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A Novel of Female Defiance"Yes, you will leave this place," the chorus of child protagonists in a community of sex workers say at the start of Tahmima Anam's incantatory and fiery new novel of female defiance, Uprising. "This story will save your life," we were told three times in Deepa Anappara's 2020 debut, also featuring precarious children dwelling in the margins. What is the distance between imagination and action, lived realities and dreams? How can solidarities be forged in such circumstances? Uprising holds within its pages some answers and a deep conviction – for a better life, a more just world – and then reaches out and fights for it.The Island Community and Its OppressionAs a journalist, Anam visited the infamous "floating brothel" Banishanta in Bangladesh; her new novel, set on an isolated island "at the end of the country, in the middle of a river that emptied into the sea", fictionalises the island's community and ecological precarity. Here, a generation of daughters grow up watching their mothers trapped in sex work – "we knew that the work was something that was paid for in money, and also in bodies" – and wish a different life for themselves. The women are controlled by the cruel Amma, who was once herself sold into sex trafficking. The victim becomes the perpetrator – and the children are discerning enough to know that their mothers are "not here because they had done something bad, but because something bad had been done to them". The first lesson of the island? No one is coming to save you – and living here changes you, as inexorably as the rising tides.The island is a prison. The mothers are ghosts of their former selves. The children, witnessing the "sexing", are all too grown up, stripped of their innocence. By the time they are born, their mothers' memories have faded "like paint in the sun"; they live on the island "tied to" their daughters. What, or who, will it take to break free from these chains?Feminism and Climate Crisis in LiteratureWhen the waters rise, customers stay away. The mothers speculate: "the swirling river was keeping the smaller boats from making the journey"; "the land was cursed". In a last-ditch attempt to lure men back for business, Amma sends for a new girl. Little does she know that Kusum Khan's arrival will signal the beginning of the end. A girl from the city with a history of participating in protests against the Dictator, she doesn't acquiesce to the island's rules, as the others have been conditioned to; instead, she sows the seeds for what will grow into a life-altering act of resistance. The children start to believe that she is their saviour – maybe even Bon Bibi, a legendary guardian of the forest. A different life seems graspable, just beyond the island's shore. When the titular uprising at last arrives, it summons an all-consuming storm, washing over the island. And the reader, too, is ready to join the revolution – their fist in the open air.Uprising is a feminist novel ("here they were: a wall of women") and a protest novel ("The moment Kusum entered the protest, she felt as if she was becoming a small organ in a living, breathing thing"). It is a coming-of-age novel, and a response to the climate crisis; a story of sisterhood protecting, and failing to protect; of structural inequality and the rotten core of patriarchal corruption; of unlucky women in an unfair world. "When the men came to reclaim the island, we stood rooted in place with our eyes closed, unable to watch. We stood rooted in place with our eyes open, unable to stop watching." While the mothers and daughters in Anam's fictional world are victims of specific generational violence, this observation can be applied to humanity at large: we are all watching – frozen, complicit – as injustices rise the world over.The Power of Rage and Radical HopeThrough her unwaveringly political and unflinchingly forthright novel, Anam shows the power of rage and radical hope. A new world can burn bright from the fires of injustice – and here, it's the mothers that hold the match.

Demi Moore warned at a Cannes press conference that the film industry “cannot fight” the rise of artificial intelligence, describing resistance as a losing battle and calling for collaborative approaches.The Cannes Jury’s Candid Take on AI’s Inevitable RoleDuring a Tuesday press conference, the actress – a member of the Cannes Film Festival jury – answered questions about AI’s impact on cinema. She said, “AI is here. To fight it is a battle we will lose,” and suggested that filmmakers should explore ways to work with the technology rather than oppose it.Absence of Quantitative Data Highlights Qualitative ConcernsThe discussion contained no specific financial figures or usage statistics, underscoring that the debate is currently driven by ethical and creative considerations rather than measurable market impacts.Implications for Filmmakers and the Regulatory LandscapeMoore expressed doubt that the industry is doing enough to protect creators, hinting at a need for stronger regulation.Fellow juror Park Chan-wook reinforced the idea that art and politics should not be divided, linking the AI conversation to broader questions of creative freedom.Screenwriter Paul Laverty warned of potential “blacklisting” in Hollywood, suggesting that AI‑driven content controls could exacerbate existing censorship pressures.Future Outlook: Collaboration Over ConflictMoore concluded that the “beautiful aspects” of AI can enhance filmmaking, but the “true art” will always come from the human soul. The prevailing view among the jury is that embracing AI as a tool, while safeguarding artistic integrity, will shape the next era of cinema.

