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The UK government is faced with a critical decision on whether to adopt a new law that would require online pornography providers to verify the consent of participants in their content. This move is aimed at curbing the rampant abuse and exploitation prevalent in the industry. The need for such a law has become increasingly evident following several high-profile cases, including a New York Times investigation into Pornhub, which found that the platform hosted videos featuring underaged and sex-trafficked subjects. Similarly, the trial of Dominique Pelicot exposed the horrific abuse of a woman who was raped while unconscious, with the perpetrator sharing videos of the assault online. The proposed legislation, championed by Conservative peer Gabby Bertin, would compel digital pornography businesses to verify the identities of all those featured and confirm that their consent has been obtained. This measure has garnered support from senior Labour figures and influential peers, including Beeban Kidron and Helena Kennedy. The UK's online safety act, introduced last year, brought in age verification for sites hosting user-generated content and gave the regulator, Ofcom, powers to fine or block businesses. However, concerns about consent in relation to professionally produced pornography remain. The Labour MP Diana Johnson was the first to propose consent verification and a new right for performers to withdraw it. The government now faces a choice: accept the bill as amended and make the UK a pioneer in online pornography regulation, or strip the new clause out. The outcome is far from guaranteed, but the pressure from Bertin and her allies has already led ministers to agree to outlaw strangulation imagery and scenes purporting to show incest. Campaigners argue that the regulation is crucial in tackling online misogyny and the soaring rate of child sexual abuse in the UK. The National Crime Agency has blamed online image-sharing and chatrooms for the increase in child sexual abuse, with livestreams featuring children available for as little as £20. The proposed law would also address the issue of deepfake pornographic images, which were outlawed last year thanks to the courage of survivors and a group of women in parliament. As the bill returns to the Commons, the government should throw its weight behind a new, stronger model of consent, ensuring that those who agree to be filmed having sex have the right to withdraw permission for others to watch.

England's women's football team has made a surprise call-up for 17-year-old midfielder Erica Meg Parkinson for their World Cup qualifiers against Spain and Iceland in April. Parkinson, who plays for Portuguese side Valadares Gaia, has previously featured in the Lionesses pathway but will now join Sarina Wiegman's senior squad for the first time. The Singapore-born player was chosen due to midfield injuries to Ella Toone and Grace Clinton, with Wiegman describing Parkinson as a 'very dynamic midfielder who likes to go forward … aggressive, technical.' Parkinson was part of the under-23 squad for fixtures against Norway and the United States last year and will now take on a significant step up to the senior level. Wiegman noted that while it's a big leap, Parkinson gets the chance to show her capabilities at the senior level. The 23-player squad also sees the return of Arsenal forward Beth Mead after missing the last set of internationals with a hairline shin fracture. Manchester City's captain Alex Greenwood is back in the squad after sitting out recent games due to injury. The Lionesses face Spain at Wembley on April 14, before taking on Iceland in Reykjavik four days later. This match against Spain will be the first between the nations since the Euro 2025 final, where England became back-to-back European champions under Wiegman's management.

The latest film from Chloé Robichaud, 'Two Women', is a remake of the 1970 French-Canadian sex comedy of the same name. Unfortunately, it hasn't aged well, coming across as silly, clumsy, and dated in its modern retelling.The story follows two unsatisfied women, Florence (Karine Gonthier-Hyndman) and Violette (Laurence Leboeuf), who live next door to each other in a suburban condo development. Both are unhappy in their marriages – Violette's husband Benoît (Félix Moati) is often away, supposedly on business, but actually having affairs, while Florence has a bland, sexless relationship with David (Mani Soleymanlou). The two women form a friendship and, without explicitly planning it, begin having sex with men they invite into their homes for repairs or odd jobs while their partners are away.The film's sex scenes feel both cynical and naive, lacking the eroticism of softcore erotica and the plausibility of drama. The movie attempts to draw comparisons to the 'Confessions of a Window Cleaner' series but falls short. One notable moment includes a discussion on how Tinder promotes addiction rather than love, but such insightful moments are few and far between.Overall, 'Two Women' is a tiring and mediocre film that fails to deliver on its promise of a modern take on female desire and infidelity. It is set to release in UK cinemas from 3 April.

