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The Forgotten OriginsThe last time the US hosted the men's World Cup in 1994, many Americans viewed soccer as a game they watched their kids play on Saturday mornings, not the world's most beloved sport. Thirty-two years later, the sport has exploded in popularity and the USA have become a regular fixture at World Cups. But many people don't realize the US's World Cup history extends all the way back to the first tournament staged – when the US men had their best-ever finish, reaching the semi-finals.The tale of those connected with the US team is often bleak, but it's also more deeply rooted and richer than is often appreciated. As US soccer fans turn their attention to the future of the sport, we revisit four often overlooked moments – and one widely celebrated kick – of the USA's early World Cup history.Tragedy and TriumphSix of the 16-man squad who went to Uruguay for the first World Cup were British, but all played their club football in the US, an indication of the strength of domestic league at the time. A 3-0 win over Belgium in their opening game – which shared with France v Mexico the honor of being the first-ever game at a World Cup – was followed by a 3-0 win over Paraguay in which Bert Patenaude scored the first World Cup hat-trick – although it was only in November 2006, 32 years after his death, that the disputed second of his three goals was finally confirmed as having been scored by the Fall River striker.Substitutions were not introduced to the World Cup until 1970, meaning injuries could have a huge influence on the outcome of a game, reducing a side to 10 men or fewer. And injuries severely afflicted the USA in their semi-final against Argentina. The goalkeeper Jimmy Douglas struggled on with a twisted knee and the midfielder Ralph Tracy missed the whole of the second half after fracturing his right leg. Andy Auld, meanwhile, was temporarily blinded after the physio Jack Coll dropped a bottle of chloroform as he tended to the forward's split lip. After battling gamely, the USA conceded three late goals and lost 6-1.The Mystery of Donelli and SchroederThe USA entered the 1934 tournament late and were very fortunate that Fifa agreed to let them play a qualifier against Mexico in Italy shortly before the first round. The USA won 4-2 in front of 10,000 spectators in Rome, all their goals being scored by Aldo "Buff" Donelli, who would later become a coach in the NFL with the Pittsburgh Steelers and the Cleveland Rams. Mexico blamed their defeat on the fact their journey to Italy had taken 15 days, while the USA had managed to cross the Atlantic in just nine. In the first round, the USA lost 7-1 to the eventual champions Italy; if the journey hardly seemed worth it for just two games, they were at least better off than poor Mexico, who went straight home after their qualifying defeat.The US team manager in Italy was Elmer Schroeder, who had also been part of the backroom staff in 1930. In 1932 he had been elected as the first US-born president of the United States Football Association (the body that is now US Soccer) and although he did not seek re-election in 1934, he led the national squad at the 1936 Olympic Games as well, and remained manager of Philadelphia Germans until 1949. Four years later, his badly beaten body, bound with the cord from the window-blinds, was found on the bed in his apartment. Although nobody was ever convicted of his homicide, it seems probable that he was murdered by a serial killer who preyed on gay men in Philadelphia in the early 1950s.The Disappeared HeroThe USA withdrew from a playoff against the Dutch East Indies for the 1938 World Cup but did qualify for 1950. It was at that tournament in Brazil that they achieved perhaps their most notable result, beating England 1-0 in Belo Horizonte, one of the greatest shocks in World Cup history. The only goal was scored by Joe Gaetjens, diverting in a shot from Walter Bahr. Gaetjens had been born in Haiti and was awaiting US citizenship at the time; early US soccer history was based on a liberal immigration policy.Gaetjens never got his citizenship, returning to Haiti soon after. His family were distant relations by marriage of Louis Déjoie, who lost the 1957 presidential election to the notorious François "Papa Doc" Duvalier. In 1964, when Duvalier declared himself dictator for life, most of Gaetjens's family fled the country.Gaetjens, though, had had little involvement in politics and decided to remain. He was soon arrested by the Tonton Macoute, Duvalier's secret police, and never seen again. It's believed he was murdered at the Fort Dimanche prison, but his body has never been found.The Shot Heard Around the WorldThe modern history of the USA at the World Cup begins with Paul Caligiuri's "shot heard around the world" in Port of Spain in November 1989 – a 30-yard left-foot volley that secured a 1-0 win over Trinidad and Tobago and booked the USA's place at Italia 90. Qualification was seen as an essential part of preparation for hosting the tournament in 1994, for reasons of credibility if nothing else. The USA lost all three games they played in Italy, but, with the exception of 2018, they've been at every World Cup since.

