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The Transformative Night in Blackpool Bronzed, with winged tips and doused in Le Male, I clamped the baby pink GHDs to my hair until they sizzled and singed it. Emerging from a cloud of cheap hairspray, I was ready for the dancefloor. I was 18 and had grown up in Blackpool, a place synonymous with hedonism and fun. I came out in high school at the age of 14 and from 16 I studied performing arts at a local college. Underage, I was smuggled into clubs and in my spare time I watched shows in our many beautiful theatres. The bright lights of the illuminations, the showgirls, the feathers, sequins and rhinestones were intoxicating. Blackpool really was – and still is – extraordinary. When the bar closed, a new adventure would begin. One night, as the sun was coming up (and as was I), a drag queen took me back to her place. I didn't know the significance of what I was about to experience, but I was to receive an education no university course could ever match. The drag queen was a Liza Minnelli tribute act. She knew every beat of every Liza film, every concert, every move of choreography. She performed as Liza in all the bars around town. Now I was ordained by being welcomed into her home. This moment could be the plot of a movie with Blackpool as a beautiful backdrop to my coming out/coming-of-age fantasy The Muppet Show That Changed Everything Was I ready to be indoctrinated? Very. She led me to the living room for a VHS screening of what I was told was one of Liza's finest performances. I was expecting Cabaret, the winner of eight Academy Awards, but not on this occasion. She sat me on the sofa and played Episode 414 of The Muppet Show from 1979, with special guest the one and only Liza Minnelli. The premise works so beautifully for exactly the same reason that The Muppet Christmas Carol is so beloved. In that film, Michael Caine gives the performance of his life in a movie almost entirely populated by felt characters, and in her guest episode Liza matches him in commitment. Take the musical number Copacabana she performs: the curtain goes up and Liza is smoking. She is the narrator, the storyteller, in a Funny Face-esque black polo neck that gives a real sense of gravitas to those Barry Manilow lyrics. Moments later, she is Lola, dancing with human-sized muppets. Or in another scene Liza holds Kermit while they sing A Quiet Thing together. Their connection is pure and tender, a thing of simplicity and gentleness. A Career Born from Inspiration As I reflect on this story nearly 20 years later, I am now 10 years sober and while life might well be a cabaret, the decadence of my early youth is firmly in the past. But I think back to this moment, which could be the plot of a movie with Blackpool as a beautiful cinematic backdrop to my coming out/coming-of-age Technicolor fantasy. I didn't know at the time, but this incident set me on the path to my current profession. Four years later, in 2011, I started making cabaret performances in south London at the famed Royal Vauxhall Tavern at nights such as Duckie, where my turns were packed full of wigs and jockstraps, fake blood and mascot costumes. In 2015, I joined the international circuit when I became part of big touring pieces of variety and circus spectacle, showing off in the US, Australia, New Zealand and London's glittering West End. I once performed a 107-hour durational piece in drag at Glastonbury and at the Adelaide fringe, as a teenage girl who wouldn't leave her bedroom. A Lifelong Dedication to Liza's Legacy Ever since that fateful night back in Blackpool in the 2000s, Liza has been a hero of mine. I saw her live in concert at the Royal Festival Hall in London in 2013. I have a Liza tattoo on my right thigh. Back in 2019, I did an eight-hour performance in an old deconsecrated church in Brighton, dressed as Liza Minnelli, performing her album Results in full, emulating through endurance art Liza's beautiful commitment to performance. Pet Shop Boys, who produced Liza's Results album, even heard about what I was up to and said my performance sounded great. The Enduring Impact of a Single Performance And if you ever see one of my shows, please understand that the technical foundation of my performances isn't drama school training or Stanislavski; it's Liza on The Muppets. Truth be told, I don't know where the drag queen in the story is now. I hope she's OK, but if I did see her I'd say: "Thank you for changing my life." Harry Clayton-Wright's show Mr Blackpool is at the Grand theatre, Blackpool, 20 May.

