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The Uncertain World Cup Match New Zealand will play their first World Cup game in 16 years with much of the planet watching what is surely the biggest event of the group stage. But little attention will be on whether New Zealand can record their first World Cup win with Iran their opposition on 15 June. The Event Details Ever since the US and Israel attacked Iran on 28 February, there has been uncertainty surrounding this World Cup fixture in Los Angeles. There were conflicting signals whether the Islamic Republic of Iran would allow the national football team to travel to the home of its attacker, and whether the US would welcome Team Melli. The Current Status With kick-off now weeks away, it appears the game will go ahead as planned. Still, there is the possibility of protests by the large local Iranian population in “Tehrangeles”, many of whom fled the 1979 revolution, and acts of defiance by players. The Impact Analysis New Zealand, who also face Egypt and Belgium in their group, are very much the supporting cast in this drama. It is an unusual situation for any team to be in but that has been the case for the past three months with Bazeley never quite sure who the opposition would be for New Zealand's biggest game since 2010. The Prediction “Right now we’re still continuing as though we’re playing Iran,” Bazeley said in March. “They’re the team that qualified and we got drawn against them. That’s still the fixture and until we get told otherwise, we’ll ‌continue ⁠with that preparation. Obviously, if things change, then we’ll deal with that.”

The LeadBlue Origin's New Glenn rocket exploded during a test in Florida on Thursday, an incident which the aerospace company called an "anomaly." All personnel have been accounted for, and the company has promised to provide updates as they learn more about what caused the explosion.The Explosion DetailsA livestream posted by NSF, an aerospace news organization, captured the fiery plume of the explosion. Homes shook in nearby Cape Canaveral and Cocoa Beach around 9pm, with residents turning to social media to ask what happened. Cape Canaveral Space Force Station's Launch Complex 36 is visible from the beach, and the internet quickly filled with photos of the orange fireball. Emergency officials confirmed there was no threat due to fumes or other potential hazards.Recent Setbacks for Blue OriginThis explosion marks another setback for Blue Origin, which is owned by Amazon founder Jeff Bezos. The New Glenn rocket was already grounded in April, as the Federal Aviation Administration required Blue Origin to investigate an engine mishap. The FAA has not yet commented on whether Thursday's explosion will trigger another investigation.Industry Competition ImplicationsThe incident comes at a critical time for Blue Origin's space ambitions. Earlier this week, NASA announced it had chosen Blue Origin over Elon Musk's SpaceX to conduct the first of three uncrewed lunar missions this year to kickstart construction of a $20 billion moon base. Both companies are competing to provide crew landers for upcoming Artemis missions, including the planned 2028 return of humans to the moon on Artemis IV. Both companies have built large new facilities in or close to Cape Canaveral's Kennedy Space Center to support crewed and cargo missions in partnership with NASA.Future Outlook for Blue OriginDespite the explosion, Blue Origin's space ambitions remain significant. The company has a vested interest in space tourism, having sent an all-female, star-studded crew including Gayle King and Katy Perry into space last April. Elon Musk, whose SpaceX lost the NASA contract to Blue Origin, commented on the incident, writing "Most unfortunate. Rockets are hard." This latest explosion may delay Blue Origin's timeline but is unlikely to derail their long-term space exploration goals, though it may create opportunities for competitors like SpaceX to gain ground in the increasingly competitive private space race.

The Rise of Tim Payne New Zealand defender Tim Payne has become an unlikely star after an influencer from Argentina called on his followers to unite and make the little-known 32-year-old a “hero” of the upcoming World Cup. The Social Media Campaign El Scarso, a football influencer also known as Valen Scarsini, identified Payne as the least-known player at the World Cup in Canada, the United States and Mexico based on his small social media following. Payne had around 4,700 followers on Instagram earlier this week, but his following has grown at a rate of almost 1,000 per minute to more than a million by Friday. The Impact on Payne's Fame Payne’s following is now six times greater than New Zealand’s captain and best-known player, Nottingham Forest forward Chris Wood. Scarsini, who has more than 500,000 followers, implored his base to “start mentioning Tim Payne everywhere.” The Future of Tim Payne's Career Now there is even a song supporting Payne, who recently made his 50th appearance for New Zealand after making his debut at 18. Payne, who plays his club football for Wellington Phoenix in the A-League Men, responded Friday to his new-found social media fandom, expressing his gratitude to Scarsini and his fans.

