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The Alleged Russian Hack Nigel Farage is under mounting pressure to provide evidence for his claim that a state-sponsored Russian hack was behind the disclosure of the £5m gift he received from the crypto billionaire Christopher Harborne. Farage's Claims and Scrutiny Reform UK claimed over the weekend that analysis of Farage’s phone by “counter-espionage experts” suggested that “Farage’s phone, email and bank accounts were compromised by hostile actors, almost certainly linked to Moscow, using spear phishing tactics”, before the Guardian revealed details of his undeclared gift last month. Farage told the Mail on Sunday that the alleged Russian activity was “deeply concerning” and highlighted the “threat they pose to British security”. He also claimed that the £5m gift was given to him for security purposes to keep him “safe and secure” for the rest of his life. The Data Analysis The £5m gift was given to Farage before he announced in June 2024 that he was running in the general election race. The money came through a company linked to Harborne, one of the UK’s wealthiest crypto investors and a major financial backer of right-wing causes. The Impact Analysis Labour and the Conservatives have called on Farage to hand any evidence he has to Britain’s security services. A spokesperson for the Guardian described Farage’s claim as “an attempt to deflect attention from legitimate scrutiny of his financial affairs”. The National Cyber Security Centre is not aware of a report from Farage related to the alleged hack. The Prediction If Farage has genuine evidence that Russia attempted to hack him, he should immediately hand it to the relevant authorities and be fully transparent with the British public about exactly what he knows. The British people are entitled to answers, not distraction tactics.

The Evolution of the Office LunchIt's 12.30pm as I write this. My mind is preoccupied with moving my fingers from key to key on my ageing laptop, a task I paused briefly to remove a hair from the screen. Then, I scratched my leg again, which kicked up another hair. I should get back to work, but I can't concentrate. Why? Because I'm incredibly hungry. It is, after all, lunchtime – the most worthless part of any work day.It is not that there's shame in lunch. It's just that we're not programmed to eat at a certain time. We're all different and the whole concept of the office lunch is obsolete nonsense in 2026. Let it go.The Industrial Roots of the Midday MealBig Lunch (or alternatively, the Lunch Industrial Complex) will tell you otherwise. Lunch is considered a fundamental element of the work day. It is legally mandated here in California, after all. But it is also something people who work in offices look forward to. It's a moment to step away from the invisible chains that attach us to our computers for an hour or so of normal human behavior. Back when I worked in an office, I would look at my phone and think, if I can just make it to noon, I'll be OK. Lunch was like a little treat to break up the monotony of corporate life. In some jobs, there was even a free lunch to make the whole thing even more appealing. You can't leave the office. You don't even have to leave the office!I wasn't around for most of the 20th century, but according to TV shows like Mad Men, the old days of lunch meant meandering to a classy steakhouse and getting drunk off martinis, then plopping on to a chaise longue until the buzz wore off. I would happily endorse that version of lunch, but that's not what we are being presented with today. The modern office lunch is about convenience and expediency. It's being hustled through a Sweetgreen to collect your biodegradable bucket of vegetables so you can get back to your desk before your next meeting.The Economic Impact of Changing Lunch HabitsThe work day lunch is merely a distraction from your unenviable reality, offering the illusion of choice while reinforcing the plain and simple fact of your need to earn a living performing a series of tasks you hate. Shall I have pizza or Mexican food? No, I mustn't. I shall have a salad, lest I become a walking man-beast made primarily of partially digested carbohydrates.Lunch, as a concept, evolved from light refreshments as a leisure activity to a meal equal to the other two, thanks to the rapid rise of industrialization in the 19th century. Lunch became a crucial break from mining coal or assembling car parts. I don't need nearly as much of a break from designing PowerPoint slides or responding to an email that's "just following up on my previous request". Patience, yes. But that's a different story.So, we have rendered this middle child of a meal (not as nourishing as breakfast and not as fun as dinner) a culinary pariah tied directly into emotional desire. Lunch is the vestigial tail of the Industrial Revolution. I no longer look forward to noon like an over-caffeinated child anticipating Christmas morning. Maybe I'll have a small snack – nuts, a protein bar, crudites. I might even read or go for a walk. I recognize my privilege here, that I'm not mandated to be anywhere or do anything I don't want to do. I can occupy myself with other pursuits that are more nourishing than a buffalo chicken wrap. But the fact remains that my job is still as active as any office worker's. As in, not at all. I prefer a big, nutritious breakfast or a nice, early dinner.The Changing Landscape