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The Climate Policy Reversal in Blue States Democratic-led states are eroding their climate policies, as red states are scaling up their clean energy deployment. California on Friday scaled back its cap-and-invest program, offering more than $3bn in free pollution allowances to polluting companies. Earlier the same week, New York weakened its groundbreaking climate law, delaying a plan to regulate carbon from 2024 until 2028 and reducing emissions-slashing targets. Rhode Island's governor, meanwhile, is attempting to roll back aggressive clean-energy programs. The Economic Justification vs. Climate Imperative The moves come as Donald Trump's administration withdraws clean energy incentives and energy savings programs, and as energy prices spike across the country amid trade disruptions stemming from the US-Israeli war on Iran. Proponents have said the changes are necessary to suppress electricity costs, but climate advocates say that view is short-sighted and misguided. "Using affordability as a cudgel to weaken climate policy is a major error that will not solve either crisis, ultimately amplifying both," said Johanna Bozuwa, executive director of the Climate and Community Institute, a left-leaning thinktank. "Extreme weather and fossil-fuel dependency directly inflate costs – for food, energy, transportation, housing, and health – across the economy for working people." American Public Opinion on Climate Change Polls show most Americans are concerned about the climate crisis. An annual poll from Gallup, published in April, shows that 44% of American adults say they worry "a great deal" about global warming – one of the highest levels of concern since 1989, when the poll was first conducted, behind only 2020 and 2017. About 65% of registered voters in the US also think global heating is driving up the cost of living, according to a report published in December by Yale University and George Mason University. Red States Lead Clean Energy Buildout In contrast to many Democratic-led jurisdictions, red states have tended to dominate renewable energy deployment in recent years. In terms of growth of utility-scale renewables, states that voted for Donald Trump in the 2024 presidential election made up eight of the top 10 in the year to March, according to Energy Information Administration data. Indiana tops the list of states with the most clean energy capacity growth in that timeframe, followed by Kentucky and Utah. More broadly, though, it is Texas that has emerged as the country's leading clean energy superpower, despite its strong ties to the oil and gas industry and unsuccessful attempts within the Republican-led legislature to curb the growth of wind and solar. Texas leads the country in wind energy production, followed by fellow red states Iowa, Oklahoma and Kansas, and in March overtook California in utility-scale solar, too. The Paradox of Climate Leadership Meanwhile, the states scaling back their emissions-cutting policies have long called themselves climate leaders. When Governor Gavin Newsom of California extended his state's cap-and-invest program last year, he said: "We're doubling down on our best tool to combat Trump's assaults on clean air … by making polluters pay for projects that support our most impacted communities." The changes could end up giving more money to the fossil fuel producers and distributors who have been increasing consumers' energy prices amid the Iran war, said Bahram Fazeli, Policy Director with Communities for a Better Environment, a grassroots organization in California. "There's no reason to think that giving them more free allowances will actually help motivate them to lower gas prices more," he said. Long-Term Economic Implications New York advocates are also skeptical about whether the weakening of the 2019 Climate Leadership and Community Protection Act – which the state touted as among the strongest climate laws the country – will deliver long-term benefits. The state legislature last week reached a deal with Governor Kathy Hochul to remove a 2030 mandate to cut planet-warming pollution by 40% from 1990 levels, instead including language to aim for a 60% by 2040 if it is "feasible and cost effective" to do so. "Even though you might see bill savings initially, that's going to come at the cost of locked-in, higher energy costs in the future, as the grid has to procure more energy that would otherwise have been saved," Anna Johnson, a senior policy manager State at American Council for an Energy-Efficient Economy, told Baltimore's NPR affiliate WYPR; she estimates that the moves could ultimately increase households' electricity costs by $592m. The True Cost of Inaction The climate crisis itself also costs for working people, said Mar Zepeda Salazar, legislative director of the national environmental justice coalition Climate Justice Alliance. "You can lower costs on paper by weakening protections, but the bill still comes due," she said. "It just shows up in emergency rooms, insurance premiums, utility bills, lost wages, and disaster recovery – that families pay, not industry."

