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The Prisoner Exchange Agreement Yemen's internationally recognised government and the Houthi group have signed a United Nations-backed agreement in Jordan to exchange more than 1,600 detainees, marking the largest prisoner exchange since the country's civil war began in September 2014. Details of the Agreement Under the accord, the Houthis will release 580 prisoners, including seven Saudis and 20 Sudanese, while the government will release 1,100 Houthi prisoners, Houthi official Abdulqader al-Mortada said in a post on social media on Thursday. The Houthis will release 580 prisoners. The government will release 1,100 Houthi prisoners. The Data Analysis Nearly 1,728 detainees from both sides will be released as part of what Yahya Kazman, the deputy head of the government negotiating team, called the “largest” agreement of its kind. The Impact Analysis The deal follows more than three months of negotiations held in the Jordanian capital Amman in line with an agreement reached by both parties in December after UN-facilitated consultations in the Omani capital Muscat. The two sides agreed to hold further talks on additional releases and allow mutual visits to detention facilities. They also agreed on an implementation plan with the International Committee of the Red Cross (ICRC) to move forward with the release operation. The Prediction “The agreement includes the release of a number of coalition forces personnel, members of the armed forces and security services, fighters from various military formations and the popular resistance, as well as politicians and journalists who spent years in Houthi detention,” Kazman said on social media. The ICRC also said it “welcomed” the agreement between the two parties, saying in a statement that it “represents a crucial step forward”.

The Rise of a Dynasty: Houston's Unexpected WNBA Reign Fran Harris remembers a late-night dinner in Sacramento. Her Houston Comets squad had just dispatched the lowly Monarchs by 10 points. To celebrate, she and a few teammates, including Cynthia Cooper, Tammy Jackson and Kim Perrot, decided to grab a bite. Cooper had scored 44 in the 25 July 1997 contest, and her talents dazzled even her dinner companions. "I said to Cynthia, 'I just cannot believe how great you're playing – and I know how great you are!'" Harris tells the Guardian. "And she goes, 'I know!' She was just, like, Yeah, I'm the motherfucker! I was like, 'You absolutely are!'" From Underdogs to Champions: The Comets' Unexpected Journey Cooper, an eventual two-time WNBA MVP and four-time champion, was not supposed to be the league's top player. She'd played in Europe for a number of seasons after winning college championships at USC in the mid-1980s. But when the WNBA began in the summer of 1997, she was already 34. In fact, her entire Houston Comets team, who would win the league's first championship – as well as the next three – were predicted to finish last by many ahead of the inaugural campaign. (They could get a chance to add to their tally: on Wednesday the WNBA confirmed a franchise will return to Houston in 2027, 19 years after the original Comets folded.) "They were very unimpressed with our roster for some reason," says Harris, now a television analyst for the WNBA's Dallas Wings. "When we read that, we were like, 'This shit is funny! That is hilarious.'" The League's Precarious Foundation: Women's Basketball Before the WNBA When the WNBA began, professional women's basketball was in a precarious state. The WBL, the first pro women's league in the US, started nearly 20 years prior. But it folded within three years. After that, several more leagues popped up, including the ABL, which launched in 1996. That year, the US boasted an all-time Olympic team, and the league wanted to capitalize on the enthusiasm around their gold medal. But things didn't go to plan for the ABL. Harris, who had won a NCAA championship in 1986 with Texas, had heard about the ABL and was interested, but a former teammate working as a college coach warned her against joining, with the NBA getting ready to launch the WNBA. Harris took note. The ABL, without big-money backing, folded after two seasons. Building a Team: Tryouts and Team Chemistry Tryouts for the Comets' inaugural season kicked off on