The Transformational 30th SeasonThe WNBA's 30th season has opened with a blend of nostalgia and optimism as the New York Liberty wore special 'court origins' uniforms honoring their history as one of the league's eight founding members. Despite protracted negotiations between the players' union and the league that threatened to delay the season, a new collective bargaining agreement has been reached, providing players with significant pay rises. Commissioner Cathy Engelbert has described this season as a 'transformational moment' and the 'beginning of a new era' for the league.The Economic Boom in Women's BasketballThe WNBA is experiencing an economic boom that validates Engelbert's optimistic outlook. A $300m agreement was reached in March to sell the Connecticut Sun to Tilman Fertitta, owner of the NBA's Houston Rockets. The Sun, based in Connecticut since 2003 and owned by the Mohegan Tribe, will likely be renamed the Houston Comets, reclaiming the brand identity of an original franchise that dominated the early WNBA. This transaction symbolizes the WNBA's evolving fortunes and its leading position in the growing interest in North American women's professional sports.Franchise Valuations Soaring to Record HeightsThe numbers behind the WNBA's growth are staggering. The Houston Comets franchise, valued at $10m when it disbanded in 2008 (about $15m in 2026 money), is now reportedly being sold for a league-record fee, representing a 1,900% increase in value in under 20 years. In 2024, new expansion teams paid substantial fees: the Portland Fire reportedly paid $75m, while the Toronto Tempo, the first WNBA team in Canada, was charged $50m. Most remarkably, the expansion fee for the newest teams in Cleveland, Detroit, and Philadelphia is said to be $250m each, exceeding the NWSL-record $205m paid by Columbus for their 2028 entry.The Billion-Dollar Valkyries and Changing PerceptionsThe Golden State Valkyries, who share a principal owner and arena with the NBA's Golden State Warriors, have set attendance records and transformed the financial landscape of women's sports. After paying $50m to start in 2025, they promptly set the WNBA record for average attendance with 18,064 fans per game. The Valkyries have sold over 12,000 season tickets for the new campaign, leading to valuations that have made them the first billion-dollar franchise in women's sports. CNBC estimates their value at $1bn, while Sportico places them at $850m, with the New York Liberty valued at $600m as the second-most valuable team.Player Salaries and the New Economic RealityThe WNBA's hotly contested seven-year collective bargaining agreement, ratified in March, has dramatically increased player compensation. The minimum salary has risen from $66,079 in 2025 to $270,000, while the maximum salary has increased from about $250,000 to $1.4m. The salary cap per team has grown from $1.5m to $7m. These substantial increases reflect the league's growing revenue streams and the increased value placed on elite women's basketball talent.The Future Trajectory of Women's SportsSports business experts note that the WNBA's growth is changing the baseline perception of women's sport, signaling to investors, sponsors, and media partners that women's sports are credible, scalable and commercially viable. Katie Lebel, a sports business professor at the University of Guelph, explains that this represents a market correction, with investors finally pricing the future value of women's sport rather than judging it based on limited past revenues. While she doesn't foresee a WNBA team surpassing the value of top men's teams like the Dallas Cowboys in the near future, she acknowledges that in the right market with the right ownership, it's entirely possible given women's sports' high-growth phase and strong cultural tailwind.

