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Iran's national football team made a poignant statement before a friendly match against Nigeria in Turkey on Friday. As their anthem played, the players held up school bags and wore black armbands, a powerful gesture of protest against the killing of schoolgirls in a recent US-Israeli strike.The friendly match, held in the resort town of Belek, comes as Iran's participation in the upcoming World Cup in the United States, Mexico, and Canada hangs in the balance due to the ongoing conflict. The team's actions were a clear reference to the attack on the Shajareh Tayyebeh school, which Tehran claims resulted in the deaths of over 175 people, including children and teachers, on the first day of joint US-Israeli strikes.An Iranian team spokesperson confirmed that "the players are holding the school bags close to their heart in remembrance of the 165 girls the Americans killed in an Iranian school." This dramatic gesture underscores the team's stance on the issue and highlights the human cost of the conflict.The incident has sparked significant controversy, with some members of Iran's women's football team refraining from singing the national anthem during an Asian Cup match earlier this month. State TV in Tehran responded by labeling them "traitors."Iran's football federation had sought to have their national team's World Cup games relocated from the US to Mexico, but this request was rejected by Fifa. The team, which lost Friday's game 2-1 to Nigeria, is set to play Costa Rica in another friendly match in Turkey on Tuesday.

Royal Challengers Bengaluru (RCB), the Indian Premier League (IPL) champions, have announced a poignant tribute to the 11 fans who lost their lives in a stampede outside their home stadium, M Chinnaswamy, during title celebrations last year. The team will keep 11 seats empty at the stadium as a memorial to the victims.The tragic incident occurred on June 4, 2025, when RCB won the IPL for the first time. The stampede claimed the lives of 11 supporters, aged between 14 and 29, and injured over 50 people. The event took place during a homecoming trophy parade, where hundreds of thousands gathered to welcome the team and star batsman Virat Kohli.In the wake of the tragedy, the stadium was initially deemed unsafe due to structural and crowd management issues. However, after significant enhancements to crowd management measures, including the installation of AI-guided cameras, the Board of Control for Cricket in India (BCCI) approved the stadium to host games, including RCB's home fixtures.RCB CEO Rajesh Menon emphasized that the empty seats are a tribute to the fans who will always be part of the team's journey. The team will also wear black armbands and warm-up tops with the number 11 during their upcoming match against Sunrisers Hyderabad, marking the start of the 2026 IPL season.The stampede led to several officials, including a senior RCB executive, being questioned by police, though no one has been convicted. The team's management has taken steps to prevent such a tragedy from recurring, ensuring a safer experience for fans.

The Museum of Youth Culture, located in Camden, London, is set to open on May 15. The museum's founders, led by Jon Swinstead, have amassed a 100,000-item archive that chronicles British youth subcultures from the mods and rockers to ravers and emo. The collection includes iconic items such as a Raleigh Chopper, an original Sony Walkman, and a punk mask with 'HATE' stenciled across it.The museum's concept was born out of Swinstead's passion for capturing British subcultures through photography, which began in his garden shed. The collection has since grown to include personalized school leavers' shirts, handbags, and customized shirts dedicated to two-tone bands. The museum aims to fill a void in the UK's cultural landscape, providing a space dedicated to the teen years and the subcultures that defined them.The museum will not only serve as a showcase for the collection but also as an event space, featuring a Rough Trade shop and a youth club. With a 20-year lease and support from the City Bridge Foundation and the National Lottery Heritage Fund, the museum hopes to become a significant part of the UK's cultural landscape.

This week's top podcasts offer a mix of pop culture, true crime, and historical investigations. Big Lives kicks off with a profile of Jane Fonda, followed by a thoughtful look at George Michael, using the BBC's vast archive. In Project Mind Control, criminal psychologist Dr. Julia Shaw explores the disturbing true story of a Canadian psychiatric hospital used for CIA brainwashing experiments on vulnerable patients. The Rise and Fall of Madchester takes listeners on a journey through the Madchester music scene, from its origins with Joy Division to its peak in 1989 with bands like Happy Mondays and The Stone Roses. Off Duty is a new series from The Guardian that examines a 12-year battle for justice in a Chicago murder case, while Beware Book delves into a series of horrifying murders of Glaswegian sex workers.

The announcement of BTS's comeback album has transported me back to a bygone era, one marked by all-consuming passion and a dash of secrecy. As a teenager, I was deeply invested in K-pop, particularly BTS, but I often found myself hiding this obsession from peers due to fear of ridicule. In those days, it was uncommon for groups of girls to openly discuss or watch new music videos from popular K-pop bands like BTS or One Direction. We'd often gather in private settings, like late-night Skype calls or in the back of a classroom, to share and enjoy our favorite content. This clandestine nature of fandom was partly due to the stigma attached to being a 'fan girl.' The author recalls feeling self-conscious about their enthusiasm and downplaying it to avoid being labeled as 'crazy' or 'obsessed.' This behavior was not unique; many teenage girls have similar experiences, often softening their passions to fit in or avoid criticism. The question remains: why is it that displaying genuine emotion is frequently misconstrued as unhealthy dependence? Looking back, the author feels a sense of protection and softness towards their younger self, who found solace, connection, and belonging through BTS's music and universe. During a particularly challenging time, when the author moved to Melbourne alone at 17, BTS's extensive content provided comfort and something to look forward to. This period of intense fandom ultimately helped the author make meaningful connections and discover creative outlets like writing. The experience was pivotal in their personal development, offering a safe space to express themselves and explore their creativity through fan art, fan fiction, and more. With the release of BTS's new album, Arirang, and a world tour on the horizon, the author is eager to revisit their teenage self, embracing the excitement and joy that comes with being a fan. This nostalgia-tinged comeback is not just about the music; it's about reconnecting with a part of themselves that they had set aside.

In 1986, thrash metal reached a critical point with landmark albums from Slayer, Megadeth, and Metallica. However, across the Atlantic, a group of teenagers were forging their own path in the genre. Kreator, Sodom, Destruction, and Tankard, dubbed the 'big four' of German thrash metal, were faster and meaner than their American counterparts.These bands made up for their lack of finesse and professionalism with sheer aggression. Destruction vocalist and bassist Marcel 'Schmier' Schirmer notes that they focused on writing songs that 'punched hard' rather than striving for musical perfection.The German thrash metal scene was marked by its rough and violent approach, with bands drawing inspiration from English heavy metal albums and American thrash metal bands like Slayer. The scene was also influenced by the political climate of the time, with the presence of the Berlin Wall and the Cold War.Bands like Formel 1 from East Germany, who released their live album Live Im Stahlwerk in 1986, were also part of the thriving metal scene. Despite the challenges faced by these bands, including limited resources and censorship, they managed to create a lasting impact on the metal genre.Today, bands like Kreator, Sodom, and Destruction continue to tour and produce new music, with Kreator's 16th album, Krushers of the World, and Destruction's upcoming US tour with Overkill and Testament. The legacy of German thrash metal remains strong, with its unbridled aggression and brutal sound continuing to influence metal musicians to this day.