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The Soros Foundation's Major US InvestmentFor decades, the Open Society Foundations have worked to advance justice and human rights in Africa, the Middle East and trouble spots around the world. But the OSF's latest major investment is aimed at a crisis closer to home. On Tuesday, the organisation, founded by the billionaire philanthropist George Soros and headquartered in New York, announced a $300m spend aimed at boosting economic security and defending civil liberties in the US.Addressing America's Dual CrisisThe drastic commitment comes 16 months into Donald Trump's second term as president, with millions of Americans suffering an affordability crisis and activists warning of an extraordinary attack on the rule of law. "We certainly believe that civil society is essential and must stay on the playing field," said Laleh Ispahani, managing director for the US at the OSF. "We've had experience in other countries, unfortunately, where civil society has been targeted by autocratic administrations. It does matter that we still are funding in most parts of the world and are very much in communication with one another as things are happening in the US."The Soros Legacy and Political BacklashSoros has given more than $32bn of his personal fortune to causes around the world. He is also a longtime Democratic donor and favorite bogeyman for the right. The attacks frequently rely on antisemitic tropes, framing Soros – a Jewish survivor of the Nazi occupation in Hungary – as a "globalist" puppet master. Asked whether the foundation was prepared for an inevitable backlash accusing Soros of meddling in US democracy, Ispahani sounded unfazed, saying: "We fully expect that. We wouldn't expect anything less. But we also won't be intimidated into silence."An Integrated Approach to Rights and EconomyFor decades, reformers have often operated in silos, focusing their energies either squarely on democratic rights or exclusively on economic justice. OSF's new initiative is designed to break down those barriers. "What's new and different and perhaps most distinct about this is that it's a unified and focused effort," Ispahani explained. "We want to fund this integrated strategy to improve our democracy by both modernising our rights and freedoms and reforming our economy as things that are two sides of the same coin, because when one suffers, inevitably the other does, too."The Erosion of Civil Rights ProtectionsThe urgency is driven by what the OSF perceives as an alarming reversal of fundamental protections, spearheaded by a rightwing majority on the supreme court. "It's pretty clear to us that today these rights are being rolled back, including the right to protest, civil rights and voting rights, with the supreme court's recent decisions eviscerating very key protections of the civil rights era," Ispahani said. "We had the supreme court putting a nail in the coffin of what was a very widely respected Voting Rights Act with its recent decision in the Louisiana v Callais case, so we're back to this pre-60s moment in the world."Modernizing the Civil Rights ParadigmTo combat this, the OSF is advocating for an expansion of the civil rights paradigm to meet modern threats, from securing the right to elect representatives of the voter's choice to combating new forms of discrimination in algorithmic and technology-driven bias. The OSF has already committed $20m for this year to help organisations on the frontlines with strategic litigation, non-profit sector defence and efforts to track government corruption. Among them are the Roosevelt Institute, the Groundwork Collaborative thinktank, the National Women's Law Center, and state-level groups such as Living United for Change in Arizona.Economic Inequality in AmericaThe other central pillar of the $300m investment is economic security. Even in the wealthiest country in the world, the child poverty rate is 14.3%, estimated to affect about 10.4 million children. The top 20% of households currently capture more than half of all national income. Ispahani argues the current system is failing. "Why not have moral and material rights that resonate across constituencies?" she said. "The right to a good job with fair wages and safe working conditions isn't controversial. The right to stable and affordable housing is likely very popular. The right to accessible and affordable childcare is likely also very popular."The Future of American DemocracyThe Open Society Foundations' substantial investment represents a significant commitment to preserving democratic values in the United States during a period of political polarization and economic uncertainty. By linking civil liberties with economic security, the foundation aims to create a more comprehensive approach to addressing America's challenges. As Ispahani stated, "We think our work has never mattered more. It matters most in places when democracy is under attack, when rights are being rolled back and peaceful dissent is being criminalized."