Mother's Day weekend. "It was just survival of the fittest," says Yolanda Moore. "It was a free-for-all. We did your basic three-man-wave – that kind of stuff. But really we were just put into teams and played basketball. And at the end of every session, they would make cuts." The Comets' first coach was Van Chancellor. A veteran of the college ranks, he'd been Moore's coach at Mississippi. Still, he told her that she had a "snowball's chance in hell" to make the Comets, she says. Moore, who graduated with a degree in journalism, initially wanted to be "Robin Roberts Jr". When she heard about the WNBA, though, she had to jump for it. She also didn't listen to her coach's negative attitude. Moore's perseverance landed her a spot on the Comets' practice team, and later one on the main roster. The Legacy of the Comets: Paving the Way for Future Generations Thinking back on the year, Harris vividly remembers the Comets' first regular-season game. It was on the road in Cleveland with an official attendance of 11,455. "It was sold out," she says. "I was like: 'Woah!' The crowd for that moment was a big deal." In a way, Harris says, that entire first year was like a dream. The WNBA marked the first time longtime women's basketball stars could play against one another professionally in the US. "We had all played against each other in college," Harris says. "Now, here we were playing against each other in a pro league. It was incredibly surreal." "Not only were we trying to prove ourselves in the league," says Moore, a bench player in her first season before blossoming into a top backup center, "but we were women trying to prove ourselves to this sport, that we deserved to have this space. We were proving that this was our time." The Return of the Comets: Houston's WNBA Future The announcement that a WNBA franchise will return to Houston in 2027 marks a significant moment for the league and the city. The original Comets folded in 2008 after winning four championships in the league's first four years. The return of professional women's basketball to Houston comes nearly two decades later, reflecting both the growth of the WNBA and the enduring legacy of the original team. As the league approaches its 30th season, the return to Houston symbolizes how far women's professional basketball has come since the Comets' early dominance. The team's legacy continues to inspire new generations of players and fans, proving that the electric atmosphere the Comets created in Houston can be reignited in the coming years.

Donna Fisher’s unpublished manuscript Sheep’s Clothing has taken the inaugural Libraro prize, a £50,000 reader‑led award that aims to sidestep the conventional barriers of the book industry by letting readers shortlist manuscripts uploaded directly by writers. The Libraro Prize: A Reader‑Driven Disruption of Traditional Publishing The Libraro prize was created to empower readers to shape the shortlist from more than 2,000 submissions on the Libraro platform, a digital community of over 15,000 members. After the reader‑curated shortlist, an industry panel—including Joanne Harris and Elly Griffiths—selected Fisher’s novel as the winner. Financial Stakes: £50,000 Prize Package and Market Implications £30,000 in direct prize money £20,000 earmarked for marketing support Option of a book deal with Hachette UK The award also featured a £10,000 reader‑engagement prize, won by Holly Hughes for her commentary on submissions. Industry Ripple: How Community‑Sourced Awards Could Redefine Book Discovery By allowing anyone over 18 worldwide to submit manuscripts without prior publishing credentials, the Libraro model challenges the traditional gatekeeping role of agents and editors. Early‑career writers like Fisher—previously shortlisted for the 2025 Bridport short story prize—gain a direct pathway to major publishing houses. Looking Ahead: The Future of Reader‑Led Publishing Platforms With the success of the inaugural prize, the Libraro platform is poised to expand its membership and attract more submissions, potentially reshaping how literary talent is scouted. Analysts predict that similar reader‑driven initiatives could become a regular feature of the publishing ecosystem, offering publishers a data‑rich talent pipeline while giving readers a stronger voice in cultural production.

