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The Israeli Knesset approved a bill on Monday that makes the death penalty the standard sentence for Palestinians found guilty of terrorism‑related murders in the occupied West Bank, while excluding Jewish extremists from the same punishment. Volker Türk, the UN high commissioner for human rights, warned that the law is "patently inconsistent" with Israel’s obligations under international law and could constitute a war crime when applied to residents of the occupied territories. Türk stressed that the proposal raises “serious concerns about due‑process violations” and is “deeply discriminatory,” urging the Israeli government to repeal it without delay. He added that its selective application would amount to “an especially egregious breach of international law.” European officials have joined the criticism. An EU spokesperson described the bill as “a clear step backwards” and highlighted its discriminatory nature. Spanish Prime Minister Pedro Sánchez called the measure “asymmetric” and likened it to a move toward apartheid, while Germany’s foreign ministry said it could not endorse a law that “rejects the fundamental principle of opposing the death penalty.” The legislation stipulates that anyone sentenced to death will be held in a separate facility, barred from family visits, and allowed legal counsel only via video link. Executions are to be carried out within 90 days of sentencing, with hanging identified as the method of execution. The bill also removes the requirement for a prosecutor’s request and permits a simple majority vote in military courts to impose the death sentence. Israel has applied capital punishment only twice since its establishment, most recently in 1962 when Adolf Eichmann was executed. The bill’s strongest political backer, National Security Minister Itamar Ben‑Gvir, has publicly displayed a noose‑shaped lapel pin, symbolising the proposed executions. Human‑rights organisations have warned that the law entrenches a two‑tiered justice system. Adam Coogle of Human Rights Watch said the measure “entrenches discrimination and a two‑tiered system of justice, both hallmarks of apartheid,” while Oxfam’s Shaista Aziz warned that it “effectively ensures that the death penalty will apply only to Palestinians, even as the occupation sees a surge in violence against them.” Within Israel, the bill faces legal opposition. Several human‑rights groups and three Knesset members have filed petitions with the Supreme Court, arguing that the law creates parallel legal tracks that target Palestinians and should be struck down on constitutional grounds.

Within its opening weekend on Netflix, Peaky Blinders: The Immortal Man attracted over 25 million streams, outpacing all other titles that week despite already enjoying a UK cinema run and a high‑profile red‑carpet premiere at Birmingham’s Symphony Hall.Banijay Entertainment, a co‑producer of the film, capitalised on the buzz by launching an official Peaky Blinders merchandise store, underscoring how streaming services are now flipping the classic content pipeline—moving from streaming to the big screen rather than the reverse.Beyond promotional stunts, these theatrical forays are becoming a strategic revenue stream and franchise‑building tool. Shows such as Stranger Things, KPop Demon Hunters and The Mandalorian are being repackaged for cinemas, offering fans a premium, event‑style experience that streaming alone cannot replicate."Cinema still creates anticipation, hype and a sense of scarcity that streaming platforms struggle to match," explains Ben Woods, analyst at MIDiA Research. Historically, Netflix limited theatrical releases to qualify films like The Irishman for awards, but the current focus is on monetising proven intellectual property across both mediums.The success of Peaky Blinders—a series with a built‑in audience—demonstrates the model’s viability. Lead actor Cillian Murphy, who also produced the film, described the release as "one for the fans," signalling the intent to reward loyal viewers.Netflix’s own experiment with KPop Demon Hunters proved lucrative: limited theatrical screenings across two weekends generated more than $24 million (£18 million) at the box office and helped the animated musical secure two Academy Awards for Best Animated Feature and Best Original Song.Co‑CEO Ted Sarandos highlighted that the film’s triumph stemmed from its initial Netflix debut, which fed the theatrical audience via the platform’s recommendation engine. While a sequel is slated to follow the same streaming‑first rollout, the Peaky Blinders movie’s cinema‑first launch shows that release strategies remain flexible.Industry observers note that gaps in the traditional release calendar give streaming services opportunities to fill weekends with original content, a tactic Netflix is actively exploiting.Major studios are also blurring the line between streaming and cinema. Disney, for example, transformed its hit Disney+ series The Mandalorian into a feature film, reflecting a broader push to bring Star Wars stories back to theatres.Adapting episodic narratives for the big screen presents creative challenges. As Ben Woods asks, should a film cater primarily to dedicated fans familiar with the series, or aim for a stand‑alone appeal that attracts a wider audience?Fan reaction to The Immortal Man has been mixed on the Peaky Blinders subreddit, with some critics questioning the decision to condense a season‑long arc into a single film. Nonetheless, the movie enjoys a strong critical consensus, holding roughly a 90 % fresh rating on Rotten Tomatoes.Looking ahead, Netflix announced on 20 March that two new post‑war seasons of Peaky Blinders are in development, raising the question of how soon the next installment might receive a cinematic spin‑off.

