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As its title suggests, this musical about Claude Monet is full of reflections – fittingly so given the artist's preoccupation with light. In 1916, while struggling to complete The Water Lilies with cataracts, the ageing painter (Jeff Shankley) retreats into memories of his early career. His single-minded younger self (Dean John-Wilson) may be about to change art forever, but looking back, all Monet sees is the personal cost of his drive, particularly his mistreatment of his first wife, muse and mother of his children, Camille (Brooke Bazarian).For a man usually defined by his success, this alternative reflection is refreshing. Also bouncing back at Monet are his peers' struggles, the artistic establishment's dismissal of impressionism, and art's relationship to war and women. So abundant are these reflections, in fact, that Carmel Owen's ambitious book at times becomes a house of mirrors – enticing but with a distractingly split focus.There are certainly strengths, though, not least Libby Todd's set: a floor-to-ceiling jumble of empty canvases, which fill with huge impressionist paintings, vivid washes of coloured light and animated backdrops rendered in flickering brushstrokes. It's an invitation to step inside the artistic movement that favoured feeling over realism.Director Christian Durham has an accomplished cast on his hands. Shankley brings moving introspection (and a brilliant turn as a sniffy Paris salon clerk), while Bazarian and John-Wilson deliver standout singing on a stage full of mighty voices. Their connection, however, is outshone by those between young Monet and his fellow impressionist upstarts Bazille (a lovable Ritesh Manugula) and Renoir (a breezy Sam Peggs), whose moments together are the show's strongest. They fizz with the impatience of young rebellion, and their bickering, which provides much-needed moments of gentle humour, gives way to genuine devotion.An excellent eight-piece orchestra takes on Owen's songs, which lead us aptly through the story's tonal beats – lush strings for young love; jaunty woodwind for bantering artists. But none are distinctive enough to reach the heights of "hum it all the way home".Like Monet's, this musical's ambition sometimes comes at a cost, but it still lands in a place of beauty and deep feeling.

The deadly conflict in Iran has precipitated what the International Energy Agency describes as the worst oil crisis in history, creating a complex situation for global clean energy efforts. While climate advocates are calling for accelerated transition away from fossil fuels, the war simultaneously presents both opportunities and significant challenges for renewable energy development.US-Israeli strikes on Iran have critically disrupted supply routes through the Strait of Hormuz, a maritime channel through which 20% of global oil flows. The conflict has also seen direct attacks on fossil fuel infrastructure by all parties involved, creating additional market shocks and uncertainty.Interestingly, reduced reliance on oil and gas is proving beneficial for some regions navigating the ongoing fuel crisis. As Jan Rosenow, a professor of energy at Oxford University, explains: Electricity generated from wind and solar is largely insulated from fossil fuel price volatility – once built, the fuel is free.Countries with substantial renewable energy investments are demonstrating greater resilience. Spain and Portugal have witnessed electricity prices decline in recent weeks, while Pakistan has experienced a surge in rooftop solar installations over the past five years, helping the nation weather oil and gas market disruptions.The electric vehicle revolution is also providing some economies with protection against gasoline price increases. In China, more than 50% of all new cars sold are electric, while in Nepal, that figure reaches an impressive 70%.However, the war is creating near-term challenges that could impede clean energy growth. The conflict has disrupted transport routes for metals essential in solar panel construction, particularly aluminum. The Middle East accounts for approximately 9% of global aluminum production, and regional producers have begun scaling back operations amid the hostilities.Furthermore, the inflationary pressures stemming from the conflict pose significant hurdles for renewable energy projects, which require substantial upfront investment for construction, equipment, and installation.Paradoxically, the war and resulting energy shocks have provided a short-term boon for fossil fuels, including coal. Many Asian countries heavily reliant on imported liquefied natural gas (LNG) are burning more coal to meet energy demand as LNG supplies through the Strait of Hormuz become constrained.The conflict has also incentivized increased oil and gas drilling and exploration, as countries scramble to replace disrupted LNG supplies and higher prices make previously unviable projects economically viable. US company Venture Global recently announced a new five-year contract to supply LNG, while Canadian energy company TC Energy indicated that Iran war disruptions are increasing the likelihood of expanding a massive LNG export facility.The Trump administration has further incentivized oil expansion, recently announcing plans to pay a French company $1 billion to abandon offshore wind farm projects in favor of fossil fuel initiatives.Experts propose various policy responses to encourage the green transition during this crisis. Rosenow advocates for tax reform to reduce the disproportionate burden on electricity compared to gas. Professor Gregor Semieniuk suggests imposing windfall taxes on oil and gas companies during the war, while Lauren Pagel of Earthworks calls for ending fossil fuel subsidies and making polluters pay for their environmental impact.Despite the current challenges, Kingsmill Bond, a strategist for the energy thinktank Ember, maintains that this crisis could ultimately accelerate the clean energy transition: This is the first oil shock in history where oil faces a superior alternative. Solar, wind and EV are cheaper, local, faster to deploy, and huge.