The End of an Era for Football CollectiblesWith this summer's World Cup already mired in controversy over politicization, potential travel bans, and rows over ticket prices, fans were dealt another piece of sad news this week: the tournament's much-loved Panini sticker album will be discontinued after 2030. This announcement marks the potential end of a cultural phenomenon that has spanned decades and connected generations of football fans worldwide through the simple joy of collecting and trading stickers.The Business Behind the PassionFor decades, Panini has held the exclusive rights to produce World Cup sticker albums, creating a multi-million dollar business that has become as much a part of the tournament as the matches themselves. The albums typically contain hundreds of stickers featuring players, teams, stadiums, and mascots, with collectors often needing to purchase numerous packs and trade with friends to complete their sets. The announcement of discontinuation comes amid changing commercial landscapes and evolving fan engagement strategies in the digital age.Cultural Touchstones Across GenerationsFor many, Panini albums represent more than just collectibles—they are cultural artifacts that capture the essence of World Cup history. The albums serve as time capsules, preserving memories of legendary players, iconic moments, and the evolution of the tournament itself. From the 1970 Mexico album featuring England's victory to the 1994 edition with Roberto Baggio's divine ponytail, these albums have documented football's greatest stars and most memorable moments for generations of fans.Personal Stories from the CollectionGuardian writers recall their Panini memories from years gone by, each story offering a unique perspective on how these albums shaped their relationship with football:Lorenzo Tondo remembers the 1994 World Cup, where Roberto Baggio's sticker was considered the most coveted. He carried it like a trophy, fearing that sticking it in the album would bring bad luck to Italy—a superstition that seemed validated when Baggio missed the penalty in the final.Gwyn Topham still keeps his Mexico 86 album, featuring a mind-blowing find from primary school: the Football 83 Arthur Albiston sticker with Kevin Moran's face. His album captures a time when overseas players were still a relative novelty in football.John Crace traces his obsession back to the 1970 World Cup, when he first nagged his mother to buy him a Mexico 70 sticker book. Little did she realize that was only the beginning of a lifelong collecting journey that would eventually see him complete the set decades later through eBay.The Evolution of Football FandomThe Panini album phenomenon reflects how football fandom has evolved over the decades. What began as simple paper collectibles has transformed into a complex ecosystem of trading, completing sets, and the pursuit of rare stickers. The albums have not only documented football history but have also created shared experiences among fans, fostering connections across cultures and generations through the universal language of football.The Digital Future of CollectingAs Panini prepares to phase out physical sticker albums after 2030, questions arise about what will replace this beloved tradition. Digital collections, NFTs, and augmented reality experiences may offer new ways for fans to engage with the World Cup, but they may struggle to replicate the tangible joy of swapping stickers with friends on the playground or the satisfaction of completing a physical album. The discontinuation of Panini albums marks not just the end of a product line, but potentially the end of an era in how football fans connect with the tournament they love.

The Lead: Unprecedented Security Challenges for World Cup FIFA World Cup matches set to be held across the United States face heightened terrorism risks, with experts warning that vulnerabilities are being amplified by the US-Israel conflict with Iran and a depletion of counter-terrorism expertise within federal law enforcement. The tournament, spanning six weeks with 104 matches across the US, Canada and Mexico, presents an unprecedented security challenge for American authorities. The Event Details: Security Framework and Threat Assessment The biggest threat stems from homegrown violent extremists, often lone actors that may have become radicalized online by extreme political views or jihadists such as the Islamic State (Isis), according to counter-terror experts interviewed. The Department of Homeland Security has announced that only the final – which will be at MetLife Stadium in East Rutherford – will be designated as a 'national special security event' (NSSE). The other matches will be designated a special event assessment rating (SEAR) 1 or 2, which are the two highest risk rankings for events and also require the deployment of federal law enforcement. Fema has allocated $625m to support security and emergency preparedness for the World Cup. The Data Analysis: Security Resources and Match Distribution The US will host 78 matches in Atlanta, Boston, Dallas, Houston, Kansas City, Los Angeles, Miami, Philadelphia, the San Francisco Bay Area, Seattle and East Rutherford, New Jersey, which is about 10 miles from Manhattan. While all stadiums hosting matches are considered 'hard targets' due to extensive security measures, counter-terrorism experts say the greater concern lies with 'soft targets' – including hotels, transportation hubs and fan gatherings across the country. Eleven host cities will host official FIFA fan festivals, with large-screen broadcasts, concerts and live entertainment running throughout the tournament. Thousands of additional watch parties at bars and venues across the host countries will extend crowds well beyond stadiums and official sites. The Impact Analysis: Coordinating Across Multiple Agencies Experts say the challenge is not only protecting potential targets, but ensuring coordination across the agencies responsible for securing them. 'What I've seen is that we have lapses in our security when different agencies, such as Homeland Security, FBI, and our regional local police officers, fail to communicate with each other,' said Tracy Walder, a former CIA and FBI special agent. The World Cup is especially vulnerable because of the current conflict with Iran, which has historically been linked to attempted attacks on US targets. The potential for an Iran v United States match in Texas on 3 July on the eve of Independence Day, coupled with the expected heavy presence of the Saudi royal family, who have booked out an entire hotel in Houston for the tournament, raises additional concerns. The Prediction: Future Outlook and Security Evolution Although the US is experienced in securing large-scale stadium events such as the NFL Super Bowl, experts say the sheer number of World Cup matches will require an unprecedented level of coordination, vigilance and stamina. 'We need to protect not only each venue, but all the other links in the chain that get to the point of the game,' said Javed Ali, associate professor at the University of Michigan, who previously served in the FBI, Department of Homeland Security, and as national security council senior director for counter-terrorism. As the tournament approaches, security officials will need to balance robust protection measures with maintaining the festive atmosphere that defines the World Cup experience. The lessons learned from securing this event may reshape how the US approaches security for future large-scale international events.