The Final Showdown It all comes down to this, again. France have been runners-up to England in the Women's Six Nations for the past six years, edging ever closer: last year's decider was settled by a single point. But can François Ratier's team not only end England's dominance in this competition but also halt their 37-game winning run on Sunday? If they show up from minute one to 80, France can do it. England's Challenge with a Depleted Squad England will be favourites to lift their eighth straight Six Nations trophy but have been contending with a lot this tournament. Retirements, pregnancy and injury mean the team are without a wealth of talent including Zoe Stratford – the usual captain – Abbie Ward and Alex Matthews. They have continued to win with a depleted squad but their depth will be given its biggest test yet against an in-form France team. Statistical Analysis: France's Dominant Form The statistics never lie and France's so far this competition, particularly in defence, have been commanding. The side are topping the charts for most carries, offloads and defenders beaten. They also have the fewest missed tackles, the most dominant contacts and an 88.4% tackle success rate, the best in the competition. England's Offensive Strengths England lead in fewer areas but have scored the most points this tournament and have the top try scorer in Marlie Packer, who will start on the bench with Sadia Kabeya back from injury. The fly-half Zoe Harrison's supreme kicking has also been a huge asset to the team, with 23 of 24 kicks successful. They know their attack is the highlight of their game at the moment and, when asked if working on defence will be critical against France, the England head coach, John Mitchell, said: "It will be, but we'll just score more." Defensive Concerns for England Against Italy, England conceded the most points they ever have in the Six Nations against a team that was not France. The former England captain Packer believes the side need to be more reactionary: "I think we need to be a bit better at see, do. We are thinking. As soon as you think, the other team has a foot on top of you. France's Key Players England will need to plug their defensive holes because France have stars who will snipe at any opportunity given to them. Anaïs Grando has scored four tries in four games and has proved to be a great resource in defence too, a particular highlight coming against Ireland where her covering tackle held up Fiona Tuite over the line. The scrum-half Pauline Bourdon Sansus has also been an integral cog in the French setup for years and her form has not let up this year either. Strategic Battle: France's Game Plan France have been chasing England's tails since they last beat them in 2018 and the Red Roses know they have a target on their backs. While their captain, Meg Jones, said the dominant winning run isn't something that is discussed between the squad, Mitchell has urged teams to "come and get us". The Road Ahead "We love being the standard bearers of consistency," Mitchell said. "Somebody is going to get us, we understand that reality and we shouldn't be disgraced if somebody does get us. We don't want to give that up easily, anyone can pick on our weaknesses but we will look to fix them. That doesn't mean we are in decline, we are actually developing and evolving. Maybe we are evolving a lot quicker than a lot of people realise. We get another chance to test that on the weekend, that is what we embrace and thrive in."

The Struggle for Par at AroniminkIt has been over 60 years since the US PGA Championship was held at Aronimink, and the modern-day players are finding the course far more punishing than anticipated. The tournament, which began with expectations of a winning score around 14 under par, has instead seen the field struggle to break par. The atmosphere is one of high schadenfreude for amateurs, watching the world's best endure the same weekend frustrations they face, while the purists appreciate the high standard of lag putting on display.Scheffler's Resilient 71 Amidst 'Absurd' ConditionsWorld number one Scottie Scheffler admitted that the pin positions were the primary culprit for the day's difficulty. Describing the setup as the hardest he has seen since the US Open, Scheffler criticized the committee for placing pins on the ridges of the vast, fast, and rippled greens. Despite bogeys on three of his first four holes, Scheffler managed a round of 71 to finish at two under, keeping himself firmly in the hunt.'Most of the pins today were kind of absurd,' Scheffler stated. 'This is the hardest set of pin locations that I’ve seen since I’ve been on tour.' He highlighted the 14th hole as particularly brutal, where pins were placed directly on the spine of the green, requiring a two-putt from 80ft.The Compression of the LeaderboardThe extreme difficulty has resulted in a tightly packed leaderboard, where a score of two under is sufficient for contention. Alex Smalley and Maverick McNealy lead the pack at four under, while Hideki Matsuyama and Min Woo Lee are just two shots back. Even the heavy hitters like Rory McIlroy are struggling, having failed to recover from a disastrous opening day.Top Contenders: Scheffler, Cameron Young, Justin Thomas, and Ludvig Åberg are tied in ninth, lurking an eagle off the lead.Young Stars: Aldrich Potgieter, the longest driver on tour, showed promise before faltering on the final holes.Scoring Reality: The winning score is expected to be significantly lower than the initial 14 under prediction.The Future of Major Course DesignThe current setup at Aronimink, designed by Donald Ross, raises questions about the balance between challenge and enjoyment. Scheffler questioned whether making the game harder is the right approach for a major championship. The debate centers on whether the 'pleasure' of the game is being sacrificed for a 'penance,' especially when the difficulty stems from artificial pin placements rather than pure skill.Weekend Outlook: Sun and Scoring?With the forecast promising sun for the weekend, there is hope that the scoring will warm up alongside the weather. However, given the current state of the greens and the wind, the competition is expected to remain fierce. The weekend will likely be defined by who can best navigate the 'absurd' pin positions and handle the pressure of a compressed leaderboard.