The LeadThere will be plenty that Bernardo Silva will miss about Manchester City but driving rain in May and playing against the lowest of blocks will not be two of them. The midfielder's penultimate game at the Etihad Stadium after nine years at the club was a reminder of how difficult it will be to replace him.The Versatile FoundationAmid six changes, as Pep Guardiola rested and rotated, keeping "grandfather" Silva in the team was imperative. Without Rodri, the head coach needed someone he could rely on and no one better fits the category than the 31-year-old. Playing alongside Phil Foden in midfield, as the deeper of the two, one of a plethora of roles he's taken on down the years, he utilised his mix of steel and finesse to set an example.The Architect of ControlVersatility is not the reason Silva will go down as one of City's greats, but it shows that in a world of egos, he is willing to adapt for the sake of the team. From left-back to false 9, Silva has covered a lot of ground, making him hard to define in the modern game. What Guardiola has always loved about him is his ability to dictate a match, replacing Joy Division as the leading author of control in the north-west of England.The Statistical LegacyOver the past nine seasons, no one has won more Premier League games than Silva – 217 to be precise – and he has been Guardiola's most used player in the period, making 457 appearances in all competitions, 85 more than Ederson, his closest rival. It is a testament to his longevity and fitness, not to mention rarely dipping in form. Even in the matches he was not at his best, there was always a desire to succeed and Silva's attitude never dampened.The Mentor's RoleIt seems inevitable that Silva will go into coaching once his playing days have ended, probably somewhere warmer than Manchester on Wednesday night. He coaches others through the game, ensuring they know their role in the team. Considering Foden's poor form this season, he looked very comfortable alongside Silva, offering more spark than has regularly been witnessed in recent times, proving it with a magical backheel to create Antoine Semenyo's opener.The Selfless ActsNatural instincts make Silva want to join every attack but he knows City are susceptible to the counterattack, forcing him to be constrained. Holding back to assist those behind him should a positive quickly turn into a negative is a selfless act, one much appreciated by what is a relatively inexperienced pairing. Intelligent use of the ball is integral to the Silva repertoire.The Cool ComposureIntelligent use of the ball is integral to the Silva repertoire. Ten minutes into the second half there was a sublime touch and simple pass to a teammate, something that goes relatively unnoticed in the grand scheme of things but it was on the edge of his own box, with Palace shirts all around. Silva was not panicked, he never is, and this coolness radiates around his teammates. Without Rodri, there is always a little more trepidation in the ranks, so the comfort of Silva is welcome. Should the two be absent at any point, one wonders who could fill the void.The Final Standing OvationWith 11 minutes to go, Guardiola relented and brought his metronome off for a break, with more key fixtures to come. It gave the supporters a second-to-last chance to give their hero a thoroughly deserved standing ovation. Passing on the captain's armband to Nathan Aké was Silva's easiest task of the night but felt ceremonial considering his impending departure.The Final Trophy HopesSaturday at Wembley gives Silva the chance of a third FA Cup medal, to add to the Champions League crown and six Premier League titles, with a seventh still a possibility. Guardiola insists he does not have an archetypal player but if he did, they would resemble Silva. "Everything is replaceable in football life," Guardiola said. "But there are players that it's even more difficult."

The Discovery of a Lost Musical MasterpieceThe discovery of a new work by Ralph Vaughan Williams has set the world alight this week. In a box in the archives of London's Morley College, Elaine Andrews came across a previously unknown Vaughan Williams song titled "Before the Mirror," which sets a Swinburne poem inspired by a Whistler painting. The manuscript's workings, its crossings-out and corrections, offer a fascinating insight into Vaughan Williams's creative process, revealing music of surprising tonal adventure and expressive ambiguity written shortly after his marriage in 1897.The Vast Landscape of Lost Musical WorksBut a single song pales into comparison compared to the musical riches that may be lying dormant in libraries, archives and lofts all over the world. One of the most significant musical finds of all time was the treasure-trove of manuscripts by Florence Price found in a derelict house in Illinois in 2009, which included her two violin concertos, Fourth Symphony and dozens of other pieces. This discovery revealed not only wonderful music, but also pointed to the priorities – and prejudices – of music historians.The Systematic Erasure of Female ComposersThat discovery revealed not only wonderful music, but also pointed to the priorities – and prejudices – of music historians. The discovery of previous unknown manuscripts by the most familiar composers – a single page of Mozart, an exercise by Beethoven, a sketch by Haydn – often happen because historians know where to look for ephemera of lives whose every artefact has been combed over for centuries. But that had not been the case for Price, or for other composers who have been musicologically marginalised. Their work is supposed to be "lost" simply because no one had been looking for it.Rediscovering Forgotten Female VoicesThat's why some of the deepest holes in musical history – works that we know composers wrote and that were performed in their lifetimes, but which their biographies say are now "lost" – are by female composers. Francesca Caccini wrote more than 13 stage works in her lifetime in 17th-century Italy, but only one survives today. Caccini's dozen other operas may currently be "lost," but have researchers been looking for them as assiduously as they search for a page by Bruckner or a letter by Mahler?The Case of Joseph BologneThe same goes for at least three complete operas by Joseph Bologne, who lived an extraordinary life in 18th-century France, as composer, violinist, orchestral leader, fencer and soldier, becoming a colonel in the revolution's only all-black regiment. But Bologne's legacy suffered the prejudices of a culture that reinstated slavery and which erased his contribution to the revolution and to musical society after his death in 1799. Now that Bologne's work is at last finding its place there must be renewed focus on recovering these vital "lost" operas from the oblivion that they never deserved.Legendary Lost Works We Can Only Dream OfMind you, there is also lost music whose absence has been known of for centuries – we can only dream of what could be. Bach's St Mark Passion and scores of his cantatas, Monteverdi's Arianna and other stage works, the dozens of quartets and sonatas that Brahms threw out as unworthy, or Sibelius's Eighth Symphony, likely consigned to the flames by Sibelius himself.New Leadership in Classical MusicIn other classical music news, the Royal Scottish National Orchestra has announced that Lithuanian conductor Giedrė Šlekytė is to be their next music director, succeeding Thomas Søndergård from the 2027 season. The appointment comes after just two projects: a well-received week of Mahler's First Symphony, and a subsequent recording session. As the RSNO's chief executive Alistair Mackie said: "When she joined us last year, her musical ideas and the way she works with players spoke for themselves. Giedrė gives the orchestra room to breathe and to play."