of Office DiningIf I have to meet someone socially or professionally during the day, or if my stomach is screaming at me, I'll eat. (In my fantasies, my stomach sounds exactly like my mother, a topic to unpack another time.) But without the peer pressure of needing to make use of my hour of mandated leisure time by filling my mouth with overpriced junk (or gossiping with co-workers), I can truly be free. The office lunch is a scam perpetrated by venture capitalists with big dreams of franchising their various "elevated" takeout dining experiences. But automation, economic malaise and the collapse of the urban business district are going to make these places even more useless. Sweetgreen's business is cratering for these very reasons. As the economy suffers, fast food is growing in popularity again, but fast food is not the answer.Places like Sweetgreen, Pret a Manger or Cava sustain themselves on the concept of lunch being connected to leisure: with your hour of free time, you should have a meal, even if it's food you don't even particularly enjoy consuming. I'm not saying don't eat lunch; rather that the break you receive from the drudgery of employment should be spent on pleasurable activities. If that means eating, great. But don't do it just because you think you have to. I say we should normalize taking a nap in the afternoon. Not a Mad Men-style snooze caused by excessive alcohol consumption, but a rest from the all-consuming stimulus of modern life. Get rid of the cubicles and unused couches in the various open-plan tech spaces and put in beds. Give me a teddy bear and one of those caps cartoon characters wore at night.The Future of Workplace DiningAnd now … I'm done typing. I can go eat something. Why am I eating in the afternoon? Am I some kind of hypocrite?No.It's because I didn't eat breakfast.

The Launch of Nansledan’s Mixed‑Use High StreetThe Duchy of Cornwall has turned a former construction site on the edge of Newquay into a vibrant high street anchored by a Tesco and a market hall. Initiated by King Charles in 2014 and visited this week by Prince William, the scheme is designed to host independent retailers, affordable housing and community amenities within a walkable layout. Numbers Behind the DevelopmentCurrent population: > 2,000 residents in ~900 homes.Planned total: 3,700 new homes, including 30% affordable units and 24 homes for people experiencing homelessness.Private income for the Duchy: > £20 million per year.Planned investment from the Duchy: £500 million into community and nature projects over the next decade. Potential Ripple Effects on Newquay’s Retail CoreSupporters argue Nansledan offers a modern answer to the national high‑street crisis, providing jobs, social connection and a boost to local supply chains. Detractors, including shopworkers at Spalls Of Newquay, fear the new centre will draw shoppers away from Newquay’s historic main street, which has already seen closures such as M&Co and relies heavily on tourism‑driven retail. What the Future Holds for Cornwall’s New‑Town ModelIf Nansledan proves financially sustainable and socially inclusive, it could become a template for the government’s upcoming new‑town programme across England. Conversely, if the development fails to generate sufficient footfall for surrounding towns, it may reinforce concerns that top‑down planning can create “parasitic neighbours” that drain resources from established communities.

The Dreamed Adventure debuted at the Cannes Film Festival, delivering a beautiful but deliberately opaque look at Bulgaria’s mountainous past and present. Director Valeska Grisebach blends archaeological intrigue with lingering war memories, leaving viewers to piece together meaning from atmospheric detail.Grisebach’s Opaque Bulgarian Drama Premieres at CannesThe film follows Veska (played by Yana Radeva), an archaeologist who uncovers more than ancient artifacts when an old acquaintance, Saïd, reappears with a shady diesel‑fuel deal. Set in the remote town of Matochina, the narrative weaves together local folklore, post‑communist decay, and a looming criminal enterprise.Artistic Choices and Narrative AmbiguityGrisebach continues her signature approach of casting non‑professionals for intimate, table‑side conversations that feel organic rather than plot‑driven. While the story adheres loosely to Chekhov’s gun principle, the climax avoids typical arthouse violence, opting instead for an unresolved, dream‑like conclusion that challenges conventional storytelling.Director: Valeska GrisebachLead Actress: Yana RadevaSetting: Matochina, southeast BulgariaFestival Premiere: Cannes Film Festival, May 2026Key Themes: Memory, exploitation, post‑communist transitionPotential Impact on the European Art‑House LandscapeThe film’s visual richness and refusal to provide tidy answers may resonate with festivals and niche audiences seeking contemplative cinema. However, its narrative opacity could limit broader commercial appeal, positioning it more as a critical darling than a box‑office contender.Future Prospects for Distribution and Audience ReceptionGiven its Cannes exposure, The Dreamed Adventure is likely to secure limited releases across European art‑house circuits and streaming platforms that specialize in auteur cinema. Audience reaction will hinge on tolerance for ambiguity; viewers drawn to atmospheric storytelling may champion it, while others may find the lack of clear resolution frustrating.