Lead: Two High‑Stakes Matchdays ConvergeWest Ham host Arsenal in a Premier League clash that could shape the top‑half scramble, while Kylian Mbappé is confirmed out of Real Madrid's squad for the El Clásico against Barcelona. Simultaneously, the Czech title decider between Slavia Prague and Sparta Prague was abandoned after a fan‑instigated pitch invasion.Team News: West Ham v Arsenal Line‑ups and Tactical AnglesWest Ham are expected to line up with a 4‑2‑3‑1, relying on Jarrod Bowen and Michail Antonio for attacking thrust.Arsenal will likely field a 4‑3‑3, with Martin Ødegaard orchestrating play and Gabriel Jesus leading the line.Both managers have hinted at late‑game substitutions to preserve stamina for upcoming European fixtures.Mbappé Out: Real Madrid’s Forward Options for the El ClásicoReal Madrid announced that Kylian Mbappé will not be named in the squad for the match against Barcelona, citing ongoing recovery from a hamstring injury. The French forward trained on Friday but remains unavailable.Vinícius Júnior, Gonzalo García, Brahim Díaz and Franco Mastantuono are named among the forwards.The absence forces Carlo Ancelotti to adjust his attacking shape, potentially shifting to a more fluid front three.Czech Derby Chaos: What the Abandoned Match Means for the Title RaceThe derby at Fortuna Stadium was halted when Slavia led 3‑2 and fans stormed the pitch, igniting flares and targeting Sparta goalkeeper Jakub Surovcik. Police intervened, and criminal proceedings for rioting have been launched.Slavia were seconds away from clinching the league; the abandonment could trigger disciplinary points and venue restrictions.Sparta’s safety concerns may lead to a replay or forfeiture, reshaping the championship outlook.Impact Analysis: Ripple Effects Across EuropeWest Ham’s result will influence their mid‑table positioning, while Arsenal’s performance could tighten the race for European spots. In Spain, Mbappé’s sidelining may give Barcelona a tactical edge, potentially affecting La Liga standings and Champions League seeding.In the Czech Republic, the incident raises questions about fan security protocols and could see UEFA impose sanctions that affect future continental qualifications.Outlook: What to Watch in the Coming DaysWatch for post‑match reactions from David Moyes and Mikel Arteta on squad rotation ahead of upcoming cup ties.Real Madrid’s next training session will reveal whether any further forwards are being considered to replace Mbappé.The Czech Football Association is expected to issue a formal decision on the abandoned match within 48 hours, which could alter the league table dramatically.

The Centennial Celebration of a Natural History IconDavid Attenborough has officially reached a historic milestone, celebrating his 100th birthday with a retrospective that curates his most spectacular television moments. This centenary celebration is not merely a nostalgic trip down memory lane; it is a testament to a career that has spanned seven decades of broadcasting. From the early days of black-and-white nature documentaries to the immersive, high-definition worlds of modern streaming, Attenborough's voice has been the constant companion to the planet's most remote corners.Defining Moments: The Evolution of Visual StorytellingThe selection of 100 most spectacular TV moments serves as a chronological map of technological and narrative innovation. These moments represent the pinnacle of natural history filmmaking:The Giant Squid Encounter: A breakthrough in deep-sea filming that brought the ocean's abyss to the living room.The Snow Leopard Stare: A masterclass in patience and cinematography, capturing the elusive predator in its natural habitat.The Opening of Planet Earth: A cinematic sequence that redefined the visual standard for nature documentaries.Each clip in this retrospective underscores the shift from simple observation to complex, emotional storytelling.Cultural Reach: Beyond the ScreenThe impact of these moments extends far beyond viewership numbers. They have catalyzed a global shift in environmental consciousness. By humanizing wildlife through intimate close-ups and compelling narration, Attenborough has bridged the gap between scientific data and public emotion. This cultural phenomenon has turned nature documentaries into a global event, influencing generations of filmmakers and inspiring a renewed focus on biodiversity conservation.The Future of Documentary StorytellingAs Attenborough looks toward the future, the legacy of these 100 moments sets a high bar for the next generation of broadcasters. The industry is now moving toward interactive and immersive formats, but the core requirement remains the same: the ability to tell a compelling story that resonates with the human spirit. The centenary celebration confirms that while technology changes, the fundamental need to understand our place in the natural world remains timeless.

