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The Cost of a 'Victory'The US-Iran agreement to halt fighting for 60 days is welcome, because even cynical diplomacy is better than war. However, Donald Trump should not be allowed to call this a triumph. He has bought a pause after an illegal war of choice that failed to secure its declared aims, devastated Iran, destabilised Lebanon and sent shocks through energy and fertiliser markets, leaving many people poorer and hungrier. A campaign launched to display US military strength is likely instead to be remembered for demonstrating its limits.The Fragility of the CeasefireThe measure of success will not be the reopening of the strait of Hormuz, which war had closed, but whether the next two months produce a verifiable nuclear settlement and put out the flames fanned by the US-Israel attacks. Leaked drafts reveal competing narratives: US officials told Reuters that the unfreezing of assets and lifting of trade restrictions would be conditional on Tehran’s compliance, while Iranian sources say the draft includes oil waivers and a halt to hostilities on all fronts.US Perspective: Seeking submission and conditional sanctions relief.Iranian Perspective: Demanding compensation, sanctions relief, and leverage over Hormuz.Enforcement Challenge: The first test is whether Mr Trump can enforce the deal on friends as well as enemies.Economic Fallout and Strategic LimitsIf the nuclear settlement fails, the war will confirm to every Gulf monarchy, oil trader and military planner that Iran has a chokehold over the global economy. This episode may belong in future histories of US decline because it exposes the gap between American military capability and American strategic control. Reports of lethal drone attacks in Israeli-occupied parts of Lebanon suggest that Benjamin Netanyahu's leadership is a reluctant participant in peace.The Irony of Nuclear NegotiationsMr Trump is negotiating over a nuclear programme once contained by the Obama-era deal that he ripped up, while trying to reopen a strait closed by a war he chose to start. The 2015 accord cut Iran’s uranium stockpile by 98% and capped enrichment at 3.67%. The irony is that Iran had offered better nuclear terms before 28 February. Mr Trump gambled that decapitating Tehran’s leadership would win him more, but instead, he has ended up with less. The final agreement will depend on which story wins out: whether the US is the paid guardian of the Gulf or if Iran has proven the price of exclusion.

Legendary Pianist Abdullah Ibrahim Passes Away at 91South African jazz composer and pianist Abdullah Ibrahim died peacefully in Germany following a short illness, his family announced on Monday. His partner, Dr Marina Umari, said his love for Africa never waned.A Seven‑Decade Musical Journey from Cape Town to the WorldBorn in Cape Town, Ibrahim began composing at age 7 and made his professional debut at 15. He rose to prominence in the 1950s, recording with the Jazz Epistles in 1960, the first full‑length jazz LP by Black South African musicians.In the 1960s he relocated to Europe, befriended Duke Ellington, and recorded together before moving to New York in 1965. He later performed at the Newport Jazz Festival and toured the United States, even standing in for Ellington on several occasions.Discography Milestones and Iconic Anti‑Apartheid AnthemRecorded more than 70 albums over his career, the latest released in 2023.Signature piece “Mannenberg” (1974) became a major anti‑apartheid anthem, reportedly inspiring Nelson Mandela during imprisonment.Contributed soundtracks to films such as Claire Denis’s “No Fear, No Die” and “Chocolat”.Cultural Impact and International RecognitionHis work earned the German Jazz Trophy and a South African lifetime‑achievement award. Critics, including Guardian’s John Fordham, praised his “vividly beautiful themes” that fused African vocal phrasing with jazz improvisation.Final Performance and Enduring LegacyHis last solo appearance was at the Cape Town International Jazz Festival in March 2026. Ibrahim’s death marks the end of an era, but his music continues to inspire new generations of South African and global jazz artists.