The Lead: A New Kind of Celebrity Hot SeatThe Assembly brings together a 28‑strong panel of autistic, neurodivergent and learning‑disabled interviewers to grill high‑profile guests for up to three hours. The result is a mix of raw emotion, humour and unexpected intimacy that has quickly become ITV's most talked‑about chatshow. How "The Assembly" Merges Neurodiversity with Celebrity InterviewsThe format, adapted from France’s Les Rencontres du Papotin, opens each episode with a clear rule‑set: no question is off‑limits and every guest must answer honestly. Rylan Clark’s first appearance set the tone with blunt queries like “Are they your real teeth?” and “Did you ever consider having a real suntan?”. Subsequent guests—including Danny Dyer, David Tennant, Jade Thirlwall and Stephen Fry—have faced probing topics ranging from personal trauma to sexual preferences, often leaving them laughing, crying or both. Viewership, Awards and International Roll‑outHalf‑million YouTube views for Danny Dyer’s debut episode, the series’ most‑watched clip.Series nominated for a Bafta and winner of an RTS award.Commissioned in 20 countries across Europe, North America and Australasia.Three‑hour recording windows give guests space for genuine connection, a stark contrast to the typical 10‑minute segment on traditional chatshows. Why the Show Is Shaking Up the Talk‑Show LandscapeBy handing editorial control to neurodivergent interviewers, the programme challenges the “sound‑bite” culture of mainstream TV. Viewers report increased awareness of autism and learning disabilities, while celebrities appreciate the chance to be seen beyond PR‑driven narratives. The blend of entertainment and representation has created a “cult following” that even attracted selfies from Bafta‑winning stars. What’s Next for "The Assembly" and the Wider TV IndustrySeason 2 has already featured Stephen Fry, whose outrageous questions sparked viral moments. Producers hint at future political guests such as Keir Starmer and Tony Blair, and a possible spin‑off with former Scottish First Minister Nicola Sturgeon. If the current trajectory holds, the format could inspire a new wave of inclusive programming, prompting rival broadcasters to experiment with longer‑form, unscripted interviews that prioritize authenticity over commercial sell‑through.

The LeadGame of Thrones actress Hannah Murray shares her experience of being sectioned in a psychiatric hospital in her new memoir "The Make-Believe: A Memoir of Magic and Madness." The actress describes her mental health journey and the experience of being involuntarily admitted under the Mental Health Act.The Hospital ExperienceThe door to the room opens. A man enters the room. He is a Black man, bald and overweight. He is dressed in uniform. Blue uniform, a blue lanyard that reads "NHS". But I know Steve, the leader of the organisation that introduced me to magic, is a magician. I know he can appear in disguise.I approach the man and try to kiss him.He does not let me kiss him. Then no. It is not Steve.The man has brought me a plate of toast. He has brought me a cup of tea. I add sugar to the tea, which I would never have done in my former life, but a spoonful of sugar helps the medicine go down!I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive … I will never need to eat again. I survive on liquids and air and lightI do not eat the toast. I drink the tea. I am alone in the room again and I urinate into the cup and drink that too.I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive. It is the most potent of potions I can drink. I am a self-contained, utterly self-sufficient being. I will never need to eat again. I survive on liquids and air and light.I decide to explore outside the room. Outside my sanctuary. He has not come. So maybe I need to go searching for him …The Phone CallTime jumps. I am in a corridor lit by overhead strip lights. The electric light is pale yellow in tone. I am sat on one of three chairs in a row against the wall. The chairs are purple, curved plastic. I am still waiting for him to appear.There are two doors in front of me. One is the door to the blue room with the blue sofa and chair. Behind the other door is an office of some kind, and there is a woman in there, shuffling papers and talking on the phone.The woman comes out of the office. She is holding out my phone. My only possession now – the one artefact from my previous life. There is someone she wants me to speak to.Him.When I hold the phone to my ear, I hear a voice I recognise.But the voice belongs to my mother."Hannah?" she says. "Where are you? What's going on?"There is distress in her voice. Her voice is trembling with pain and anxiety.I do not want to hear it.This is a test. A horrible test, certainly, but one that I can pass. They are trying to tempt me back into the human. They are trying to lure me back into the past.I hang up the phone.But, after a moment, it starts to