The Revolutionary Spirit of Zineb Sedira's Exhibition Zineb Sedira's exhibition at Tate Britain's Duveen Galleries is a vibrant ode to revolutionary cinema, intellectualism, and the power of art to inspire change. The installation, titled 'When Words Fall Silent, Cinema Speaks,' transports visitors to the iconic La Cinémathèque Algérienne in Algiers, a mecca for leftist filmmakers and intellectuals in the 1960s and 1970s. Recreating a Revolutionary Hub Sedira's meticulous recreation of the Cinémathèque Algérienne includes a model movie theater, vintage jukebox, and a cafe serving wine and couscous. The space is filled with books about leftist cinema, and clips from films like Agnès Varda's 'Salut les Cubains' play in the background. This immersive environment embodies the spirit of radical chic, where intellectual pursuits and pleasure are intertwined. A Tribute to Boudjemaâ Karèche and La Cinémathèque Algérienne The exhibition centers around Boudjemaâ Karèche, the director of La Cinémathèque Algérienne. Through a short documentary film, Sedira shares Karèche's stories of the cinema's heyday, when it was a gathering place for young idealists who debated revolutionary art and social change. The beret-wearing Karèche is portrayed as a charismatic figure who embodied the fusion of politics and creativity. The Challenge of Preserving Revolutionary Energy The exhibition's final film poses a poignant question: can revolutionary moments be preserved and rekindled in a museum setting? Sedira's installation suggests that by celebrating the past, we can inspire new generations to engage with art and politics. As Sedira shows, truly revolutionary art empowers people to express themselves and challenges the status quo. A Lasting Impact Sedira's exhibition is a testament to the enduring power of art to inspire and educate. By recreating a pivotal moment in cinematic history, Sedira invites visitors to reflect on the intersections of art, politics, and identity. The exhibition runs at Tate Britain's Duveen Galleries until January 17.

Atletico Madrid announced that Johnny Cardoso will have surgery on his right ankle after sustaining a severe sprain in training, ending his chances of joining the United States squad for the 2026 World Cup.Cardoso’s Surgery Seals His World Cup AbsenceThe La Liga club confirmed the procedure on Monday, noting the injury occurred during a training session last Thursday. The 24‑year‑old midfielder has already missed significant time this season, including only 45 minutes of action in a friendly against Belgium during the March international window.Numbers Highlight Cardoso’s Limited PlaytimeAge: 24Season appearances: limited by recurring injuriesInternational minutes this year: 45 (vs. Belgium)USMNT Faces Injury Crisis Ahead of 2026 World CupCoach Mauricio Pochettino must finalize a 26‑man roster while dealing with multiple absences. Captain Christian Pulisic missed recent AC Milan matches due to a muscular issue, and wingers Tim Weah (Olympique de Marseille) and midfielder Tanner Tessmann (Olympique Lyonnais) are also sidelined.The United States, co‑hosting the tournament with Mexico and Canada, will play warm‑up matches against Senegal (May 31) and Germany (June 6) before opening Group D against Paraguay on June 12.Potential Squad Adjustments and Tournament OutlookWith Cardoso unavailable, Pochettino may look to younger midfield options or reshuffle the existing roster. The injury wave could force the USMNT to rely more heavily on depth players, influencing tactical choices for both the warm‑up games and the World Cup campaign.