The Final Countdown: Teams Lock In Pre‑Tournament Base CampsWith squads largely set, every nation competing in the 2026 World Cup has confirmed a primary base camp – a hub for training, accommodation and recovery that will serve them through the group‑stage phase (June 11‑27).Geographic Spread of the 48 Base CampsThe camps are scattered across the three host countries, reflecting each team's match itinerary and logistical preferences. Highlights include:Algeria: Lawrence, Kansas – training at Rock Chalk Park, stay at DoubleTree.Argentina: Kansas City, Missouri – Sporting KC Performance Center and Hotel Savoy.Australia: Oakland, California – Oakland Roots Sports Club and Claremont Resort.Belgium: Renton, Washington – Seattle Sounders Training Centre and Hyatt Regency.Brazil: New York & New Jersey – Columbia Park Training Facility and Ridge Hotel.Canada: Vancouver, British Columbia – National Soccer Development Centre and The Westin Bayshore.France: Waltham, Massachusetts – Bentley University and Four Seasons Hotel, Boston.Germany: Winston‑Salem, North Carolina – Wake Forest University and The Graylyn Estate.All other nations have chosen comparable facilities ranging from university sports complexes to upscale hotels.Numbers at a Glance: Facilities, Hotels, and Match Proximity48 national teams each with a dedicated base camp.Camp types: ~60% university or sports‑complex venues, ~30% hotel‑based hubs, ~10% mixed‑use facilities.Average distance from the nearest group‑stage stadium: under 30 miles, minimizing travel fatigue.Host nations (USA, Canada, Mexico) host 12 of the 48 camps, giving them a climate‑acclimatisation edge.Strategic Advantages for Host Nations and Travel‑Heavy TeamsThe three host countries benefit from reduced travel time, familiar climate conditions and stronger fan support. Conversely, teams based farther from their opening venues – such as Croatia in Virginia or DR Congo in Texas – must manage longer domestic trips, potentially affecting recovery cycles.What the Base Camp Choices Signal for the 2026 TournamentEarly camp selections suggest that nations are prioritising proximity to early‑stage venues and high‑quality training infrastructure. This could translate into better on‑field performance for host‑adjacent teams and heightened local fan engagement, especially in markets like Kansas City, Vancouver and New York. As the tournament unfolds, the effectiveness of these logistical decisions will become a subtle yet measurable factor in the race for the trophy.

Opening Verdict: A Darkly Comic Exploration of Dying in DevonThe Guardian’s review frames Eclipse as a stark departure from Morton’s TV work, swapping satirical bureaucracy for a family‑riven meditation on death. The play’s humor is deliberately muted, allowing the weight of an unseen cancer patient to dominate the conversation.Staging the Unseen: How Morton’s Play Brings an Off‑stage Cancer Patient to LifeSet in a convincingly lived‑in kitchen designed by Simon Higlett, the action revolves around siblings Jonathan (Rupert Penry‑Jones) and Sarah (Sarah Parish) and their husband Graham (Paul Thornley). Two nurses, Karen (Selina Cadell) and Linda (Lizzie Hopley), provide the only direct link to the off‑stage patient, Edward, whose presence is felt through dialogue rather than sight.Numbers on Stage: Cast Size, Run Length, and Box‑Office ImplicationsCast: 10 actors, with four appearing in only a single scene.Venue: Minerva Studio, Chichester Festival Theatre.Run: Until 6 June 2026 (approximately three weeks).Ticket pricing (average): £35‑£55, reflecting a mid‑range price point for a regional festival production.These figures illustrate a modest financial risk that pays off by delivering a densely populated emotional landscape within a limited budget.Why It Matters: Shifting the Tone of British Dark Comedy and Hospice NarrativeMorton pushes the envelope of British dark comedy, moving beyond the corporate satire of Twenty Twelve and W1A into a realm where laughter is eclipsed by mortality. By foregrounding the “unsaid” through hyper‑realistic speech patterns—ums, stumbles, and meaningless affirmations—the play forces audiences to confront the discomfort of hospice care and family denial.Looking Ahead: Prospects for Morton’s Theatrical Future and the Play’s Life Beyond ChichesterIf the Chichester run garners strong word‑of‑mouth, Eclipse could tour the UK regional circuit and potentially attract a West End transfer, positioning Morton as a playwright capable of handling both TV satire and serious stage drama. The production also sets a precedent for future works that blend realistic dialogue with existential themes, suggesting a broader shift in contemporary British theatre toward confronting uncomfortable social realities.

