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Film Mar 23, 2026

The Last Blossom: A Poignant Anime Exploring Redemption and Human Conscience

The Last Blossom is a contemplative anime film that tells the story of an elderly former yakuza, Ak…
The Last Blossom, directed by Baku Kinoshita and written by Kazuya Konomoto, is a quiet, contemplative anime feature that rarely gets a theatrical release. The film opens in a lonely prison cell, where the elderly former yakuza Akutsu finds an unexpected confidant in a talking balsam flower.Over the course of one sleepless night, Akutsu's life story unfolds in bursts. Thirty years prior, another balsam flower grows in the back yard of Akutsu's humble house, which he shares with Nana and her baby son, Kensuke. The relationship between the taciturn man and the bubbly young woman is seemingly platonic; Kensuke is not his son. Yet there are hints of romantic attraction; they share bowls of piping hot ramen noodles, play endless rounds of Reversi, and join in harmonising the Ben E King classic Stand By Me.In contrast to this alternative nuclear family, the yakuza world is still strictly traditional, revolving around machismo and codes of brotherhood. When Kensuke is diagnosed with a heart condition, Akutsu is lured into a criminal plot, which leads to his incarceration. Though encompassing much bloodshed and even a hidden treasure subplot, The Last Blossom is most moving as an exploration of human conscience, where a capacity for violence and kindness coexist.The paradox is reminiscent of Shōhei Imamura’s Palme d’Or winner The Eel, starring Koji Yakusho as a wife-murderer who shelters a pregnant woman after his prison release. With his unassuming buzzcut, in stark contrast to his flamboyant yakuza peers, Akutsu bears a striking resemblance to Yakusho’s protagonist. Though a minor work compared to Imamura’s, The Last Blossom similarly questions conventional notions of justice, and the impossibility of weighing one’s good and bad deeds.The Last Blossom is in UK and Irish cinemas from 27 March, and in Australian cinemas from 23 April.
#his #last #blossom
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Film Mar 23, 2026

Barry Keoghan Opens Up About Online Abuse: 'I Don't Want to Go Outside'

Oscar-nominated actor Barry Keoghan reveals that online abuse about his appearance is severely impa…
Irish actor Barry Keoghan, known for his roles in various films and upcoming projects, has candidly shared the negative impact of online abuse on his life. In a recent interview with SiriusXM host Ben Harlum, Keoghan disclosed that the relentless online abuse about his appearance has reached a point where he “doesn’t want to go outside” anymore. Despite having left social media in 2024 to escape the harassment, Keoghan admitted that the abuse continues to affect him significantly. He expressed concern about how this online hate might influence his career and personal life, particularly his role as Ringo Starr in Sam Mendes’ upcoming Beatles tetralogy. Keoghan acknowledged that while many fans are supportive, there is a “nasty side” to online interactions. He mentioned that he often finds himself “shying away” from public events and feeling the urge to “hide away” due to the constant abuse and hate. This situation has become so severe that it’s affecting his willingness to continue acting, which could be disappointing to his fans. The actor also expressed worry about the potential impact on his three-year-old son, Brando, who may encounter these negative comments in the future. Keoghan emphasized the need to protect his child from the harsh realities of online abuse. Keoghan has been open about his difficult past, including his time in foster care and his mother’s struggles with drug addiction. Recently, he has been involved in projects such as Netflix’s Peaky Blinders: The Immortal Man and The Beatles: A Four-Film Cinematic Event, where he stars alongside Harris Dickinson, Paul Mescal, and Joseph Quinn.
#his #keoghan #want
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Stage Mar 23, 2026

Richard Kind on Delivering Big Performances in 'The Producers'