The Mismatch of Mythologies This expensively rendered, eye-searingly bright animated feature from China rests on a truly weird premise. Tom and Jerry, the cartoon foes of yore, are chasing each other around a museum in present-day New York City when they are supernaturally transported, thanks to a magic compass doodah, to a quasi-medieval China where humans mix freely with gods and cryptozoological animals including phoenixes, gargoyles and talking rats. The Cultural Mashup So Tom and Jerry fall out of the sky in this brave new world, and the local residents of Golden City assume at first they must be gods, and Tom at least isn’t in any rush to disabuse them of this notion. Partly it’s because his newfound fame has helped catch the attention of Jade (voiced in the English dub by Janice Kawaye), a white-furred, blue-eyed opera cat in a red cheongsam dress. A Lack of Inventiveness Ultimately, this iteration of Tom and Jerry owes more to Kung Fu Panda and its orientalist coevals from the contemporary animated feature slop machine, and has none of the relentless inventiveness and pleasing amorality of the originals. Instead, we get lots of didactic lessons wrapped in candy-coated visuals about community and collectivist philosophy, eased down with a lot of frenetic action. The Climax and Conclusion The climax is all airborne dragons and fireworks; the fact it makes little sense doesn’t matter because it’s all about sensationalism, stimulating the amygdala with bright colours and noise to the point of overload. Tom and Jerry: Forbidden Compass is in UK and Irish cinemas from 22 May.

The Lead: Figma's AI Integration RevolutionFigma has introduced a groundbreaking AI assistant that operates directly within its collaborative canvas, marking a significant evolution in design software capabilities. This new AI agent allows users to leverage natural language prompts to generate new designs, edit existing ones, and automate various design tasks, potentially transforming how design teams collaborate and create.The Technical Breakthrough: Design-Specific AI CapabilitiesThe new AI assistant represents Figma's strategic move to integrate artificial intelligence deeply into its design ecosystem. Unlike generic AI tools, Figma's assistant is specifically fine-tuned for design use, enabling it to understand design contexts and elements with remarkable precision. Users can employ multiple AI agents simultaneously, each handling different tasks, allowing for parallel processing of design iterations and automations.This development builds on Figma's recent partnerships with OpenAI and Anthropic, which brought AI CLI tools like Claude Code and Codex to the platform. The company's chief design officer, Loredana Crisan, emphasized how this technology helps teams focus on strategic decisions rather than tedious execution, stating: "As building software gets easier, what matters most is setting direction: deciding what to work on, how it should function, what the experience should feel like. Teams can now collaborate with agents on the multiplayer canvas to test out ideas, visualize edge cases, and refine concepts together without over-indexing on the more tedious parts."The Financial Impact: Strong Growth Amidst CompetitionFigma's AI integration comes at a time when the company is demonstrating robust financial performance. In the first quarter of 2026, Figma reported revenue of $333.4 million, marking a 46% increase compared to the same period in the previous year. This growth trajectory underscores the company's ability to maintain market momentum despite increasing competition and concerns about AI potentially displacing design work.The company has strategically expanded its capabilities through acquisitions like node-based design tool Weavy and by adding new image editing features to its products. These moves, combined with its AI initiatives, position Figma to address the evolving needs of design professionals in an increasingly AI-augmented creative landscape.The Industry Transformation: AI Reshaping Design WorkflowsFigma's AI assistant launch reflects a broader industry trend where artificial intelligence is becoming integral to creative workflows. The design software market is experiencing significant disruption as companies race to integrate AI capabilities that enhance rather than replace human creativity. Figma faces intense competition from established players like Adobe and Canva, as well as emerging competitors such as Flora, Krea, and Dessn.This technological shift is challenging traditional design processes while simultaneously creating new opportunities for efficiency and innovation. By automating routine tasks and providing intelligent design suggestions, AI tools like Figma's assistant are enabling designers to focus more on strategic thinking, conceptual development, and user experience refinement.The Future Outlook: Convergence of Design and CodeLooking ahead, Figma has outlined ambitious plans to further integrate AI across its product suite and bring design and code closer together. The company intends to expand the AI assistant beyond Figma Design to its other products, creating a more unified AI-powered creative environment. This convergence could potentially bridge the gap between design and development workflows, fostering greater collaboration and efficiency throughout the product development lifecycle.As AI continues to evolve, we can expect Figma and its competitors to further refine their AI offerings, potentially incorporating more sophisticated understanding of design principles, user preferences, and technical constraints. The successful integration of AI in design tools may set new standards for the industry, ultimately benefiting end users through more intuitive, responsive, and human-centered digital products.