Executive Summary: Labour’s Leadership Crisis DeepensThe Guardian column highlights how recent local election defeats have pushed Labour MPs toward demanding Keir Starmer's removal, yet the author insists the party needs a robust battle of ideas rather than a frantic scramble for the premiership.Local Election Fallout Triggers Backbench DissentCatastrophic results in the May 2026 local and devolved ballots provided concrete evidence that Labour is heading toward "electoral oblivion." A growing cohort of MPs believes the trajectory will not improve without a change in leadership, intensifying calls for a challenge to Starmer.Absence of Quantitative Data Limits Financial Impact AssessmentThe article does not present specific polling numbers or fiscal figures, so a precise financial impact cannot be calculated. The lack of hard data underscores the reliance on qualitative judgments about voter sentiment and party morale.Implications for Labour’s Electoral Prospects and Party UnityPolicy vacuum: Starmer’s pragmatic but vague messaging has left the party without a clear programme, eroding voter confidence.Factional tension: Efforts to purge the "Corbyn legacy" have been perceived as monolithic, alienating the party’s left wing.Communication breakdown: Repeated U‑turns and unclear immigration and fiscal policies have weakened the party’s narrative.These factors combine to threaten Labour’s ability to present a coherent alternative to the Conservatives, risking further electoral decline.Outlook: Potential Leadership Contest and Strategic ReorientationIf Starmer refuses to acknowledge his role in the party’s malaise, pressure for a leadership contest will likely intensify. A credible challenger would need to articulate a detailed policy platform that moves beyond incremental change, offering voters a distinct vision for post‑Brexit Britain.

The Unparalleled Experience of CannesNothing prepares you for the shock that is the Cannes film festival: the adrenaline, the fatigue, the elation and the emotion, but also the hunger, the anger, the magic and the ridicule. For young cinephiles, and for almost everybody who works in the film industry, it is the mecca of cinema and has been so for nearly eight decades. Anyone going for the first time this week, as I did 25 years ago, should not listen to the old grognards – Cannes' battle-worn veterans – who will lament that the festival has become an abominable circus and swear this year will be their last. It is a circus, and you can bet they will be back for as long as their knees can take it. For there is nothing quite like it.From Resistance to Global Cinema HubBorn to counteract Benito Mussolini's Venice film festival, its first edition was planned for September 1939, but Adolf Hitler had other plans. The previous year, under pressure from Berlin and Rome, the Venice film festival's top prize, the Coppa Mussolini, was handed to Leni Riefenstahl's propaganda film Olympia, prompting the French, British and American delegates to walk out. Hence Cannes, conceived as the festival of the "free world". More than 80 years later, for all its sins, it has remained faithful to that founding promise.The Expansive Scale of Modern CannesOver the decades, Cannes has mutated into an ever-hungrier mammoth, needing more space, and more venues, as it attracts an increasing number of journalists and professionals. A purpose-built Palais des Festivals had to be erected in the 1980s. "The bunker", as we have come to call it, is not exactly beautiful but brutally efficient at managing Cannes' mind-boggling crowds. This year, about 40,000 accredited festival-goers are descending on the French Riviera from 140 different countries, with dozens of films selected across all sidebars. At the same time, the Marché du Film, running alongside the festival since the late 1960s, is gathering about 16,000 participants, with thousands of films and projects up for sale. Cannes is both a summit for the cinema elite and a giant film bazaar.Three Worlds Colliding at La CroisetteFor 11 days in May, three different worlds lead parallel lives – critics, deal-makers and red-carpet royalty – colliding almost by accident on the seafront boulevard known as La Croisette. Hundreds of critics watch multiple films a day with monastic discipline. When they give in to parties, they bitterly regret it the next morning. You can spot some of us sleeping through entire screenings; how some colleagues manage to review films is a mystery. I remember a well-known French critic who had such vivid dreams in the darkness that he became convinced they were scenes in the films. His reviews were full of brilliant analysis of moments that did not exist.We critics rush between screenings, press conferences, interviews, our desks and the bunker's free espresso machines, often