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Andris Nelsons' tenure with the Boston Symphony may have been cut short, but his work with the Gewandhaus Orchestra is a testament to his exceptional skill. This collection of Mendelssohn's symphonies and oratorios, recorded live between 2021 and 2024, highlights Nelsons' ability to bring out the best in the orchestra. The tempi are brisk but never rushed, and it's the phrasing that truly brings these performances to life. The Italian Symphony's opening movement is ultra-lithe, and the Scottish Symphony's scherzo features intricate woodwind work. Nelsons elevates the often-overlooked First Symphony to stand alongside its more colorful counterparts. The set includes two oratorios, Elias (Elijah) and Paulus (St Paul), sung in German. Elias boasts a distinguished lineup, including Golda Schultz and Wiebke Lehmkuhl, with Andrè Schuen delivering a standout performance in the title role. Nelsons' interpretation of Paulus is particularly noteworthy, bringing out the drama in this lesser-known work. This collection is a must-listen for classical music enthusiasts, offering a unique insight into Mendelssohn's works and Nelsons' exceptional conducting style. Stream it now on Apple Music or Spotify.

The connection between boxing and cinema dates back to the early days of film, with the first sports film being a 1894 short of a six-round match between Mike Leonard and Jack Cushing. Since then, boxing has been a staple of the big screen, captivating audiences with its high-stakes emotion, physical intensity, and personal turbulence.The British Film Institute's new season, The Cinematic Life of Boxing, curated by Clive Chijioke Nwonka, an amateur boxer since his childhood in London, explores this symbiotic relationship. Nwonka believes that an uncompromising hunt for realism is central to the relationship between the sport and artform, with films that interact with human experience, poverty, struggle, triumph, and boxing as a way of life.Boxing films often capture a political zeitgeist, as seen in the 1974 'Rumble in the Jungle' heavyweight championship match between Muhammad Ali and George Foreman, which was not just a fight but a referendum on ideology during the civil rights era. This fight was documented in the 1996 film When We Were Kings, described by Nwonka as 'probably the greatest sports documentary of all time'.The Rocky franchise, which has spanned six films and a spin-off series, Creed, under the direction of Ryan Coogler, is a barometer for all the films captured in its wake. The first film remains the hallmark of sporting cinema, successfully capturing the habitual experience of the sport outside its more glamorous moments.Despite the genre's popularity, boxing films are not immune to clichés, with many relying on stock characters and familiar arcs. However, the best film-makers are able to return to the core of these films: the stakes of signing up for a fight, and the physical, psychological, and real monetary costs of endurance.

Coco Gauff has reached the Miami Open final for the first time in her career with a convincing 6-1, 6-1 victory over Karolina Muchova. Despite Muchova's recent form, which included winning her first WTA 1000 title in Doha last month, Gauff's dominant performance was too much for her opponent.Gauff, only 22 years old, showcased her immense defensive skills, tracking down every ball and mixing up the pace and trajectory of her shots. This strategy left Muchova, known for her volleying skills, struggling to find her rhythm. Muchova's 0-5 record against Gauff continued, with Gauff taking full advantage of being on the winning side of this lopsided matchup.Earlier in the week, Gauff had expressed uncertainty about competing in Miami due to an arm injury. However, she opted to play and has since drawn on her mental strength to navigate through four three-set matches. Her recent wins against Belinda Bencic and Muchova have been particularly impressive, considering her remodelled serve and poor form this year.Gauff's next challenge will be to lift the trophy in the final on Saturday against the winner of the match between Aryna Sabalenka and Elena Rybakina, two of the best players in the world.

Brendan Gleeson has been named best actor at the Critics' Circle theatre awards for his West End debut in Conor McPherson's pub drama The Weir. He beat fellow nominees including Bryan Cranston and Paapa Essiedu, both recognised for All My Sons, and James Hameed and Arti Shah, the duo who together portray Paddington in the new musical about Michael Bond's bear.The Weir, directed by McPherson, was entirely omitted from the nominations for this year's Olivier awards and is being turned into a film with Gleeson and the rest of the West End cast.All My Sons, a critically adored production of Arthur Miller's 1946 classic at Wyndham's theatre, won in two categories at the Critics' Circle awards: best revival of a play or musical and best director for Ivo van Hove. A new production of Stephen Sondheim and James Lapine's Into the Woods, directed by Jordan Fein at the Bridge theatre, also won two prizes – best designer (Tom Scutt) and the inaugural award for best ensemble or cast.The winners, voted for by professional theatre critics, were revealed at a ceremony at the National Theatre in London on Thursday. Paddington: The Musical, with music and lyrics by Tom Fletcher and book by Jessica Swale, won best new musical. James Graham's Punch, based on the real story of a fatal blow, received the Michael Billington award for best new play (named in 2019 in honour of the Guardian's theatre critic after he stepped down from reviewing). Ava Pickett won most promising playwright for her Tudor drama 1536, which was staged at the Almeida theatre in London in 2025, transfers to the West End in May and is being turned into a BBC drama series.Rosamund Pike saw off competition from Kate Fleetwood (Into the Woods), Marianne Jean-Baptiste (All My Sons) and Rachel Zegler (Evita) to win best actress for her acclaimed performance as a judge in Suzie Miller's Inter Alia. Ruby Ashbourne Serkis was named most promising newcomer for her performance in a revival of Tom Stoppard's Indian Ink which opened at Hampstead theatre days after the revered playwright's death. The award for best Shakespearean performance went to Hayley Atwell for her Beatrice (alongside Tom Hiddleston, nominated for the same prize, as Benedick) in Much Ado About Nothing at Theatre Royal Drury Lane.