The Lead: A Conceptual Artist Turns a Pier into a Biennale HighlightLydia Ourahmane, a 33‑year‑old British‑Algerian artist, opens a site‑specific exhibition at the Nicoletta Fiorucci Foundation during the 2026 Venice Biennale, built around a community‑constructed pier on the quarantined island of Poveglia. The Pier Project: From Cooperative Vote to Exhibition CoreOurahmane partnered with local craftspeople and producer Giorgio Mastinu to design and build a functional pier that allows boats to dock on Poveglia. The cooperative voted to accept her offer in March, and the structure now serves both as artwork and as lasting infrastructure for the island’s residents. Location: Poveglia Island, Venice lagoonMaterials: Local timber, traditional Venetian boat‑building techniquesPurpose: Facilitate access, symbolise non‑extractive collaboration Numbers that Matter: Scale, Weight, and the Euro‑Coin Light MachineThe exhibition incorporates several striking metrics: 1.3 tonnes of decommissioned Venetian hotel bed‑linen repurposed into a sculptural installationA historic coin‑operated lighting device from the church of San Giovanni Crisostomo, requiring visitors to insert a €1 coin to illuminate the workThe Biennale runs until November 2026, after which the artworks will disperse globally Impact Analysis: Challenging Extractivism and Rethinking Museum EconomicsOurahmane’s decision to build a pier rather than extract materials directly from Poveglia confronts the legacy of tourism‑driven development on the island. By embedding the artwork in a functional public amenity, she highlights the tension between cultural capital and local agency, questioning the “pay‑to‑see” model that underpins many museums. Future Outlook: Community‑Centred Art as a Model for Global BiennalesIf the pier endures beyond the Biennale, it could become a permanent example of how large‑scale art events collaborate with host communities. The approach may inspire future curators to prioritize co‑creation over consumption, potentially reshaping the economics of cultural institutions worldwide.

The Lead: Personal Artworks Reveal Hidden Keith HaringThe story of how Keith Haring came to paint a crib began on a quiet, ordinary afternoon in 1986. His best friend's wife was pregnant, and the couple didn't have the money to buy a new crib for their home in New York City's Greenpoint neighborhood. "I called my parents to ask if my old crib was still in the attic," says artist Kermit Oswald, Haring's friend since childhood. "I got it and I painted it yellow, then Keith came over, we had a few beers and he painted the rest of it."The Exhibition: Haring's House at Sotheby'sOswald's collection of Haring's work is now on display in Haring's House: Works From the Collection of Kermit Oswald, a public exhibition at Sotheby's New York this month, with the works going to auction in two sales on 14 and 15 May. The most surprising item is the crib. It's taxi-cab yellow with paintings of dachshunds (the Oswald family dog) and two figures representing Oswald and his wife, Lisa.The Auction Valuation: Market Value of Personal ConnectionsIt's one of 20 Haring works going to auction. The marquee lot is a 1985 self-portrait, one of only six the artist ever painted on canvas. The auction estimates are $3m-$5m, with the crib alone estimated at $250,000 to $350,000. With many items never seen publicly, it shows a personal side to one of the most iconic gay artists in history.The Friendship: Childhood Bond to New York Art SceneOswald knew Haring since they were five years old. They met by passing notes at church in their home town of Kutztown, Pennsylvania. As boys, they shared a passion for "creating things" and started drawing together. "We rode bicycles and played baseball, though on different teams, and were always in each other's homes," he says. They delivered their paper routes together; the loser of the morning race had to buy ice-cream.The Artistic Process: Influences and TechniquesHaring's early untitled works on paper from the late 1970s and early 1980s often used cut-up newspapers and Xeroxed clippings, a practice influenced by William Burroughs' cut-up technique. The two met in 1983 and collaborated on Apocalypse, a series of silkscreen prints with text by Burroughs, in 1988, the year Haring tested positive for HIV.The Legacy: Beyond Public PersonaWhen asked what Haring would be like now, Oswald says: "It was a more analog world then. If you wanted to comment on the news, you had to put ink on paper. In today's lexicon, Keith would be a blogger and definitely a news junkie." They both moved to New York in 1978 to study at the School of Visual Arts. Oswald built the workshop in Haring's studio, every frame Haring used and installed Haring's exhibitions.The Future: Auction and Art Market ImpactBy 1985, Haring was famous and painted his self-portrait from a Polaroid, his face on the body of a sphinx. He invited Oswald to the studio and told him to take any work he wanted. Oswald chose that one. The pair called Haring's mounting fame "the tiger." "You work and work and work thinking you can finally climb on the tiger and ride it," Oswald says. "But once it actually happens, you just have to hold on for dear life, and the best you can do is hope to steer it a bit."