forgetting to eat or even pee. Downstairs, in the bunker's basement, and in hotel suites and rented apartments, the film market runs day and night: buyers juggle numbers, producers charm, directors and screenwriters fight for their vision. Above them floats Cannes' top layer – stars and "talent" spending hours in hair and makeup before climbing the 24 steps of the red carpet in borrowed couture and jewellery. When people in the industry groan, "oh God, it's Cannes again", it is this collision of financial anxiety, choreographed glamour and sheer exhaustion they are bracing themselves for.The Magic and Meaning Behind the GlamourThese worlds sometimes collide in the most poetic or grotesque ways. One morning, rushing to my first screening at 7.30am, I was walking along the Croisette when I saw, coming towards me, slightly dishevelled in a tuxedo, Jack Nicholson on his way back to his hotel after a long night. I smiled, he smiled back. He was alone, no bodyguards, no chaperones. Those were the days. I also shared a lift with Takeshi Kitano in full samurai attire, and I will never forget turning into a hotel corridor and finding myself nose to nose with Max von Sydow – Ingmar Bergman's medieval knight from The Seventh Seal. My cinephile heart skipped a beat.One of my favourite sidebars in Cannes, alongside the competition where you watch the year's best crop of films, is Cannes Classics, showing restored world masterpieces and documentaries about cinema. I always start the festival there: it is the best way to reset and begin afresh. Then I am ready for the 10-day onslaught of motion pictures, and for the magic moment that precedes each Cannes screening – the festival's own jingle, a palm ascending the red carpet from underwater and then into the sky, lifted by the ethereal arpeggios of Camille Saint-Saëns's Carnival of the Animals.Cannes: Enduring Symbol of Cinematic ResistanceIn 1955, Cannes gave its first official Palme d'Or to Delbert Mann's Marty; half a century later I found myself befriending its wonderful star, Betsy Blair, on the Croisette. I had the joy of seeing Ken Loach twice climbing those steps to collect the Palme, escorted by police outriders from Nice airport as if he were a head of state. I watched Iranian directors Jafar Panahi and Mohammad Rasoulof showing films at peril to their lives. For all the craziness of the red carpet and the samurai outfits, Cannes never forgets that it was founded as a gesture of resistance. That, as much as the glamour and the exhaustion, is why we keep going back.

The LeadWestern travel influencers who once showcased Pakistan's scenic landscapes have found themselves unexpectedly entangled in the country's complex political landscape. This podcast episode from The Guardian archives examines how social media content about Pakistan has become politicized, creating unintended consequences for both the influencers and the country's international image.The Intersection of Tourism and PoliticsThe episode explores how Western travel influencers, who began documenting Pakistan's natural beauty and cultural richness, inadvertently became pawns in larger geopolitical narratives. As Pakistan navigates its position in global politics, the content created by these influencers has been interpreted through various political lenses, sometimes aligning with government narratives and other times facing backlash from political factions.The Digital Diplomacy DilemmaThe podcast highlights how social media platforms have transformed into arenas for soft power competition, where travel content becomes political currency. Western influencers promoting Pakistan as a tourist destination have faced both support and criticism, with some accused of being "paid propagandists" while others have been celebrated for challenging negative Western perceptions of the country.Impact on Pakistan's Tourism IndustryThe politicalization of travel content has had tangible effects on Pakistan's tourism sector. While some political narratives have helped boost tourism numbers by presenting Pakistan as safe and welcoming, others have created obstacles. The podcast examines how political tensions have influenced travel advisories, visa policies, and the overall perception of Pakistan as a tourist destination in Western markets.The Future of Influencer DiplomacyLooking ahead, the podcast suggests that travel influencers will continue to play a complex role in international relations. As digital platforms evolve, the line between travel content and political messaging may become increasingly blurred. The episode concludes by questioning how future influencers can navigate this landscape while remaining authentic to their travel experiences without becoming embroiled in political controversies that extend beyond their expertise or intentions.