Middlesex Cricket Club is facing a revolt from a group of former players, including Mike Gatting, the former England captain, over the club's leadership and performance. In an open letter to members, Gatting and his co-signatories, such as Desmond Haynes and Mark Ramprakash, have expressed concerns about the club's direction, highlighting a lack of transparency and cricketing knowledge among the leadership. The letter, which is a clarion call ahead of the club's annual general meeting on 15 April, states that Middlesex was once a byword for excellence in the game but now risks 'drifting towards irrelevance.' The group criticizes the club's cricket setup, describing it as 'a mess' and notes that only one person with first-class experience occupies a board position, while only two such former players appear on any of the club's committees. The club has faced significant challenges, including relegation to Division Two of the County Championship for the third straight season and financial issues, with disbursements from the England and Wales Cricket Board accounting for around 60% of their income. Middlesex is also the only first-class county not to own their own ground. The group of former players is urging members to attend the AGM and seek answers from those responsible, emphasizing the need for change to prevent the club from being left behind. This intervention is part of a broader trend, with other clubs like Sussex and Lancashire also facing pressure from former players over their leadership and performance.

The recent open letter from 60 clergy members, addressed to the author, underscores a shared concern for planetary stewardship and acknowledges that human‑generated carbon emissions are warming the climate. However, the signatories and the author diverge sharply on the appropriate policy response. Marshall contends that an outright ban on fossil fuels is both impractical and ideologically driven, creating a collective‑action dilemma for the UK. He notes that while the nation pursues a rapid net‑zero transition, major emitters such as India and China operate on markedly different timelines, and the United States has withdrawn from the Intergovernmental Panel on Climate Change (IPCC). This leaves Britain navigating a path of unilateral economic disarmament. Industrial electricity rates in the UK have surged to two‑and‑a‑half to three times those in China and four times those in the United States. Such cost differentials are eroding the global competitiveness of sectors ranging from steel and oil refining to chemicals, automotive manufacturing, and emerging AI industries. The result, according to Marshall, is a wave of factory closures, investment pull‑backs, and significant job losses across the nation's industrial heartlands. Beyond macro‑economic concerns, the policy’s social toll is stark. Older and low‑income households are bearing the brunt of soaring energy bills, with an estimated 2,500 excess deaths last year attributed to an inability to adequately heat homes. This humanitarian impact, Marshall argues, contradicts the very notion of “human flourishing” that climate advocates champion. While acknowledging that every policy entails trade‑offs, Marshall warns that the clergy’s proposal would impose severe personal costs on working‑class Britons without delivering the promised climate benefits. He concludes that the current net‑zero trajectory is unlikely to curb global warming and instead jeopardizes the UK's economic vitality and social wellbeing. Paul MarshallChair, Marshall Wace; personal investor in GB News

The recent news of a six-year-old girl killed in Lebanon by an Israeli bomb has left many in tears. The child's tragic death serves as a stark reminder of the devastating consequences of war. As we bear witness to such horrors, it's essential that we don't turn away, but instead, take a moment to reflect on the human cost of conflict. The girl's death is a heart-wrenching example of the innocent lives lost in the ongoing violence. It's crucial that we acknowledge the pain and suffering of those affected, rather than becoming desensitized to the news. By doing so, we can work towards a deeper understanding of the complexities surrounding these conflicts. The international community must consider the long-term effects of war on civilians, particularly children. The emotional toll of such experiences can be profound and lasting. As we move forward, it's essential that we prioritize empathy and compassion in our response to these tragedies. Ultimately, it's our collective responsibility to stay informed and engaged, ensuring that the voices of those affected are heard and their stories are told. By doing so, we can work towards a more nuanced understanding of the world and its complexities.