Lead: NASA’s New Moon‑Base MilestoneNASA revealed that Blue Origin will conduct the first uncrewed lunar lander mission in a series of three scheduled for 2026, marking the agency’s initial move toward a $20 bn moon base. The decision, announced by NASA Administrator Jared Isaacman, places Bezos’s company ahead of SpaceX for this critical early contract.Blue Origin Secures First Uncrewed Moon Base MissionThe award designates Blue Origin’s Endurance cryogenic cargo lander to deliver scientific payloads to the Shackleton‑de Gerlache Ridge at the lunar south pole. The mission, targeted for launch as early as fall 2026, will be the first privately funded lunar lander flight in history.Contract awarded to Blue Origin over competing bids.Mission to test critical capabilities for future human‑landing systems.Part of a broader NASA roadmap that includes more than a dozen additional lunar missions through the decade.Financial Terms and Timeline of the 2026 Lunar MissionsNASA has allocated $230.4 million for each of the first two moon‑base missions, with the agency covering the majority of operational costs.Funding per mission: $230.4 million.2026 schedule: Three uncrewed missions, followed by “more than a dozen” missions in subsequent years.Related contracts: Smaller awards to Lunar Outpost, Firefly Aerospace, and other private firms supporting lunar‑to‑Mars projects.Strategic Implications for U.S. Lunar Ambitions and Private Space CompetitionThe selection underscores the Trump administration’s push to accelerate the Artemis program and establish a permanent lunar presence ahead of China. By leveraging private industry, NASA aims to lower taxpayer costs, stimulate a space‑economy job market, and maintain U.S. leadership in deep‑space exploration.Creates a direct competitive dynamic between Blue Origin and SpaceX for future crewed lander contracts (Artemis III, Artemis IV).Supports the “blueprint for an enduring lunar presence” with a target of operational capability by 2029‑2032.Aligns with national space policy goals of a “golden age of exploration” and a semi‑permanent lunar settlement.What Lies Ahead for NASA’s Moon Base and Commercial Lander DevelopmentFollowing the 2026 uncrewed flights, NASA will evaluate the performance of both Blue Origin’s Blue Moon lander and SpaceX’s Starship HLS during the Artemis III test mission in low‑Earth orbit. Successful demonstrations are expected to pave the way for crewed landings on Artemis IV (planned for 2028) and the eventual construction of Moon Base One.Industry observers anticipate that continued private‑sector involvement will accelerate technology maturation, reduce launch costs, and expand the commercial market for lunar payload services, setting the stage for a sustained human presence on the Moon.

A rapid expansion of data‑centres around Santiago’s Quilicura wetland is siphoning billions of litres of water, turning one of Chile’s largest swamps into a dry plain and intensifying a 15‑year mega‑drought. The Wetland’s Vanishing: On‑the‑Ground Observations in Quilicura Rodrigo Vallejos, a final‑year law student, first noticed the change five years ago when the once‑lush Quilicura wetland – spanning 468.4 hectares (about 1,200 acres) – began to dry out. He now works with the activist group Resistencia Socioambiental de Quilicura, documenting how the area, once a key urban biodiversity zone, is turning into “a wetland without water.” Water Consumption Numbers: Billions of Litres Drained Annually Experts estimate that the largest data‑centres in the district – operated by Google, Microsoft, Brazilian Ascenty and Chilean Sonda – consume roughly 1.5 bn litres of water each year. The scale is illustrated by the following figures: 33 data‑centres are currently operating, with 34 more planned. Google’s water rights allow extraction of up to 50 litres per second, equivalent to the annual use of 8,500 Chilean households. Water‑based cooling systems dominate, using far more water than air‑cooled alternatives. Ecological and Social Fallout: Why Chile’s Tech Push Risks a Mega‑Drought Crisis The water draw aggravates a national mega‑drought that has persisted for over 15 years. Climate scientist Pablo Sarricolea warns that by 2070 precipitation could fall sharply while average temperatures rise from 15.6 °C to 17.4 °C, increasing evaporation and further stressing water supplies. Residents also point to limited job creation and the lack of transparent reporting on water extraction. Company statements differ: Microsoft claims its Chilean sites rely on air‑based cooling, reducing water use, while Ascenty argues its water consumption equals that of only 16 households. Nonetheless, activists argue that prioritising water for tech firms over local communities raises ethical concerns. Looking Ahead: Relocation, Regulation, and the Future of Chile’s Data‑Centre Strategy Chile’s national data‑centre plan, launched under former President Gabriel Boric, aims to position the country as Latin America’s tech hub. Experts suggest a shift to water‑rich southern regions to balance growth with ecological limits. Stronger industry regulation, transparent water‑use reporting, and investment in air‑cooled or renewable‑energy‑based cooling could mitigate the crisis. Without such measures, the Quilicura wetland may become a stark symbol of how unchecked digital infrastructure can deepen climate vulnerability in already water‑scarce regions.

