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The LeadFormer NBA player Etan Thomas addresses ESPN commentator Stephen A Smith, explaining why many Black people feel he has "betrayed his race" despite his support for HBCUs. The letter outlines specific criticisms of Smith's commentary on Black athletes and his political positions.The Critique of Black AthletesThomas points out that Smith frequently criticizes Black male athletes with "passion and vitriol" that he doesn't reserve for white athletes and executives. He cites examples of Smith attacking figures like Kyrie Irving, Kwame Brown, LeBron James, Terrell Owens, and Kevin Durant while being less critical of white league officials and owners.Political InconsistenciesThe article highlights Smith's adoption of right-wing talking points, including his claim that racism isn't as prevalent in the US as some on the "left" claim. Thomas also notes Smith's controversial positions on ICE actions, his characterization of Democrats' legal efforts against Trump as "lawfare," and his criticism of Black politicians like Jasmine Crockett for not being respectful enough to Trump.The Voting Rights DebateThomas takes issue with Smith's suggestion that Black people should vote Republican to make Democrats work for their votes. He points out that while Democrats may not do enough for Black people, Republicans actively work against their interests, particularly citing the Trump administration's celebration of the Supreme Court gutting the Voting Rights Act.Economic Impact on Black CommunitiesThe article details the tangible consequences of political alignment, noting that under the current administration, the Black unemployment rate has risen to 8.2%, the highest since its pandemic peak. Thomas also highlights targeted federal workplace policies, cuts to Medicaid, and reduced opportunities in housing, lending, and education that disproportionately affect Black Americans.The Future of Sports CommentaryThomas acknowledges Smith's intelligence and effectiveness as a commentator but suggests he should reconsider the agenda he's promoting. The letter concludes by questioning whether Smith's criticism of Black athletes and his political positions serve the best interests of the Black community he claims to support.

The Lead Cal Flyn's book, The Savage Landscape, is a wondrous personal journey to locate and understand wilderness. It's a work of extraordinary physical and narrative movement that takes us from the depths of the ocean to volcanoes and icebergs, but is also a journey into our own psyches, and the stories we tell ourselves about “wild” landscapes. Exploring the Human Connection to Wilderness Off the coast of California, two miles down, there exist geothermal nurseries: gatherings of tens of thousands of small violet octopuses, each the size of a grapefruit. Known as pearl octopuses (Muusoctopus robustus), they congregate around hydrothermal springs which warm their eggs, allowing them to hatch in less than two years (in cold water it can take 10 years). When I want to calm my mind, I think of these gatherings, this factory of octopuses powered by the Earth’s energy that exists quietly away from our gaze, and might easily never have been discovered. How many more such worlds exist? The Fiction of Untouched Wilderness The notion of untouched wilderness is a fiction, and Flyn continually pulls the rug from under our assumptions about purity, wildness and isolation. At the Monastery of Saint Paul the Anchorite, in Egypt’s eastern desert, she talks with a coptic monk who has dedicated himself to a life of isolation and prayer, and yet continually checks his smartphone. Aboard a cruise ship in the Southern Ocean, Flyn admires icebergs crashing down, “a silent display of staggering sublimity”, only to reflect on the clutter left behind by tourists and scientific researchers on the Antarctic landmass; according to one group of researchers, only 31% of Antarctica can now be considered “inviolate”. The Impact of Human Activity on Wilderness In Transylvania, home to the largest population of brown bears in Europe, she explores painful stories of people and wildlife in conflict. Bears and wolves fared well in Europe until the destruction of their habitat in the middle ages brought them into direct contact with local populations. These creatures can be savage, and Flyn spares little detail in her evocation of the damage they can wreak to human flesh, but the most terrifying creature in the chapter is not ursine or lupine: it is a local’s sheepdog, a domesticated animal whose snarl is “a white noise of pure violence”. The Future of Wilderness and Conservation Flyn sees in the Bon a kind of inspiration: “Sacred landscapes of the kind found in Dolpo,” she writes, “effectively comprise the world’s oldest conservation projects, and there is a lot that we can learn from their longevity.” I don’t know how the beliefs and practices of the Dolpo might be applied at the bottom of the sea, but surely Flyn is right: if we are to escape the course of ecological destruction, we will need more stories, like hers, that can reignite a sense of awe and respect for the worlds we know, and others yet undiscovered.

