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The Champions League Team of the Season This year, the Champions League team of the season has been carefully selected with a unique format: only one player per team. This approach provides an overall view of the Champions League season, highlighting exceptional players from various clubs. Goalkeeper: David Raya (Arsenal) David Raya, the Arsenal goalkeeper, had a remarkable season, making heroic saves and maintaining high standards throughout. He closed the Champions League campaign with nine clean sheets, conceding just five goals in 14 matches. Right-back: Pedro Porro (Tottenham) Pedro Porro, a Spurs player, made the cut with his impressive skills as an overlapping full-back. His performance was key in Tottenham finishing fourth in the group stage. Centre-back: Alessandro Bastoni (Inter) Alessandro Bastoni, Inter's centre-back, was instrumental in their defensive success, conceding just seven goals in the group stage. He served as the team's organiser and deep-lying playmaker. Centre-back: Odin Bjørtuft (Bodø/Glimt) Odin Bjørtuft, the Norwegian centre-back, was a standout player for Bodø/Glimt, helping the team beat top clubs like Manchester City and Atlético Madrid. He ranked third in ball recoveries with 81. Left-back: Matteo Ruggeri (Atlético Madrid) Matteo Ruggeri, the Italian left-back, was a key player for Atlético Madrid, helping the team reach the semis for the first time since 2016-17. He successfully defended against Barcelona's Lamine Yamal in a crucial quarter-final match. Defensive midfielder: Morten Hjulmand (Sporting) Morten Hjulmand, Sporting's Danish captain, was at the fulcrum of their Champions League success. He will be heavily featured in summer transfer talk due to his impressive performances. Central midfielder: Aleix García (Bayer Leverkusen) Aleix García, Bayer Leverkusen's central midfielder, was a key player in their run to the last 16. He completed 91.25% of his passes and scored a spectacular goal against PSG. Central midfielder: Dominik Szoboszlai (Liverpool) Dominik Szoboszlai, Liverpool's Hungarian midfielder, was among the exceptions in an otherwise disappointing season. He scored five goals in 12 Champions League matches and was star man in a 4-0 win against Galatasaray. Left-wing: Khvicha Kvaratskhelia (PSG) Khvicha Kvaratskhelia, PSG's left-winger, was one of the best players in the competition this season. His blend of orthodox wing play and explosive power made him a standout performer. Right-wing: Lamine Yamal (Barcelona) Lamine Yamal, Barcelona's young talent, showed moments of brilliance despite injuries and growing pains. His skills and creativity on the field made him an inevitable choice for the team of the season. Striker: Harry Kane (Bayern Munich) Harry Kane, Bayern Munich's striker, had an impressive season with 14 goals. He showed another side of his game, understanding and creativity with Bayern's wingers, making him a worthy successor to Robert Lewandowski.

Executive Summary: Masturbation Recognized as Natural Avian BehaviorA collaborative survey of 120 bird species shows that self‑pleasuring is widespread, more frequent in the wild than in captivity, and poses no health risk. The findings challenge long‑standing advice to discourage or punish the behavior and call for a shift in veterinary guidance.Comprehensive Survey Highlights Widespread Onanism Across Diverse SpeciesThe research, led by Dr Chloe Heys (University of Lancashire) and co‑author Dr Matilda Brindle (Oxford University), combined expert interviews, online keeper communities, and published literature. Species documented include parrots, ducks, turkeys, chickens and numerous others, with both males and females engaging in the activity.Quantitative Findings Underscore Higher Incidence in Wild Populations120 bird species examined, spanning captive and wild individuals.Incidence reported as higher in wild birds than in captivity.Male birds were slightly more frequently mentioned, but female participation was notable.Repercussions for Veterinary Practice and Bird WelfareVeterinarians are urged to reassure owners that the behavior is normal and not a sign of distress. Interventions such as perch removal, hormonal treatments, or even surgical de‑sexing are deemed unnecessary except in rare pathological cases. Dr Ana Basto (University of Lancashire) emphasizes that the study will help vets provide evidence‑based advice.Projected Shift Toward Non‑Interventionist Care in Avian HusbandryAs the scientific community accepts masturbation as a natural component of avian sexual repertoires, bird‑keeping guidelines are expected to evolve. Future husbandry practices will likely focus on monitoring for genuine health issues rather than attempting to suppress a harmless behavior, fostering better welfare outcomes for both captive and wild birds.