ring. The word Mum lights up the screen."Talk to her," says the woman.I answer the call.My mother sounds different now. Calmer. She asks again what's going on but gently, even cheerfully. I tell her everything's OK. That I'm fine. I tell her not to worry. I'm in a good place.This is the last time I will ever hear her voice, I think. This is the way I say goodbye.The DiagnosisThey tell me I am being sectioned.The words jar with my beliefs."Section 2 … the Mental Health Act … 28 days … right to appeal … "I cock my head.This does not fit at all. It does not fit in the world of Steve, of Ritual Master, of Shambhala and the invention of magic.I am not concerned. I am concerned only with the energy I can feel spiralling up through my body and the voices I can hear in my head.I pace the hospital corridors, delivering a tearful monologue, delivering the greatest performance of my life. A phrase comes to me. The Girl With All the Gifts. The title of a post-apocalyptic horror film released in 2016, starring Gemma Arterton.I am a magician. I am an actress. I am a writer. I have superhuman strength. I can fly. Anything that can be imagined, I can perform it. Every skill and every ability is mine.The film came out as a warning, and a prophecy.And because of me, the apocalypse has been averted.I am the saviour of the planet. I am the girl with all the gifts.The Journey to RecoveryIt was very hard, the journey to get here. It took 27 years. The path was twisting and full of setbacks, there were challenges and so much pain. There were times I wanted to give up. It was very hard. Everyone will have to make their own journey, and their journeys will be their own, unique as snowflakes or fingerprints. That is the beauty of it, the joy of it. Everyone has to figure it out for themselves.But I have laid the groundwork. I have walked the path. It starts with the energy healing, and it goes on and on through the seven dimensions, through increasingly magical planes. It goes on and on until you meet your soulmate, like I met mine.I was in a TV show called Game of Thrones, hidden in plain sight in the midst of a cultural phenomenon. I, the key to the world's salvation, wore the face of a character called Gilly, but really I played every role. Then I worked on a film called Detroit in Boston. David Benioff and Dan Weiss and Kathryn Bigelow were the four horsemen of the apocalypse. Numbers are irrelevant. Three counts as four. David and Dan and Kathryn cast me in the roles that brought about my destiny. The end and beginning of the world.I am the Ur-actress. I am every actress. Every performance ever given has been animated by my energy, my talent, by the gestures and facial expressions I am performing here and now.The Memoir and BeyondThis is an edited extract from The Make-Believe: A Memoir of Magic and Madness by Hannah Murray, published by Cornerstone (£18.99). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.Hannah Murray will be in conversation with Jessie Cave at Kings Place in London on 5 June.

Google has officially joined the glitterati of app icon design, rolling out disco-ball themed icons for Pixel devices in a move that blurs the line between functional UI and digital kitsch. This follows Spotify’s controversial 20th-anniversary icon, which initially drew heavy criticism before evolving into a meme-worthy moment. The Disco Ball Rollout: From Tease to Reality The feature was teased by Android ecosystem head Sameer Samat on X, who asked, "Should we make this icon pack happen on Android?" The answer was a resounding "yes," with the icons now available on Pixel devices via the custom icons feature introduced in March's Pixel Drop. Feature Origin: Part of the "Pixel Drop" update series. Creator: Android head Sameer Samat. Availability: Currently rolling out to Pixel users. Analyzing the "Ugly" Aesthetic: User Sentiment While Spotify's temporary icon sparked complaints about "glitter not being for everyone," Google’s full rollout suggests a shift in consumer tolerance—or preference—for maximalist design. The reaction has been polarized, with users calling it "awful" yet "taking it," indicating a complex emotional response to the change. The Rise of Whimsy in UI Design This move highlights a significant cultural shift in digital aesthetics. As reported by The New York Times, Zillennials are increasingly favoring "whimsical" designs as a playful response to a difficult world. Google’s embrace of the disco ball aligns with this trend, moving away from sterile, uniform iconography toward personalized, expressive interfaces. The Future of App Icon Customization Google isn't the only player in this space; tools like Lovable are already offering disco-ball effects for logos. We predict that as AI-generated design tools become more accessible, the line between "functional app icon" and "digital art" will continue to dissolve, leading to more frequent, bizarre, and highly personalized home screens.