Tonight’s TV Line‑up: A Mix of Comedy, Documentary and DramaThe Guardian’s evening schedule offers a blend of light‑hearted competition, investigative documentaries and character‑driven drama across major UK channels. Highlights include Mel Giedroyc's new game show The Way Out, a Fleming documentary, a 1980s casino heist series, and a political‑satire piece on Donald Trump.Escape‑Room Game Show ‘The Way Out’ Leads U&Dave’s Prime SlotAt 9 pm on U&Dave, Mel Giedroyc hosts The Way Out, where teams of comedians such as Ed Gamble, Lou Sanders, Nish Kumar and Chloe Petts tackle themed rooms filled with physical and deductive challenges. The format’s blend of humour and puzzle‑solving aims to capture audiences seeking interactive‑style entertainment.Scheduling Slots and Channel Strategies Reveal Competitive Positioning9 pm – U&Dave: The Way Out (comedy‑game show)9 pm – Sky Arts: Ian Fleming and the Curse of Bond – The Spy Who Killed Me (documentary)9.45 pm – BBC Two: This Is a Bomb: The Nevada Casino Heist (true‑crime)10 pm – BBC Four: Berlusconi: Condemned to Win (sports‑politics documentary)10 pm – Channel 4: Wrestling With Trump (political satire)10.55 pm – BBC One: Half Man (drama)The clustering of high‑profile premieres around the 9‑10 pm window underscores each broadcaster’s attempt to secure peak‑time viewership.What This Line‑up Signals for UK Television TrendsThe emphasis on hybrid formats—comedy mixed with game‑show mechanics, documentaries that blend cultural analysis with personal narrative, and dramatized true‑crime—reflects a broader industry shift toward content that can be repurposed across linear TV and on‑demand platforms. Channels are also leveraging recognizable personalities (Mel Giedroyc, Munya Chawawa) to draw niche audiences.Looking Ahead: Future of Hybrid Entertainment FormatsIf the evening’s ratings confirm strong audience engagement, we can expect more commissions that blur genre lines, especially on commercial channels eager to differentiate from the BBC’s flagship dramas. Expect increased investment in interactive‑style game shows and documentary‑drama hybrids throughout the 2026‑27 season.

The Era of End-to-End Encrypted Messaging At long last, Android and iPhone users will be able to send each other end-to-end encrypted text messages. On Monday, end-to-end encrypted messaging is starting to roll out in beta for conversations between iPhone and Android users running the most up-to-date software. What is End-to-End Encryption? End-to-end encrypted (e2ee) messaging is an important privacy feature that makes users far less susceptible to surveillance by hackers, governments, or the companies that make these communication platforms. When these messages are sent between devices, they’re encrypted while in transit, making it near impossible for anyone else to intercept and read the message. The Challenges of Cross-Platform Messaging Until now, messages sent between iPhone and Android devices could not be end-to-end encrypted, even though iMessage has been encrypted since its launch in 2011, and Android users have been able to communicate among themselves via e2ee since 2021. Over the years, iOS and Android users have had clunky communications — Android users can’t use Apple’s proprietary iMessage, but Apple refused to support RCS messaging, a more sophisticated upgrade to decades-old SMS texting, since 2020. The Impact of RCS Messaging Now the industry-standard texting protocol, RCS brings features like typing indicators, read receipts, emoji reactions, longer message lengths, and encryption to text messages. But Apple didn’t support RCS until 2023, once it finally caved due to regulatory pressure. Google had urged Apple to support RCS texting to make communication between their devices more seamless — this was such an issue that people sincerely thought about “green bubble stigma,” referring to the color of the message bubbles that iPhone users receive from Androids. The Future of Secure Messaging End-to-end encrypted RCS messaging has only begun to roll out in beta, so users may not have access just yet. If a conversation between Google and Apple devices is encrypted, the users will see a lock icon that indicates that the chat is protected.