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The documentary Kinaesthesia delves into the dreamlike qualities of early cinema, showcasing a treasure trove of visions from the 1910s and 1920s. Director Gerald Fox draws on the theories of late Harvard film studies professor Vlada Petrić, who posited that early cinema pioneers employed techniques to activate the brain similar to those experienced during dreams.Luis Buñuel's Un Chien Andalou, co-written with Salvador Dalí and inspired by their dreams, is a seminal work featured in the documentary. Its surreal images, including a razor slicing through an eyeball and rotting donkeys strapped to grand pianos, continue to shock and disturb nearly a century later.The film is a greatest hits collection of experimental early cinema, featuring works by FW Murnau, Fritz Lang, Sergei Eisenstein, and Oleksandr Dovzhenko. Notably, it includes Teinosuke Kinugasa's A Page of Madness, a 1926 film set in a psychiatric hospital that was long believed lost but later found in a sake barrel.The documentary also highlights the contributions of avant-garde filmmaker Maya Deren, with a dedicated section showcasing her brilliance. While the narration by Fox can be somewhat hammy and the dramatic sections featuring Goran Kostic as Professor Petrić add little value, the film remains required viewing for anyone interested in the history of cinema.Kinaesthesia is set to release in UK and Irish cinemas from April 17, 2026.

Iran's judiciary announced on Monday that the assets of Zahra Ghanbari, captain of the Iranian women's football team, have been released. This decision comes after Ghanbari initially sought asylum in Australia, only to later withdraw her claim and return to Iran. Ghanbari was among a group of six players and one backroom staff member who sought asylum in Australia in March, following their participation in the Women's Asian Cup. The move sparked controversy, particularly as it coincided with the escalating conflict between Iran, Israel, and the United States. Upon their return to Iran, Ghanbari and the other players were greeted as heroes in a special ceremony in central Tehran on March 19. The Iranian judiciary's decision to release Ghanbari's assets was made after she declared her innocence and changed her behavior. The release of Ghanbari's assets is significant, as Iranian authorities have been accused of pressuring athletes who compete abroad, threatening their families or seizing their property if they defect or make statements against the Islamic republic. Rights groups have repeatedly highlighted these concerns, citing cases where athletes have faced intimidation and coercion. In related developments, two Iranian women's footballers remain in Australia and have been training with the Brisbane Roar club. The controversy surrounding the team's asylum claims has unfolded against the backdrop of Iran's men's team preparing to play in the World Cup in the United States in June.

Manchester City's recent comprehensive win over Chelsea has brought them within six points of Premier League leaders Arsenal, reigniting the title race. A viral social media meme featuring a City fan mocking Arsenal's struggles has captured the attention of football fans worldwide.The fan in question was seen mimicking a celebratory sip from an empty plastic bottle adorned with an Arsenal logo, leaving City's supporters in laughter and making viewers wonder if Arsenal have 'bottled it' once more. This comes after Arsenal's dramatic stumble over the past few weeks, including a loss to 11th-placed Bournemouth in the Premier League.Arsenal's quadruple hopes have taken a hit, with the team suffering three consecutive losses in local competitions. Manager Mikel Arteta acknowledged that his players are hurting but need to 'take it on the chin' and 'embrace the challenge' ahead. The team's fate is now as much in Manchester City's hands as it is in their own.Meanwhile, Manchester City's manager, Pep Guardiola, remains alert to the threat posed by Arsenal despite their recent blip. Guardiola emphasized the need for respect towards Arsenal, stating that beating them twice in a few weeks will be extremely difficult. City are favourites to lift the FA Cup and could still bag their 11th league trophy, with some experts predicting a domestic treble for the Sky Blues.

In a dramatic escalation, police in Noida, a suburb of the Indian capital, deployed tear gas to quell a four-day-old protest by factory workers on Monday. The demonstration had turned violent, with protesters torching vehicles and peltng stones in parts of the satellite city.The police stated that they used "minimum force" to maintain law and order. Narendra Kashyap, a lawmaker from the northern state of Uttar Pradesh, where Noida is located, urged protesters to engage in discussions with the government regarding their demands.Senior police and administrative officials are making persistent efforts to counsel the workers and encourage them to maintain peace and restraint, according to a statement by the Gautam Budh Nagar police.The protest visuals showed dozens of protesters marching on the street, chanting slogans, while security personnel in anti-riot gear looked on. Other images depicted an overturned vehicle with flames and protesters attempting to break through barricades.Noida, one of Asia's largest planned industrial townships, houses thousands of industrial units. The rising living costs globally, exacerbated by the US-Israel conflict with Iran which has impacted fuel supplies, have added to the workers' grievances.In a similar protest in the neighboring state of Haryana last week, the government ordered a 35 percent increase in minimum wages following demonstrations near production units of several car manufacturers.Vinay Mahoti, a 30-year-old worker from Bihar employed at a hosiery company in Noida, highlighted the workers' demands, including fixed duty hours, overtime pay, and adherence to federal government guidelines by companies.