Lead: A Play That Puts Climate on the Domestic StageIn Martha Loader’s two‑year research‑driven drama Albatross, an Antarctic glaciologist named Alice returns home to a strained family, forcing a confrontation between personal obligations and the planet’s looming emergency.Martha Loader’s Two‑Year Immersion into Antarctic Research Fuels ‘Albatross’Loader spent 24 months interviewing scientists in Antarctica, translating their fieldwork and emotional toll into a narrative that juxtaposes a flooded kitchen set with the melting ice shelves they study. The play follows Alice as she reunites with her mother Eve (played by Agnes Lillis) and Eve’s new partner Martin (portrayed by director Patrick Morris), exposing the moral calculus each generation faces.Tour Schedule and Audience Reach: 30 May Closing DateTouring until 30 May – the production travels to regional venues after its UEA run.Staged at the University of East Anglia (UEA), home to a leading UK climate‑science department, enhancing academic‑theatre crossover.Set design features a flooded kitchen that visually echoes icebergs, reinforcing the climate metaphor.Staging Climate Truth: How ‘Albatross’ Bridges Science and Public ConsciousnessThe play’s strength lies in its ability to make abstract climate data tangible through family drama. By embedding an “ice‑cream demo” that explains warming ice caps, the production educates while entertaining, prompting audiences to consider the personal cost of inaction.The Future of Climate‑Centric Theatre in the UKWith increasing public appetite for environmentally themed art, productions like Albatross signal a shift toward theatre that not only reflects scientific realities but also challenges societal complacency. Expect more collaborations between research institutions and theatre companies, and a rise in touring shows that embed climate narratives within relatable human stories.

The LeadWhile Spirit Airlines disappeared from the aviation landscape amid high fuel prices, another prominent name is taking flight: President Donald J. Trump. Palm Beach International Airport is being rebranded in a deal that opens new revenue streams for the Trump family, despite the agreement prohibiting direct financial compensation from airport sales.The Trump Brand Expansion at Palm Beach InternationalThe newly-branded President Donald J Trump international airport, located less than five miles from Mar-a-Lago, joins a growing list of Trump-branded entities including passports, street signs, national parks passes, performing arts centers, and golden immigration visas. This rebranding represents the latest in Trump's pursuit of personal branding and monetization opportunities.The agreement between Palm Beach County and DTTM Operations LLC, Trump's Delaware-based company that oversees licensing, marketing and intellectual property, grants the Trump Organization significant control over how the airport's name is used. Under the leadership of Donald Trump Jr., the company has secured numerous rights that analysts describe as unusual for such a contract.The Financial Mechanics of the Trump Airport DealWhile the agreement prohibits "direct financial compensation" from goods sold at the airport, Trump retains multiple revenue-generating opportunities. He gets to choose which vendors will manufacture and supply branded merchandise sold at the airport. The non-exclusive agreement allows the Trump Organization to profit from any merchandise sold away from the airport, including through Trump's online store that already offers a wide array of Trump-themed products.Trump can also monetize the airport's new name in any way he sees fit and can license the trademark to any third party of his choosing. Additionally, he has final approval over how his name, image and likeness are portrayed at the airport, effectively limiting the county's editorial discretion to ensure portrayals align with his personal preferences.Political Implications and Local ResistanceThe rebranding process began in February when Trump's lawyers filed trademark applications for the new airport name, parallel to Florida Republican lawmakers advancing legislation to mandate completion of the transformation by July 1. Opponents condemned what they saw as a "misguided" act of fealty to Trump by Florida's Republican governor, Ron DeSantis, and criticized the speed at which the name change was being implemented without consulting residents.Decisions about naming major infrastructure should wait until after an honoree's service has concluded and should include meaningful input from local residents, according to Lois Frankel, the Democratic US congresswoman whose district covers much of Palm Beach County. The agreement was approved by the Palm Beach County Commission in a narrow 4-3 vote, with the deciding vote cast by Democratic member Maria Sachs after a contentious debate.Future Outlook for Trump's Brand EmpireAnalysts predict Trump is likely to net millions from this unorthodox legal arrangement. The Trump Organization's options are virtually limitless, with the ability to direct business to favored companies and potentially curry favor through strategic licensing agreements. This airport deal follows a pattern of Trump monetizing his name and image across various sectors.While the airport will be known as "President Donald J Trump International Airport," its three-letter airport code will remain PBI unless or until additional legislation passes to change it. The rebranding represents both a significant branding victory for Trump and a potentially lucrative revenue stream for his family business, continuing a trend of personal branding that has become increasingly central to Trump's post-presidential business strategy.