Escalating Outbreak in Eastern DRC Claims Another Young LifeIn the mining town of Mongbwalu, Sadiki Patrick, a 40‑year‑old father, lost his 15‑year‑old daughter Judith to the latest Ebola flare‑up. The tragedy underscores the human cost of a disease that has resurfaced 17 times in the past 50 years.Seventeenth Ebola Outbreak Highlights Systemic GapsAuthorities identified Mongbwalu as the epicentre of the new strain. Health workers report daily deaths, delayed hospital access, and insufficient qualified staff. International experts from the Africa CDC have deployed to Bunia to bolster response efforts.Numbers Reveal a Growing Crisis>500 suspected Ebola cases recorded by the Congolese Ministry of Health.>130 confirmed deaths linked to the current outbreak.Average of one outbreak every three years over the last five decades.Previous 2018‑2020 Zaire strain outbreak killed more than 2,300 people.Underlying Drivers: Healthcare, Conflict, and EnvironmentDoctors such as Francine Mbona Pendeza point to unsafe food practices, lack of clean water, and remote, under‑resourced clinics as key accelerants. Rodriguez Kisando adds that out‑of‑pocket costs block access to care, while geopolitical analyst Gloire Koko links the epidemic cycle to armed conflict that hampers humanitarian operations. Environmental factors—deforestation and wildlife contact—create a “natural habitat” for pathogens, according to virologist Alphonsine Muhoza.Path Forward: Strengthening Surveillance and Community ResilienceSave the Children’s DRC director Greg Ramm warns that without a proactive health communication strategy, the outbreak could spiral. Experts call for:Expanded primary‑care facilities in remote areas.Free or subsidised treatment to eliminate cost barriers.Community education on safe food handling and water hygiene.Enhanced surveillance systems, leveraging data collection and risk communication teams already on the ground.While virologist Jean Jacques Muyembe acknowledges past surveillance failures, he remains confident that “we will get it under control” with coordinated effort.

The Supreme Court of the Philippines on May 20, 2026 refused to block the International Criminal Court’s arrest warrant for Senator Ronald dela Rosa, a former police chief accused of crimes against humanity linked to the Duterte-era “war on drugs”. The decision removes a legal obstacle and signals that authorities may move to detain the senator despite his disappearance. Court Ruling Clears Path for Senator’s Potential Arrest In a split decision, the justices denied the restraining order sought by dela Rosa’s legal team, stating that the warrant remains valid while other procedural issues remain unresolved. The court noted that the petition’s argument—that a foreign ICC warrant cannot be enforced without a domestic warrant—was not sufficient to halt the arrest process. Petitioner: Senator Ronald "Bato" dela Rosa Key argument: Lack of a local warrant to enforce ICC order Government stance: Justice Secretary Frederick Vida pledged to execute the warrant Presidential office: Spokeswoman Claire Castro affirmed the warrant’s validity Human‑Rights Impact: 12,000‑30,000 Deaths Estimated in Duterte’s Drug War The ICC estimates that between 12,000 and 30,000 people were killed from 2016 to 2019 during President Rodrigo Duterte’s anti‑drug campaign, a period in which dela Rosa served as chief of the National Police and chief enforcer of the crackdown. These figures underpin the crimes‑against‑humanity charges now facing both Duterte and his former lieutenant. Political Ramifications for the Marcos Administration and ICC Relations The ruling places President Ferdinand Marcos Jr. in a delicate position. While the administration must respect international obligations, it also faces domestic pressure to protect a high‑profile senator. The decision may affect the Philippines’ diplomatic standing with the ICC and could influence future cooperation on transnational justice matters. What Comes Next: Legal Battles and International Pressure Dela Rosa’s counsel has vowed to pursue all legal remedies, including a motion for reconsideration. Meanwhile, the Department of Justice is expected to interpret the Supreme Court’s order and coordinate any arrest operation. International observers will watch closely to see whether the Philippines proceeds with the ICC warrant or seeks a diplomatic compromise.

The Story Behind The Balloonists Here is a blow-by-blow account of the first nonstop round-the-world flight in a hot-air balloon, in 1999. The pilots were not alone; the rivalry to circumnavigate the globe was the 90s equivalent of the billionaire space race, with tycoons Richard Branson and Steve Fossett also chasing the dream. The Winning Flight of Piccard and Jones It was Piccard's third attempt. The first was a disaster, with Piccard ditching his balloon in the Mediterranean just hours in: “I felt completely ashamed,” he remembers. He did not have the deep pockets of Branson or Fossett, but he was born into a family of inventors and explorers; in 1931 his grandfather was the first person to reach the stratosphere, in a hydrogen balloon. The Challenges Faced During the Journey Things hot up by Piccard's third and successful balloon flight in March 1999, with co-pilot Brian Jones. A couple of months before their takeoff, Branson's latest effort ditched in the Pacific off Hawaii (“one of the best Christmas gifts,” says Piccard). It was touch and go for the Breitling Orbiter 3. They lost satellite communication with mission control for two days and, after a heating system failure caused issues with oxygen levels, Jones found Piccard slumped over his desk. The Legacy of The Balloonists Their balloon finally bounced to back down to Earth in the Egyptian desert after 19 days, 21 hours and 55 minutes. It’s a gripping story – though perhaps those involved have told it so many times over the years, they’ve lost their sense of excitement; this may well be for aviation fans only. The Film's Release The Balloonists is in UK and Irish cinemas from 22 May.