The Enigmatic 'Dry Leaf' Georgian film-maker Alexandre Koberidze appeared to revive the spirit of the French New Wave with his previous film What Do We See When We Look at the Sky? – an unhurried, meandering and garrulous movie with its own cheeky sort of low-tech magic realism as it followed its nose around the city of Kutaisi. His new film is a mystifying three-hour road movie, shot (as was his debut film Let the Summer Never Come Again) on low-res video, like that of an obsolete cameraphone. The Search for Lisa A middle-aged man called Irakli (David Koberidze) receives a letter addressed to him and his wife, Nino (Irina Chelidze), from their twentysomething photographer daughter Lisa, announcing that she wishes to disappear from their lives. A police officer tells them that Lisa is an adult who can do what she likes. But an oddly emotionless Irakli sets out to track her down anyway, even though another more conventionally plausible movie would have found room for a conversation about the cost of a private detective. Lisa was photographing football fields when she vanished, so Irakli’s plan is just to drive around the country’s football fields, asking people nearby if they’ve seen her. A Challenging but Visually Striking Film With Irakli in the car is Lisa’s friend Levani who is … invisible. We hear him. We don’t see him. (The same goes for some of the people that Irakli talks to.) This invisibility creates a baffling extra level of oddity and contrivance to this film, which, for some, added and created nothing. As a formal experiment, Dry Leaf has its own conviction and self-possession and there is a deliberate, if opaque artistry here: one shot shows us a dry leaf under Irakli’s car-tyres, another gives us wet leaves in a waterfall. The soft-edged, pixelated look is, however, interesting and surprisingly watchable, bringing a kind of painterly effect. What's Next for 'Dry Leaf' Dry Leaf is set to screen at the ICA, London from 18 June, offering audiences a chance to experience this unique and challenging film for themselves.

The Incident Involving Shaun Evans Fifa's discrimination monitor at the World Cup called for a video assistant referee (VAR) to be removed for appearing to make a hand gesture resembling a white supremacist sign. When the official broadcast of Germany's opening game against Curaçao on Sunday cut pre-game to show the team of VAR officials, Shaun Evans from Australia made an “OK” symbol with his right hand in front of his right leg. The Gesture and Its Implications “Advice from our experts is that the gesture used clearly resembles an upside down ‘OK’ hand symbol used as a ‘white power’ symbol in global far-right circles,” the Fare network, a longtime partner of Fifa and Uefa, the European football governing body, to monitor racist and discriminatory chants, flags and symbols at international games, said in a statement. “Clearly this official should have no further role to play in this World Cup,” Fare said in a statement, describing the gesture as “neo-Nazi.” The Data Analysis Shaun Evans is among 30 VAR officials selected by Fifa to work at the World Cup being played in the United States, Canada and Mexico. The gesture was designated a hate symbol by the New York-based Anti-Defamation League in 2019. The Impact Analysis The incident has raised concerns about racism and discrimination in football, and Fifa was asked for comment. In Australia, the Professional Football Referees Association and the governing body Football Australia were contacted for comment. It was unclear if Evans, working at his first game at the World Cup, was making a political gesture or playing a children’s game prank. The Prediction “Why is a VAR supervisor using this symbol at a global football event at the very moment he knows the cameras are on him?” Fare said. “We note that in the two subsequent games it appears TV directors have stopped introducing the VAR panel to the TV audience.”

