Breaking AI & Tech News Analyzed

Psychiatrist Mandates AI Scribe Consent for New PatientsDr Hemlata Ranga of the Melbourne Clinic in Richmond will only accept new patients who agree to the use of an AI transcription service (such as Heidi Health AI or Microsoft) for session notes. The requirement is spelled out in a registration form that tells patients they must either consent or be referred elsewhere.AI Transcription Tools Gaining Traction in Australian HealthcareAI‑driven note‑taking is becoming commonplace: the Royal Australian College of General Practitioners reports that two in five GPs already use such scribes. The surge coincides with rising demand for mental‑health services, prompting clinicians to seek efficiency gains.Adoption Rates and Market Reach of AI ScribesUse of AI scribes has doubled in the past 12 months, according to the RACGP.Heidi AI has processed 115 million sessions over the last 18 months.Despite rapid growth, concerns linger about transcription accuracy, especially for non‑male, non‑white, non‑heterosexual, or non‑native English speakers.Implications for Patient Rights and Clinical PracticeCritics argue that making AI consent a condition of care creates a power imbalance. Tom Sulston, head of policy at Digital Rights Watch, warns that patients may self‑censor or be denied care if they refuse data sharing. He stresses that AI tools are currently exempt from Therapeutic Goods Administration regulation because they do not diagnose, leaving a regulatory gap.Regulatory Outlook and Future of AI in Mental Health CareStakeholders are calling for legislation that guarantees a legal right to refuse AI without health repercussions. The Melbourne Clinic notes that its psychiatrists operate independently and disclose AI use, but the broader industry may need clearer standards to protect privacy and ensure equitable care.

The Core Argument: Tech Monopoly Undermines DemocracyMordecai Kurz contends that today’s tech giants are hoarding cultural and technological influence, creating a “second Gilded Age” that weakens democratic institutions and fuels economic disenfranchisement.Monopoly Power and the New Gilded AgeKurz traces a historical pattern from the late 19th‑century industrialists—Andrew Carnegie and John D. Rockefeller—to modern firms such as Microsoft and OpenAI. He notes that, like the original Gilded Age, contemporary leaders view themselves as “superior beings” destined to shape society, citing Anthropic CEO Dario Amodei’s claim that AI could become a transcendent good while also acknowledging its potential to cause mass unemployment.Economic Indicators of ConcentrationReversal of New Deal‑era reforms in the Reagan era allowed monopoly power to expand.Wages for blue‑collar workers without college degrees have stagnated while the cost of living has risen.Tech startups increasingly design themselves for acquisition rather than competition, signaling entrenched monopoly dynamics.Consequences for Democratic InstitutionsAccording to Kurz, the concentration of wealth enables tech firms to wield outsized lobbying power, influencing policy and protecting their market dominance. Unregulated social‑media algorithms amplify polarization for profit, and unchecked AI threatens to displace not only low‑skill workers but also professionals such as doctors, lawyers, and engineers.Path Forward: Reform ScenariosKurz proposes a reform cycle reminiscent of the post‑Great Depression era:Implement taxes and redistribution mechanisms targeting excess wealth accumulated by monopolistic tech firms.Government‑subsidized retraining programs for workers displaced by AI, with incentives for companies that hire them.Legal liability for misinformation on platforms to curb harmful content.He warns that “Trumpism will not go in a whimper” and that a major recession or depression may be required before a new reform wave can take hold, but remains optimistic that a more humane form of capitalism can eventually restore democratic balance.

The Lead Dan Asma's superbly unsettling debut feature could well be California’s answer to The Blair Witch Project, as it follows a retired professor protagonist heading out into the Cuyamaca mountains and into the bowels of Mount Shasta on the trail of a lost sect. The Event Details Our intrepid academic Devin (Asma) has bitten off more than he can chew, judging by the riverbed of bloodshot veins disfiguring his face and failing mental faculties that have left him unable to drive his car out of the wilderness. Still able to access his past recordings, he jogs his own memories about what led him out there in the first place: ex-wife Kate (Nicole Jones) dropping off old camcorder excerpts of college hangouts with pal Charlie (Keaton Asma), who recently killed himself. The Data Analysis The film features a mix of found-footage, vlogs, Zoom calls, and Facetime, creating a sharp narrative line and nagging suspense. The movie's use of archival multimedia creates a sense of disintegration and malignancy. The Impact Analysis Asma bakes in a palpable sense of disintegration and malignancy into the very fabric of the film; our technological compulsion to constantly record, seek meaning and rewind back towards our origins feels like the real corrupting force here. The Prediction The film 'Tribe' is available on digital platforms from 25 May, and is expected to resonate with fans of unsettling and thought-provoking cinema.