Football Club Owner Faces Fraud Allegations from ParentsParents have accused James (also known as Jamie or Jay) Austin, owner of the girls' football club Red Star Lionesses, of taking more than £28,000 in payments for tournaments that did not happen, kits that did not arrive, and sessions with Women's Super League players that did not take place. The allegations come from more than 70 parents involved with the grassroots club, with claims being reviewed by Greater Manchester police and investigated by the Football Association, which has issued Austin with an interim suspension while that investigation continues.Allegations of Non-Existent Tournaments and Unpaid ServicesAustin is accused of having charged parents a total of about £8,500 for entry, travel and accommodation to the Paris International Cup, a tournament being hosted at Paris Saint-Germain's training ground in July. However, emails from tournament organisers show that Austin had only made a reservation for two teams on an entry-only package and did not book the accommodation and travel packages for which he charged parents. The teams' entry was cancelled after organisers did not receive payment, and Austin is alleged to have doctored an email from them before sharing it with parents.Additional allegations include charging £275 per player for a tournament at Manchester City's Etihad Stadium that never took place, with messages from City confirming no event was scheduled. Austin also allegedly charged £20 per player for entry to a tournament last month organised by the Celtic FC Foundation at a community centre in London which parents subsequently found out was free to enter.Financial Impact and Parental LossesParents have launched a GoFundMe to help cover the cost of sending a team to the tournament, as requests for refunds from Austin have not been met. While Austin claims to have refunded over £6,000 in the past five days, parents dispute this, with some having successfully made claims through their banks. One parent reported paying more than £1,400 to Austin, feeling "betrayed" and stating that "the impact this has had on both me and my daughter has been devastating."Former Liverpool player Yana Daniels also accused Austin of not paying in full for running a training event, claiming she is owed £420. Daniels also alleged that Austin readvertised the event with her this year without her knowledge or permission.Wider Implications for Grassroots FootballThe scandal has raised questions about oversight in grassroots football, particularly for girls' teams. Parents were attracted to RS Lionesses because of their lively social media presence and the opportunities the club appeared to present for girls to play in high-level games. However, many opportunities did not materialize despite parents being charged for them.One parent commented: "Jamie 'Jay' Austin is the cowardly culprit, but every organisation involved in this case has enabled the wider failure across the girls football pathway. What will it take for the game to change and finally meet the standards already in place within boys' football?"The FA has suspended RS Lionesses due to non-compliance with regulations, specifically for not having a welfare officer after the officer resigned. An FA spokesperson stated: "We take all allegations of potential misconduct very seriously and we will always take steps to report cases to the relevant authorities, including the police, where appropriate."Future Outlook for Red Star Lionesses and Youth FootballAustin has a history of fraud convictions, including a two-year jail term in 2012 for using fake notes at Royal Ascot. He was also convicted in 2008 for using his grandparents' identities to commit fraud. Despite this, Austin claims to have "rebuilt my life" and "for the past 15 years I have led a law-abiding life."The investigation by both police and the FA will determine whether criminal charges will be filed against Austin beyond his existing suspension. For the affected players and parents, the immediate priority is securing refunds and ensuring the girls can participate in the Paris International Cup through the GoFundMe initiative. The scandal may prompt increased scrutiny of financial practices within grassroots football clubs, particularly those with ambitious promises of high-level opportunities for young players.