Play Launch and Creative Team The Guardian announced that playwright James Graham is premiering The Standard of Living at London’s Haymarket Theatre in September. The production is directed by veteran stage director Nicholas Hytner and features Rory Kinnear in the role of John Maynard Keynes. Graham describes the piece as the "great struggle of an outsider and a disruptor" who faced resistance throughout his career. Keynes’s Life Through the Lens of 1917‑1946 1917 – Keynes joins the Treasury, beginning his influence on British fiscal policy. 1925 – Marries Russian ballerina Lydia Lopokova, with Bloomsbury painter Duncan Grant as best man. 1930s – Develops the ideas that become The General Theory of Employment, Interest and Money, shaping modern macroeconomics. 1939‑1945 – Serves as a key architect of wartime economic strategy, balancing military spending with civilian welfare. 1946 – Passes away, leaving a legacy that bridges economics, politics, and the arts. The narrative weaves these milestones with the cultural ferment of the Bloomsbury Group, highlighting friendships with Virginia Woolf and Vanessa Bell. Economic Legacy Highlighted in the Production Graham underscores Keynes’s doctrine that governments should intervene during downturns, a principle that underpinned the post‑war British "golden age" where GDP per‑head grew at an average of 2.44% per year (1950‑1973). The play also references the influence on the U.S. New Deal and the enduring relevance of fiscal stimulus. Implications for Contemporary Economic Discourse By staging Keynes’s story now, the production invites audiences to reconsider the applicability of Keynesian policies amid today’s fiscal challenges—rising debt, inflationary pressures, and debates over public investment in the arts. Hytner notes that "the problems we’re currently facing seem so intractable that we appear to be paralysed," suggesting a renewed appetite for bold economic imagination. Future Prospects for the Play and Keynesian Thought If the September run garners critical acclaim, a West End transfer or international tour could cement the play as a cultural conduit for economic education. Moreover, the dramatization may spur renewed scholarly and public interest in Keynes’s writings, potentially influencing policy discussions ahead of upcoming fiscal reviews in the UK and beyond.

A Novel Bridge Between History and FictionThe Guardian’s review highlights Erica Wagner's latest work, Wash, as a vivid, emotionally layered portrait of Washington Augustus Roebling, the chief engineer of the Brooklyn Bridge. By intertwining personal moments with the monumental engineering feat, Wagner offers a fresh literary take on a well‑known American figure.Chronological Mosaic: Wagner’s Narrative TechniqueWagner abandons a linear timeline, opting instead for a “soul’s time” structure that jumps back and forth across decades. Short chapters focus on pivotal encounters—childhood hardship under his father John Roebling, the supportive partnership with his wife Emily Warren, and the friendship with fellow student Max Andermann. This approach creates intensity and vividness, though it can feel disorienting for readers accustomed to traditional biographies.Pricing, Publication, and Market ContextPublisher: SaltPrice: £10.99Availability: Listed on guardianbookshop.com with possible delivery chargesThe modest paperback price positions the book as an accessible entry for both history enthusiasts and literary readers, aligning with recent trends of affordable historical fiction releases.Why Roebling’s Legacy Matters to Modern ReadersThe novel underscores the human side of an engineering marvel that still dominates the New York skyline. By portraying the emotional toll on Roebling’s family—especially his wife’s evolving role from secretary to de‑facto engineer—Wagner connects 19th‑century gender dynamics and work‑life balance to contemporary discussions.What This Means for Historical Biographical FictionWagner’s blend of rigorous research (referencing her 2017 biography Chief Engineer) with experimental storytelling may inspire other authors to explore “soul‑time” narratives. If readers respond positively, publishers could see a rise in similarly structured biographies that prioritize emotional resonance over strict chronology.

The Enigmatic World of Angel's Egg This 1985 anime is a true curio: a furtive, portentous odyssey into a hollowed-out landscape told largely in symbolist images. A million miles away from director Mamoru Oshii's often-logorrheic films (such as his best-known work, Ghost in the Shell from 1995), it still swills around plenty of philosophical concepts linked to his fascination with Christian theology. The Story Unfolds The waif (voiced by Mako Hyōdō) carries this ovum under her petticoats, like some pre-pubescent immaculate conception, while scavenging a dark, mittel-European-style city for flasks of water. One day, she's startled to see a skinny princeling (Jinpachi Nezu) step out from a giant mechanised war machine trundling down the street. Exploring Themes and Symbolism Oshii certainly breaks a few doctrinal eggs and gives them a good whisking here. The boy recounts a version of the Noah's ark story – but one in which the dove, and hope, never returned. Long silences and loaded questions suggest this might be what's he's looking for inside the girl's prize. Artwork and Atmosphere Overseen by conceptual artist Yoshitaka Amano, Angel's Egg's artwork is ravishing throughout. Stripped down to a pallid near-monochrome and using far fewer frames than the anime norm, it musters hypnotic eeriness and poise. Conclusion and Release Regardless, this unsettling parable has a scriptural concision and mystery. Angel's Egg is in UK cinemas from 17 June.