The Rediscovery of a Forgotten VisionaryGordon Stevenson, a multifaceted artist who made significant contributions to New York's late-70s no wave scene, is about to experience a posthumous renaissance. Four decades after his death, Stevenson has been largely remembered as merely a footnote in other people's stories. However, this is about to change dramatically with the discovery of a storage unit filled with his lost work, including jewelry, collaborations with mail-art pioneer Ray Johnson, and even clues to the whereabouts of a surviving print of his notorious film, Ecstatic Stigmatic.The Early Life and InfluencesStevenson's story begins not in the gritty streets of New York, but 900 miles south in the small town of Dublin, Georgia. Born into a family of "emotionally repressed stoics," he was a maths prodigy with a taste for Flannery O'Connor, Nietzsche, and Sartre. His intellectual pursuits and unconventional lifestyle created a rift with his parents, who expected him to follow a more traditional path. Offered a maths scholarship at Georgia Tech, Stevenson instead chose the liberal arts campus of Eckerd College in St. Petersburg, Florida, further widening the divide with his family.The New York YearsIn 1977, Stevenson and his partner Mirielle Cervenka relocated to New York, a city that photographer Julia Gorton described as "a nihilistic playground for people with trauma." The city was "very destroyed by the drugs and violence," according to Maripol, a European émigré designer and filmmaker who later worked with Grace Jones and Madonna. "But there was freedom. That the city was bankrupt meant low rents. Creative people could afford to live there," Maripol recalls.The Artistic LegacyStevenson's artistic contributions were multifaceted. He and Cervenka founded the jewelry brand LHOOQ, which "repositioned the jewellery for the punk market" by upcycling vintage trinkets. His "memento mori" series focused on crosses and skulls, anticipating gothic fashion and showcasing a macabre sensibility. In music, he joined Lydia Lunch's Teenage Jesus and the Jerks, a band that was, according to Gorton, "really intense, abrasive, not friendly – just a perfect band." Jim Sclavunos, who later drummed for Sonic Youth and Nick Cave and the Bad Seeds, remembers Stevenson as "a very striking presence, depraved in the right ways." His most ambitious work was the film Ecstatic Stigmatic, a $5,000 production inspired by Catholic mysticism and the Jonestown massacre, which Sclavunos found "surprised by how good it was. A lot of no wave cinema looked juvenile. But Ecstatic Stigmatic was very shadowy, sleazy and sexual."The Impact on Contemporary CultureThe rediscovery of Stevenson's work comes at a time when there is renewed interest in the no wave movement and its influence on contemporary art and music. His story offers insight into the creative ferment of late-70s New York, a time when the city's financial struggles paradoxically created space for artistic experimentation. The letters Stevenson wrote to his parents, which his family has recovered, provide a personal window into this period, chronicling life in the downtown demimonde and his experiences as one of New York's first Aids patients. As his sister Barbara Stevenson notes, "Gordon always belonged in New York," and with this rediscovery, his rightful place in the city's artistic pantheon is finally being secured.

The Rise of Antoine Semenyo Antoine Semenyo's career journey is a testament to perseverance and determination. From being rejected by clubs in London to becoming a key player for Manchester City, Semenyo's story is one of triumph over adversity. From Rejections to Success Semenyo faced numerous rejections, including one from Crystal Palace at the age of 15, which led him to stop playing football for a year. However, he rebuilt his career at the Wiltshire Sports Academy and South Gloucestershire and Stroud College in Bristol, eventually getting a big break at Bristol City. Loans and Progression Semenyo's journey included loans at Bath City, Newport, and Sunderland, before progressing to Bristol City in the Championship and eventually Bournemouth in the Premier League. He also earned international recognition with Ghana, playing in the 2022 World Cup in Qatar. A Stellar Season This season has been particularly remarkable for Semenyo. He moved from Bournemouth to Manchester City for £65m in January and has since played a crucial role in the team's success. He scored in the Carabao Cup final victory over Arsenal and netted the winning goal in the FA Cup final against Chelsea. The Impact of Semenyo's Success Semenyo's success has not gone unnoticed, with his 16 Premier League goals placing him among the top scorers in the league. His performances have also sparked conversations about his potential inclusion in player of the year awards. The Future Outlook As Manchester City chases a domestic treble, Semenyo remains focused on the task at hand. With Arsenal leading the league, City will need to push hard to catch up. Semenyo's next game against his former club Bournemouth will be particularly significant, with his old teammates eager to make an impact.