The UK Government's Controversial Plan A coalition of over 100 refugee children's organizations has expressed concerns about the UK government's plan to use AI to assess the age of young asylum seekers. The plan, announced by the Home Office, involves using AI facial age estimation technology to determine the age of young asylum seekers whose age is disputed. The Risks of AI Age Assessment The Refugee and Migrant Children's Consortium, a coalition of organizations that work to promote and protect the rights of refugee and migrant children, has raised the alarm about the risks of using such technology. They argue that AI assessment is complex, especially considering the trauma, under-nutrition, and harrowing journeys that young people have undertaken to reach safety. The Data Analysis According to Home Office data, young asylum seekers are more than twice as likely to be recorded as children in assessments by social workers than those carried out by immigration officers at the border. The consortium's report, 'Benchmarks and Borders: the use of facial age estimation to assess the age of unaccompanied young people seeking asylum,' urges the Home Office to use AI in an advisory rather than determinative capacity, with a range of safeguards built in. The Impact Analysis The use of AI age assessment technology has sparked concerns about the potential for errors and bias. The consortium argues that AI faces the same problems with bias and inaccuracy as human decision-making, with similar patterns of errors. They also point out that poor image quality and bias in datasets can affect accuracy. The Prediction The UK government's plan to roll out AI age assessment technology has sparked concerns about the potential consequences for young asylum seekers. If flawed assessments are simply automated, more children could end up wrongly placed in adult accommodation, detention centers, or even prisons. The consortium is urging the government to reconsider its plans and to prioritize comprehensive age assessments carried out by social workers.

The Dance Challenge: A Weekend Immersion As I wait for my first Cuban salsa class to begin, I have the distinct feeling that I am poorly prepared. I'm wearing heavy jeans, a bulky woollen sweater and boots. I have never done a dance class in my life – or any kind of exercise class. I don't know anything about salsa, Cuban or otherwise. Standing alone, I notice that everyone has come with at least one friend, and begin to suspect that it takes two to Cuban salsa. This year, Rising festival – Melbourne's winter arts offering – has consolidated its longstanding dance focus into a mini-festival: the inaugural Australian Dance Biennale, showcasing Australian and international work. There's also a series of dance classes, romantically titled The Land of 1000 Dances, held in the romantically decrepit Flinders Street Ballroom. Running daily until 7 June, with classes costing $29 a pop, the diverse schedule includes Afro-fusion, ballroom, voguing, waltz and K-pop for teens and tweens. From Salsa to Shuffle: A Dancer's Journey As an audience member, I am an avid appreciator of dance; as a participant, I can most kindly be described as "curious" but uncoordinated. What if I went to a bunch of dance classes and then wrote about it? Precisely 24 hours before my first class, the misgivings begin – doing my first dance class while dressed for the show I'm seeing directly afterwards sounds like a bad idea. At the ballroom, I am briefly reassured: the crowd is a diverse mix of ages, genders and bodies, and hardly anyone is wearing dance-appropriate clothing. But the class itself is a blur – sometimes literally – as I try to learn and enact the cucaracha, the guapo and other basic Cuban salsa moves; attempt to locate the beat, my hips, any sense of coordination at all. Every time I feel as though I'm starting to get the hang of something, the instructor adds a new step. Then he corrals us into pairs – and a series of new moves, yelling "change partners!" every three minutes. Going solo, it turns out, is fine: everyone is friendly; many seem as unsure as I am. Some are nailing it but there's a sense of camaraderie: we're all in this together. That said, we're all a bit too sweaty to be holding each other. The Social Dynamics of Dance Classes I move from absolute befuddlement, through occasional moments of triumph, to a sense of quiet despair. A move that involves a 360-degree rotation to an eight-count almost breaks my spirit and I consider quitting. To my surprise, this awakens a latent fighting spirit: screw the rules, I'm doing it my way. I experience brief elation. Then we change partners and I find myself in a cursed duet involving four left feet. The elation shrivels. The class ends and I run to the theatre feeling like a dank, demoralised biohazard. I spend the next hour watching a show by the Irish choreographer Oona Doherty featuring a mix of professional, student and untrained dancers – and I mentally salute them all, with a newfound appreciation for the dark art of dance. Finding Joy in Movement I approach my next class, Melbourne shuffle, with a sense of dread. Not only do I now know how bad I am but I have agreed to be photographed. And I made the choice without knowing anything about the Melbourne shuffle, mistakenly assuming it was somewhere in the ballpark of the city's other great cultural tradition. This feeling I am experiencing, I discover, is known as "endorphins". The physical exertion, the mental focus required, the social connection – it all combines to create a chemical cocktail that makes the experience worthwhile despite the occasional humiliation. By the end of my dance weekend, I haven't become a dancer, but I've gained a profound respect for those who are. The Australian Dance Biennale and The Land of 1000 Dances offer not just entertainment, but an invitation to participate, to challenge oneself, and to discover new dimensions of movement and expression.

How Norway’s Children’s Books Are Redefining TabooSwedish‑born author Anna Fiske and fellow illustrators are publishing picture books that openly discuss subjects traditionally considered off‑limits for young readers, from assisted reproduction to sexual abuse. The approach has earned them awards, strong sales, and, in some markets, fierce opposition.Anna Fiske’s ‘How Do You Make a Baby?’ Triggers International ControversyFiske’s 2019 title Hvordan Lager Man en Baby? (How Do You Make a Baby) illustrates IVF, insemination and the mechanics of intercourse. Distributed in English‑speaking territories by a New Zealand publisher, the book attracted death threats in Canada, was labeled pornographic in the US and banned from several school libraries, yet it also sparked vital conversations about sexual education.Sales Milestones and Awards Highlight Market Reception100,000+ copies sold of Fiske’s “How to” series in Norway.2025: Fiske receives the Honorary Brage award, one of Norway’s top literary honors.Norwegian festival of literature in Lillehammer showcases dozens of titles on exclusion, bullying, queer literature, climate, mental health and forced migration.State Support and Cultural Attitudes Fuel Literary FreedomNorway’s publishing model purchases a large stock of every new title for national libraries, insulating authors from pure market pressure. Government grants further enable writers to experiment without fearing commercial failure. Culturally, Scandinavian views treat children as autonomous individuals, encouraging open dialogue about risk and hardship.Global Publishers May Follow Norway’s ModelAs controversy in North America highlights the limits of censorship, the Norwegian example suggests a viable path for other markets: combine public funding with a cultural ethos that respects children’s capacity to engage with difficult topics. If other countries adopt similar policies, we could see a surge in globally distributed children’s literature that tackles previously taboo subjects.

