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The LeadTonight's TV lineup features a mix of period dramas, comedy shows, and horror series. Here's a rundown of what's on: The Hardacres9pm, Channel 5This attempt to create a class-hopping version of Downton Abbey is generic but still very likable. As the second season begins, the working-class Hardacres are wondering how much longer they’ll be able to afford their country pile as a recession hits their business. Morecambe and Wise 1968: The Lost Tape8pm, BBC FourAiring on what would have been Eric Morecambe’s 100th birthday, this episode of The Morecambe and Wise Show – a recording of which was recently discovered in a private film collection – was first shown in September 1968 during the duo’s debut season at the BBC. Taskmaster9pm, Channel 4The latest series of this comedy is trundling happily along, cast roles now fully established. Armando Iannucci is the grumpy elder statesman: this time, he gets into a mess with a coconut. From9pm, Sky OneAcross three seasons, this horror set in a purgatorial US town has amassed a dense mythology of gory supernatural malarkey. Anchoring it has been Harold Perrineau as resolute lawman Boyd. Prisoner9pm, Sky AtlanticAs this thriller continues, Nina tracks down Amber and Tibor via their Uber-style curry delivery (“Let me guess: paneer tikka and a masala chai”) – is this a first for a crime drama? The Miniature Wife10pm, Sky Atlantic“Meet me in the dollhouse – I have an anniversary surprise for you …” But Les’s relief at being forgiven by Lindy in this dark, satirical comedy is short-lived, after he makes a tiny, rude discovery. Film ChoiceTrack 29 (Nicolas Roeg, 1988), 1.20am, Film4As masters of psychosexual drama, writer Dennis Potter and director Nicolas Roeg would seem perfect bedfellows. This 1988 collaboration doesn’t quite hit the spot but is disquieting and edgy enough for devotees of both.

Smithsonian's Monumental Celebration of America's 250 Years To paraphrase the musical Rent, 131,487,300 minutes – how do you measure, measure 250 years? Especially in a country navigating an election year fraught with divisions and disagreements over basic facts? That is the challenge facing the Smithsonian National Museum of American History in Washington DC as it marks the semiquincentennial of US independence. The museum's answer is with 250 objects that tell the American story, ranging from a revolutionary war-era gunboat to gloves worn by a "Miracle on Ice" hockey player, from Thomas Jefferson's desk to a Donald Trump fan's "Make America great again" hat. A Museum-Wide Journey Through American History Opening on 14 May, "In Pursuit of Life, Liberty & Happiness" will display 250 objects encompassing 250,000 sq ft across all three floors of the museum. They range from old to new, from big to small and from sublime to mundane. Seventy-six of them – many rarely or never seen by the public – will be concentrated in cases lining the entry halls, while the remainder will be embedded throughout the museum's existing galleries, connected by a "ribbon" design to guide visitors on a historical treasure hunt. Each is paired with an action verb to underscore the view of democracy as a "highly participatory sport." Among the star attractions is the Philadelphia, a 53ft, flat-bottomed wooden gunboat constructed in the chaotic, sweltering summer of 1776. On a recent preview tour, visitors stepped into a climate-controlled enclosure at the museum where the air was thick with the scent of 100% acetone. Behind viewing windows that allow the public to see the work in progress, two conservators clad in headlamps and respirators were meticulously wielding soft and stiff bristle brushes, dental picks and wooden dowel rods to strip away decades of accumulated lacquer from a rusted iron cannon and its surrounding timber. By the Numbers: The Scale of the Exhibition The exhibition features 250 objects spread across 250,000 square feet of museum space. Seventy-six of these objects – many rarely or never seen by the public – will be concentrated in cases lining the entry halls. The Philadelphia gunboat itself weighs 16,000 pounds and was constructed in 1776. The wreck languished underwater for 159 years before being salvaged in 1935, fully intact with its armament and hundreds of artifacts scattered across its deck. When raised, the boat revealed about 600 to 800 items, including cannons, carriages, wheels, a stew pot, a melting pot for pitch, shoe leather, buttons from regimental coats, and even a leather button that was probably from someone's breeches. Reframing America's Complex Narrative "How do you structure a commemoration, celebration and time for reflection?" asks Anthea Hartig, the museum's director. "What we landed on were those moments where individuals or communities had fought for recognition and advocated for their own sense of identity and self in their role in creating and becoming a part of the United States. But we also wanted to do the playful." Hartig describes the US as "amazing, beautiful, complicated", and cites the African American writer James Baldwin's celebrated observation: "American history is longer, larger, more various, more beautiful, and more terrible than anything anyone has ever said about it." The exhibition captures both the monumental and the intimate aspects of American history. Alongside iconic items like Thomas Jefferson's portable desk on which he drafted the Declaration of Independence, the Star-Spangled Banner that inspired the national anthem, and George Washington's military uniform, are personal artifacts like a faux-pearl necklace worn by Abigail Adams in the mid-18th century. The Future of Historical Commemoration Hartig adds: "We believe that this anniversary is so important not only to the nation but the world, and that our past 250 years are filled with so much history that it takes an entire museum to do it justice." The exhibition also incorporates modern technology to enhance the visitor experience, including a virtual reality experience that transports visitors back to the Philadelphia's construction 250 years ago. As the museum continues to preserve and interpret America's complex past, the exhibition represents a new approach to historical commemoration – one that embraces the full spectrum of American experiences, from the revolutionary to the contemporary, and from the sublime to the mundane.