President Vladimir Putin announced on May 13, 2026 that Russia’s new Sarmat ICBM test was successful, branding it the most powerful missile ever built and signalling a major step in Moscow’s nuclear modernisation.Putin Announces Successful Sarmat Test LaunchState TV showed Sergei Karakayev, commander of Russia’s strategic missile forces, briefing the president on the test conducted on Tuesday. The Sarmat, dubbed “Satan II” in the West, is slated to enter combat service before the end of the year.Technical Specs and Performance ClaimsRange: exceeds 35,000 km (about 21,750 miles) via sub‑orbital flight.Warhead yield: claimed to be more than four times that of any current Western ICBM.Replacement goal: to supplant roughly 40 aging Soviet‑era Voyevoda missiles with higher precision.Development timeline: program started in 2011; prior to this test only one successful launch and a 2024 catastrophic failure were recorded.Strategic Implications for Global Arms ControlThe test occurs against the backdrop of the New START treaty’s expiration in February 2026, leaving the United States and Russia without a binding cap on strategic warheads. Both sides accuse each other of non‑compliance, and no successor agreement is in sight, raising concerns about a new arms‑control vacuum.U.S. officials, including former President Donald Trump, have floated the idea of a trilateral treaty that would also involve China, whose nuclear arsenal, while smaller, is expanding.Potential Trajectory of Russia’s Nuclear ModernisationRecent additions: Avangard hypersonic glide vehicle (already in service), Oreshnik IRBM (used in Ukraine), Poseidon underwater drone (final development stage), Burevestnik nuclear‑powered cruise missile.Strategic rationale: counter perceived U.S. missile‑defence shield and ensure second‑strike capability.Putin framed these developments as a response to a “new reality” where maintaining strategic parity is essential for Russia’s security.Outlook: Risks and Possible Diplomatic PathsAnalysts warn that the Sarmat’s deployment could accelerate a new arms race, especially if the United States expands its own missile‑defence and offensive capabilities. However, the urgency of re‑engaging in arms‑control talks may grow, as the lack of a treaty increases the risk of miscalculation.Future scenarios range from renewed high‑level dialogue leading to a multilateral framework that includes China, to a continued escalation where each side expands its nuclear arsenal to offset perceived vulnerabilities.

The Lead: Australia's Spin Strategy for World Cup RedemptionAustralia's women's cricket team has unveiled a squad for the T20 World Cup with a clear focus on spin bowling, featuring captain Sophie Molineux's return alongside world-class spinners Ashleigh Gardner, Alana King, and Georgia Wareham. The team aims to bounce back from recent semi-final exits in major tournaments with this strategic selection.The Spin Selection DilemmaThe return of a fully fit Sophie Molineux from a lower back issue has created a selection squeeze for Australia, who already boast a formidable spin trio. Molineux, who has succeeded retired captain Alyssa Healy, will be a lock in the side despite the abundance of spin options. Chief selector Shawn Flegler confirmed that all four spinners could potentially play in the same side, with conditions determining the final combination.The Spinners' CredentialsAustralia's spin options are exceptionally strong. Alana King took a record 7-18 against South Africa in last year's 50-over World Cup and was player of the series after collecting 23 wickets in last year's Ashes triumph. King returned to the side after being left out of the India tour and took five wickets at an average of 11 in the West Indies, conceding just 5.5 runs an over while bowling in the powerplay.The Pace Attack ChangesThe pace bowling options have seen changes, with 20-year-old left-arm quick Lucy Hamilton included in the 15-player squad, while Darcie Brown was the surprise omission. Hamilton, who debuted in all three formats for Australia in March, brings a rare left-arm pace option in women's cricket. Coach Shelley Nitschke praised Hamilton's ability to get good bounce and bowl a heavy ball, noting it's a real point of difference for the attack.Squad Composition and ExperienceThe squad blends experience with new energy. Ellyse Perry will feature in her 10th T20 World Cup, having been part of every edition since the inaugural tournament in 2009. Allrounder Nicola Carey returns after a three-year absence, while Grace Harris is back after being left out of the recent West Indies tour. Annabel Sutherland also returns after missing the West Indies tour.Tournament Preparation and OutlookAustralia will play five warm-up games in England and Wales before their T20 World Cup campaign begins against South Africa on June 13. They'll play three warm-up matches at Arundel Castle against South Africa, starting on May 31, before a pair of practice games against England in Cardiff. The team is motivated by recent semi-final exits in major tournaments and aims to perform better in those crucial moments.