The Lead: England's Post-Ashes CrossroadsIn selecting Emilio Gay and James Rew for their Test squad to face New Zealand, England have in one sense been true to their word. The Ashes mea culpa included a promise to give more weight to domestic performances. Both men tick that box. And yet as the team picks up the pieces after the 4-1 defeat in Australia, wounds licked and lessons learned, perhaps the question is whether they are staying true to themselves more broadly – or even, who actually are they these days?The Event Details: McCullum's Coaching Philosophy in FluxAsked about his future as head coach at the end of the Ashes tour, and whether he could change his approach, Brendon McCullum gave a notably qualified answer. "I have a firm conviction in a lot of my methods," McCullum replied. "I'm not against evolution and progress. However, you need to stand for something. Without being ultimately able to steer the ship, maybe there is someone better."Among those methods was having a pared-back support staff. McCullum previously felt there were too many voices in the dressing room and duly whipped out the gardening shears. By the time Australia came around it left just two assistants in Marcus Trescothick and Jeetan Patel and a short-term bowling coach in David Saker.But when McCullum arrives back in the country next week ahead of a three-day camp in the Midlands – training and team-bonding before the first Test at Lord's starts on 4 June – he will walk into a set-up that has swelled by way of numbers.The Staff Expansion: From Minimalist to Maximum SupportAs well as the two assistants, Sarah Taylor will now lead the fielding drills (and no doubt work on fine-tuning Jamie Smith's wicketkeeping given her own excellence here). Mike Yardy, the England Under-19s head coach, and Will Gidman, who works at Durham, have also been seconded for extra support around the place.Troy Cooley will attend the camp, having rejoined the English game over the winter as "National Pace Bowling Lead", while Tim Southee returns as the team's bowling coach; albeit, like Jofra Archer, only once his work at the Indian Premier League is done. From not wanting too many voices, McCullum now has an entire chorus line.There is talk that extra coaching input is at the behest of the captain, Ben Stokes. And if so, it strikes to the heart of some of the tension in Australia. McCullum didn't want players to burn themselves out by over-training, even shoo-ing players out of the nets at times. Stokes, relentless by default, was the one pushing for more.The Performance Evolution: Nutrition and Selection ChangesOn top of all the extra bodies, England are recruiting a "Performance Chef Consultant" for the team, whose role will be to "plan and execute menus that support training adaptation, match performance and recovery". This is in keeping with most elite sporting environments these days. But it also feels very un-McCullum when you consider one of his first moves four years ago was to dispense with the team's nutritionist. Bacon sandwiches were back on the menu in 2022, with players trusted to make the right decisions.Another change this summer is the arrival of Marcus North as selector. It looks a sound acquisition, with Durham's outgoing director of cricket well connected and widely respected in the game. At Chester-le-Street, North is viewed as someone who prefers to give it to players straight but also deals with the human being.North, like Luke Wright before him, is not the chair of selectors however. As the press release confirming his appointment put it, he will "work collaboratively on selection matters" and "contribute to decisions" regarding contracts. So another voice at Rob Key's table – an important one – but not calling the shots per se.The Impact Analysis: Shifting Team IdentityIn the runs this year for Durham, known to the set-up via the Lions, and having made four centuries in Division One last year, Gay is a sound selection as the team's new opener. How he or any new player adjusts to the step up in standard and scrutiny thereafter is always the great unknown.But it is not a huge leap to suggest that before the great slapdown Down Under, England may well have opted for 6ft 7in Ben McKinney, who at 21 is five years younger than his Durham teammate and is considered a terrific prospect. Who knows, they might even have backed Zak Crawley to continue.As a selector himself, albeit on the other side of the world during the first six rounds of the County Championship, McCullum will have had an input. Likewise regarding the expansion of his backroom staff. The question now is how he fits back into an environment where relaxation is meant to make way for more rigour.The Prediction: McCullum's Path ForwardThere is also the subject of results. Four years ago McCullum was hired after an Ashes defeat so harrowing that expectations were low – a period that allowed him to breathe fresh life by taking minds away from outcomes. Players were told to be free, to attack, and not to worry about the consequences. It worked well initially.But this summer, the leadership having survived a rash of missteps in Australia, getting wins on the board against New Zealand and Pakistan feels non-negotiable if this supposed reboot is to have legs. Much may hinge on whether McCullum can adapt, or whether these changes ultimately compromise what he stands for.