Richard Kind discusses his role in Mel Brooks' musical 'The Producers' at the Garrick theatre in Lo…
Richard Kind, a versatile actor known for his roles in films like 'Inside Out' and TV shows such as 'Only Murders in the Building', is set to take the stage in London's West End in Mel Brooks' musical 'The Producers'. Kind will play the role of Max Bialystock, a charismatic and cunning Broadway producer, at the Garrick theatre from March 23 to May 9.Kind, who has a reputation for his dynamic performances, describes his interpretation of Max as a 'big bear' who 'lumber' across the stage, drawing inspiration from Zero Mostel, who originated the role in the 1967 film. He contrasts his approach with that of Nathan Lane, who played the role on Broadway, saying, 'Nathan glides. I'm a big bear. I lumber.'The actor, who has had a long and varied career in both comedy and drama, notes that theatre offers him a chance to take on more challenging roles. 'I'm at the point where I can say 'no' to a stage role unless it's challenging,' he explains. Kind's extensive experience includes work with Second City, the Chicago improvisational troupe, and roles in sitcoms like 'Spin City' alongside Michael J Fox.Kind also opens up about his friendship with George Clooney, a close pal who has been publicly criticized by Donald Trump. Kind expresses his protectiveness towards Clooney and his disdain for Trump, showcasing his strong opinions and 'ugly' language when discussing the former president.With his characteristic wit and candor, Kind reflects on his career, stating, 'I'm all over the place! Nobody works more than me.' His performance in 'The Producers' promises to be a highlight of London's theatre scene this season.
#kind #his #says
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Entertainment Mar 22, 2026

Jenni Murray, Iconic Voice of Woman's Hour, Dies at 75

Jenni Murray, the longest-serving presenter of BBC Radio 4's Woman's Hour, has died at the age of 7…
Jenni Murray, a trailblazing broadcaster and longest-serving presenter of Woman's Hour, has died at the age of 75. Murray brought a unique calm authority to the BBC Radio 4 weekday show for an impressive 33 years, transforming it into a platform for discussing subjects such as the menopause, domestic violence, genital mutilation, and sexual politics.Under Murray's tenure, which began in 1987, Woman's Hour evolved significantly from its origins in 1946 as a program focused on cooking, cleaning tips, and romantic serials. By the time Murray took over, the show had become a sisterhood of the airwaves, as described by the Sunday Times in 1996.Murray was renowned for her fearless and thoughtful questioning of guests, which included politicians, film stars, authors, poets, chefs, gardeners, lawyers, and anxious parents. One notable interview was with Margaret Thatcher in 1990, where Murray exposed the ideological differences between the feminist approach and Thatcher's views on childcare and gender equality.Murray also conducted incisive interviews with other prominent figures, including Edwina Currie, who revealed her affair with John Major, and Tessa Jowell, discussing her financial decisions. Her conversations were marked by a flair for the dramatic and a deep empathy for her guests.Throughout her career, Murray was not without controversy. In 2017, she faced backlash for an article she wrote questioning the use of the term 'real woman' by trans individuals. The BBC subsequently warned her about maintaining impartiality on controversial topics.Murray's contributions to broadcasting were widely recognized. She was awarded an OBE in 1999 and a dame in 2011. Woman's Hour won the Television and Radio Industries Club's award for best radio program in 2004, and Murray received two Sony awards in 2010 and 2011.Murray's legacy extends beyond her broadcasting career. She was a champion of women's rights and a prolific author, writing several books, including her memoirs and a history of women's suffrage.
#Jenni Murray #BBC Radio 4 #Woman's Hour
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Culture Mar 22, 2026

Saturday Night Live UK Debuts: A Promising Start Despite Imperfections

The inaugural episode of Saturday Night Live UK receives a mixed but generally positive review, wit…
In the end, a comedy show leaves you with a feeling that tells you whether it worked or not. The general consensus about the inaugural episode of Saturday Night Live UK is that it did work, though some may feel the cast of 11 actors and 20-strong writing team only just got away with it.The show began with an impression of Keir Starmer by George Fouracres, followed by the guest host monologue by Tina Fey, former head writer at the original SNL. Like many sketches to come, it started stiltly but warmed up to end in relative triumph.One of the stronger sketches featured a skincare range called Undérage by Pedolay, with the tagline "everyone will think your husband is a nonce!" While some sketches went on too long—a tradition almost as longstanding as the cold open—others hit their mark better.A sketch about David Attenborough's Last Supper with reanimated icons offered a disturbingly good Diana impression by Jack Shep, followed by two successful bits featuring Hammed Animashaun as an honest film critic and as part of a team dedicated to making the internet "as bad as it can possibly be."The team recovered with a solid Weekend Update presented by Ania Magliano and Paddy Young, which contained proper jokes for grownups, including references to "Boris Pistorius/Saddam Walliams" and a joke about "It's a Sin becoming a musical as if a TV show about the Aids crisis could get any gayer."While a Shakespeare sketch and a bra-fitting sketch had mixed results, and performances by Wet Leg were described as "god-awful," the reviewer concluded that the show did not fail and could become more successful as the team and audience settle in over coming weeks.The review acknowledges that while the show could have been a lot worse, it also could have been better. However, the attempt to retool a legacy American brand for British audiences was refreshing and ambitious, with potential for growth and improvement.
#but #can #show
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Entertainment Mar 20, 2026

