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The Lucrative Trade in Children England's children in care have become a highly profitable commodity, with private providers charging up to £1m per child per year. This trade has led to a system where children are being moved far from their local authorities, often to unregistered and unregulated 'homes', increasing their vulnerability to exploitation. The Financial Incentives Driving the Trade The average charge to the state by a private provider for a child in 'care' is now £384,020 a year, six times what Eton charges. Some providers levy more than £1m per child per year, rising to over £3m for children with complex needs. This has attracted a range of investors, from big companies to individuals with no experience in care, including plumbers, hairdressers, and Airbnb landlords. The Consequences for Children The system has led to children being moved far from their local authorities, often to areas with cheaper property, such as the north-west of England. This can result in greater disruption and instability for the children, making them more vulnerable to exploitation and grooming. The article cites a study that finds a consistent association between profit-making and the placing of children outside their local authority area. The Role of Unregistered 'Homes' The article reveals that many children are being placed in unregistered 'homes', which are often illegal and unregulated. An investigation by LBC and the Bureau of Investigative Journalism found that in one of these illegal 'homes', two of the 'care' workers had seven convictions between them, including four for violent offences. They were accused of sexually assaulting a 15-year-old girl in their care. The Need for Reform The article argues that the system needs to be reformed, with a move away from private profit and towards public ownership of children's care services. The author suggests that the government's ideological commitment to the private sector is driving the current system, which prioritizes profit over the needs of children. In contrast, Wales has stopped profit-making in this sector, and the practice is being phased out altogether.

The Lead: Anthropic's Global AI Pause ProposalAnthropic has called for a worldwide "temporary pause" on AI development, announcing plans to convene policymakers to discuss the potential dangers of advanced AI systems. The proposal comes in the company's latest release detailing the progress of its AI model, Claude, toward "recursive self-improvement" capabilities that could enable it to create more powerful versions of itself.The Recursive Self-Improvement ConcernAnthropic's Thursday post highlights a "trend" of increasing capability in Claude which, "taken far enough and given enough compute... points to an AI system capable of fully autonomously designing and developing its own successor." This development raises concerns about "humans losing control over AI systems." The concept of recursive self-improvement is viewed by AI safety researchers as a critical step toward superintelligence, potentially unleashing widespread consequences on humanity.The company notes that as of May 2026, more than 80% of the code merged into Anthropic's codebase was authored by Claude, which is becoming increasingly proficient at "steering research" and "proposing its own experiments" within coding-related tasks.The Government PartnershipThe news comes alongside reports that Anthropic has embedded engineers inside the National Security Agency, despite a legal battle with the Pentagon over the use of its tools. These engineers are reportedly helping the NSA use Anthropic's model Mythos for offensive cybersecurity operations.This dual approach—calling for global AI safety discussions while supporting military applications—has drawn criticism. Steven Murdoch, a professor at University College London, noted that "Anthropic might give the impression of being warm and fuzzy, but their definition of AI safety is narrow. Supporting US authorities in the development of offensive capabilities has never been something they have spoken against."The Skepticism ResponseSome experts question whether there's truly a new development prompting Anthropic's call for a pause. Murdoch stated that "Anthropic's post did not offer evidence of any step changes in the progress of AI capabilities" and suggested that "nothing has fundamentally changed today that has caused Anthropic to publish this article."He also noted that Anthropic's call for a "temporary pause" on AI echoes other proposals on AI safety the company has made throughout the years. "It's a reminder of what they are concerned about, and have been concerned about for many years," Murdoch added.The Future OutlookTwo months ago, Anthropic announced Mythos, an AI model they claimed was too powerful for the public due to cybersecurity concerns, though some experts called the announcement "a marketing post" with more hype than substance.The company's latest moves come as Anthropic filed for an IPO that could value the company at $1 trillion, signaling the growing commercial and strategic importance of AI technologies in the global landscape.