Relentless drama unfolded at Aintree on Saturday as I Am Maximus clinched a second Grand National win, joining an exclusive club that includes the legendary Red Rum. The race saw all 34 runners finish without serious injury, underscoring the event’s safety despite its reputation for chaos.The victory marks I Am Maximus as only the third horse since the mid‑1930s to win the National twice, and the first to achieve the feat in non‑consecutive years since Red Rum’s 1974 triumph. Having finished a close second in 2025, the gelding now sits second only to Red Rum in the all‑time Aintree hierarchy.Trainer Willie Mullins admitted the horse’s temperament could spark a bar‑room brawl, recalling a “lairy” incident at a village parade two years ago. “He’d eat you without salt,” Mullins joked, suggesting future photo‑ops may be limited if the horse’s spirit remains untamed.Owner JP McManus, who celebrated a record fourth National win on the day, is expected to aim the champion at next year’s race. If I Am Maximus stays sound, a 2027 return could become one of the season’s marquee storylines.Betting markets reflected the horse’s popularity: a widely reported £100,000 wager at 8‑1 odds was placed before the race, and the gelding entered as the 9‑2 favourite, positioning him among the shortest‑priced favourites in National history. The only cheaper price on record belongs to Poethlyn, who opened at 11‑4 in 1919.Age also played a role. I Am Maximus’s win makes him the first horse older than nine to win since Pineau De Re’s 2014 victory. By comparison, Red Rum captured his third National at age 12 in 1977, but modern course changes have generally favoured younger runners.Unlike Tiger Roll, whose third attempt was thwarted by owner Michael O’Leary’s weight objections, I Am Maximus has already carried top weight to victory, demonstrating a robustness that may appeal to McManus for future campaigns.With the horse’s celebrity status soaring, the racing calendar now enjoys a twelve‑month window to capitalise on his fame, building anticipation for what could be a historic third National appearance.

Rory McIlroy's sixth major victory at the Masters Tournament has cemented his status as a golfing great, drawing comparisons to Seve Ballesteros and other legends of the sport.McIlroy's achievement is not just about the numbers; it's about the style and excitement he brings to the game. His thrilling performances have captivated audiences, making him a must-watch for fans and a key figure in golf's popularity.The Northern Irish golfer's journey to success has been inspiring, from his humble roots in Belfast to his rise as a global superstar. His relatable personality and dedication to hard work have endeared him to fans worldwide.McIlroy's comeback at the Masters was nothing short of remarkable. Despite struggling with consistency, he managed to secure a dramatic win, showcasing his resilience and creativity on the course.His influence on golf extends beyond his own performances. McIlroy is a key figure in shaping the sport's future, and his involvement in high-profile events like the Ryder Cup has made him a leader in the golfing world.

A 10-metre long humpback whale that became stranded on a sandbar in the Baltic Sea last month has left experts and the German public in a state of distress. The male whale, which has repeatedly stranded and freed itself, is now stranded once more and in the throes of death.The drama has captivated the country, drawing politicians, shamans, and animal rights activists to the scene. Experts have faced death threats and accusations of worsening the whale's plight, with some calling for the far right to take power.The local mayor has admitted: 'We have all been totally out of our depth.' A leading humpback whale expert has even stopped allowing her name to be quoted in the media, citing the danger of talking about humpback whales in Germany.The whale's condition has rapidly declined due to a fishing net caught in its jaw, weakening it and leading to a loss of direction. The Baltic Sea's low salt levels and shallow waters are not suitable for the whale's survival. Wounds and infections have been detected on its body, with experts describing it as 'very sick.'Despite the emotional public outcry and various rescue suggestions, including using cranes, planes, and inflatable pontoons, authorities have declared the whale beyond saving. The environment minister of Mecklenburg-Vorpommern, Till Backhaus, has pleaded with the public to leave the animal in peace to die, saying it has been one of the most demanding operations of his 27 years in office.