Resident Evil's 30-Year Reign: How Capcom's Horror Franchise Continues to Dominate Gaming

Resident Evil celebrates its 30th anniversary as a gaming phenomenon that has sold over 180 million…
When Resident Evil emerged in the mid-1990s, it stood in stark contrast to the prevailing gaming landscape. The PlayStation and Saturn consoles were dominated by bright, arcade-style games like Daytona and Tekken, while Japanese publisher Capcom was primarily known for Street Fighter and Mega Man sequels. Scary games were rare at the time and mostly confined to the PC, making Capcom's horror title Biohazard (the Japanese name for the series) a radical departure that caught the attention of games journalists.Three decades later, the series has not only survived but flourished, becoming one of gaming's most successful franchises. Resident Evil has sold more than 180 million copies worldwide, with 11 core titles, numerous spinoffs and remakes, plus extensive film, television, and anime tie-ins. Its characters and monsters have become cultural icons, with its design tropes now embedded in gaming practice.The origins of Resident Evil can be traced back to 1989's Sweet Home, a Capcom role-playing game for the Famicom (Japanese NES). The game featured a group of filmmakers searching a haunted mansion for valuable artifacts, and while it was a modest domestic success, it never received an international release. However, senior producer Tokuro Fujiwara couldn't let go of his vision for horror as a distinct game genre."We have Tokuro Fujiwara to thank for the existence of Resident Evil," says Alex Aniel, author of acclaimed Resident Evil history book Itchy, Tasty. "He directed Sweet Home having believed that horror could become its own game genre, but wasn't satisfied with its rudimentary portrayal. He wanted to give horror another try once the technology was there to allow it – that opportunity finally arrived with the release of the original PlayStation."In 1993, young producer Shinji Mikami was brought in to oversee a horror game project inspired by Sweet Home. He expanded the haunted mansion concept, drawing influence from George A Romero's Dead trilogy and Alone in the Dark, creating a world haunted not by ghouls but by zombies, mutants, and monsters. The heroes were an experienced SWAT team investigating disappearances at a rural mansion owned by the sinister scientific organization: Umbrella Corp.The original vision for full real-time 3D visuals proved too ambitious for PlayStation hardware, leading Mikami and programmer Yasuhiro Anpo to develop a compromise: 3D characters combined with prerendered 2D backgrounds viewed from fixed camera angles. This restricted, expressionistic style emphasized the intense claustrophobia of the environment, with information always kept from the player by blind corners and shadowy doorways.This combination of tension, omission, and restriction is fundamental to Resident Evil's success as a horror franchise. Even as the camera evolved to over-the-shoulder views and first-person perspectives, characters remained vulnerable. Ammo, save points, and health items are jealously rationed, with extremely restricted inventories. This approach makes Resident Evil operate more like classic horror literature than a typical power fantasy video game.The series has also expertly referenced horror conventions while paying homage to its inspirations. "Kamiya's biggest source of inspiration came from Alien and especially its sequel, Aliens," says Aniel of Hideki Kamiya, who directed Resident Evil 2 and Resident Evil Zero. "For example, in Resident Evil 2, humans infected with the G-virus grow a parasite that eventually ruptures their host and emerges from within, growing into deadly creatures."Resident Evil has also demonstrated remarkable versatility in exploring different horror genres – gothic horror in its mansions and monstrous enemies, sci-fi horror in its biological experiments, and folk horror in its sinister villages and religious cults. This comprehensive approach allows it to mirror societal fears, a point underscored by the COVID-19 pandemic."The Covid pandemic reminded us just how real our fear of viruses should be," says Bernard Perron, professor of cinema and video games at the University of Montreal. "In that sense, the fear of a corrupt corporation like Umbrella, along with mad scientists who do not necessarily have humanity's best interests at heart, continues to resonate. These anxieties remain deeply embedded in our posthumanist societies."Throughout its evolution, Resident Evil has maintained a balance between familiarity and innovation. Characters like Jill Valentine, Claire Redfield, and Leon Kennedy provide continuity – relatable but cool figures who spout wry jokes like Hollywood heroes. Meanwhile, charismatic antagonists such as Albert Wesker, Lord Osmund Saddler, and Lady Dimitrescu ensure consistent engagement.The series also excels in pacing and structure, carefully delineating between exploration, puzzle-solving, and combat sections. Locations are filled with beautiful details – lavish furniture, eerie oil paintings, ornate gardens – making exploration pleasurable. After intense battles, players can retreat to safe spaces like Save Rooms, creating a rhythm that prevents fatigue."The series offers deep and entertaining gameplay experiences, but with a very low barrier to entry, even for newcomers," says Aniel. "The Resident Evil games are more accessible than ever: since they are often on sale, they are affordable even for customers in emerging global markets, available on every major game platform."Ultimately, Resident Evil's longevity stems from its ability to create uncertainty while maintaining familiarity. "You know what you will get, but you also don't know," the article concludes. "Around every corner there could be a shock or there could be nothing – it's the uncertainty that gets you. It allows us to write in our own fears and anxieties, or to discover new ones we hadn't considered or acknowledged. Like all great horror fiction, Resident Evil has survived because it looks us right in the eye and says, I know what scares you. Come and see."
#Resident Evil #Capcom #RE Engine
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Film Mar 20, 2026