The Geopolitical Fracture of Eurovision 2026The buildup to the Eurovision 2026 grand final in Vienna has been defined by a deepening schism between the contest's musical aspirations and its political reality. The slogan 'United by music' hangs increasingly ironic as five nations—including Spain, the Netherlands, and seven-time winners Ireland—have boycotted the event in protest at Israel’s participation. The first semi-final saw chants of 'Free Palestine' echo through the Wiener Stadthalle, signaling that the contest has evolved from a simple song competition into a stage for geopolitical point-scoring. With an expected global audience of 150 million, the event faces the challenge of maintaining its escapist appeal while navigating a fractured political landscape.The 11 Bangers Defining the 70th AnniversaryDespite the controversy, the competition has delivered a diverse array of musical styles, ranging from indie rock to techno-ballads. The following entries represent the most compelling contenders for the 70th-anniversary crown:Finland – Liekinheitin: A techno-ballad described as a 'flamethrower,' featuring a classical violinist whose performance is so intense it reportedly snaps strings.Germany – Fire: A Dua Lipa-esque dance-pop anthem performed by a solo female artist, backed by a proven winning formula of English lyrics and love themes.Norway – Ya Ya Ya: A stomp-rock track reminiscent of 00s indie bands like The Hives, offering a gritty alternative to the usual pop confections.Armenia – Paloma Rumba: A gnarly rock track lamenting office culture, complete with backflips and reams of paper thrown across the stage.France – Regarde !: A 'poperatic' epic reminiscent of Rosalía, featuring a 17-year-old prodigy with opera-tinged vocals.Australia – Eclipse: A big-lunged ballad by established star Delta Goodrem, aiming to secure Australia's first-ever win.Greece – Ferto: A bouncy dance anthem mixing traditional instrumentation with Super Mario bleeps and house beats.Cyprus – Jalla: A Shakira-adjacent anthem that has sparked controversy for being deemed 'unsophisticated' by local critics.Lithuania – Sólo Quiero Más: A man-v-machine ballad warning against AI, performed by a drag artist painted head-to-toe in silver.Bulgaria – Bangaranga: A sassy club tune with Alanis Morissette-esque lyrics and a teeth-rattling drumbeat.Austria – Tanzschein: A quirky synth-pop number urging clubbers to 'unleash their inner animal,' backed by animatronic gorillas and lions.The Winning Formula: Data and DemographicsAccording to decades of Eurovision data, the winning formula remains surprisingly consistent: solo female artists performing love-themed songs in English. Germany’s entry, Fire, perfectly fits this demographic profile, and the artist boasts a combined following of 2.5 million on Instagram and TikTok. Furthermore, the trend of 'poperatic' vocals—seen in recent winners like Switzerland’s Nemo and Austria’s JJ—continues to dominate the charts, suggesting that operatic flourishes are a reliable pathway to the top of the scoreboard.Spectacle Over Substance: The Irony of 'United by Music'The staging of these entries highlights a shift in the competition's focus. While the music remains a core component, the visual spectacle is becoming equally important. From the literal pyrotechnics of Finland to the hyperactive staging of Greece, the event is prioritizing immersive experiences over traditional musicality. This aligns with the broader trend of using Eurovision as a platform for social commentary, as seen in Lithuania’s anti-AI theme and Armenia’s critique of corporate culture.The Future of Eurovision: Controversy as the New NormalThe 2026 contest suggests that controversy is no longer an anomaly but a defining feature of the event. The boycotts and protests indicate that Eurovision is increasingly viewed as a political arena rather than just a pop festival. As the competition enters its 70th year, the line between entertainment and activism is blurring, suggesting that future editions will likely continue to balance the escapist nature of the show with the pressing geopolitical realities of the world stage.