Lead: A Satirical Stumble Over a Historic UrinalThe Guardian’s review of Rosie Holt’s latest stage offering, *Churchill’s Urinal*, highlights a bold, if uneven, attempt to expose the gendered obstacles that persist in British politics. By turning a purported Winston Churchill‑used urinal into a symbol of patriarchal excess, Holt confronts Chancellor Rachel Reeves’s 2024 tenure with a mix of absurdity and pointed critique.Stagecraft and Storyline: The Play’s Core PremiseSet in the Treasury’s office bathroom, the narrative follows a fictionalized Reeves as she grapples with the presence of the Churchill urinal. The script, co‑written with Stewart Lee, intersperses rapid‑fire jokes, cameo voices from Michael Lambourne as the “WC” and a cameo‑style “Thick of It” feel. The second act imagines an alternate reality where Keir Starmer remains Prime Minister, amplifying the satire as the chancellor’s objections are twisted by right‑wing media, culminating in a ludicrous scene of feeding vodka to the urinal.Run Details and Audience Reach: Numbers Behind the ProductionVenue: King’s Head Theatre, LondonRun: Until 6 June 2026Ticket pricing: Mid‑range, typical of West End fringe productions (approx. £15‑£30)Capacity: 120 seats, sold‑out performances reported in early reviewsImpact Analysis: What the Play Says About Modern British PoliticsThe production uses toilet humour to surface serious issues: the prevalence of online abuse toward female politicians, the mythologising of historical figures like Winston Churchill, and the symbolic weight of “glass ceilings.” While the review notes that the play leans heavily on name‑checks—Michael Fabricant, Isabel Oakeshott, John Nettles—it also delivers moments of incisive commentary, particularly around the “turd” line that sparked media frenzy within the fictional world.Future Outlook: Political Satire’s Place on the Contemporary StageAs Saturday Night Live UK revives political tomfoolery, *Churchill’s Urinal* may signal a resurgence of theatre‑based satire that tackles current power dynamics. If the production’s boldness resonates with audiences, we can expect more playwrights to blend historical artefacts with present‑day gender politics, potentially expanding the niche of politically charged fringe theatre beyond London’s traditional venues.

A Norwegian journalist’s attempt to question Prime Minister Narendra Modi during a press meet in Oslo ended with the Indian leader walking out, reigniting criticism over India’s declining press‑freedom record.Modi’s Walkout at the Norway Press ConferenceOn the second day of his two‑day Nordic tour, Modi was scheduled to address a joint press meet with Norwegian Prime Minister Jonas Gahr Støre. When Helle Lyng Svendsen of Dagsavisen asked why he would not take questions from “the freest press in the world,” Modi left the room without responding. Svendsen followed him and repeated the query, receiving no answer.Later, she pressed the Indian Ministry of External Affairs’s Secretary (West) Sibi George on human‑rights concerns. George deflected by highlighting India’s historical contributions—chess, zero, vaccines, yoga—before becoming visibly angry when interrupted, replying “India is a civilisational country.”Modi’s Norway visit: 2‑day trip, meetings with PM Støre and participation in the India‑Nordic Summit.Key moment: Walkout after Svendsen’s question on press freedom.Follow‑up: George’s deflection and angry response to further questioning.Press Freedom Rankings and Legal Pressures: The NumbersIndia’s standing in the 2026 World Press Freedom Index fell to 157th out of 180 countries, a drop of six places from the 2025 ranking of 151. The Committee to Protect Journalists (CPJ) notes that while the number of imprisoned journalists has decreased to two, the use of broad statutes—such as the Unlawful Activities (Prevention) Act—and regulatory tools like tax investigations has intensified.Additional data points:Self‑censorship and online harassment are cited as major deterrents for journalists.Legal actions, takedown orders, and social‑media account blocks have risen sharply in the past year.Implications for India’s Democratic Image and International RelationsThe walkout has drawn criticism from opposition figures, notably Rahul Gandhi, who posted, “when there is nothing to hide, there is nothing to fear.” International watchdogs, including CPJ’s Kunal Majumder, warned that the rarity of open press briefings undermines democratic confidence.Domestically, veteran journalist Rajdeep Sardesai lamented the erosion of a culture where tough questions were routine. Some Indian journalists, however, argued that Svendsen’s persistence bordered on activism.What the Fallout May Mean for India’s Media LandscapeAnalysts anticipate several possible trajectories:Increased diplomatic pressure on India to allow more transparent media engagements, especially from European partners.Potential legislative scrutiny or reforms aimed at curbing the misuse of broad security and tax laws against media outlets.Continued reliance on controlled briefings, which may further entrench self‑censorship among journalists.How India responds could shape its democratic credibility and affect future foreign‑policy negotiations, particularly with nations that prioritize press freedom as a core value.