The Return of Mira Murati to the Public StageMira Murati, former CTO of OpenAI and current CEO of Thinking Machines Lab, has made her first major media appearance in approximately 18 months, sitting down with Bloomberg in San Francisco. This rare public appearance comes as Murati's company, which has been operating largely in the background, seeks to establish its presence in an increasingly competitive AI landscape.Thinking Machines' New Approach: Interaction ModelsDuring the interview, Murati previewed what Thinking Machines is calling "interaction models," described as a fundamentally different kind of AI interface. Unlike the traditional turn-based, prompt-and-response dynamic common in most AI products today, the company's models are designed to process continuous streams of audio, text, and video in 200-millisecond intervals. This approach aims to capture the nuances of human communication—including interruptions, mid-thought corrections, and pauses—in something closer to real time.Murati emphasized that this approach aligns with her lab's core thesis that the path to powerful AI runs through closer human collaboration, not around it. She was careful to frame it as a first step rather than a finished product, declining to specify a release date.The Competitive AI LandscapeThe timing of Murati's public return is strategic. While Thinking Machines has spent the past year and a half operating in the background—raising capital, hiring researchers, and shipping one product, Tinker (an API for fine-tuning open-source AI models)—its competitors have grown more omnipresent. OpenAI, where Murati spent six years as CTO, remains constantly in the news cycle. Anthropic has gained significant momentum, and Elon Musk's xAI has been folded into SpaceX ahead of what is expected to be a massive public offering.In this environment, Murati acknowledged that staying heads down has diminishing returns, and at some point, a company must make noise to remind the market it exists.Reflections on OpenAI's Leadership CrisisMurati also addressed the chaotic week in November 2023 when OpenAI's board fired Sam Altman, and she became interim CEO—an event referred to internally as "the blip." She expressed clarity about her decisions during that period, stating that protecting the mission and team guided her choices even as the situation appeared to be unraveling externally. Murati claimed the company would have "imploded" without her involvement during those five days and their immediate aftermath.In retrospect, she acknowledged she would have pushed harder for more information, a better transition plan, and more transparency. When asked if she still trusts her former boss, she sidestepped the question, instead focusing on her broader concern about the concentration of consequential decisions in too few hands across the industry.Talent Challenges and Compensation CultureChang pressed Murati on the departures of several high-profile researchers from Thinking Machines in recent months, a subject Murati has largely avoided in public. She explained that building a frontier AI lab from scratch compresses years of normal organizational volatility into months. Regarding compensation—the nine-figure packages that have become standard in the AI talent war—Murati suggested it isn't usually the whole story behind talent decisions."When I wake up in the morning, I am not thinking about how to kill the competitor," Murati quipped, drawing audience laughter and highlighting her competitive approach to building rather than destroying.The Future of AI and Human AgencyWhen asked about the future of AI and its impact on humanity, Murati pushed back on both inevitable dystopia and inevitable utopia scenarios. She argued that neither outcome is predetermined and that the current period will determine which direction things go. However, she warned that if humans "take their hands off the wheel too soon," the future will look very different, and not better.Born in Albania and speaking with a slight Eastern European accent, Murati emphasized the importance of maintaining human agency in AI development, reflecting on concerns about mass job displacement and potential misuse of AI for harmful purposes like creating chemical weapons.