Lead: A Fresh Lens on Evolutionary TheoryThe Guardian’s review of Rowan Hooper’s Togetherness praises the book for reframing evolution from a ruthless struggle to a network of collaborative relationships that underpin life on Earth. Hooper’s Argument for Symbiosis Over CompetitionHooper contends that the classic Darwinian narrative—popularised by Herbert Spencer’s “survival of the fittest”—over‑emphasises competition because it was forged in a colonial, capitalist era. He draws on modern research to show that cooperation, from lichens to coral reefs, is the default state of most organisms. Lichens: a partnership of fungi, algae, and sometimes cyanobacteria that thrives from tundra to rainforest.Coral reefs: cnidarians hosting photosynthetic algae; bleaching occurs when warming waters break this symbiosis.Mycorrhizal fungi: essential for nutrient uptake in most land plants.Microbiome: gut bacteria produce the neurotransmitter serotonin and protect against disease. Numbers Highlighting Ecological StakesThe review cites concrete data that underscore the fragility of these partnerships: Coral reefs have declined by half since the mid‑20th century due to bleaching.The book retails at £25, positioning it as an accessible yet scholarly work. Implications for Evolutionary Science and ConservationBy foregrounding symbiosis, Hooper aligns with biologist Lynn Margulis’s endosymbiotic theory, which reshaped our understanding of cellular evolution. The review argues that embracing cooperation can reshape public discourse, policy, and conservation strategies, urging a shift from competition‑driven exploitation to ecosystem stewardship. Future Directions for Research and Public PerceptionHooper predicts that as the scientific community continues to uncover interdependent mechanisms—such as the “wood wide web” of forest fungi—educational narratives will increasingly celebrate collaboration. This could foster broader support for biodiversity protection and inspire new interdisciplinary research linking genetics, ecology, and sociology.

The Iconic Leichhardt Oval Captured in a Visual TributeThe Guardian’s latest picture story offers a sweeping visual celebration of Leichhardt Oval, the storied Sydney venue that has long been a pilgrimage site for NRL fans. Through a series of striking photographs, the gallery chronicles the stadium’s unique character, from its intimate stands to the electric match‑day atmosphere.Historical Significance and Recent Highlights of the Sydney StadiumOpened in 1934, Leichhardt Oval quickly became a cornerstone of Australian rugby league, hosting countless memorable fixtures for the Wests Tigers and their predecessor clubs. Recent highlights featured in the gallery include:2025 NRL season: A dramatic comeback win that reignited local support.2024 Heritage Round: Players donned retro jerseys, underscoring the ground’s deep roots.Community events: Youth clinics and fan festivals that reinforce the Oval’s role beyond professional sport.Attendance Figures and Economic Footprint of Leichhardt OvalWhile modest in size, the venue’s impact is measurable:Capacity: Approximately 20,000 spectators.Average attendance (2024): Around 13,500 per home game, representing a 68% occupancy rate.Match‑day revenue: Estimated at $2.3 million annually from ticket sales, concessions, and merchandise.These figures illustrate how a relatively small ground can generate significant economic activity for the local Leichhardt community.Why Leichhardt Oval Remains Central to NRL CultureThe venue’s intimacy creates a fan experience that larger stadiums struggle to replicate. Its proximity to the playing field fosters a palpable connection between supporters and athletes, reinforcing loyalty and community identity. Moreover, the Oval’s heritage status attracts tourists and media attention, amplifying its cultural footprint.Future Prospects for the Oval Amidst Modern Stadium CompetitionLooking ahead, the Oval faces pressure from newer, high‑capacity arenas. However, club officials and local councils are exploring upgrades—such as improved lighting, seating refurbishments, and enhanced transport links—to preserve its relevance. If these initiatives succeed, Leichhardt Oval could continue to serve as a premier NRL venue while retaining its historic charm.