Chuck Norris, Action Star and Martial Arts Icon, Dies at 86

Chuck Norris, the renowned action star and martial arts champion, has passed away at the age of 86.…
Chuck Norris, a former world karate champion turned action movie star, has died at the age of 86. His family announced his passing on social media, stating that he was surrounded by his loved ones and at peace.Norris's career spanned several decades, beginning with his appearance in Bruce Lee's 1972 film The Way of the Dragon. He went on to star in numerous action films, including Invasion USA and The Delta Force, as well as the long-running TV series Walker, Texas Ranger. Norris also gained a level of political profile for his outspoken support for right-wing causes.Tributes from fellow action stars and celebrities poured in, with Sylvester Stallone describing Norris as "all American in every way" and Dolph Lundgren calling him "the champ". Stephen King also paid tribute, saying Norris was "great" and that his film Silent Rage had scared him and his children.Norris's impact on popular culture extends beyond his film career, with the internet meme "Chuck Norris facts" becoming a testament to his enduring legacy. He is survived by his wife, Gena O'Kelley, and his five children.
#norris #his #action
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Film Mar 18, 2026

Early Predictions for the 2027 Oscars: Top Contenders and Dark Horses

The article discusses potential Oscar contenders for the 2027 awards, highlighting filmmakers and a…
The race for the 2027 Oscars is already heating up, with several talented filmmakers and actors poised to make a strong impact. Aaron Sorkin, known for his acclaimed screenplays, is working on The Social Reckoning, a film focusing on the 2021 Facebook leak, which could earn him another Oscar nomination.Sandra Hüller, fresh from her success in Anatomy of a Fall and The Zone of Interest, is set to star in the $200m sci-fi adventure Project Hail Mary alongside Ryan Gosling. Her role in the upcoming cold war drama 1949 could also generate Oscar buzz.Charles Melton, who gained recognition for his performance in May December, is lined up for two festival-primed projects: Her Private Hell and Saturn Returns from Sing Sing. The latter, a sweeping romantic drama, could attract Academy attention.Japanese director Ryusuke Hamaguchi, who won nominations for Drive My Car, is working on a new film, a mix of French and Japanese influences, which could secure him another Oscar nod.Ruth Madeley, known for her roles in Doctor Who and Years and Years, is set to star in Being Heumann, a biopic about pioneering disability rights activist Judith Heumann, which could lead to her first Oscar nomination.Sebastian Stan, following his Golden Globe win for A Different Man and Oscar nomination for The Apprentice, will star in Fjord, a drama that could boost his chances of another Academy nomination.Octavia Spencer is set to star in a new adaptation of Death of a Salesman, which could earn her another Oscar nomination, given her track record of critically acclaimed performances.Jack O’Connell, after his success in 28 Years Later: The Bone Temple and Sinners, will lead in Danny Boyle’s adaptation of Ink, a 60s-set Fleet Street drama.Parker Posey, who impressed in The White Lotus, has been cast in Martin McDonagh’s Wild Horse Nine, which is likely to receive Oscar nominations.Andrew Garfield will play OpenAI CEO Sam Altman in Artificial, a film about the behind-the-scenes drama at OpenAI, and also star in The Uprising, a historical drama about the English peasants’ revolt of 1381.