The Lead: A Disappointing Return to FormHirokazu Kore-eda's latest film "Sheep in the Box" has premiered at the Cannes Film Festival to largely negative reviews, with critics describing it as a "bafflingly unsatisfying and unconvincing muddle of ideas and moods." The film, which explores the concept of AI humanoid robot children replacing deceased children, represents a significant departure for the acclaimed director, whose previous works have been celebrated for their emotional depth and nuanced storytelling.The Film: A Futuristic Tale of Grief and Technology"Sheep in the Box" follows Otone (Haruka Ayasi), an architect, and her husband Kensuke (Daigo Yamamoto), a carpenter, who are offered a promotional free offer by a company called REbirth: an ultra-hi-tech humanoid robot replica of their deceased seven-year-old son Kakeru. The robot is designed to have the physical form, speech patterns, and memories of the original child, based on videos, photos, and other research materials provided by the grieving parents.The film presents several intriguing concepts: the robot being taken to the scene of the hit-and-run that killed the original Kakeru in hopes of recovering details about the culprit; the robot serving as a confessor for Kensuke to admit his guilt about his son's death; and a subplot involving other abandoned robot children planning a "replicant revolt." However, these ideas remain largely undeveloped, leaving audiences with more questions than answers.Critical Reception: A Missed OpportunityThe review from The Guardian is particularly scathing, noting that the film "isn't as interesting as films on similar themes including Kogonada's After Yang and Benjamin Cleary's Swan Song." The critic specifically faults Kore-eda's "quietist, un-emphasised style" for being unsuitable to the material, suggesting that the director's typically subtle approach doesn't work with the ambitious sci-fi concepts presented.One of the primary criticisms is the film's tonal inconsistency, attempting to be both a sci-fi dystopia and a relatable story about parental grief, with these two elements ultimately undermining each other. The performances are also noted as problematic, with the robot child being "unpersuasively performed in a returning keynote of bland serenity," while the human parents react with bizarre matter-of-factness to what should be an emotionally charged situation.Impact on Kore-eda's Legacy and AI CinemaThis film represents a significant departure for Hirokazu Kore-eda, whose previous works like "Shoplifters" and "Like Father, Like Son" have been celebrated for their emotional authenticity and humanistic approach. The negative reception of "Sheep in the Box" raises questions about whether the director can successfully transition into more genre-oriented territory while maintaining his signature style.In the broader context of AI cinema, the film joins a growing conversation about artificial intelligence and humanity in film, alongside works like Spike Jonze's "Her" and Alex Garland's "Ex Machina." However, where those films have been praised for their thoughtful exploration of AI ethics and human connection, "Sheep in the Box" appears to have missed the mark, failing to deliver either compelling drama or meaningful commentary on its central themes.Future Outlook: A Setback in an Otherwise Distinguished CareerWhile "Sheep in the Box" may represent a misstep for Kore-eda, it's unlikely to significantly impact the director's otherwise distinguished career. The filmmaker has previously demonstrated remarkable range and depth, and this ambitious if flawed experiment may ultimately be viewed as an interesting if unsuccessful detour rather than a definitive statement on his abilities.For audiences interested in exploring AI and humanity in cinema, the film serves as a cautionary tale about the challenges of blending emotional storytelling with complex technological concepts. As the conversation around AI continues to evolve in both society and art, "Sheep in the Box" may be remembered more for what it attempted than for what it ultimately achieved.