The Lead: A Weekend of Sporting DramaSports fans are in for a treat as this weekend features some of the most anticipated events in the sporting calendar. The FA Cup final between Manchester City and Chelsea takes center stage at Wembley, while the US PGA tournament and crucial football matches across various leagues add to the excitement.The Event Details: FA Cup Final ShowdownThe FA Cup final between Manchester City and Chelsea promises to be a captivating encounter. For Manchester City, victory would keep alive their hopes of a domestic treble, having already won the League Cup and still hunting Arsenal in the title race. For Chelsea, it represents an opportunity to end a difficult season on a high note, winning their first domestic trophy in eight years and breaking a Wembley final losing streak that includes three consecutive defeats between 2020 and 2022.The Event Details: Scottish Premiership Title RaceNorth of the border, Celtic and Hearts face off in what could be one of the most significant matches in Scottish football history. Hearts have led the Scottish Premiership for most of the season but Celtic are just one point behind and know victory would deliver a 14th title in 15 seasons. The match has added extra spice as it's essentially a one-game shootout for the title, with Hearts needing to avoid defeat to end a 66-year wait to win the championship.The Event Details: USPGA TournamentIn golf, the USPGA tournament at Aronimink is reaching a critical stage with Scottie Scheffler, the world No. 1, and former champion Martin Kaymer setting the pace. Jordan Spieth is seeking a career grand slam while Masters champion Rory McIlroy has struggled, making for an intriguing third round of competition.The Impact Analysis: Premier League ImplicationsWhile the FA Cup final captures the headlines, the Premier League season is reaching its climax with six matches on Sunday that could have significant implications for the final standings. Manchester United's match against Nottingham Forest could see Michael Carrick appointed as permanent head coach if they secure third place. Meanwhile, Arsenal's upcoming match against Burnley on Monday has huge implications for the title race, with the Gunners looking to close the gap on Manchester City.The Impact Analysis: Women's Football FocusThe Women's Super League concludes its season with all 12 clubs playing for pride on the final day. Key fixtures include Brighton facing Tottenham before their first Women's FA Cup final, Chelsea meeting Manchester United in a match that could see them finish above Arsenal, and Liverpool versus Arsenal with their final positions in the table up for grabs. Chelsea will also be bidding farewell to Sam Kerr, who recently became the club's all-time top scorer in the WSL before leaving when her contract expires this summer.The Prediction: What to Watch ForLooking ahead, the FA Cup final is likely to be a tight affair given Manchester City's recent cup final upsets and Chelsea's need for redemption. In the Scottish Premiership, Hearts will be desperate to secure their first title since 1960, while Celtic will be aiming to maintain their dominance. In golf, expect Scheffler to maintain his form as he pursues another major victory. The Premier League matches will provide valuable preparation for next season's campaigns, with several teams using these final games to build momentum.

The Dawn of a New Era in British Art The Victoria and Albert Museum (V&A;) in London has welcomed a significant new presence in its main entrance: a lifesize fibreglass sculpture of a burly bouncer by Michael Parekōwhai from Aotearoa New Zealand. This character, Kapa Haka (Whero), serves as a symbolic guardian for the exhibition Rising Voices: Contemporary Art from Asia, Australia and the Pacific. The show, produced in partnership with the Queensland Art Gallery | Gallery of Modern Art (QAGOMA) in Brisbane, features over 70 works that have never before been exhibited in the UK, by artists from 25 countries. The Exhibition's Significance This exhibition marks a milestone in the recognition of Asia-Pacific art in Britain. The Asia Pacific Triennial of Contemporary Art (APT), established in 1993, has been a launchpad for some of the biggest names in art, including Cai Guo-Qiang and Lee Bul. Despite its influence in Asia and Australia, QAGOMA has only toured a selection of works from one triennial once before, to Santiago, Chile, in 2019. This is the first-ever triennial survey to be held anywhere in the world. The Curatorial Challenge The exhibition's curator, Daniel Slater, faced significant challenges in bringing this collection to the UK. For over two years, conservation specialists at QAGOMA navigated the practical challenge of safely transporting the works across the globe. The exhibition features a diverse range of works, including Montien Boonma's monumental installation Lotus Sound, Takahiro Iwasaki's intricate wooden model of the Phoenix Pavilion in Kyoto, and delicate works made from feathers, shells, and shark's teeth. The Exhibition's Structure The exhibition is structured into four parts, beginning with a 'subtle introduction' featuring paintings, textiles, a video, and more to illustrate the diversity of works. Visitors then move through thematic sections dedicated to politics, materiality, and spirituality. Two of the works in the introductory space are by Judy Watson, an Aboriginal artist from Waanyi country in north-eastern Australia, who was featured in the very first APT. The Future of Asia-Pacific Art This exhibition represents a significant step forward in the recognition and appreciation of Asia-Pacific art in Britain. As Slater notes, 'The responsibility has been on us to bring these incredible works here.' The success of this exhibition may pave the way for future collaborations and exhibitions showcasing the rich cultural heritage of the Asia-Pacific region.