France's World Cup Preparation Takes Unexpected TurnFrance brushed aside concerns after suffering a surprise 2-1 defeat by Ivory Coast in a World Cup warm-up match, insisting the setback would serve as a useful reminder rather than a cause for alarm ahead of the tournament. Didier Deschamps' side led through a superb first-half goal from Rayan Cherki on Thursday, but were overrun after the break as Guela Doue and Amad Diallo turned the game around for the Elephants in Nantes.Key Moments in Nantes FriendlyThe match showcased contrasting halves of football for France. The defending champions dominated the opening 45 minutes, taking the lead through Cherki's clinical finish. However, after halftime, France made numerous substitutions and lost control of the contest as Ivory Coast's pace and intensity overwhelmed them. The Elephants' equalizer and subsequent winner demonstrated their potential to challenge established nations in international competitions.France's Experimental ApproachWith France opening their World Cup campaign against Senegal in New York on June 16, several key players were rested after last weekend's Champions League final triumph. Midfielder Aurelien Tchouameni emphasized that the result should be viewed in the context of preparations rather than as a warning sign."It's a pity to lose but we're in a preparation phase, we stay confident," Tchouameni said. "There is no conclusion to draw from this game, even if we had won it. We will be ready."Defender Lucas Hernandez also played down the significance of the defeat, noting the numerous substitutions made during the match."We always want to win but we're in a phase of preparation and there were a lot of substitutions," Hernandez said. "We're in good spirits."Tournament Implications and LessonsDeschamps admitted his side had lost control of the contest after an encouraging opening 45 minutes and warned that France would face opponents with similar qualities in the United States."A defeat is never pleasant, even if we did some good things in the first half," Deschamps said. "In the second half we made a lot of changes but that's no excuse. We were not as good after the break and they brought a lot of pace. We will face the same type of team on June 16."The France coach suggested the result could prove useful if it prevented his players from becoming complacent before the tournament."It's a reminder, if we needed one, not to think we're better than we are," he said, with Cherki adding: "It's a little warning, and I can tell you we're not going to the World Cup thinking we're favourites but we're going to crush everyone."Outlook for France's World Cup CampaignDespite the unexpected defeat, France appears focused on their upcoming challenge against Senegal. The match against Ivory Coast, while resulting in a loss, may provide valuable lessons for a team that has been among the favorites in recent international tournaments. The experimental nature of the squad and the opportunity to test different combinations against a competitive African side could prove beneficial as the tournament progresses.

The Stunning Equalizer Spain's preparations for the World Cup were put to the test in a 1-1 draw against Iraq, with Merchas Doski scoring a stunning equalizer for the underdogs. Spain's Experimental Lineup Luis de la Fuente's side made 11 substitutions during the game, with seven debutants taking to the pitch. The experimental lineup included players who may not be part of the final squad, making it difficult to gauge Spain's true form. The Data Analysis Ferran Torres scored for Spain on 15 minutes. Merchas Doski equalized for Iraq. Spain made 11 substitutions during the game. Seven debutants played for Spain. The Impact Analysis The draw may not be a cause for alarm for Spain, but it does highlight the challenges they may face in the World Cup. The experimental lineup and lack of cohesion may have contributed to the draw, but De la Fuente will be pleased with the opportunity to give playing time to fringe players. The Prediction Despite the draw, Spain are still likely to be among the favorites in the World Cup. They will have a week to prepare and fine-tune their squad before the tournament begins.

The Rise of T20 Specialists The T20 Blast cricket tournament has been a platform for surprise packets to shine, with several teams and players making significant impacts. One such player is Jake Lintott, who has been making waves with his unique left-arm wrist spin. Lintott's Impact on Kent Lintott, who was signed by Kent from Warwickshire, has already made a significant impact. His three wickets reduced Surrey from 44-2 to 53-5, showcasing his value in the Blast. In this year's competition, Lintott has five wickets and the best economy rate in the country. James Vince Leads Hampshire to Victory Hampshire, on the other hand, has been enduring a tough season in the Championship, but they have managed to revive their campaign in the Blast. The return of James Vince has been a significant boost, and he has led the team to a hat-trick of wins. Kiran Carlson's Century for Glamorgan Kiran Carlson, the 17-year-old sensation, has been making headlines with his impressive batting skills. He hit a century for Glamorgan as they beat Somerset in Cardiff, showcasing his potential as a future star. The Impact of T20 Specialists The T20 Blast has provided a platform for specialists like Lintott, Vince, and Carlson to shine. Their performances have not only helped their teams but have also raised the bar for other players. The tournament has become a crucial part of the cricket calendar, providing opportunities for players to showcase their skills and make a name for themselves. The Future of T20 Cricket The T20 Blast has been instrumental in promoting the growth of T20 cricket, and it will be interesting to see how the tournament evolves in the future. With the rise of young players like Carlson and the continued performances of experienced players like Lintott and Vince, the future of T20 cricket looks bright.