The Ultimate Wizard Showdown When asked who would win a fight between Gandalf and Dumbledore, the iconic actor who portrayed both legendary wizards didn't hesitate with his answer. "Why on earth would they be fighting? But Gandy, of course, would win. The original wizard," McKellen declared, settling the debate that has captivated fantasy fans for years. A Life in Theater Reflecting on his more than six decades in acting, McKellen lamented the decline of repertory theater in the UK. "My first job, in 1961, was at the Belgrade theatre in Coventry," he recalled. "Every city of similar size had a repertory company, presenting a new production every two weeks, and crucially providing employment for tyro actors in need of a prolonged apprenticeship." Today, he noted, there is not a single rep company in the UK, a system he credits with helping develop new talent. Personal Reflections McKellen shared insights into his personal beliefs, explaining that while he was raised with gospel stories, he stopped worshipping in his teens. "Since then, Quakers are the religious society I most admire, for their adherence to the sixth commandment and for being the first Christians to support gay rights in the UK." He also discussed how his father's preaching style influenced him, though it was actors who first captivated him rather than religious figures. Behind the Scenes of Middle-earth The actor revealed that Peter Jackson never confirmed which stars turned down the role of Gandalf in Lord of the Rings. "I've never managed to persuade Peter to confirm who turned down the wizard part of a lifetime," McKellen shared. He speculated that David Bowie's striking looks and voice might have emphasized the supernatural side of Gandalf rather than the character's humanity that attracted him to the role. Beyond Middle-earth Beyond his iconic fantasy roles, McKellen discussed his appreciation for pantomime as a uniquely theatrical art form. "Pantomime uses every possible theatrical device to tell its moral tales – slapstick, sentiment, song, dance, verse, cross-dressing, community singing, extravagant costumes and scenery, audience participation," he explained. "My patriotism is rooted in Shakespeare and panto." He also mentioned his recent Glastonbury performance with the Scissor Sisters, describing the experience as "heady stuff, parading in front of a band's enthusiastic fans."