A Sudden Tragedy Shocks the GrizzliesBrandon Clarke, the 29‑year‑old forward for the Memphis Grizzlies, was found dead at a home in California’s San Fernando Valley, the team announced on Tuesday. No cause of death has been released.Details of Clarke’s Passing and Career HighlightsClarke was born in Vancouver, Canada, and entered the NBA as the 21st overall pick in the 2019 draft, originally selected by the Oklahoma City Thunder before his rights were traded to Memphis on draft night. He spent his entire career with the Grizzlies, earning a spot on the NBA All‑Rookie First Team in 2020 after averaging 12.1 points and 5.9 rebounds in his debut season.Injuries—including knee, calf, Achilles issues—limited his availability; he appeared in only two games during the 2025‑26 season and has missed 174 of a possible 246 games over the past three seasons.Career Statistics and Recent Playing TimeAverage career: 10.2 points and 5.5 rebounds per game over seven seasons2025‑26 season: 2 games playedContract: multiyear extension signed in October 2022Ramifications for Memphis Grizzlies and the NBA CommunityThe Grizzlies issued a statement describing Clarke as “an outstanding teammate and an even better person,” while NBA Commissioner Adam Silver called him “a beloved teammate and leader.” The loss affects not only the roster but also the broader Memphis community, where Clarke was active in outreach.What Lies Ahead for the Grizzlies Without ClarkeWith Clarke’s contract still in effect, the team will need to address the roster spot and salary cap implications while seeking to fill the leadership void. The Grizzlies may look to develop younger forwards or explore trade options to maintain competitiveness in the Western Conference.

Iran has intensified its war rhetoric against the United Arab Emirates, reclassifying the Gulf state from “neighbor” to “hostile base” and warning of stronger strikes if the United States and Israel resume attacks. The shift reflects Tehran’s broader strategy to pressure the UAE over its military ties with Washington and Jerusalem, and to deter the use of Emirati ports for operations against Iran.Iran Elevates UAE to ‘Hostile Base’ in War RhetoricParliamentary security commissioner Ali Khezrian announced on state television that the “label of ‘neighbors’ … has been lifted, and the label of ‘hostile base’ has been set for the country.” The joint command of the Khatam al‑Anbiya headquarters echoed the sentiment, accusing the UAE of turning its territory into “the den of Americans and Zionists.”The IRGC further warned that the UAE’s deepening military, political and intelligence links with the US and Israel constitute “regional insecurity” and threatened a “crushing and regret‑inducing response” to any further attacks on Iran’s southern islands and ports.Key Chronology and Claims Since the Conflict Began28 Feb 2026 – War erupts; Iran and the US exchange fire in the Strait of Hormuz.Early Mar 2026 – IRGC statements label the UAE a “hostile base.”Mid‑Mar 2026 – Iranian forces claim the UAE’s port of Fujairah lies within Iran‑controlled maritime zones.Early Apr 2026 – Iranian media circulate images suggesting UAE Mirage‑2000‑9 jets over southern Iran.8 Apr 2026 – Iran launches missiles and drones primarily against the UAE following alleged strikes on Iranian oil facilities.Regional Repercussions: How Tehran’s Targeting of the UAE Reshapes Gulf DynamicsThe escalation threatens to widen the conflict beyond the Iran‑Israel front. The UAE has responded by terminating Iranian visas, shutting Iranian businesses, and reinforcing its own defence posture, including the deployment of Iron Dome systems. Tehran’s attempt to reroute imports through land corridors via Pakistan, Iraq and Turkey underscores the economic fallout of a maritime blockade.Moreover, the dispute over the Tunb islands and Abu Musa, held by Iran since 1971, adds a territorial dimension that could draw other Gulf states into a broader confrontation.What’s Next? Potential Escalation Paths and Diplomatic CalculusAnalysts warn that if the United States and Israel resume overt operations, Iran may intensify missile strikes on UAE infrastructure, especially ports that facilitate “American and Zionist” logistics. Conversely, diplomatic pressure from the Abraham Accords partners could push the UAE to seek a de‑escalation framework, leveraging its economic ties with both Tehran and the West.Key variables to watch:U.S. policy shifts regarding direct engagement with Iran.Israel’s willingness to deepen military cooperation with the UAE.Iran’s capacity to sustain land‑based supply routes amid rising food inflation.In the short term, the Gulf is likely to see heightened alert levels, increased naval patrols, and a diplomatic push for a multilateral cease‑fire that explicitly addresses the UAE’s role in the conflict.