The Art of Provocation T Venkanna's paintings are like a sucker-punch. His first institutional solo show at London's Studio Voltaire features an overbearing altarpiece, modified by two squat side panels, depicting an orgasmic thicket of desire. The artwork is a commentary on the disparity between puritanical religious doctrine and licentious reality. The Intersection of Myth and Reality Venkanna's work is a way to consider many things, including the myth of religions. He draws inspiration from ancient Indian temples, where people touch the breasts of sculptures, making them smooth and shiny over time. His paintings are not about shocking, but about showing things around us. The Impact of Upbringing Venkanna's childhood in a small town in south-central India, where his father was a Hindu priest, had a significant impact on his work. He grew up in a one-room home with five other family members, and village people would come to ask about rituals and expectations of appropriate behavior. However, Venkanna discovered that these rules had a convenient degree of flexibility. The Evolution of Style Venkanna's artistic journey began with painting and drawing naked figures at home. He was sent to train as a drawing teacher and later enrolled in a fine art college, where he learned printmaking, miniature painting, and how to make and work with tempera. His early work was met with criticism, but he has since gained recognition, including a gold medal and support from teachers who donated their spare materials. The Future of Art Venkanna's work continues to push boundaries, exploring themes of intimacy, isolation, consent, and violation. His paintings are a counterpoint to gender inequality and prejudice, foregrounding women's experiences and depicting them as satiating their sexual appetite. As Venkanna says, 'I don't want to shock. What I'm showing are things around us.' T Venkanna: Sculpture Garden is at Studio Voltaire, London, until 23 August

Sonny Rollins' Enduring Legacy: 10 Essential Recordings Sonny Rollins, a jazz icon, has left an indelible mark on the music world. With a career spanning over seven decades, Rollins has consistently pushed the boundaries of jazz, showcasing his mastery and innovation. Here are 10 of his greatest recordings: Tenor Madness (released on Craft/OJC, 1956) A 30-year-old Sonny Rollins had already made his unique mark with Miles Davis and Thelonious Monk by the time this 1956 session was cut. Hooking up with his contemporary and admirer John Coltrane happened by chance on the two-tenor blues chase of this album's title. Saxophone Colossus (Prestige, 1957) This writer's first connection with Sonny Rollins' music was occasioned not by music but words: poetic New Yorker writer Whitney Balliett's evocative review of Sonny Rollins' 1957 Saxophone Colossus. Rollins was partnered on this classic set by pianist Tommy Flanagan, bassist Doug Watkins, and bebop-pioneering drummer Max Roach. Way Out West (Contemporary, 1957) When UK jazz musician Courtney Pine was blossoming as a teenage saxophonist in the early 80s, he would recall that Sonny Rollins' 1957 recording Way Out West was a key inspiration. The format was a Rollins favourite in his own early years – the demanding setup of a sax improviser with just bass and drums in support. A Night at the Village Vanguard (Blue Note, 1957) Rollins' live recordings are not as abundant as his genius in open situations deserves, but this music from New York's Village Vanguard makes up a lot of the ground. Freed from the march of chords by the absence of a pianist, he's in storming form in the company of rock-solid bassist Wilbur Ware and soon to be legendary Coltrane drummer Elvin Jones. Freedom Suite (Riverside, 1958) Rollins was never a natural composer – like Miles Davis, he preferred tunes that could be sketched on the back of envelopes. But Freedom Suite was an interesting departure for him, occasioned by the political climate of US race relations and civil rights in the late 1950s. The Bridge (RCA, 1962) Rollins took a creative break between 1959 and 1961, and his return came with The Bridge, named after the eccentric refuge he found: practising alone on New York's Williamsburg Bridge with only passing trains for company. Live at Ronnie Scott's (Gearbox Records; recorded January 1965) Rollins' visits as a solo performer to London's Ronnie Scott's club in the late 50s and early 60s introduced his mesmerising magic to UK audiences, and also helped to galvanise the local scene's confidence at a time when European jazz became increasingly emancipated from the US. Sunny Days, Starry Nights (Milestone, 1984) From the 1980s onwards, Rollins settled into a concert groove that was predictable – by his exacting improvisational standards – and frequently dazzling for audiences new to him. Sunny Days, Starry Nights showcased him with partners who would regularly join him on stage for the rest of his life. This Is What I Do (Milestone, 2000) The best and most affectionately closeup manifestation of Sonny Rollins' genius as he hit his 70s. The saxophonist's later-life partners are present, and so is one of contemporary jazz's greatest drums pioneers in Jack DeJohnette. Without a Song: The 9/11 Concert (Milestone; recorded 2001) Sonny Rollins and his wife, Lucille, lived close to the World Trade Center, witnessed the buildings' collapse on 9/11, and had to evacuate their apartment shortly afterwards. Four days later, the saxophonist performed and recorded this evocative session with his regular sidemen at the Berklee School of Music in Boston.