The Gothic Horror Revival with a Psychedemic TwistWill Maclean's "Solace House" emerges as a bold entry in contemporary gothic horror, blending traditional supernatural elements with psychedelic storytelling. The novel transports readers to the summer of 1993, where protagonist Alex Lane finds himself working at an abandoned asylum called Marshlands, located next to the enigmatic Solace House—a gothic mansion filled with secrets and supernatural occurrences.A Cast of Characters in a Supernatural SettingThe narrative introduces a diverse group of university students tasked with clearing out the asylum: the lonely Alex, the sinister pale boy Adam, and various archetypal characters including the Christian Helen, the stoned Clive, the goth Ruth, the new-age Leo, the beautiful Malcolm, and the bewitching red-haired Ella. Against the backdrop of cheap wine, joint-smoking, and pretentious banter, the group begins to uncover the dark mysteries of Solace House and its former occupant, the reclusive poet Edwin Flayne.Supernatural Elements and Narrative StructureSolace House is portrayed as a "thin place" where supernatural forces bleed into reality. Flayne, who lived to 102 without leaving the house, pursued dark mathematics and magic in his quest for forbidden knowledge. The novel incorporates numerous gothic tropes: a hedge maze, ancient caverns, mysterious telephones, and a labyrinthine interior filled with hoarded artifacts. As the narrative progresses, reality becomes increasingly unstable, leading the characters to consume psychedelic mushrooms and confront the boundaries between dimensions.Literary Influences and ComparisonsMaclean's work draws from a rich tapestry of literary influences. The reviewer compares "Solace House" to TV's "True Detective" while acknowledging the foundational influences of Arthur Machen, Charles Williams, and HP Lovecraft. Other discernible references include Donna Tartt's "The Secret History," Mark Z. Danielewski's "House of Leaves," and Lucy Boston's "The Children of Green Knowe." The novel also shares occult territory with Francis Spufford's "Nonesuch," creating a rich intertextual tapestry that honors its influences while carving out its own identity.Pacing and Narrative ApproachOne of the novel's strengths is its pacing. The 500-plus pages "whip by" as Maclean balances supernatural horror with character development and occasional dark humor. The book opens with a self-aware acknowledgment that "gothic always tries too hard," suggesting a meta-awareness of the genre's conventions. This self-deprecating tone permeates the narrative, creating an engaging reading experience that doesn't take itself too seriously despite its ambitious supernatural scope.Assessment and Critical ReceptionWhile the reviewer praises "Solace House" for its entertainment value and ability to "spook the reader," they note some narrative shortcomings. The novel is described as "a bit overstuffed," particularly in its attempts to convey "ineffable mind-mangling realms beyond time, space and puny human comprehension." However, the reviewer suggests this excess is somewhat inherent to the genre itself. Despite these minor criticisms, the book earns high marks for its clever and satisfying twist ending that even makes sense of Edwin Flayne's "terrible poetry," providing narrative cohesion to the sprawling supernatural tale.

The Legacy of Eric Cantona It's been 30 years since Eric Cantona scored a remarkable volley to win the 1996 FA Cup final for Manchester United. The goal capped a stunning comeback story for Cantona, who has now been immortalized in a feature film. The Film: A Cinematic Portrait The film, directed by David Tryhorn and Ben Nicholas, offers a cinematic portrait of Cantona through his five seasons at Manchester United. The documentary features archival footage, new interviews, and never-before-seen footage of Cantona as a child. The Infamous Incident Cantona's notorious incident at Crystal Palace, where he kicked a jeering fan, is a pivotal moment in the film. The incident nearly landed him in jail and resulted in an eight-month ban from football. The Man Behind the Myth Cantona is portrayed as a complex and contradictory figure - a player who desired freedom yet worked in a highly disciplined field. He admits to having no regrets about the incident, saying 'I should have kicked him even harder, because he deserved it.' The Future Outlook The film is set to premiere at Cannes, marking a significant achievement for the directors. With its unique approach and Cantona's involvement, the documentary is poised to leave a lasting impact on audiences.