#his #oscar #year
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Entertainment Mar 16, 2026

Netflix Dominates the 2026 Oscars with Guillermo del Toro’s *Frankenstein* and *KPop Demon Hunters*

Netflix secured a significant victory at the 2026 Academy Awards, winning three Oscars for Guillerm…
Netflix's Historic Night at the 2026 Academy AwardsStreaming giant Netflix dominated the 2026 Academy Awards, securing a total of five Oscars. The wins for Guillermo del Toro’s *Frankenstein* and the animated hit *KPop Demon Hunters* highlight a growing trend of premium content production from non-traditional studios. While the Best Picture award remains out of reach for the streamer, the sweep of technical categories demonstrates a high ceiling for their creative output.Guillermo del Toro’s *Frankenstein* and *KPop Demon Hunters* Sweep the Visual CategoriesThe ceremony was a landmark night for Netflix’s diverse portfolio, with two distinct films taking home hardware across different genres.Frankenstein: Director Guillermo del Toro’s reimagining of the classic tale won three prestigious awards: Best Production Design, Best Costume Design, and Best Makeup and Hairstyling. The film was a heavy favorite, entering the night with nine nominations, including the coveted Best Picture and Best Supporting Actor.KPop Demon Hunters: Netflix’s most-watched movie ever, *KPop Demon Hunters*, secured Best Animated Feature and Best Original Song, proving that the streamer’s investment in global pop culture phenomena pays off on the awards stage.The Streaming Giant's Growing Influence on Award SeasonNetflix’s success tonight reinforces the reality that streaming companies are now integral to Hollywood’s award season ecosystem. The wins for *Frankenstein* and *KPop Demon Hunters* add to a growing list of streaming titles recognized by the Academy, following in the footsteps of Roma, The Power of the Dog, and All Quiet on the Western Front. This trend suggests that the barrier to entry for critical acclaim is lowering, even if the path to commercial dominance remains competitive.The Elusive Best Picture Prize for StreamersDespite the technical triumphs, the industry is still waiting for a streaming service to capture the Best Picture award. Host Conan O’Brien humorously acknowledged Netflix co-CEO Ted Sarandos’ presence, noting, “This is exciting: It’s his first time in a theater!” While *Frankenstein* was a top contender, the top prize ultimately went to *One Battle After Another*. This distinction marks Apple’s *CODA* (released during the pandemic) as the only streaming film to date to win Best Picture.The Future of Award-Winning Content in the Streaming EraThe 2026 Oscars indicate that while Netflix and Apple are winning technical and creative awards, the Best Picture title remains a rarefied air reserved for traditional studio powerhouses. However, with the volume of high-budget content increasing, the gap is likely to narrow. We can expect more streaming films to dominate the technical categories, but the Best Picture race will likely remain a battleground where theatrical exclusivity still holds significant sway.
#Netflix #Guillermo del Toro #KPop Demon Hunters
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