Lead: Georgia’s Primary Sets the Stage for a Pivotal MidtermGeorgia voters head to the polls on Tuesday, casting ballots in a crowded Republican Senate primary, a contested Democratic gubernatorial primary, and numerous state‑wide races that will influence the 2026 midterm balance of power.Who’s on the Ballot: Senate and Gubernatorial ContendersU.S. SenateJon Ossoff – incumbent Democrat, unopposed in his primary.Mike Collins – U.S. Representative, leading fundraiser, under ethics probe.Buddy Carter – U.S. Representative, aligns closely with former President Trump.Derek Dooley – former college football coach, endorsed by Gov. Brian Kemp as a moderate option.Jonathan McColumn – former U.S. Army General, would become the second Black Republican senator if elected.John Coyne – businessman.Governor’s RaceKeisha Lance Bottoms – former Atlanta mayor, leading Democratic field with support in the high 40s.Michael Thurmond – former DeKalb County executive.Geoff Duncan – former Republican lieutenant governor, running as a Democrat.Jason Esteves – state senator, positioned as a progressive.Rick Jackson – billionaire, top Republican pollster.Burt Jones – Trump‑endorsed lieutenant governor.Brad Raffensperger – state election official known for resisting Trump’s 2020 claims.Chris Carr – state attorney general.Poll Numbers and Early‑Voting Turnout: The Hard DataEarly voting has already attracted a record one million Georgians. Recent Republican Senate primary polls show:Mike Collins – ~22% supportBuddy Carter – ~12.5% supportDerek Dooley – ~11% supportDemocratic gubernatorial polls place Keisha Lance Bottoms in the high 40% range, well ahead of her nearest rival. On the Republican side, billionaire Rick Jackson leads, with Burt Jones close behind.Why the Primary Matters: Senate Control, Redistricting, and Trump’s InfluenceThe Senate seat is critical for Democrats’ effort to reclaim a majority in the U.S. Senate, as Jon Ossoff is one of only a handful of Democratic incumbents up for re‑election. Control of the governor’s office and other statewide posts will shape Georgia’s redistricting agenda; Gov. Brian Kemp has called a special session in June to redraw congressional maps ahead of the 2028 election, a move aligned with former President Trump’s national redistricting push.Election‑administration roles such as secretary of state and attorney general are also on the ballot, meaning the primary will determine who oversees future voting processes in a state that was a focal point of the 2020 election‑integrity controversy.Looking Ahead: Possible Run‑offs and Midterm ImplicationsIf no Republican Senate candidate reaches the 50% threshold, a June 16 run‑off will be triggered, extending the intra‑party battle and potentially reshaping the general‑election matchup against Jon Ossoff. The outcomes of the gubernatorial and down‑ballot races will influence Georgia’s redistricting map, which could affect congressional competitiveness for years to come. Early‑voting enthusiasm and the fragmented Republican field suggest a competitive primary landscape, while Democrats appear positioned to maintain their Senate seat and possibly flip the governor’s mansion.