Chala Chala Nav Bala (Maze Baal, 1943) marks the debut of Asha Bhosle, who entered the film world at ten years old. Paired with her sister Lata Mangeshkar, her bright falsetto captures the youthful innocence of the Marathi romance, foreshadowing the emotive style that would define her career. Aaiye Meherbaan (Howrah Bridge, 1958) showcases Bhosle’s rise during Hindi cinema’s golden age, thanks to her partnership with composer O.P. Nayyar. The song’s sultry vibrato and lush orchestration set the tone for the film’s noir atmosphere, establishing her as a leading‑lady playback voice. Aao Huzoor Tumko (Kismat, 1968) became a chart‑topping hit, featuring intricate vocal runs over a flamenco‑style guitar. Bhosle’s lower‑register chorus broke the conventional shrillness of female playback, while her nuanced phrasing added depth to the on‑screen heroine’s drunken allure. Dum Maro Dum (Hare Rama, Hare Krishna, 1971) stands out as her most successful crossover, later sampled by Western rappers. The track, produced with R.D. Burman—her future husband—blends psychedelic Beatles‑inspired grooves with Hindi lyrics, demonstrating her ability to bridge Eastern and Western pop sensibilities. Piya Tu Ab To Aaja (Caravan, 1971) pushes the fusion further into jazz‑cabaret territory, with bold horn sections and cinematic guitar reverb. Bhosle’s breathy, suggestive delivery sparked controversy, yet the performance remains a masterclass in balancing sensuality with technical agility. Chura Liya Hai Tumne Jo Dil Ko (Yaadon Ki Baaraat, 1973) epitomises the “masala” film soundtrack, merging drama, romance, and crime. Over a gentle guitar backdrop, Bhosle’s tender humming conveys quiet longing, contrasting with the film’s high‑octane narrative. In Ankhon Ki Masti (Umrao Jaan, 1981) sees Bhoske venture into Urdu ghazals with composer Khayyam. Her lower, huskier timbre—adjusted a half‑step down—highlights her continued artistic experimentation even as she approached fifty. Bow Down Mister (1991) illustrates her early 1990s foray into international collaborations, lending wordless, soaring vocals to Boy George’s post‑Culture Club project. The track transforms into a rave‑infused anthem, underscoring Bhosle’s versatility across genres. Radha Kaise Na Jale (Lagaan, 2001) pairs Bhosle with a young A.R. Rahman, reaffirming her status as an elder stateswoman of Indian music. The duet with Udit Narayan blends tabla and flute with powerful vocal runs, marrying traditional Hindustani scales to contemporary film scoring. The Way You Dream (2002) features an unexpected partnership with REM frontman Michael Stipe on the 1 Giant Leap project. The eight‑minute piece weaves tabla rhythms, subtle guitar, and a dramatic breakbeat, proving that Bhosle’s voice can seamlessly inhabit New Age and electronic soundscapes.

Sam Neill, the veteran actor celebrated for his memorable performances on screen, is set to answer readers' questions in an upcoming interview with The Guardian. Neill's iconic roles include his portrayal in Jurassic Park, where he famously removes his sunglasses and gazes at a towering Brachiosaurus, a scene that has become etched in cinematic history.Born in Northern Ireland and raised in New Zealand, Neill's diverse filmography showcases his versatility as an actor. He has appeared in a range of films, from period dramas like My Brilliant Career to thrillers such as Dead Calm, which is set to be released in 4K later this year. His recent projects include Godzilla x Kong: Supernova, alongside Kaitlyn Dever and Matthew Modine.Neill's career has been marked by his ability to take on idiosyncratic, director-led projects, often playing characters with a unique blend of gruffness and warmth. His performances in Sweet Country and Rams have been particularly noted for their depth and nuance.In addition to his film work, Neill has also made headlines for his memoir, Did I Ever Tell You This?, in which he openly discusses his experience with stage-three blood cancer and his journey towards remission. When asked about his mortality, Neill expressed a pragmatic view, stating, “I’m not afraid to die, but it would annoy me”.Readers are invited to post their questions for Sam Neill by 6pm BST, Thursday 16 April, and The Guardian will publish his answers in their reader interview series. This provides a unique opportunity for fans to engage with one of cinema's most beloved actors and gain insight into his life and career.