Opening: AI’s Role in the Arts ReexaminedAmid widespread alarm that artificial intelligence might decimate creative fields, the Royal Opera’s associate director Netia Jones argues for a more nuanced view: AI should be interrogated, regulated, and ultimately partnered with, rather than feared.RBO/SHIFT Festival Puts AI at the Heart of OperaThe upcoming RBO/SHIFT festival (4‑7 June, Linbury Theatre, London) is designed to explore every facet of AI in the performing arts. By bringing together composers, coders, scholars and performers, the festival asks two core questions: what can AI do for creatives, and what can creatives do for the world in the age of AI.Quantifying AI’s Operational Benefits in Opera ProductionAI‑driven scheduling and workforce planning streamline rehearsal timetables.Machine‑learning analysis of scenery loads improves safety on stage.AI‑enhanced pre‑visualisation reduces waste in set‑building and costume design, allowing 3‑D fitting of costume sketches.Voice‑synthesis tools, such as those used in the piece “Transference,” expand vocal possibilities without replacing singers.How AI Could Reshape Creative Practice and Ethical StandardsBeyond efficiency, AI raises profound questions about ownership, consent, and the use of performers’ likenesses. While the technology can generate works “in the style of” historic playwrights like Molière, the article stresses that true artistic disruption comes from new forms of collaboration, not mere imitation. Ethical safeguards, legislation, and transparent attribution are deemed essential to protect creators.Future Outlook: Collaboration as the New Norm for AI in the ArtsAs AI becomes embedded in every stage of opera production, the expectation is not a replacement of human talent but an augmentation that deepens artistic inquiry. The article concludes that, rather than eroding cultural value, AI may compel audiences and institutions to cherish, protect, and innovate within the arts more vigorously than ever before.

The Farewell PerformanceIn September 2020, Ryan Bancroft became principal conductor of the BBC National Orchestra of Wales, following his remarkable debut as a last-minute replacement in 2018. His six-year tenure concluded with a final Cardiff concert that encapsulated his vibrant and quietly forceful presence on the podium. This performance not only marked the end of an era for the orchestra but also demonstrated the deep artistic relationship Bancroft had cultivated with the musicians during his leadership.The Artistic TriumphBancroft's final concert was a masterclass in emotional storytelling and nuanced interpretation. The conductor's relationship with the BBCNOW players was particularly evident in the central waltz of Rachmaninov's Symphonic Dances, which flowed with "infinite flexibility." Throughout the performance, Bancroft demonstrated his attention to subtle details, such as the precise observation of the tam-tam's lingering reverberation at the end of the final dance. This attention to detail, combined with his ability to balance light and dark, life and death, created an emotional rollercoaster for the audience.The Musical ProgramThe program featured three distinct works that shared common themes of emotion and contrast:Stravinsky's Song of the Nightingale: A symphonic poem adapted from an opera and ballet, featuring exotic instrumentation including gong and celeste. The performance highlighted the poignancy of the emperor's fate, symbolized by his infatuation with a real nightingale (beautifully rendered by Matthew Featherstone's flute) being usurped by a mechanical version.Brahms's Double Concerto: Featuring orchestra leader Lesley Hatfield on violin and former principal cellist Alice Neary, this piece was conceived as a peace-offering to violinist Joseph Joachim. The soloists demonstrated exceptional rapport, particularly in their exchanges with wind players, often carrying the finesse of chamber music.Rachmaninov's Symphonic Dances: The final piece balanced darkness with light, featuring the composer's characteristic references to the Dies Irae countered by quotes from his Vespers, reflecting his Russian Orthodox heritage.The Legacy of LeadershipDuring his six-year tenure, Bancroft transformed the BBC National Orchestra of Wales with his imaginative programming and deeply expressive interpretations. His ability to connect with both the musicians and the audience was evident in this final performance, which showcased the orchestra's growth under his leadership. The concert demonstrated how Bancroft's approach to conducting emphasized emotional depth and nuanced detail, leaving a lasting impact on the orchestra's artistic identity.The Future PathAs Bancroft takes his final bow with the BBC National Orchestra of Wales, the broadcast of this concert on Radio 3 and its availability on iPlayer ensures his artistic legacy will reach wider audiences. The orchestra now enters a new chapter, building upon the artistic foundation established during Bancroft's tenure. For Bancroft himself, this farewell performance stands as a testament to his ability to extract vivid colors and profound emotions from orchestral forces, marking not an end but a transition in his distinguished conducting career.

