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Martin Dohrn, a veteran wildlife photographer, has created a joyous film that explores the fascinating world of bees in his urban Bristol garden. The documentary, 'My Garden of a Thousand Bees', features over 60 species of bees and showcases their unique characteristics and behaviors.Dohrn's enthusiasm for bees is palpable as he shares his experiences with the audience. He notes that bees live in a 'completely different dimension' and that his approach to filmmaking is 'time-stretching', resulting in breathtaking detail and a soundtrack that immerses the viewer in the world of bees.The film features a range of bee species, including the wool carder bee, the ashy mining bee, and the red-tailed mason bee. Each species is showcased in its natural habitat, highlighting their unique characteristics and behaviors. Dohrn's interactions with the bees are both fascinating and heartwarming, particularly his bond with a leafcutter bee named Nicky.The film's themes of companionship and appreciation for nature are woven throughout the narrative, making it a delightful and educational watch. Dohrn's passion for bees is infectious, and the film encourages viewers to appreciate the importance of these vital pollinators.The documentary also touches on the decline of bee populations worldwide, with Dohrn noting that 'all over the world, bees are declining'. However, the film's focus is on the beauty and wonder of bees, rather than the doom and gloom of their decline.The film's message is clear: let's appreciate and protect these incredible creatures. As Dohrn says, 'It's changed my view of bees. It's changed my view of the world.''My Garden of a Thousand Bees' is available to watch on BBC Four and iPlayer.

Photographer Peter van Agtmael captured a striking image during his first trip to Iraq 20 years ago, which has become a defining moment in his career. The photograph shows a dejected soldier sitting in a domestic living room, highlighting the incongruity of war in everyday life.Van Agtmael, who was 25 at the time, had been embedded with the US military for six weeks. He wanted to move beyond traditional war photography, which often focuses on violence and horror, and explore the human side of conflict. This image, he says, crystallized his understanding of the US military's role in the Middle East and the absurdity of war.The photograph shows a soldier in a mundane setting, which could be anywhere in the world. Van Agtmael notes that this juxtaposition of war and domesticity reveals the complexity of human nature and the proximity of war to everyday life. He believes that war is part of the human soul and that it's essential to acknowledge this reality.Van Agtmael's experience in Iraq was formative, and he reflects on the failures of the war in Iraq and Afghanistan. He questions the effectiveness of externally created regime change and the long-term impact of military interventions.As a war photographer, van Agtmael has grappled with the moral complexities of his work. He believes that thoughtful documentation of human violence can have a moral impact, but also acknowledges the challenges of being a witness to extreme violence.Now a father, van Agtmael has shifted his focus away from war photography. He reflects on the changing nature of his work and the importance of finding new purpose in life.

In El Salvador, the Oriente Salvaje surf spot, known for its world-class breaks, Las Flores and Punta Mango, is facing significant threats from climate change. The local economy, heavily reliant on surf tourism, sputters to a halt due to intense tropical storms causing flooding and disrupting transport routes.To mitigate these risks, Rodrigo Barraza, a local surfer, teamed up with Save the Waves, an international surfing nonprofit organization. They took out a parametric insurance policy for Oriente Salvaje, which can be used to support recovery from climate change impacts. This policy is triggered when damaging conditions cross a predetermined threshold, such as wind speed or rainfall level.The project aims to provide rapid support for the local community, which includes hotels, restaurants, surf shops, fishers, and drone experts. A survey of 50 local businesses showed that, on average, 70% of their income was dependent on surf tourism. Several informal operators, such as surf photographers, guides, and boat drivers, are especially vulnerable to changeable weather.The payout will be triggered once weather conditions reach an extreme associated with observable income loss. It will be distributed to anywhere between a few hundred and several thousand beneficiaries in the region. The size of the payout is still being determined, as well as which insurer it will be, but Save the Waves hopes to have a pilot running by June.The pioneering program has not been hurdle-free. Angelo Picardo, Save the Waves' local coordinator, says: "El Salvador is a developing country and we don't have an insurance culture – people don't even have health insurance – so there's a lot of work you have to do on the ground to bring people on board."Another challenge has been funding the premiums without burdening local businesses. Save the Waves is in talks with the Salvadorian government, which since 2019 has been channelling millions from loans into a nationwide surf tourism initiative.This type of insurance is bound to spread as more communities and ecosystems experience weather extremes. However, Swenja Surminski, an international expert on innovative insurance for ecosystems, warns that "parametric solutions must be combined with broader resilience and adaptation strategies".