The Transformative Night in Blackpool Bronzed, with winged tips and doused in Le Male, I clamped the baby pink GHDs to my hair until they sizzled and singed it. Emerging from a cloud of cheap hairspray, I was ready for the dancefloor. I was 18 and had grown up in Blackpool, a place synonymous with hedonism and fun. I came out in high school at the age of 14 and from 16 I studied performing arts at a local college. Underage, I was smuggled into clubs and in my spare time I watched shows in our many beautiful theatres. The bright lights of the illuminations, the showgirls, the feathers, sequins and rhinestones were intoxicating. Blackpool really was – and still is – extraordinary. When the bar closed, a new adventure would begin. One night, as the sun was coming up (and as was I), a drag queen took me back to her place. I didn't know the significance of what I was about to experience, but I was to receive an education no university course could ever match. The drag queen was a Liza Minnelli tribute act. She knew every beat of every Liza film, every concert, every move of choreography. She performed as Liza in all the bars around town. Now I was ordained by being welcomed into her home. This moment could be the plot of a movie with Blackpool as a beautiful backdrop to my coming out/coming-of-age fantasy The Muppet Show That Changed Everything Was I ready to be indoctrinated? Very. She led me to the living room for a VHS screening of what I was told was one of Liza's finest performances. I was expecting Cabaret, the winner of eight Academy Awards, but not on this occasion. She sat me on the sofa and played Episode 414 of The Muppet Show from 1979, with special guest the one and only Liza Minnelli. The premise works so beautifully for exactly the same reason that The Muppet Christmas Carol is so beloved. In that film, Michael Caine gives the performance of his life in a movie almost entirely populated by felt characters, and in her guest episode Liza matches him in commitment. Take the musical number Copacabana she performs: the curtain goes up and Liza is smoking. She is the narrator, the storyteller, in a Funny Face-esque black polo neck that gives a real sense of gravitas to those Barry Manilow lyrics. Moments later, she is Lola, dancing with human-sized muppets. Or in another scene Liza holds Kermit while they sing A Quiet Thing together. Their connection is pure and tender, a thing of simplicity and gentleness. A Career Born from Inspiration As I reflect on this story nearly 20 years later, I am now 10 years sober and while life might well be a cabaret, the decadence of my early youth is firmly in the past. But I think back to this moment, which could be the plot of a movie with Blackpool as a beautiful cinematic backdrop to my coming out/coming-of-age Technicolor fantasy. I didn't know at the time, but this incident set me on the path to my current profession. Four years later, in 2011, I started making cabaret performances in south London at the famed Royal Vauxhall Tavern at nights such as Duckie, where my turns were packed full of wigs and jockstraps, fake blood and mascot costumes. In 2015, I joined the international circuit when I became part of big touring pieces of variety and circus spectacle, showing off in the US, Australia, New Zealand and London's glittering West End. I once performed a 107-hour durational piece in drag at Glastonbury and at the Adelaide fringe, as a teenage girl who wouldn't leave her bedroom. A Lifelong Dedication to Liza's Legacy Ever since that fateful night back in Blackpool in the 2000s, Liza has been a hero of mine. I saw her live in concert at the Royal Festival Hall in London in 2013. I have a Liza tattoo on my right thigh. Back in 2019, I did an eight-hour performance in an old deconsecrated church in Brighton, dressed as Liza Minnelli, performing her album Results in full, emulating through endurance art Liza's beautiful commitment to performance. Pet Shop Boys, who produced Liza's Results album, even heard about what I was up to and said my performance sounded great. The Enduring Impact of a Single Performance And if you ever see one of my shows, please understand that the technical foundation of my performances isn't drama school training or Stanislavski; it's Liza on The Muppets. Truth be told, I don't know where the drag queen in the story is now. I hope she's OK, but if I did see her I'd say: "Thank you for changing my life." Harry Clayton-Wright's show Mr Blackpool is at the Grand theatre, Blackpool, 20 May.

The Heat Risk at the 2026 World Cup Climate experts have challenged FIFA after a warning that one in four World Cup games could be played in very hot conditions because global warming has increased the extreme heat risk since the US last hosted the tournament in 1994. Details of the Heat Warning Overheating concerns had already prompted FIFA to mandate a cooling break during each half of World Cup matches. They will be played in 16 stadiums across the United States, Mexico and Canada from June 11 to July 19. 26 of the 104 matches could be played where temperatures reach at least 26C in the Wet Bulb Globe Temperature (WBGT) index. 17 matches will be played in stadiums with cooling systems, reducing risks for players and fans. Five games are expected to be played in conditions of 28C WBGT or higher, a level that FIFPRO says should lead to the delay or postponement of matches. The Impact of Climate Change “Players and fans face a much higher risk of gruelling heat and humidity at the 2026 World Cup compared to the 1994 tournament on the same continent,” said World Weather Attribution (WWA), a network of climate scientists. “It’s dangerous for players, but of course there are also the fans who might gather outdoors, and they are at even more risk because they will not be taken care of by a lot of medical doctors,” said Friederike Otto, WWA co-founder and climate science professor at Imperial College London. FIFA's Response and Future Outlook FIFA has outlined preventive measures, including monitoring conditions in real time and applying contingency protocols if extreme weather events occur. The executive secretary of UN Climate Change, Simon Stiell, lent his voice to the warning, saying “The risk of dangerous heat has doubled” since 1994, which will put “players and fans at risk”.

