Al Jazeera.

Theatre Review: Sunset Boulevard: The Backstage Cut Over the past decade, Morag Fullarton has been developing a popular line in bijou Hollywood adaptations. With a camp flourish and a multitasking cast, the writer and director has boiled down favourites including Casablanca and It’s a Wonderful Life. She last had a crack at Sunset Boulevard, then billed as a “lunchtime cut”, in 2015 at Glasgow’s A Play, a Pie and a Pint, the company she went on to co-run for four years. The Event Details Now associate director at Perth, she has reunited the fine four-strong company who went down so well the first time around, worked in an extra 20 minutes of material and given it a handsome main-stage production. But for all its strengths of mimicry and its affection for Billy Wilder’s 1950 original, it is a show severely lacking in purpose. The Performance Analysis Caught like a fly in Norma’s web, John Kielty captures the brashness and vulnerability of skint screenwriter Joe Gillis, fated to end up face-down in his employer’s pool. Frances Thorburn, also acting as narrator to help skip through the scenes, is a bright-eyed Betty Schaefer, the script reader, turning Joe’s head and showing a keen ear for snappy Hollywood dialogue. Mark McDonnell is masterfully dry as butler Max and in other roles. The Impact Analysis But seen in this context, the play offers little of its own. It is not pastiche, parody, reimagining or commentary. Instead, it is a faithful and rather pointless rendition of a film that, inevitably, does the same job better. The Prediction The play will run at Perth theatre until 16 May. Whether it will find its purpose then remains to be seen.