The Japanese action-comedy film 'Ghost Killer' presents a unique blend of supernatural elements and high-octane action. Akari Takaishi stars as Fumika, a college student and part-time waitress who, after picking up a bullet casing, becomes connected to the ghost of Kudo, a recently murdered hired assassin.Kudo's ghost inhabits Fumika's body, allowing him to use her as a karate-chopping, gun-slinging martial arts vessel to right wrongs and avenge his own murder. This setup enables the film to deliver thrilling action sequences, showcasing fisticuffs and fancy fight choreography.Director Kensuke Sonomura, who previously worked on the successful 'Baby Assassins' franchise, brings his expertise in action direction to the film. Takaishi, who collaborated with Sonomura on 'Baby Assassins,' demonstrates her charisma and impressive range as Fumika, convincingly portraying both her vulnerability and deadly efficiency when possessed by Kudo.The film's script, written by Yugo Sakamoto, balances action with meaningful themes, including women's rights and the fight against male aggression. Notably, Fumika's character is presented in a practical and empowering way, often wearing tracksuit trousers, a puffer coat, and a knitted beanie, avoiding objectification.'Ghost Killer' is set to release on digital platforms from April 6, offering a fresh take on the action-comedy genre with its blend of supernatural intrigue and martial arts excitement.

The Bauhaus movement, renowned for its revolutionary approach to art and design, also played a pivotal role in empowering female photographers to explore and redefine the boundaries of the medium. During its existence, the Bauhaus school became a hub for creative experimentation, attracting talented individuals from diverse backgrounds. Among them were several women who made significant contributions to photography, often pushing against traditional norms and exploring new artistic expressions. Their work not only expanded the possibilities of photography but also left a lasting impact on the art form, influencing generations of photographers to come.

Digital violence is on the rise in Africa, driven by the rapid growth of internet access and high youth populations. Experts warn that this trend has severe consequences, including mental health problems, withdrawal from public and economic life, physical attacks, and femicide.In Africa, internet access is growing exponentially, with more than 70% of the population under 30. This has created a toxic online environment with dire real-life consequences. A study across five countries in sub-Saharan Africa found that 28% of women had experienced online violence. As internet access expands, this number is expected to rise.Primary targets include women in politics, human rights activists, journalists, and women with a public profile. 46% of female parliamentarians across 50 African countries have been the target of sexist attacks online, and 42% have received threats of death, rape, beating, or abduction, often through social media.Legislation and digital literacy are crucial in combating digital violence. Only 38% of people on the continent are internet users, and among women, the figure falls to 31%. Experts stress that platforms need to be accountable for the harm that is taking place on them and put user safety over profit.Examples of digital violence include doxing, deepfake abuse, sexual harassment, intimidation, and sextortion. These actions can lead to stalking, physical violence, and damage to reputation. Globally, nearly two in every five women will experience tech-facilitated violence, while 85% of women who are online have witnessed or encountered online abuse.Fewer than 40% of countries have laws protecting women from cyber harassment or cyber stalking, leaving 44% of the world’s women and girls – 1.8 billion – without access to legal protection. In Africa, about 17 countries have introduced legislation looking at cybercrime, but most do not acknowledge the gendered nature of abuse.