The Rise of a Dynasty: Houston's Unexpected WNBA Reign Fran Harris remembers a late-night dinner in Sacramento. Her Houston Comets squad had just dispatched the lowly Monarchs by 10 points. To celebrate, she and a few teammates, including Cynthia Cooper, Tammy Jackson and Kim Perrot, decided to grab a bite. Cooper had scored 44 in the 25 July 1997 contest, and her talents dazzled even her dinner companions. "I said to Cynthia, 'I just cannot believe how great you're playing – and I know how great you are!'" Harris tells the Guardian. "And she goes, 'I know!' She was just, like, Yeah, I'm the motherfucker! I was like, 'You absolutely are!'" From Underdogs to Champions: The Comets' Unexpected Journey Cooper, an eventual two-time WNBA MVP and four-time champion, was not supposed to be the league's top player. She'd played in Europe for a number of seasons after winning college championships at USC in the mid-1980s. But when the WNBA began in the summer of 1997, she was already 34. In fact, her entire Houston Comets team, who would win the league's first championship – as well as the next three – were predicted to finish last by many ahead of the inaugural campaign. (They could get a chance to add to their tally: on Wednesday the WNBA confirmed a franchise will return to Houston in 2027, 19 years after the original Comets folded.) "They were very unimpressed with our roster for some reason," says Harris, now a television analyst for the WNBA's Dallas Wings. "When we read that, we were like, 'This shit is funny! That is hilarious.'" The League's Precarious Foundation: Women's Basketball Before the WNBA When the WNBA began, professional women's basketball was in a precarious state. The WBL, the first pro women's league in the US, started nearly 20 years prior. But it folded within three years. After that, several more leagues popped up, including the ABL, which launched in 1996. That year, the US boasted an all-time Olympic team, and the league wanted to capitalize on the enthusiasm around their gold medal. But things didn't go to plan for the ABL. Harris, who had won a NCAA championship in 1986 with Texas, had heard about the ABL and was interested, but a former teammate working as a college coach warned her against joining, with the NBA getting ready to launch the WNBA. Harris took note. The ABL, without big-money backing, folded after two seasons. Building a Team: Tryouts and Team Chemistry Tryouts for the Comets' inaugural season kicked off on Mother's Day weekend. "It was just survival of the fittest," says Yolanda Moore. "It was a free-for-all. We did your basic three-man-wave – that kind of stuff. But really we were just put into teams and played basketball. And at the end of every session, they would make cuts." The Comets' first coach was Van Chancellor. A veteran of the college ranks, he'd been Moore's coach at Mississippi. Still, he told her that she had a "snowball's chance in hell" to make the Comets, she says. Moore, who graduated with a degree in journalism, initially wanted to be "Robin Roberts Jr". When she heard about the WNBA, though, she had to jump for it. She also didn't listen to her coach's negative attitude. Moore's perseverance landed her a spot on the Comets' practice team, and later one on the main roster. The Legacy of the Comets: Paving the Way for Future Generations Thinking back on the year, Harris vividly remembers the Comets' first regular-season game. It was on the road in Cleveland with an official attendance of 11,455. "It was sold out," she says. "I was like: 'Woah!' The crowd for that moment was a big deal." In a way, Harris says, that entire first year was like a dream. The WNBA marked the first time longtime women's basketball stars could play against one another professionally in the US. "We had all played against each other in college," Harris says. "Now, here we were playing against each other in a pro league. It was incredibly surreal." "Not only were we trying to prove ourselves in the league," says Moore, a bench player in her first season before blossoming into a top backup center, "but we were women trying to prove ourselves to this sport, that we deserved to have this space. We were proving that this was our time." The Return of the Comets: Houston's WNBA Future The announcement that a WNBA franchise will return to Houston in 2027 marks a significant moment for the league and the city. The original Comets folded in 2008 after winning four championships in the league's first four years. The return of professional women's basketball to Houston comes nearly two decades later, reflecting both the growth of the WNBA and the enduring legacy of the original team. As the league approaches its 30th season, the return to Houston symbolizes how far women's professional basketball has come since the Comets' early dominance. The team's legacy continues to inspire new generations of players and fans, proving that the electric atmosphere the Comets created in Houston can be reignited in the coming years.