The US-Iran conflict, now in its fifth week, has escalated into a war of attrition with no clear strategy or end in sight. The US continues to hit Iranian targets while building up forces in the region, while Iran launches missile and drone attacks on Israel and neighboring Gulf states.The conflict has significant economic implications, with Iran's closure of the Strait of Hormuz causing oil prices to surge and disrupting global supply chains. The pain is likely to get worse, with shortages already felt across the world, from Asian factories to European diesel markets.The war should never have been started, with the threat not imminent, objectives unclear, and justification falling apart under scrutiny. Responsibility rests with Donald Trump and Israel's Benjamin Netanyahu. The delusion that force can impose a more compliant regime in Tehran has predictably given rise to a conflict that sustains itself.The only plausible exit is negotiation without preconditions. However, Mr. Trump mixes threats of escalation and claims that negotiations are progressing, with little evidence of a meaningful diplomatic track. The conflict cannot be separated from Gaza, where Mr. Netanyahu is gambling that war with Iran will restore his standing.If US ground forces are committed, the dynamic shifts, and American casualties will harden resolve among those who backed the intervention, making withdrawal politically harder. World powers can shift the incentives away from a US ground war by working together to insulate themselves from economic pain and coordinate diplomatic messaging.

Bob Dylan, the 84-year-old music legend, has taken to Patreon, a platform typically used by podcasters and visual artists, to share exclusive content with his fans. For $5 a month, subscribers can access 'Lectures from the Grave,' a series of AI-generated lectures, letters, and short stories.The choice of platform and content has raised eyebrows, as many major music stars have opted for Substack for their newsletter-style content. The use of AI to generate the content has also sparked debate among fans, with some questioning the authenticity of the posts.The content so far includes a video of gospel singer Mahalia Jackson, a lecture about Wild Bill Hickok, a folk hero of the Old West, and a fictional letter from Mark Twain to Rudolph Valentino. While the connections between these topics and Dylan's past are tenuous, they are in line with his style of often leaving interpretation open to his fans.Dylan's decision to use Patreon and AI-generated content has been met with both curiosity and confusion. Fans are eager to decode the meaning behind his posts, and the $5 a month subscription fee is seen as a way to support the artist. As one fan noted, 'If a man who sold his publishing to Universal for a reported $300m back in 2020 patently doesn’t need the $5 a month subscription fee – although, one might argue, why shouldn’t he be paid for his work? – his fans are doubtless going to view it as money exceptionally well spent.'

Danish cyclist Jonas Vingegaard has made an impressive start to the season, securing a dominant victory at the Volta a Catalunya. He led the general classification by 1 minute and 22 seconds over France's Lenny Martinez and a further eight seconds ahead of Germany's Florian Lipowitz. In a surprising turn of events on the final stage, Brady Gilmore of the NSN team, backed by retired football star Andrés Iniesta, claimed a stunning stage seven victory. Gilmore edged out Dorian Godon and Remco Evenepoel in a thrilling bunch sprint finale. The 95km final stage featured seven circuits of Montjuïc in Barcelona, a venue that will host the Tour de France start in July. Vingegaard, the pre-race favorite, asserted his dominance with solo victories in stages five and six in the Pyrenees. Earlier this month, he also won two stages and the overall title at Paris-Nice. The Dane is planning a challenging double assault on the Giro d'Italia and Tour de France later in the year. 'We won two stages and now the GC, it's been a really good week and we're super happy with it,' Vingegaard said. 'It's been an amazing start to the year for me and I hope I can keep it going.' Meanwhile, in the In Flanders Fields one-day cobbled classic race in Belgium, Jasper Philipsen secured victory after a breakaway effort by Mathieu van der Poel and Wout van Aert was caught just a kilometer from the finish. Philipsen out-sprinted Tobias Lund Andresen and Christophe Laporte for the win.

Harry Enfield, known for his portrayal of King Charles in The Windsors, presents a comprehensive review of his career in this Audience With … event. The show is a chronological journey through his 40-plus years in comedy, featuring a vast array of personae, catchphrases, and showbiz anecdotes.Enfield's iconic characters, such as Stavros and Loadsamoney, are revived, along with his DJ alter ego Dave Nice, now a right-wing podcaster. The show also includes fresh sketches and performances of his favorite old sketches, like Mr Cholmondley-Warner and Wayne and Waynetta Slob.The comedian's ability to distill personalities and social types into telling tics, speech patterns, or catchphrases is remarkable. He shares engaging background details and biographical snippets, including stories about his family and celebrity encounters with Whitney Houston, Nelson Mandela, and a drunken session with Paul McCartney and George Harrison.This touring show is a treat, offering a trip down memory lane and showcasing Enfield's enduring comedic talent. He solidifies his claim as the head of our comedy state, with a performance that is both nostalgic and engaging.Harry Enfield is set to tour with his show, with upcoming dates at G Live, Guildford, and the Forum, Bath.