Lonely lives, falling between the gaps, are at the heart of this 1935 psychological thriller by Rodney Ackland, adapted from Hugh Walpole's novel. It's an atmospheric period piece, but isn't entirely a stretch to reflect on our own concerns about solitude in an ageing population.The three ladies in an English cathedral town are without partners, families or much of an income. They eke out their genteel poverty in a rickety boarding house. They weren't raised to work; Miss Beringer, in desperate need of a job, can only imagine becoming a paid companion or, possibly, flower arranging.In Brigid Larmour's finely etched production, irritable passions ferment beneath the frowsty knits and beads. The characters are prey to spite and greed, nerves and night terrors. Voices are tremulous; eyes glance at a fearful future.Beringer is the new lodger: Catherine Cusack, whittled by anxiety, timidly nibbles on a scallop-edged biscuit. She is welcomed by Julia Watson's Mrs Amorest, flustered but keeping up appearances. Down to her last £10, she writes into the void to a long-absent son.The third lady is Agatha. Fruitily overblown in the novel, that's how Edith Evans played her in 1935. Abigail Thaw makes her disconcertingly eccentric: forbidding in jet black, she mocks and snaps at quivering Miss Beringer. She covets Beringer's one cherished possession – a translucent chunk of amber from a beloved female friend.It's a play of cross-hatched conversations and melodramatic plotting. Larmour's design team help turn the screw: the dank-toned house and clothes in tones of moth and cobweb, a bitter wind blowing.Ackland's plays about rackety lives are increasingly revived. He, Walpole and John Gielgud, the play's original director, were all queer artists, and it's tempting to imagine them drawn to these lives on the margins of British society. Though these ladies don't so much rage against the dying of the light as wait, fearfully, to be snuffed out.

The BBC has been accused of creating 'glossy propaganda films' for Saudi Arabia's sovereign wealth fund, Public Investment Fund (PIF), which has raised concerns about the corporation's impartiality and potential damage to its reputation.BBC Storyworks, the corporation's commercial arm, has entered into a partnership with PIF to produce a series of films and written articles lauding Saudi Arabia's progressive attitude towards women and eco-friendly credentials. These content pieces are hosted on a mini-site bearing BBC branding, but are not accessible in the UK unless users employ a VPN.Critics argue that this partnership is inappropriate, especially given Saudi Arabia's human rights record and the 2018 murder of journalist Jamal Khashoggi in the Saudi consulate in Istanbul. The BBC's reputation as an unbiased news outlet is at risk, according to former Baghdad bureau chief Patrick Howse: 'The BBC's existence depends on its reputation as an unbiased and reliable news outlet that is beholden to no one and pursues the truth without fear or favour.'The partnership comes as the BBC seeks alternative funding sources due to a dwindling number of licence fee payers, with a loss of about £50m in revenue. Saudi Aramco, the world's largest oil exporter, is also promoting its green credentials through a BBC Storyworks piece funded by PIF, despite significant investments in fossil fuels.Human rights organizations, including Human Rights Watch and Amnesty International, have criticized PIF's investments as tools of Saudi soft power and influence, aimed at whitewashing government abuses. They argue that businesses should avoid activities that bolster the reputation of government entities or officials accused of serious abuses.In response, a BBC Studios spokesperson stated that 'BBC News maintains clear separation between its commercial and editorial departments' and that journalists continue to report impartially and without fear or favour.

Congo-Brazzaville authorities have taken a significant step in their pursuit of Jean-Guy Blaise Mayolas, the embattled president of the country's football federation, Fecofoot. An Interpol arrest warrant has been requested following his conviction for embezzling $1.1m in funds provided by FIFA.Mayolas, along with his wife and son, was sentenced to life imprisonment earlier this month for their roles in the embezzlement. The funds, part of FIFA's COVID-19 relief plan in February 2021, were intended to support the country's football community. However, the trio fled the country weeks before the hearing, with investigators suspecting they may be hiding in Cameroon or the Democratic Republic of the Congo.The embezzlement scandal involves $500,000 earmarked for the Congo women's team. According to allegations, only $20,000 of the allocated funds was actually paid out. Mayolas has denied all allegations, calling them a conspiracy. This is not the first time Mayolas has faced scrutiny; in 2015, he and other officials received six-month bans from FIFA for ethics violations related to gifts and benefits.The situation has led to significant repercussions for Congo's football community. The country was banned from international football due to third-party interference, resulting in the forfeiture of World Cup qualifiers against Tanzania and Zambia. While Congo has since been reinstated, the scandal continues to cast a shadow over the sport in the region.