Lead: Review Highlights the Fusion of Activism and Club CultureThe Guardian’s review frames Marco da Silva Ferreira's new work F*cking Future as a “protest through partying” – a choreography that marries the euphoria of the dancefloor with a clear political agenda.Performance Overview: ‘F*cking Future’ and Its Minimalist ChoreographyThe piece unfolds with eight dancers in shiny trousers and chain‑mail vests, moving in tight, repetitive cells that echo minimalist music. Rather than a spectacle of flash, the work builds slowly, layering club beats, chant‑like vocals (“We are the ghosts you tried to kill!”) and a 3 am vibe that culminates in an “ecstatic exhaustion” rather than a conventional climax.Financial Context: Rose International Dance Prize £40,000 CompetitionFour choreographers competed for the prize.The prize fund totals £40,000.Marco da Silva Ferreira was a finalist but did not win.Even without the award, his inclusion signals strong institutional recognition and positions him among the most talked‑about voices in contemporary dance.Artistic Impact: Redefining Resistance in Contemporary DanceThe review argues that the work’s anti‑instant‑gratification structure mirrors the politics of resistance: it refuses an easy dopamine hit, instead urging the audience to sit with tension and collective energy. By treating choreography like a DJ set—shaping the room’s energy over time—Ferreira expands the language of protest beyond slogans to embodied, rhythmic experience.Future Outlook: How Party‑Powered Protest Might Shape Dance TrendsWith the piece running at Sadler’s Wells East in London until 6 June, its reception could influence other choreographers to explore club‑derived soundscapes as tools for activism. If audiences respond to the “slow‑burn” model, we may see a shift toward longer‑form, energy‑focused works that prioritize collective catharsis over rapid payoff.

The El Niño ThreatThe UN has warned that the world must prepare for the imminent return of El Niño, a powerful natural weather pattern that brings raised global temperatures and weather extremes.The World Meteorological Organization (WMO) said on Tuesday that El Niño has an 80% chance of forming before September and a 90% chance before November.Impact on AsiaAsia is predicted to be one of the regions most exposed, with intensifying heat and drought predicted to put major stresses on agriculture, power grids and water supplies.A Deadly Combination for IndiaIn India, El Niño might intensify heat conditions and weaken the oncoming monsoon, which is already predicted to deliver “below average” rainfall. Experts warn that this could be disastrous for India and the wider subcontinent, which has already been grappling with deadly heatwaves and an energy crisis.Calls to Stockpile Essentials in Parts of ChinaChina often suffers from flooding as well as droughts in the summer months, weather events that have worsened with the climate crisis and which put pressure on the power grid. This year, the challenges will be bigger as El Niño is set to cause further havoc.The meteorological bureau of Qinghai, a high-altitude province in north-west China, warned that while El Niño “may seem far away”, its effects on the Qinghai-Tibetan plateau would be “unpredictable and extreme”. The bureau advised people to keep stockpiles of emergency supplies at home.

The Raw Sound of Zoh Amba's Eyes Full Zoh Amba's Eyes Full is a country rock album that defies expectations. The opening track OCD sets the tone with a queasy combination of empathy and conspiracy, churned up by thrashing, violent strumming. A New Sound for a Prodigious Saxophonist Amba, best known as a free jazz saxophonist, has taken an abrupt change in sound with Eyes Full. The album couples a rough-and-tumble sound with real tenderness, showcasing Amba's bravery in pushing their vocals and sax past breaking point. The Emotional Intensity of the Album Tracks like Southern Soil, Weed Eating, and Blueberry Thorn demonstrate Amba's ability to plead, whinny, and squeak with their voice, while the instrumentation is feral and beautiful. The album's raw emotion and experimental sound make it a wild, beautiful thing. A Detour or a New Direction? It doesn't matter if this guitar record might just be a detour for Amba; in the here-and-now, it's a unique addition to their discography. With Eyes Full, Amba has created a rugged, experimental country rock record that feels deeply lived in.

The Dark Side of Creativity Children’s writers are sometimes cruel, and often damaged. And, as AS Byatt put it crisply when talking about her 2009 novel The Children’s Book: “Writing children’s books isn’t good for the writer’s own children.” Think of Christopher Milne, raging at having been Christopher Robin; Vivian Burnett, dragging Little Lord Fauntleroy behind him; Alastair Grahame, lying down on train tracks. The Story Unfolds The American author Melissa Albert, herself a very successful children’s writer, has made it the theme of her first adult novel. The Children’s protagonist is Guinevere Sharpe, who as a grown woman is trapped by a very public version of her childhood. Her mother, Edith, a sort of JK Rowling/Enid Blyton composite, wrote an era-defining run of children’s portal fantasies called the Ninth City series, in which Guin and her older brother Ennis appeared as the named protagonists. The Complexity of Family Dynamics They didn’t know it at the time, but they were becoming as famous as Christopher Robin – with all that implies. In the present day of the novel, grown-up Guin is the custodian of her mother’s literary legacy. She is releasing a ghostwritten and somewhat saccharine memoir about the years that she and Ennis spent running wild in rural isolation while Edith wrote the books that were to define their lives. Uncovering the Truth But the truth, as Albert’s sometimes unwieldy triple time scheme lets us know bit by bit, is darker than Guin’s memoir suggests. Her father, Llewellyn, was a handsome and successful actor whose career tanked after he abandoned his wife to run off with Edith, a young woman barely out of girlhood. After a brief and unhappy interlude in Venice, they decamp with their two young children to rural Vermont in the late 1990s: she, to write; he, to take up painting and have affairs with a succession of young admirers. The Impact of Creativity What we know about the Ninth City series – that in its universe there’s a vampiric figure called the Architect who steals the dreams of children to build constantly shifting fantasy worlds – casts an ominous shadow over Guin’s story. You get a hunch Albert is saying something here about the creative process, and the cost of it. Edith is a brilliant children’s writer – but she’s not quite right. The Verdict One of the pleasures of The Children is that you’re quite some way through it before you figure out what, exactly, it is. Is it a psychological drama, a haunted house story, or a dark fairytale? We’re certainly closing in on a secret, or rather a whole passel of them. We wonder why Guin, who is a talented writer, declined to write her own memoir. We wonder how the house came to burn down. We wonder what’s going on with weird Edith and her demonic tap-tapping on the typewriter.