The Remix of a Classic Words, words, words. Can Hamlet retain its tragic force without using most of them? This hour-long dance-theatre remix by the late South African choreographer Dada Masilo preserves few speeches and its opening is not auspicious, crashing straight into “To be, or not to be” shorn of context and characterisation. The Dance of Ophelia and Hamlet There follows, as is customary, a meeting between the prince and Ophelia, but Masilo replaces the usual cruel encounter with stolen moments amid a ceremony, as if they are meeting anew like Romeo and Juliet at the Capulet ball. Matching each other’s movements, amid clapped hands, thrusting shoulders and rippling chests, they grow closer with a hint of tango footwork. From this flashback, Masilo practically fast-forwards their choreography with a sense of doom. The Emotional Depth of Gertrude Letting the pair share a tender duet reinforces their romance but also heightens the violence of the nunnery scene where they are traditionally first seen together. Masilo adds another new scene to show Gertrude’s despair upon receiving news of Old Hamlet’s death rather than introducing her as sanguinely remarried to his brother. We see her seek strength amid grief, supported by courtiers whose pulsing, grounded movement is a message of persistence. This is dancing felt in the gut. The Impact of Movement and Music Wooed offstage, Gertrude returns for a convivial ceremony where a young couple are ticked off for getting too raunchy on the dancefloor. Movement styles across generations and cultures are blended by Masilo, who drew attention for remoulding ballet’s classics. Her ensemble is often an industrious force, driven by relentless percussion, as each scene breaks like a wave against Thuthuka Sibisi’s compositions. The Tragic Conclusion The latter stages lose focus but the choreography’s omnipresent sense of returning to the earth foreshadows a climax where all are struck down by the kingdom’s collective sickness, stressed by the lighting of Suzette le Sueur (who also provides some of the elegant costumes). It’s a collection of often piercing scenes that never quite establish full collective power – a tragedy out of joint. At Sadler’s Wells, London, until 26 May

The Erosion of the Quad's Cohesion The Quadrilateral Security Dialogue alliance, or Quad, has been struggling to define its purpose in recent months. The grouping, which consists of India, Japan, Australia, and the US, was formed to counterbalance China's rise in the Asia Pacific region. However, under US President Donald Trump's second term, the coalition has sputtered, say analysts, with Washington pivoting away from the region as its top priority back to the Western Hemisphere and the Middle East. Uneven Alignment and Structural Problems The Quad's cohesion has waxed and waned amid shifting US priorities. A planned leader-level Quad meeting in New Delhi last year failed to materialise amid diplomatic tensions and competing priorities. The grouping has pursued low-risk initiatives such as vaccines, critical technologies, supply chains, and maritime domain awareness, but these are seen as second-order achievements. As US Forces Leave Asia, Fears Grow Within the Quad The redeployment of US forces and warships from the Asia Pacific to the Middle East has further deepened unease within the bloc. When Washington moved troops from Japan to the Middle East, Tokyo saw it as a removal of a direct check on Chinese power at a time when Beijing is conducting large-scale military exercises around Taiwan. Anxiety Over Abandonment Fuels Deeper Asia Pacific Hedging For Japan, the optics of the Trump-Xi summit were alarming. Tokyo has responded by doubling down on ramping up its own security, with a defence budget up 9.4 percent for fiscal 2026, hitting 2 percent of GDP two years ahead of schedule. Beijing sees the same hedging dynamic playing out across other Quad members, with India, Australia, and Japan each recalculating their position.