The Grand Slam Protest Aryna Sabalenka, the world's No 1 tennis player, led a group of top players in a protest at the French Open, demanding better pay and welfare for lower-ranked players. The players limited their media duties to 15 minutes, a symbolic figure representing the roughly 15% of average revenue allocated to player prize money by the grand slams. The Players' Demands The players are seeking a greater financial contribution from the grand slams to improve the welfare of lower-ranked players, who struggle to make a living in the tennis world. They also want to create a grand slam player council to give players a greater say in the event. The Protest in Action The top players, including Sabalenka, Jannik Sinner, Iga Swiatek, and Coco Gauff, among others, capped their media duties at 15 minutes, split between a 10-minute press conference and a five-minute interview with the host broadcaster. While some players, like Daniil Medvedev, graciously answered additional questions, others, like Gauff, used a timer to keep to the 10-minute mark. The Impact on the Tennis Community The protest highlights the growing tensions between top players and grand slam organizers over issues of pay and welfare. With the emergence of the LIV tour in golf, tennis players are looking to learn from the fractured nature of golf and find a more unified voice to improve the structure and future of their sport. The Future of Tennis The protest shows that top players are united in their cause, with Medvedev describing it as the most unified he has seen the top players. As tennis continues to evolve, it remains to be seen how the grand slams will respond to the players' demands and whether the sport can find a more equitable solution for all players.

The Fashion Revolution of Pep GuardiolaIn 2016, when Pep Guardiola took his place in the dugout for his first game in charge of Manchester City, the fashion plates in the Premier League included José Mourinho, in a quarter zip and mac at Manchester United and Arsène Wenger, dapper in his suit and unzippable puffer jacket at Arsenal. Guardiola, dressed like an overgrown school boy in v-neck, shirt, tie and blazer, didn't seem as if he was going to be that much of a sartorial threat. But 10 years down the line he is the undisputed champion of dugout style.The Transformation of Managerial FashionGuardiola can be credited as the man to relax the unwritten manager dress code, which swung between wedding-worthy smart suits or club-issued tracksuits. Instead, he chose clothes that worked beyond that small patch of grass managers stand in: blouson jackets, nice brogues, three quarter coat. By 2019, his style was a talking point – and he had a hand in making cardigans a trend for men. He wore a £1200 "lucky" grey knit 30 times in the season Man City won the treble.How Guardiola Redefined Football StyleGuardiola's loosening up continued – he brought sneakers to the dug out, preferring baseball boots by catwalk designer Rick Owens as well as combat-style trousers and Stone Island jackets. If he was increasingly praised for what he wore, in 2022 he credited his then-wife, Cristina Serra, as the person to pick his outfits. "Absolutely, ever since I met her," he told Sky Sports "before I was a disaster, now I'm elegant, thanks to her."When Football Fashion Went ViralWhen Guardiola wore a slacker-style checked shirt by Swedish brand Our Legacy to a Champions League game in March, the look – which GQ described as "cool stoner" – went viral across fashion and football time lines. Some speculated the look was the influence of his Gen Z daughter, others suggested he had hired a stylist. Whatever the backstory, he has followed it up with elegant polo necks and pleated trousers that wouldn't be out of place on the front row of the menswear shows.Guardiola's Fashion Legacy in FootballGuardiola may be saying goodbye to the Premier League but football always needs style champions to show managers – and men - life beyond the quarter zip. His fashion evolution has not only transformed how managers dress but has also influenced broader menswear trends, proving that style and substance can coexist even in the high-pressure world of professional football.