The World Cup 2026 Group StructureA record 48 teams will contest this summer's World Cup, with 12 groups making up the first stage of the tournament. Twelve seeded teams are spread out across the groups, including the three host nations and eight top-ranked countries. The four highest-ranked teams – Spain, Argentina, France and England – were placed in separate sections of a new tennis-style seeded tournament bracket.The Tournament Format and Seeding StrategyFIFA implemented a new format for the expanded tournament, with the top four nations placed in separate quadrants of the bracket. This means that if these teams finish first in their respective round-robin groups, they will avoid each other until the semifinals. The top two teams from each group will automatically proceed to the round of 32, where they will be joined by the eight best third-placed sides.Group Rankings from Hardest to EasiestGroup I: France, Senegal, Iraq, NorwayThe "group of death" at this year's World Cup appears to be Group I, with the four teams having the highest average FIFA ranking. France are one of the favourites to lift the title and are looking to make their third consecutive final appearance, while Senegal are one of the strongest African nations. Erling Haaland's Norway are dark horses and Iraq – who faced the most games to qualify – will be no pushovers.Favourites for automatic qualification: France and SenegalGroup F: Netherlands, Japan, Sweden, TunisiaWith an average world ranking of 26, including seventh-placed Netherlands, this group looks pretty tricky. Japan were the first nation to qualify for the tournament and recently beat England at Wembley, while Sweden boast the attacking threats of Alexander Isak and Viktor Gyokeres. Tunisia came through qualifying without conceding and will be looking to make the knockouts for the first time.Favourites for automatic qualification: Netherlands and JapanGroup L: England, Croatia, Ghana, PanamaCroatia have reached the final and semifinals in their last two World Cup finals and will once again aim for a deep run in the tournament. They face England in a mouthwatering opening fixture, as Thomas Tuchel samples tournament football with the Three Lions for the first time. Carlos Queiroz will look to use all his experience to guide Ghana through the group stage, while Panama head to the tournament as Central America's highest-ranked side.Favourites for automatic qualification: England and CroatiaGroup C: Brazil, Morocco, Haiti, ScotlandWith two teams in the top 10 of FIFA's rankings, this group looks to be pretty competitive. Brazil are not the powerhouse they once were, but Carlo Ancelotti's side will still be heavy favourites to qualify in top spot. Eventual African Cup of Nations champions Morocco will look to repeat their heroics from 2022 and are likely to be the biggest challengers to Brazil. Scotland and Haiti will likely battle for third place, but they could also spring an upset against the two higher-ranked teams.Favourites for automatic qualification: Brazil and MoroccoGroup K: Portugal, DR Congo, Uzbekistan, ColombiaPortugal and Colombia look like the strong favourites in this group, but do not count out playoff victors DR Congo or debutants Uzbekistan. Fabio Cannavaro will lead the Central Asian side at their first World Cup, with Manchester City's Abdukodir Khusanov amongst their ranks. Colombia made their first Copa America final in more than 20 years in 2024 and will look to push Cristiano Ronaldo's Portugal for top spot.Favourites for automatic qualification: Portugal and ColombiaGroup H: Spain, Cape Verde, Saudi Arabia, UruguaySpain are many people's favourites for this tournament, with La Roja looking to follow up their successful Euro 2024 campaign with another trophy. Their match-up with Marcelo Bielsa's Uruguay will be one of the games to watch in the group stages, with the two sides likely vying for top spot. Saudi Arabia showed that they can spring an upset at Qatar 2022 and they'll likely be battling Cape Verde for third place.Favourites for automatic qualification: Spain and UruguayGroup E: Germany, Curacao, Ivory Coast, EcuadorWhile the average FIFA ranking in this group is the second-lowest out of all the groups, this still looks like a challenging pool of teams. Germany are quietly on a good run of form and will be desperate to reach the knockouts after successive World Cup group stage exits. Ecuador will be looking to put on a strong showing this summer after finishing second in South American qualifying to