The new BBC Two documentary Children of the Blitz brings together the last surviving witnesses of Britain’s wartime bombing, delivering a moving, unflinching portrait of childhood under fire.Documentary Captures First‑Hand Voices of Blitz SurvivorsDirected to mark the 85th anniversary of the Blitz’s end, the film follows interviewees from Liverpool, Coventry, Cardiff and Sheffield as they recall daily life, loss and the strange normality that followed nightly raids. Their stories are interwoven with present‑day scenes of grandchildren, yoga classes and quiet moments, underscoring how the past still shapes their identities.A Century‑Old Witnesses: Ages, Reach and Broadcast DetailsInterviewees range from 100‑year‑old Ernie Gaskell to survivors now in their late 80s.Filmed across multiple UK cities, the documentary aired on BBC Two on 12 May 2026 and is available on iPlayer.Running time: 60 minutes, featuring over 30 individual testimonies.Reframing the “Blitz Spirit” for Modern AudiencesThe programme questions the myth of a stoic, unbreakable national character, revealing instead a coping mechanism born of psychological crisis. Voices like Monica White and David Rawdon describe a forced silence that mirrors today’s war‑zone children in Gaza, Ukraine and Sudan, linking historic trauma to contemporary conflict.Why Wartime Oral Histories Will Remain VitalAs the final generation of eyewitnesses passes, the film serves as a crucial archival record. Its intimate approach suggests future documentaries will increasingly rely on personal narratives to humanise large‑scale tragedies, ensuring that the lessons of the Blitz stay relevant for decades to come.

The Shadow Over the CelebrationVienna was meant to host a triumphant celebration for Eurovision's 70th anniversary, but the event is instead overshadowed by political controversy as five major European countries boycott the contest over Israel's inclusion. This unprecedented situation threatens the future of a competition that has prided itself on transcending politics through music.The Unprecedented BoycottDue to boycotts over Israel's participation, Eurovision 2026 will proceed without Spain and the Netherlands—traditionally the contest's fifth and sixth largest financial contributors—Ireland, the joint record-holder for most winning entries, Slovenia, and Iceland. This marks the first time in the contest's seven-decade history that such a significant number of major participants have withdrawn.The boycott stems from a decision by the European Broadcasting Union (EBU) to allow Israel to compete without first giving member broadcasters a vote on its inclusion, a process that was followed for Russia's exclusion after its invasion of Ukraine in 2022. Critics accuse the EBU of double standards.Financial and Viewership FalloutThe boycott carries significant financial implications for a contest already facing challenges from cuts to public broadcasters across Europe. Irving Wolther, a cultural historian and long-time Eurovision observer, noted: "In the long term, financing Eurovision is going to become harder and harder as publicly funded broadcasting is coming under attack everywhere across Europe. In that context, the political rows don't help, of course."The 2025 grand final in Basel attracted a record 166 million viewers globally, but this year's contest faces media blackouts in several boycotting nations. The finale won't be broadcast in Ireland, Slovenia, and Spain, where nearly 5.9 million viewers tuned in last year. Instead, these countries are offering alternative programming, including Spain's musical special and Ireland's broadcast of the animated film "Mummies."Fan Divisions and Cultural ImpactThe political controversy has fractured Eurovision's fan community. The fan-site Eurovision Hub announced it would not cover the event, stating "we no longer feel aligned with the contest in its current state." Historian Paul Jordan observed that friendships forged through Eurovision have been driven apart by the political divide, noting that "Eurovision is meant to be joyous. But this year it feels a little bit sad."The tension extends beyond virtual spaces, with Vienna set to host both support and protest rallies regarding Israel's participation. Approximately 3,000 protesters are expected for a rally at Resselpark on Friday to mark Palestinian Nakba Day.Future of Eurovision at a CrossroadsDespite the controversy, the EBU is pursuing expansion, announcing plans for an inaugural Eurovision Asia contest in Bangkok, Thailand, scheduled for November 14. This strategic move suggests the organization is seeking new markets amid challenges in Europe.Eurovision's director, Martin Green, has promised a spectacular show in Vienna that will celebrate the contest's "unique ability to bring people together across borders and generations." However, the 70th anniversary celebration may instead mark a turning point for the competition, forcing it to confront questions about its political neutrality and financial sustainability in an increasingly divided Europe.