Prem Rugby is set to introduce a significant change to its financial structure by implementing a minimum salary floor of £5.4m for each club next season. This move is part of a broader strategy to enhance competitiveness within the league. The decision was made by the Rugby Football Union Council last month, which also included the decision to ringfence the existing 10-team Prem until the 2029-30 season.The introduction of the salary floor is a key component of Prem Rugby's growth plan, which includes expansion windows every four years. This means that up to two new clubs could join the league, provided they meet the required minimum financial and sporting standards. The first tender process for new clubs is slated for 2027, with potential new members possibly joining Champ Rugby the following season and moving up to Prem Rugby in 2028-29 if they reach the playoffs.Prem Rugby's chief executive, Simon Massie-Taylor, emphasized that the league's vision is to become the best league in the world. However, this does not mean exceeding the financial capabilities of other leagues and creating wage inflation. The new salary floor is £1m lower than the current cap, which will remain unchanged for next season. Massie-Taylor highlighted that any future increases to the salary cap will be based on a formula as part of financial control measures.As part of its growth strategy, Prem Rugby also aims to host several 'Big Games' to appeal to a wider fanbase. The ambition is to have 10 Big Games by 2030, including the final and potential neutral playoffs. One example of this initiative is England's game against Fiji at the Hill Dickinson Stadium in Liverpool this summer, which could set a precedent for future events.

Ilia Malinin, the 21-year-old American figure skater known as the Quad God, has bounced back from his disappointing performance at the Winter Olympics by leading the short program at the world figure skating championships in Prague. Malinin, the defending two-time world champion, delivered a personal-best score of 111.29 in the short program, showcasing a quad flip and a combination of quad lutz and a triple toe loop. This performance has given him a substantial lead of over nine points heading into Saturday's free skate. Despite failing to land his trademark quad axel in competition, opting for a triple version instead, Malinin's routine met expectations. He will look to maintain his lead and reclaim his title. In contrast, French skater Adam Siao Him Fa impressed with a perfect quad toe loop in combination, scoring 101.85 points. Estonia's Aleksandr Selevko was a surprise third with a personal best 96.49 points. Malinin's Olympic struggles saw him fall from first to eighth place after a disastrous free skate, where he fell twice and made critical mistakes. He attributed his performance to overwhelming nerves and negative thoughts. With Olympic champion Mikhail Shaidorov from Kazakhstan skipping the competition, the stage is set for Malinin to regain his form and dominance in the figure skating world.

UK Prime Minister Keir Starmer has written to Travelodge's CEO, Jo Boydell, to express his concerns over the hotel chain's safety protocols following a recent sexual assault incident. The incident involved a 29-year-old man, Kyran Smith, who was given the victim's room number and key card by staff at the Maidenhead branch of Travelodge.Starmer's letter, released by Downing Street, emphasizes the need for Travelodge to 'seriously engage' with MPs and the government to address concerns around best-practice interventions for prevention, staff training, and the company's response to the incident. The Prime Minister views tackling violence against women and girls as a 'personal mission' and expects Travelodge to play its part in this effort.The incident has raised 'deeply concerning' questions about Travelodge's security processes and procedures. More than 20 MPs had demanded a meeting with Boydell to discuss the case, including the company's offer of an 'insulting' £30 refund to the victim. Starmer has welcomed Travelodge's decision to launch an independent investigation into its room security policies and urged the company to proceed with the review at pace.Travelodge has apologized to the victim for the way the incident was handled, stating that it adopts industry-standard security procedures. However, the company has faced criticism for its response to the incident, and Starmer's letter underscores the need for improved safety measures to prevent similar incidents in the future.

Liverpool FC has officially announced that Mohamed Salah will depart the club at the end of the season. The news was shared in a statement released on Tuesday, with the club citing Salah's desire to be transparent with the supporters about his future.In a video message on his social media accounts, Salah expressed his gratitude to the club, city, and fans, highlighting the significant impact Liverpool has had on his life. He described Liverpool as more than just a football club, but a passion, history, and spirit.During his time at Liverpool, Salah has achieved immense success, helping the team secure two Premier League titles, the Champions League, FIFA Club World Cup, UEFA Super Cup, FA Cup, two League Cups, and an FA Community Shield. He has scored 255 goals in 435 appearances, making him the club's all-time third-highest goalscorer and winning the Premier League Golden Boot on four occasions.Salah joined Liverpool from AS Roma in 2017 and has since established himself as one of the best players in the club's history. His departure marks the end of an era for the Egyptian star, who has been an integral part of the team's success over the past few years.

Robert Habeck, former German Vice-Chancellor and Minister for Economic Affairs and Climate Action, has issued a stark warning about the dangers posed by authoritarian leaders driven by megalomania, drawing parallels between Vladimir Putin's actions in Ukraine and Donald Trump's actions in Iran.Habeck argues that both leaders are primarily concerned with their own greatness, making them unpredictable and disinterested in international law. This megalomania has led to massive military miscalculations, including underestimating the resolve of the countries they attacked to make sacrifices.The article highlights the impact on energy prices, with both conflicts threatening to disrupt global energy supplies. Habeck recalls the high oil prices following Russia's invasion of Ukraine in 2022, which rose to $130 a barrel, and warns that a prolonged conflict in Iran could lead to an inflationary contagion beyond energy.Habeck emphasizes the need for Europe to develop its defence capabilities, including stockpiles of interceptor drones and new production capacity, to prepare for the scenario of a long war. He also stresses the importance of rapid electrification of industry, transport, and the heating and cooling sectors to reduce dependence on fossil fuels.The author concludes that Europe must act to prevent the worst outcome, rather than relying on hope or second-best outcomes. As he notes, hope is not a strategy, and the EU must use its resources wisely to protect its infrastructure and ensure energy security.