A Day of Artful ParentingThere's a special magic in introducing young children to the world of art, especially when it happens in the comfort of home. This narrative follows a parent and toddler as they navigate a day filled with creative expression, from building animal houses with colorful magnet tiles to exploring the welcoming spaces of a local gallery.Creating an Artistic Home EnvironmentThe journey begins in the child's bedroom, where walls are adorned with playful prints by artist Moira Frith and a William Nicholson piece of the Velveteen Rabbit. The ceiling features elephant and bee mobiles alongside Japanese paper animal balloons, creating an immersive artistic space that welcomes the child into a world of creativity from the moment they wake up.Morning Art AdventuresThe day commences with art-themed board books featuring Miffy, the little white rabbit, and an interactive color-mixing book. Despite the artistic focus, the toddler's attention naturally shifts to his plastic tractor, demonstrating how children naturally balance different interests. The morning continues with building a house for farm animals using colorful magnet tiles, stacking wooden blocks, and experimenting with stickers on paper.The Gallery ExperienceAfter a brief outdoor chalk-drawing interlude, the parent and child visit the William Morris Gallery, which the child affectionately calls "the gallery." This familiar space offers crayons, blank paper, building blocks, and soft toys—all set against an artistic backdrop. The gallery has become a regular Wednesday destination with the child's grandmother, representing how cultural institutions can be woven into family routines.Art Education for the Very YoungChildren naturally lack hierarchical distinctions about what constitutes art, embracing everything from professional paintings to their own scribbles. This democratic approach to creativity allows for boundless exploration and expression. The article suggests that both home-based art activities and gallery visits play complementary roles in nurturing young artistic sensibilities.Cultivating Future Art EnthusiastsAs the child grows, the parent envisions future art adventures, possibly even a trip to the Miffy Museum in Utrecht for the child's second birthday. This forward-looking perspective suggests that early artistic experiences can blossom into lifelong appreciation of creativity and culture.Resources for Young ArtistsFor parents looking to bring art into their homes, the article recommends several books:Miffy the Artist by Dick Bruna (also Miffy at the Gallery, and Miffy and the Artists)Famous Art to Colour by Susan MeredithThis Book Will Make You an Artist by Ruth Millington

Australian Cycling History Made at Giro d'ItaliaJai Hindley has roared again in the "pinnacle of cycling", making history as just the second Australian to enjoy three overall podium finishes in Grand Tours as he rode home for a valiant third place in the Giro d'Italia. As new champion Jonas Vingegaard confirmed his place among the sport's all-time elite in Rome by completing his set of the three Grand Tour triumphs and dominating the 109th Giro with five magnificent stage wins, Hindley underlined why he is one of Australia's greatest.Hindley's Remarkable Comeback JourneyThe 30-year-old had been ill during the race, needing to take antibiotics in the second of the three weeks, yet recovered spectacularly to complete his own set of Giro podium finishes, having won in 2022, been runner-up in 2021 and now third. Only the great former Tour de France winner Cadel Evans has had more Grand Tour podium finishes among Australians, with five.The often unsung Perth rider Hindley said on the eve of the race from Bulgaria that he and his Red Bull BORA-hansgrohe team "aren't here to lick stamps". That was his 2026 version of his famous but bewildering affirmation "we're not here to put socks on centipedes" in the year he won. The translation was that he and his team weren't once again there to mess around, and after he proved stronger over the race than his talented young co-team leader Giulio Pellizzari to assume the role of main man, Hindley lived up to his promise."The second week was very hard for me, I was really quite sick. I even had to take antibiotics, but I seem to be back in time," Hindley had smiled after a remarkable third-week resurgence saw him move into third place overall on the 19th of the 21 stages.Australian Cyclists Dominate Final StandingsOn Sunday, the largely processional ride into the capital ended with Italian Jonathan Milan winning the final-stage sprint and Vingegaard clinching his fourth Grand Tour, having twice won the Tour de France and last year's Vuelta, where Hindley had signalled he was recovering his best form with a fourth-place finish. Hindley did suffer a mechanical mid-race on Sunday but swiftly got back to the peloton. He ended 6 minutes 25 seconds behind Vingegaard, and 1:03 behind runner-up, Austrian Felix Gall."I haven't had a good result in a Grand Tour for a long time, and to be fighting for the podium again was really nice," said Hindley. "For me, the Grand Tours are the pinnacle of cycling, and being competitive in them is what I train for."It was only the second Giro in a decade in which there wasn't a stage won by an Australian, following the early abandonments of the luckless Kaden Groves and Jay Vine with crashes, but, impressively, there were four Australian finishers in the top 17. Michael Storer (Tudor Pro) finished a career-best seventh at 10:13 down, Ben O'Connor (Jayco AlUla) was 16th at 24:12 and Chris Harper (Pinarello Q36.5 Pro) 17th at 30:43.Elevating Australian Cycling on World StageHindley's achievement places him among the elite of Australian cycling history, with only Cadel Evans boasting more Grand Tour podium finishes. His consistent performances across multiple Grand Tours demonstrate the growing strength of Australian cycling on the international stage. The presence of four Australians in the top 17 of the Giro d'Italia further highlights the depth of talent coming from Australia.Future Prospects for Australian CyclingWith Hindley establishing himself as a consistent contender in Grand Tours and younger Australian riders like Pellizzari showing promise, the future looks bright for Australian cycling. The country's ability to produce multiple top-tier cyclists suggests that Hindley's historic achievement may be just the beginning of a new era for Australian cycling excellence on the world stage.