The Nakba Anniversary Palestinians are marking 78 years since the Nakba, a day that marks the displacement of hundreds of thousands of Palestinians during Israel's founding in 1948. Historical Context The Nakba, or 'catastrophe' in Arabic, refers to the mass displacement of Palestinians that occurred during the 1948 Arab-Israeli war. It is estimated that over 750,000 Palestinians were forced to flee their homes, leading to a long-standing refugee crisis. Ongoing Displacement The displacement of Palestinians continues to be a contentious issue, with many still living as refugees in neighboring countries. The ongoing conflict between Israel and Palestine has resulted in continued displacement, with many Palestinians facing difficult living conditions. Commemoration and Significance The Nakba anniversary is commemorated annually by Palestinians around the world. It serves as a reminder of the historical injustices faced by Palestinians and the ongoing struggle for recognition and statehood. Future Outlook The future of Palestinian displacement and the Israeli-Palestinian conflict remains uncertain. However, the annual commemoration of the Nakba serves as a reminder of the need for a lasting resolution to the conflict and the recognition of Palestinian rights.

On the fourth anniversary of Shireen Abu Akleh's death, her colleague Ali al‑Samoudi recounts the May 11, 2022 shooting that left her dead and himself wounded, underscoring how the absence of justice has paved the way for a surge in Israeli assaults on the press.Eyewitness Account of the May 11, 2022 ShootingAl‑Samoudi, a medic for Al Jazeera, described being shot in the back while trying to protect his colleague. Both journalists were wearing clearly marked press gear in the Jenin refugee camp when Israeli soldiers opened fire without warning. He noted that Abu Akleh was hit in the neck, a location that “was not an accident or a coincidence.”Location: Western edge of Jenin refugee camp, West BankVictims: Shireen Abu Akleh (killed), Ali al‑Samoudi (injured)Context: Israeli raid, journalists unarmed and visibleHundreds of Journalists Killed, Over Ten U.S. Citizens AffectedSince the Abu Akleh killing, press‑freedom monitors record Israel as the world’s top killer of journalists. The article cites:Hundreds of journalists killed in Gaza, Lebanon and the West BankMore than 10 U.S. citizens killed in the same conflictsAt least 40 Palestinian journalists currently detained without chargeDespite these figures, no arrests or criminal charges have been filed in any of the cases.Implications for Press Freedom and U.S.–Israel RelationsThe lack of accountability, according to al‑Samoudi and experts such as James Zogby and Martin Roux, has created a “template of denying, lying and obfuscating” that emboldens further attacks. The United States, which provides Israel with billions in military aid and diplomatic cover, has opened investigations that remain stalled, reinforcing the perception that U.S. levers are unused.Key points:U.S. military aid: billions of dollars annuallyU.S. investigations into Abu Akleh and other U.S. citizen killings have produced no public reports or chargesIsraeli narrative shifts from denial to “accidental” explanations, then to delayed investigationsFuture Outlook for Accountability and Media SafetyAnalysts warn that without concrete U.S. pressure—sanctions, conditional aid, or diplomatic censure—the cycle of impunity will likely continue, increasing risks for journalists covering the conflict. Calls for an independent international inquiry and stronger protective mechanisms for the press are growing, but implementation remains uncertain.Until accountability mechanisms are enforced, the “coverage continues” ethos expressed by al‑Samoudi suggests that journalists will keep documenting the conflict, even as they face heightened danger.