The Lead: Roni Horn's Artistic JourneyAt 70 years old, renowned artist Roni Horn presents "Seizure of Hope," her first solo exhibition in London in a decade at the prestigious Hauser and Wirth gallery. The exhibition features 76 graphite drawings exploring the complex emotion of being "paralysed with hope," a phrase that has become central to Horn's recent work. This comes after a notable incident where Horn was removed from a flight due to a dispute with a flight attendant, an experience that reflects her androgynous identity and quiet rebellion against authority in today's world.The Exhibition: Visualizing ParadoxStepping into the gallery on Savile Row, visitors encounter 76 drawings rendered in "very, very soft" graphite pencil with wax pencil, each repeating the handwritten phrase "I am paralysed with hope." The installation is deliberately arranged with uneven gaps between frames, creating spaces where meaning slips and falters. Horn describes these works as capturing "an endless silent scream feeling," born from her experience of losing friends and observing how "the last thing to go is hope" during illness.The exhibition also includes a solid cast glass sculpture resembling a large ice cube, titled "What Happens to the Hole When the Cheese is Gone?"—a reference to Bertolt Brecht. This piece, made by pouring molten glass into a mould that hardens slowly over months, embodies Horn's fascination with ambiguity and the in-between states of existence.Artistic Philosophy: Embracing AmbiguityHorn's work consistently explores themes of mirroring, doubling, and repetition. She deliberately avoids direct answers, embracing ambiguity as a core artistic principle. Her approach is described as "serenely anti-authoritarian, revelling in the absurd and the contradictory." The unpindownable nature of her work, which spans photography, drawing, sculpture, and film, gives it vitality and presence without ostentation.The phrase "I am paralysed with hope" first captured Horn's attention around the time of "the political downfall of America" and has since appeared in multiple works, including her conceptual diary LOG created during lockdown and her 2023 exhibition at Centro Botin. The smudged, varied handwriting in the drawings reflects Horn's self-described "atrocious" handwriting that once required multiple signatures for banking purposes.Cultural Context: Art in Turbulent TimesHorn's work resonates particularly strongly in contemporary society, where contradictions and uncertainties abound. Her exploration of hope as both paralyzing and enduring speaks to the collective experience of living through political and social upheaval. The artist's experience of being removed from a flight due to a seemingly minor incident underscores the tensions present in today's world, particularly for those who don't fit conventional expectations.The exhibition's title, "Seizure of Hope," suggests both a capture and a taking of hope—a complex relationship that Horn explores through her repetitive, meditative drawings. This approach to hope as something that persists even in darkness offers a nuanced perspective on human resilience in challenging times.Future Directions: The Persistence of HopeAs Horn continues to create work that embraces ambiguity and contradiction, her exploration of hope appears likely to remain central to her artistic practice. The artist's commitment to staying "in the unknown and the in-between" suggests future works that will continue to challenge viewers' expectations and offer spaces for reflection on the complexities of human experience.The exhibition at Hauser and Wirth represents not just a showcase of Horn's current work but a continuation of her decades-long exploration of material, form, and meaning. As she approaches her eighth decade, Horn shows no signs of diminishing her artistic ambition or her willingness to confront difficult emotions and ideas through her distinctive visual language.

Jack White’s ‘These Thoughts May Disappear’ Opens at Newport Street GalleryThe former White Stripes frontman debuted his first solo visual‑art show at Damien Hirst’s Newport Street Gallery on 4 June 2026. The exhibition, titled These Thoughts May Disappear, pairs White’s custom‑designed amplifiers with a series of brightly coloured installations that reference De Stijl, American folk motifs and Hirst‑style readymades.Conceptual Ambitions Meet Rock‑Star AestheticsWhite enlisted fellow high‑profile artists – Ai Weiwei inscribed an amp with the F‑word, while Hirst contributed a rotting‑cow‑head amp and a floating ping‑pong ball. The catalogue, a luxurious hardback, features an interview by renowned curator Hans Ulrich Obrist. Despite the star‑studded collaborations, critics describe the works as “glossy, decorative japes” that fail to engage the deeper musical heritage White often cites.Exhibition Metrics and Catalogue HighlightsOpening date: 4 June 2026Closing date: 13 September 2026Catalogue: hardback, includes interview with Hans Ulrich ObristKey collaborators: Damien Hirst, Ai WeiweiNotable pieces: custom amp with F‑word buttons, De Stijl‑inspired sofa prototypes, pallet installations echoing Jasper JohnsWhat the Show Signals for the Music‑Art CrossoverThe exhibition underscores a growing trend of musicians leveraging gallery space to extend their brand, yet it also highlights the risk of “art‑rock” projects that prioritize spectacle over substance. While White’s musical legacy – from the iconic Seven Nation Army riff to his $300,000 acquisition of an Elvis acetate – remains influential, the art world’s reception suggests a gap between rock credibility and contemporary curatorial standards.Looking Ahead: White’s Next Creative MoveGiven the lukewarm critical response, White may pivot back toward music‑centric experiences, perhaps integrating live performance with immersive installations. For Damien Hirst, the episode could prompt a reassessment of celebrity‑driven exhibitions at Newport Street, reinforcing the need for curatorial rigor when high‑profile collaborations are on display.