Lead: A Personal Tale of Shelter Amid a Militarised BorderThe Guest follows a Polish family who open their home to Alhyder, a 27‑year‑old Syrian refugee, illustrating the daily danger in the Poland‑Belarus “danger zone”. The film reveals how political decisions have turned a humanitarian corridor into a lethal exclusion area.Documentary Unveils the 3‑km Polish Exclusion ZoneSince 2021, the Polish government has enforced a 3‑km strip along the Belarus border where migrants are seized and deported back to Belarus. The documentary captures constant military patrols, the ban on NGOs, and the covert network of locals providing food, clothing, and translation.Location: Small town in Poland bordering BelarusKey figures: Zvika Gregory Portnoy and Zuzanna Solakiewicz (directors)Subject: Alhyder, Syrian refugeeNumbers that Frame the Crisis27‑year‑old refugee at the centre of the story3‑km exclusion zone established in 2021Film released on 5 June on True Story platformHumanitarian Impact and Ethical ConcernsThe film highlights the bravery of “good samaritans” but also raises ethical questions after showing a deceased refugee’s body without clear consent. By focusing mainly on victimhood, the documentary risks reducing displaced people to statistics rather than full human narratives.Looking Ahead: Policy and AwarenessAs the documentary reaches international audiences, it may pressure EU and Polish authorities to reconsider the exclusion zone policy and improve humanitarian access. Continued media attention could spur NGOs to negotiate limited access or push for legal challenges against forced deportations.

The Unexpected DepartureArne Slot has been sacked as Liverpool head coach just 12 months after leading the club to their first Premier League title in 30 years. The Dutchman's departure comes after a disappointing season that saw Liverpool finish in fifth place, with the club making the decision to part ways despite his recent success.A Season of Triumph and TurmoilSlot's tenure at Liverpool was marked by extraordinary highs and significant challenges. After winning the Premier League title in 2025, the team struggled to maintain their form in the following season. The Dutchman's achievements included overcoming the disappointment of Liverpool's previous title success during the pandemic in 2020, which had been marred by COVID-19 restrictions that prevented proper celebrations.Emotional Connection Beyond the PitchIn an open letter to Liverpool fans published in the Liverpool Echo, Slot expressed a profound emotional connection with the club that transcends football. He wrote: "The connection we share goes beyond football, beyond European nights under the Anfield lights or the sound of You'll Never Walk Alone being sung from The." This sentiment reflects the deep bond he formed with the club's supporters during his time in charge.Slot highlighted several significant moments that shaped his connection with Liverpool, including the tragic incident when 134 supporters were injured during celebrations after the title win. He praised the fans' "spirit of compassion and unity" in the aftermath of the attack, as well as their extraordinary response to the death of forward Diogo Jota in a car crash.Legacy and AppreciationThe departing manager took the opportunity to thank players, staff, and the club's owners for their support during his time at Anfield. He expressed pride in Liverpool's 20th league title, which he described as belonging to "all of us" and remaining "an important chapter in its history." Slot's letter emphasized the values upheld by the players and the foundations they have built for the club's future.What's Next for LiverpoolWith Slot's departure, Liverpool now faces the task of finding a new manager to lead the club forward. Reports suggest the club is set to hold talks with Andoni Iraola as they seek a swift appointment. The challenge will be to maintain the club's competitive edge while transitioning to a new leadership style, with Slot having established a strong foundation during his time in charge.