Moulin Rouge! celebrates its 25th anniversary, and the film’s cast and crew look back on the daring production that revived the musical genre. Behind the Red Curtain: Luhrmann’s Vision and the Film’s Production Journey Baz Luhrmann set out to create a flamboyant love‑story set in turn‑of‑the‑century Paris, blending frantic editing, over‑the‑top visuals and contemporary pop songs. Auditions were held in Sydney, with workshops that combined singing, movement and table reads. The crew rehearsed intensively at Luhrmann’s Iona building in Sydney before filming began at Fox Studios in November 1999 and wrapped in May 2000. The production featured more than 350 extras and over 1,000 costumes, reflecting the film’s extravagant scale. Box‑Office Numbers, Budget, and the Scale of the Spectacle The movie was made on a budget of US$50 m. Despite mixed reviews, it became a “huge box‑office success”, eventually earning enough to become the first musical since 1991 to receive a best picture Oscar nomination. Its financial triumph proved that big‑budget, stylised musicals could still draw audiences. How Moulin Rouge! Reshaped the Modern Musical Landscape By marrying classic cabaret aesthetics with modern pop tracks, the film sparked a revival of the musical genre in Hollywood. It demonstrated that contemporary music could coexist with period settings, influencing later projects such as La La Land and The Greatest Showman. The oral histories from cast members like Nicole Kidman, Ewan McGregor, and Jim Broadbent highlight the collaborative spirit that set a new benchmark for musical storytelling. What the Next Quarter‑Century Might Hold for Musical Cinema As the industry embraces streaming platforms and hybrid releases, the legacy of Moulin Rouge! suggests future filmmakers will continue to experiment with genre‑blending, high‑concept visuals and diverse soundtracks. Anniversary re‑releases, stage adaptations, or even a sequel could keep the spirit alive, while emerging talent may draw inspiration from Luhrmann’s audacious approach.

Lead: A Diverse Evening of History, Competition and DramaThis Thursday’s schedule offers a poignant look back at World War II, the climax of a beloved cooking contest, and fresh twists on reality and scripted series across BBC, Channel 4 and Sky One.The Blitz Documentary Illuminates Wartime Childhood9 pm, BBC Two – “Children of the Blitz” gathers first‑hand testimony from those who endured London’s night raids without evacuation. The film weaves terror, loss, humour and love, anchored by the comforting words of a Liverpool father: “Don’t worry … we’ve got big strong slates on our roof.”MasterChef’s High‑Stakes Final Week8 pm, BBC One – The competition heats up with seafood chowder, a delicate fillet steak, an extravagant toastie, two intricate puddings and a crowd‑pleasing lamb dish. Six chefs battle for the coveted title as judges weigh risk against reward.Channel 4’s ‘The Dog House’ Returns with New Canine Romances8 pm, Channel 4 – In series 6, hopeful owners meet dogs like Zeus the shih tzu and Wolf the malamute, while nervous retriever Pipet confronts his fireworks phobia.BBC One’s ‘Mint’ Offers Off‑beat Drama9 pm, BBC One – The series follows the evolving relationship between Arran and Shannon against the backdrop of a crumbling bond between Cat and Dylan, all framed by modern‑dance‑inspired visuals.‘Virgin Island’ Pushes Boundaries with S&M; Themes9 pm, Channel 4 – Shelby guides participants through bondage, dominance and submission exercises, while Will, Ed and Bertie explore their evolving desires.Sky One’s ‘Rooster’ Concludes with Steve Carell’s Farewell10 pm, Sky One – Steve Carell stars as author Greg, delivering a bittersweet finale where his daughter Katie asserts independence, leaving Greg’s future uncertain.Film Choice: ‘Sisu’ Brings Finnish WWII Action to Film49.30 pm, Film4 – Jalmari Helander’s 2022 thriller follows gold‑prospector Aatami Korpi (the “Immortal”) as he battles retreating German forces in 1944 Lapland, delivering relentless, propulsive violence.Tonight’s Schedule at a GlanceBBC Two 9 pm – Children of the Blitz (documentary)BBC One 8 pm – MasterChef (reality competition)Channel 4 8 pm – The Dog House (reality)BBC One 9 pm – Mint (drama)Channel 4 9 pm – Virgin Island (reality)Sky One 10 pm – Rooster (comedy‑drama)Film4 9.30 pm – Sisu (feature film)Why the Blitz Documentary Resonates NowMarking the 85th anniversary of the Blitz’s end, the programme taps into renewed public interest in personal wartime narratives, offering younger audiences a humanised glimpse of history that contrasts with textbook accounts.What to Expect from Tomorrow’s Line‑upGiven the strong viewership of reality‑cooking shows and the appetite for historical documentaries, broadcasters are likely to schedule more personal‑history features and competition finales in the coming weeks, while niche dramas like “Mint” will continue to experiment with visual style.