Argentina. They have Chelsea's Moises Caicedo amongst their ranks. Ivory Coast have enjoyed recent Africa Cup of Nations success and beat France in a warm-up match, while debutants Curacao are an unknown quantity.Favourites for automatic qualification: Germany and EcuadorGroup J: Argentina, Algeria, Austria, JordanArgentina have been handed a kind draw this year, with the defending champions likely to emerge as group winners. Austria and Algeria are closely matched in the FIFA rankings and their game against each other is likely to decide second place in the group. Jordan may be making their debut, but they will not be easy opponents. They were runners-up in the 2023 Asian Cup and scored 32 goals in qualifying, remaining unbeaten on the road.Favourites for automatic qualification: Argentina and AustriaGroup A: Mexico, South Africa, South Korea, Czech RepublicThis looks to be one of the easier groups with an average FIFA ranking of 35. Cohosts Mexico will lean on home advantage and look to have a strong chance of finishing in the top two. South Korea were the only side to be unbeaten in Asian qualifying and should be battling for second spot with the Czech Republic, who are led by 74-year-old Miroslav Koubek. South Africa have never reached the knockout stages at the World Cup, but they could sneak a third-place passage into the round of 32.Favourites for automatic qualification: Mexico and South KoreaGroup G: Belgium, Egypt, Iran, New ZealandThis looks to be a pretty comfortable group for Belgium, even if the days of the "golden generation" are now in the past. None of their opponents have ever made it out of the group at a World Cup, with Rudi Garcia's side expected to come out on top. Egypt, led by star man Mohamed Salah, have never won a World Cup match but will fancy their chances against Iran and New Zealand. Iran's preparations have been chaotic given the US-Israel war on their country, and it is hard to predict the effect this will have on them, while New Zealand look set for an uphill struggle as the lowest-ranked team in the tournament.Favourites for automatic qualification: Belgium and EgyptGroup D: United States, Paraguay, Turkiye, AustraliaDespite having the second-highest average FIFA ranking, this looks to be one of the easier groups, with the cohosts handed a kind draw. The US are the top-ranked team at world number 16 and coach Mauricio Pochettino will be banking on Christian Pulisic to guide them out of the group. While this group lacks a standout star, it should be very competitive. Turkiye, who qualified via the playoffs, look most likely to finish in the top two alongside the US. Paraguay and Australia are the lowest-ranked teams in the group, but will both fancy their chances of getting out of the group.Favourites for automatic qualification: US and TurkiyeGroup B: Canada, Bosnia and Herzegovina, Qatar, SwitzerlandThis group has an average FIFA ranking of 42, the lowest in the tournament. But, much like Group D, what it lacks in quality it should make up for in competitiveness. Switzerland are the top-ranked team and have plenty of pedigree at making the knockout stages of major tournaments. Cohosts Canada have a miserable record at World Cup finals, but they'll be hoping that home advantage can spur them on under Jesse Marsch. Bosnia and Herzegovina knocked Italy out in the playoffs and will be eyeing up an automatic qualification spot from this group, while 2023 Asian Cup champions Qatar will also fancy their chances of springing a surprise or two.Favourites for automatic qualification: Switzerland and CanadaImplications for the Knockout StageThe new format with 48 teams creates additional pathways to the knockout stage, with the top two from each group plus the eight best third-placed teams advancing to the round of 32. This structure creates more opportunities for competitive teams to advance even if they don't win their group, potentially leading to more unpredictable outcomes in the tournament's early knockout rounds.Tournament Predictions and Key MatchupsWith the group stage now mapped out, several key matchups emerge that could define the early stages of the tournament. The opening match between England and Croatia in Group L promises to be a particularly compelling contest, as does the clash between Spain and Uruguay in Group H. Meanwhile, the relatively easier groups for Argentina and the United States suggest these teams may have smoother paths to the knockout stage, potentially giving them an advantage in the later rounds of the tournament.