A recent surge in no-fault evictions in the UK has left many tenants reeling, with one individual sharing their heart-wrenching experience of being forced out of their home despite being a responsible tenant.The tenant, who wishes to remain anonymous, has been served a section 21 notice ahead of the upcoming ban on no-fault evictions, which is set to come into effect soon. This has created a sense of uncertainty and anxiety, with the tenant struggling to come to terms with the fact that they will have to leave their home after years of paying rent and being a model tenant.The UK government has been criticized for delaying reform and creating the perfect conditions for this situation. By announcing changes years in advance but failing to implement them in time, the government has effectively signaled to the market to act now, leading to a last-minute rush of notices.The issue is further complicated by rising rents in London, which continue to price out tenants and limit their choices in the rental market. Without meaningful limits, the reality is that tenants are often forced to move not because they want to, but because they are priced out or pushed out.The tenant's experience highlights the painful simplicity of the reality faced by many renters in the UK. Despite doing everything right, they can still lose their homes. This raises questions about who the current reform was really designed to protect.

Los Angeles Rams star receiver Puka Nacua is facing a civil lawsuit filed by a woman named Madison Atiabi, who claims he made an antisemitic statement and bit her on the shoulder on New Year's Eve. According to the lawsuit, Nacua allegedly said 'fuck all Jews' during a dinner in Los Angeles, which Atiabi, who is Jewish, found deeply distressing.The lawsuit also alleges that Nacua bit Atiabi on the shoulder, leaving teeth marks, and also bit her friend's thumb 'with such force that her companion screamed in acute pain.' The suit cites gender violence and negligence in addition to the antisemitic remark and biting incident.Nacua's attorney, Levi McCathern, has strongly denied the allegations, stating that multiple sober witnesses confirm Nacua never made the claimed comments. McCathern described the bites as 'horseplay' and announced that Nacua intends to sue Atiabi for defamation. This development comes after Nacua apologized last December for performing a gesture that invoked antisemitic tropes during an internet livestream.The 24-year-old receiver had a stellar season with the Rams, leading the league with 129 catches, 1,715 yards, and 10 touchdowns, and then leading the NFL again in playoff catches. His future with the Rams includes eligibility for a contract extension this offseason that could make him one of the highest-paid receivers in NFL history.

The ongoing conflict between the United States and Iran has led to a war of words over whether negotiations are taking place to end the hostilities. US President Donald Trump asserts that 'productive' talks have occurred with a top Iranian figure, but Iranian officials, including Parliamentary Speaker Mohammad Bagher Ghalibaf, vehemently deny these claims.The conflicting narratives raise questions about the motivations behind each side's statements. An analysis of what each side stands to gain from negotiations and a potential end to the conflict may provide clarity. Trump's comments on negotiations may be aimed at calming stock markets and oil prices, which have fluctuated significantly due to the conflict.The timing of Trump's comments coincides with the end of the trading week and a five-day deadline he gave for a positive response from Iran. This has led some to speculate that the US may be using talk of negotiations as a strategy to buy time for more US troops to arrive in the Middle East, potentially for a ground invasion of Iranian territory.From Iran's perspective, the economic pain inflicted on the US and global economies serves as a deterrent against future attacks. Therefore, it is in Iran's interest to downplay any talk of negotiations to maintain pressure on the US.Trump faces a dilemma between extending the war and suffering economic and political costs or ending it and facing criticism for not completing what he termed a 'short-term excursion.' The Iranian state, on the other hand, appears to have less incentive to end the war without establishing an effective deterrent against future attacks.The conflict has already resulted in over 1,500 deaths in Iran, significant infrastructure damage, and strained relations with Gulf neighbors. Moderate voices in Iran may argue that some form of deterrence has been achieved, and it may be time to talk and secure concessions.

Lily Allen, known for her hit album West End Girl, is exploring the possibility of turning her music into a stage play. The album, which details her painful experience of discovering her husband's infidelity, has already been performed in its entirety during a recent tour of theatre venues, including a show at the London Palladium.The album's narrative is semi-autobiographical and features songs that showcase Allen's mastery of dialogue, characterisation, and storytelling. The plot revolves around her being cast in a West End production, mirroring her own debut in 2:22: A Ghost Story in 2021.A potential play adaptation could feature intimate monologues or a more elaborate production with supporting actors. The character of Madeline, the other woman involved in Allen's husband's affair, could be a key role in the play. Allen's fans have been closely following her personal life through her lyrics, and her Architectural Digest video showcasing her Brooklyn townhouse with her now-estranged husband David Harbour. The album's sardonic humour and raw realism could be effectively translated onto the stage.The set design for the tour, created by Anna Fleischle, featured a distinctive two-act structure with an interval and innovative videography. A stage adaptation could also incorporate performance art elements, making it a unique theatrical experience.