Authors and Readers Share Their Favorite Reads of May In a recent article, The Guardian shared recommendations from writers and readers on the books they enjoyed in May. The list includes a diverse range of titles that have captured the hearts of readers. Recommendations from Madeleine Thien Madeleine Thien, author of 'The Book of Records', shared her favorite reads, including: Dorothy Tse's 'City Like Water', a novel translated from Chinese by Natascha Bruce Karen Hao's 'Empire of AI' Hsiao-Hung Pai's 'Scattered Sand: The Story of China's Rural Migrants' Hannah Lillith Assadi's 'Paradiso 17' Michael Ondaatje's selected poems, 'The Distance of a Shout' Stephen's Recommendation Stephen, a Guardian reader, recommended: Francis Spufford's 'Nonesuch', a mystical and captivating read set in early wartime London Sufiyaan Salam's Recommendations Sufiyaan Salam, author, shared his favorite reads, including: Monika Radojevic's 'Strangerland', a story about immigrant parents' love story in pre-smartphone London Alan Moore's 'From Hell', a graphic novel weaving together London's past, present, and future The Oxford Shakespeare, for its insight into the playwright's life and times Sue's Recommendation Sue, a Guardian reader, recommended: Lisa Ridzén's 'When the Cranes Fly South', a moving story about love, friendship, and the end of life

The Verdict on Richard Gadd's Bleakest Work YetRichard Gadd returns to television with 'Half Man,' a project that stands in stark contrast to the psychological thriller of his previous hit, 'Baby Reindeer.' While the show is technically proficient, the Guardian's review suggests it is so relentlessly bleak and violent that it borders on 'torture pornography.' The article argues that despite the intense performances and clever framing, the show lacks the emotional light required to be considered a success in traditional television terms.A Descent into 'Torture Pornography' and Unrelenting ViolenceThe core of the critique centers on the show's brutality. The protagonist, Ruben, is depicted as a mindless thug whose temper reaches violent peaks, with beatings described as 'numerous and graphic.' The review notes that the show is so dark that even its subplot about a suicidal cancer patient is considered one of its 'least depressing aspects.' The characters are trapped in a cycle of misery and self-medication, creating a viewing experience that is difficult to stomach.Half Man as a Referendum on the Baby Reindeer ControversyA significant portion of the analysis focuses on the show's meta-commentary on the 'Baby Reindeer' controversy. The plot involves a character writing a book about his experiences, leading to a press conference where he is frustrated by journalists demanding to know if it is based on a real person. This serves as a 'right of reply' for Gadd, who was stalked and abused in real life. However, the review suggests this self-interrogation is overshadowed by the sheer unpleasantness of the content.The Future of Dark TV: Is Unpleasantness a Substitute for Substance?The article draws comparisons to other dark series like 'Black Mirror' and 'The Leftovers,' noting that while those shows eventually pivoted to irony or absurdism to alleviate the gloom, 'Half Man' remains trapped in its misery. The review concludes that the show feels like it was made by a '14-year-old emo acting out to get noticed,' contrasting it with 'Adolescence' which is described as a show about men made by men. This raises questions about the sustainability of pure, unyielding despair in modern television.