The Director's Supernatural EncountersMulti-Oscar-winning director Guillermo del Toro has revealed his lifelong fascination with the supernatural, from childhood ghost sightings to a UFO encounter at age 14. The filmmaker, currently in the UK to receive a BFI fellowship, shared his belief that these experiences 'cause a crack' in our perception, allowing 'the mystery of the universe' to rush toward us.From Family Hauntings to Hammer HorrorDel Toro's supernatural journey began at age 11 when he first sensed a spectral presence at his family home in Guadalajara, Mexico – which he believes was his late uncle keeping a promise. This experience inspired Santi, the sighing ghost-boy in his 2001 film The Devil's Backbone. The director has since encountered numerous paranormal phenomena, including surround-sound ghostly disturbances in a New Zealand hotel while scouting locations for The Hobbit.'There are certain magical lands for me,' del Toro explains, 'and the land of ghosts is England.' He is currently looking to purchase a haunted house in the UK to house his extensive collection of silicone figures and memorabilia.The Influence of British CinemaThe BFI fellowship holds special significance for del Toro, who cites British cinema as a major influence on his work. He particularly reveres the 'reveries of Powell and Pressburger or Ken Russell' and the entire Hammer horror legacy, including Terence Fisher's Frankenstein films which partly informed his own 2025 adaptation of Mary Shelley's novel.'The 1974 Hammer film Frankenstein and the Monster from Hell had the worst makeup but the most delicate Creature,' del Toro notes. 'As the movie progressed, the Creature became more of an innocent and the Baron more of a pure villain.' This approach shaped his interpretation featuring Jacob Elordi as the Creature.A Legacy of Monsters and Misunderstood BeingsDel Toro has always portrayed monsters as complex beings capable of tenderness alongside violence, reflecting his belief that 'precisely like us.' This philosophy has resonated with fellow artists, including Taylor Swift, who has cited his films as inspiration. After becoming a fan of The Shape of Water, Swift explored his back catalogue during the pandemic, declaring herself 'dazzled' by The Devil's Backbone and Pan's Labyrinth.The influence is mutual, with Swift later invoking Del Toro-esque imagery in her hit single Anti-hero, picturing herself as 'a monster on the hill … slowly lurching toward your favourite city.' This artistic connection demonstrates how del Toro's vision has permeated popular culture beyond cinema.The Future of Fantastic CinemaAs a BFI fellow – joining the ranks of Martin Scorsese, David Lean, Akira Kurosawa, and Orson Welles – del Toro continues to champion the potential of horror and fantasy genres. His teenage years saw him running a film society in Guadalajara, sourcing controversial works like Powell's 1960 serial-killer classic Peeping Tom from the BFI itself.With his upcoming projects and continued exploration of the supernatural, del Toro remains committed to expanding our understanding of the unknown, both on screen and in his personal life. As he puts it, these experiences 'dislocate your sense of self,' revealing the mysteries that exist just beyond our everyday reality.

The Harsh Reality of Motherhood in Gaza On May 10, many flowers and boxes of chocolates will be gifted to mothers in the United States, Canada, and elsewhere. However, in Gaza, 22,000 women have been killed in two and a half years, and many children dread this special day because it reminds them of intolerable pain. The Impact of Genocide on Gaza's Mothers The genocide has brought immense suffering to Gaza's mothers. Maternal death rates during childbirth increased threefold during the genocide, with 220 Palestinian women dying while giving birth in Gaza between January and June 2025. The famine has disproportionately affected pregnant and breastfeeding women, putting them and their children at risk of death and various health complications. The Personal Story of Struggle The author's mother, Najat, is suffering from cancer, which was diagnosed late. On Mother's Day, she did not wear her finest clothes and did not join the family for a special meal. She was frail and worn down after undergoing chemotherapy. The author silently prayed that her mother would remain with her a little longer, holding back tears to avoid adding to her mother's pain. The Burden of Survival More than 22,000 women have lost their husbands and are now forced to be both mothers and fathers to their children, carrying the excruciating task of survival amid a genocide. Many mothers have to live with the constant pain of losing their children in Israeli attacks; more than 21,000 of the victims of the genocide were children. The Lack of Medical Care Israel has made sure that Gaza's mothers are not getting the treatment they need. The Israeli army has bombed all hospitals in Gaza and destroyed the only specialized oncological hospital. This has meant that cancer and chronic illness patients are not receiving proper treatment, and regular checkups that can catch diseases in early stages are not possible. The Uncertain Future The author's mother needs radiation therapy, which is not available in Gaza. She has been given a medical referral, which has not been approved yet. She is one of 20,000 Palestinians in Gaza in urgent need of evacuation, which has been purposefully made brutally slow. The author's mother may not survive, and her suffering, along with that of many other Gaza mothers, will go unseen.