Ukraine's national football team is on the brink of a significant achievement as they prepare to face Sweden in a crucial World Cup 2026 qualifier playoff. The match, set to take place in Valencia, Spain, represents a vital opportunity for Ukraine to end their 20-year absence from the World Cup. Serhiy Rebrov, Ukraine's manager, is determined to lead his team to victory, emphasizing the importance of representing their country amidst ongoing challenges.The Ukrainian team has faced considerable adversity, including the absence of key players due to injuries and the impact of Russia's full-scale invasion in February 2022. Ukraine has had to play numerous matches in various European cities, including Lodz, Prague, Leverkusen, and Warsaw, due to the conflict at home. Despite these challenges, Rebrov's squad has shown resilience, having recently qualified for Euro 2024 and narrowly missing out on a spot in the 2022 World Cup.Rebrov's determination is palpable as he highlights the significance of this match for his players and the nation. 'We have to do something for our people,' he says. 'They deserve this. I'm sure our players will fight on the pitch, show character, show everything just to be there.' The team's motivation is further amplified by the support of their fans, with approximately 20,000 expected to attend the match at the Estadi Ciutat de Valencia.On the other side, Sweden, under the management of Graham Potter, is also eager to secure a spot in the World Cup. Despite their own challenges, including injuries to key players like Alexander Isak and Dejan Kulusevski, Potter remains optimistic about his team's chances. The match promises to be a closely contested encounter, with both teams aware of the significance of a victory.Beyond the sporting aspect, the match also holds emotional value, as both countries have agreed to a long-term cooperation agreement, including the donation of football equipment to Ukrainian schools. This gesture underscores the power of sports to foster unity and support in times of adversity.

Wales coach Craig Bellamy has urged his team to stay calm and focused ahead of their crucial World Cup playoff semi-final against Bosnia and Herzegovina on Thursday. Drawing inspiration from Usain Bolt's approach to high-pressure situations, Bellamy emphasized the need for his players to remain relaxed and composed under pressure.Bellamy, who has been in charge of Wales for nearly two years, believes that his team has the ability to perform at their best when they are calm and focused. He cited their seventh-ranked possession statistics in European countries since he took over, highlighting their ability to control games. The team has also shown resilience, with Ethan Ampadu deputizing for injured captain Ben Davies.The prize for success in the playoff is a spot at successive World Cups, which would not only bring prestige but also a significant financial boost and a positive impact on grassroots football in Wales. Bellamy is aware of the challenges posed by Bosnia and Herzegovina, having researched their background, culture, and squad composition. He noted that 11 of their 35-man squad were born in Bosnia, while the others come from the Netherlands, Germany, and Sweden.Bellamy expressed his confidence in his team's abilities, stating that “there won't be any regrets” regardless of the outcome. He emphasized that his team will give their all and that he is prepared for all possible outcomes. The coach also highlighted the importance of enjoying the experience and not letting pressure get to them, saying, “If you can't enjoy this and you only feel pressure, you ain't made for elite sport.”Wales' last experience in a playoff ended in pain, with Wojciech Szczesny being Poland's hero. However, Bellamy is determined to build a team capable of competing for top spot in qualifying and avoiding the need for playoffs in the future.

The UK government is set to trial social media curbs for teenagers in a major study aimed at understanding the impact of reduced social media use on young people's lives. Hundreds of UK teenagers will participate in the six-week pilot, which will test different restrictions on social media use, including bans, digital curfews, and time limits on popular apps like Instagram, TikTok, and Snapchat.The trial, led by the UK government, will involve 300 teens across all four nations of the UK, with some participants having their social apps disabled, while others will have access blocked overnight or capped to one hour's use. The goal is to gather evidence on how different restrictions affect young people's day-to-day lives.Technology Secretary Liz Kendall emphasized the importance of testing different options in the real world, stating that the pilots will provide the evidence needed to take the next steps, informed by the experiences of families themselves.The pilot is part of a broader effort to address concerns about the mental health risks associated with unfettered internet access. Nearly 30,000 parents and children have responded to the government's digital wellbeing consultation, which closes on May 26. An independent study, funded by the Wellcome Trust, will also examine the impact of reducing social media use among adolescents.The study, involving about 4,000 students between the ages of 12 and 15 from 10 Bradford secondary schools, will investigate changes in anxiety and sleep quality, time spent with friends and family, wellbeing, body image, social comparison, school absences, and bullying.The UK government faces pressure to follow Australia's move to ban access to social media sites for under-16s, with France, Spain, and Indonesia also considering similar bans. The European parliament has passed a resolution on age restrictions, although it is not legally binding.Critics argue that the pilot is a half-measure that puts pressure on parents rather than holding big tech accountable for the harm caused by social media. Bereaved parents have written to parliamentarians, urging them to support a ban and expressing concern about the consultation process.