The Genesis of a Masterpiece This week we mark two extraordinary centenaries. Sir David Attenborough's, of course, but only four days after the birth of the bona fide national treasure, Dmitri Shostakovich's First Symphony also first saw the light of day – premiered in Leningrad on 12 May 1926. The 19-year-old's composition was played by the Leningrad Philharmonic, conducted by Nicolai Malko. The Revolutionary Sound The symphony's four-movement structure is just about the only conventional feature it has. The teenage Shostakovich had imbibed all the lessons he could about what orchestral music should sound like and how it should behave, and was bold enough to subvert all those ideas and send them up. There is no forelock-tugging to earlier generations of Russian symphonists and orchestral pioneers; instead, Shostakovich's First resounds with a self-confidence that's both optimistic and deliciously sardonic. A Circus of Sound From the distorted trumpet call that opens the work – a fanfare that thumbs its nose at your expectations of how a symphony should start; not an affirmative flourish, but a snakingly dissonant question mark – Shostakovich sets out on a first movement that's like a circus: a cavalcade of characters who take the stage and exit, more often than not pursued by a cartoon bear, clown or bassoon. The momentum that Shostakovich generates from the way he juxtaposes ideas – cutting from one to the other as if the symphony were a reel of film – continues deliriously in the second movement. Here, a piano part is added to the orchestral texture, and that's where one of the secrets of this music's compositional energy is revealed. As a teenager, Shostakovich played the piano for Soviet silent cinema screenings, and in the symphony's piano solos, he turns his work into a knockabout farce that Buster Keaton would be proud of. A Masterpiece of Unbridled Creativity The movement builds to a climax that is both terrifying – a sudden fanfare that consumes the whole orchestra – and bathetic, in the form of the solo piano's chords, as if the pianist couldn't keep up with the music's pace. There is no hint anywhere in this piece of the bombast and poster-paint ideology of Shostakovich's later symphonies, but there is real feeling here, hinted at in that climax of the scherzo, as the cartoon suddenly shudders into real life. The slow movement that comes next is one of the most unironically passionate that Shostakovich ever wrote, as a solo oboe and solo cello inspire the whole orchestra to a melodic outpouring that feels more Shakespearean drama than circus hijinks. A Legacy of Creative Freedom The final movement somehow brings all of these worlds together, and the symphony ends in a torrent of irresistible energy, a culmination of pure sentiment as well as sheer excitement. This is, surely, the most creatively confident First Symphony by any teenager in musical history (and there is plenty of competition, from Mendelssohn to Knussen, from Rihm to Schubert). It announces a world of possibility in which musical conventions are gleefully turned upside down in a frenzy of modernist creativity that's both funny and profound. It's the sound of a unique symphonic avant garde that might have heralded an era of unfettered creative freedom for Shostakovich and generations of composers. A What-If of History Instead, these are the sounds of what might have been, for Shostakovich and for Russia. In Shostakovich's later symphonies, especially from the mid-1930s onwards, you hear the chilling of that freedom and the daily terror of living in Stalin's Soviet Union. The confidence and joy in his own brilliance that you hear in every page of the First Symphony is a miracle that Shostakovich never quite repeated and which is still strikingly new, a century on.