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Have you ever felt like you're racing against the clock, constantly chasing appointments and deadlines? This relentless pursuit of time is a universal experience, but what is time, really? Is it a physical phenomenon or just a tool we use to coordinate our lives? Time is often seen as an independent, physical entity that ticks by relentlessly, but emerging scientific evidence suggests that this isn't the case. Time is more like a mathematical tool, useful for coordinating our interactions, but it doesn't have an independent existence of its own. Just like money, we've become dependent on it, but it's not a physical reality. The pressure to be 'on time' is instilled in us from a young age, and we're constantly surrounded by clocks and digital alerts that divide our day into smaller pieces. This has led to a phenomenon known as 'time famine,' where the more efficient and productive we try to be, the less time we feel we have. Studies have shown that people experiencing time famine are less likely to engage in activities they enjoy, eat healthily, or seek medical attention when needed. Our brains don't have dedicated areas for tracking time, and our experience of it can vary greatly. Time can seem to drag or fly by, depending on our circumstances. For example, people with certain conditions, like akinetopsia, experience time in sudden jumps or frozen moments. The psychedelic drug mescaline can also distort time perception, making it seem like hours or even centuries have passed. Quantum physicists have found that time is not a fixed, physical flow. The famous double-slit experiment shows that a physicist's choice of measurement can influence the behavior of a particle. In a lesser-known variant of this experiment, the physicist's choice at the point of measurement can even influence the particle's past behavior. This suggests that time is not a fixed, linear concept, but rather a flexible and subjective experience. Some indigenous cultures, like the Aymara people of Chile, experience time differently. They see the future as hidden behind them, unseeable and unknowable. The Amondawa people of the Amazon have no clocks or concept of time. Instead, they live in the present, experiencing 'lived time,' which is a personal, malleable experience of change. Lived time is different from clock time, as it's not defined by numerical counters or seconds. Each moment is like a tapestry, woven from changes on multiple timescales. When we focus on lived time, it expands and becomes richer, rather than narrowing or contracting. It's a flow that carries us and connects us with others, rather than something we chase and never catch. To combat time famine, we need to remind ourselves that the clock is a tool, not a master. We should beware of digital alerts and alarms that divide our day into smaller pieces and instead focus on the rich pattern of changing connections that wire us into each moment. By doing so, we can tap into the creative process of lived time and experience a more fulfilling and connected life.

When Resident Evil emerged in the mid-1990s, it stood in stark contrast to the prevailing gaming landscape. The PlayStation and Saturn consoles were dominated by bright, arcade-style games like Daytona and Tekken, while Japanese publisher Capcom was primarily known for Street Fighter and Mega Man sequels. Scary games were rare at the time and mostly confined to the PC, making Capcom's horror title Biohazard (the Japanese name for the series) a radical departure that caught the attention of games journalists.Three decades later, the series has not only survived but flourished, becoming one of gaming's most successful franchises. Resident Evil has sold more than 180 million copies worldwide, with 11 core titles, numerous spinoffs and remakes, plus extensive film, television, and anime tie-ins. Its characters and monsters have become cultural icons, with its design tropes now embedded in gaming practice.The origins of Resident Evil can be traced back to 1989's Sweet Home, a Capcom role-playing game for the Famicom (Japanese NES). The game featured a group of filmmakers searching a haunted mansion for valuable artifacts, and while it was a modest domestic success, it never received an international release. However, senior producer Tokuro Fujiwara couldn't let go of his vision for horror as a distinct game genre."We have Tokuro Fujiwara to thank for the existence of Resident Evil," says Alex Aniel, author of acclaimed Resident Evil history book Itchy, Tasty. "He directed Sweet Home having believed that horror could become its own game genre, but wasn't satisfied with its rudimentary portrayal. He wanted to give horror another try once the technology was there to allow it – that opportunity finally arrived with the release of the original PlayStation."In 1993, young producer Shinji Mikami was brought in to oversee a horror game project inspired by Sweet Home. He expanded the haunted mansion concept, drawing influence from George A Romero's Dead trilogy and Alone in the Dark, creating a world haunted not by ghouls but by zombies, mutants, and monsters. The heroes were an experienced SWAT team investigating disappearances at a rural mansion owned by the sinister scientific organization: Umbrella Corp.The original vision for full real-time 3D visuals proved too ambitious for PlayStation hardware, leading Mikami and programmer Yasuhiro Anpo to develop a compromise: 3D characters combined with prerendered 2D backgrounds viewed from fixed camera angles. This restricted, expressionistic style emphasized the intense claustrophobia of the environment, with information always kept from the player by blind corners and shadowy doorways.This combination of tension, omission, and restriction is fundamental to Resident Evil's success as a horror franchise. Even as the camera evolved to over-the-shoulder views and first-person perspectives, characters remained vulnerable. Ammo, save points, and health items are jealously rationed, with extremely restricted inventories. This approach makes Resident Evil operate more like classic horror literature than a typical power fantasy video game.The series has also expertly referenced horror conventions while paying homage to its inspirations. "Kamiya's biggest source of inspiration came from Alien and especially its sequel, Aliens," says Aniel of Hideki Kamiya, who directed Resident Evil 2 and Resident Evil Zero. "For example, in Resident Evil 2, humans infected with the G-virus grow a parasite that eventually ruptures their host and emerges from within, growing into deadly creatures."Resident Evil has also demonstrated remarkable versatility in exploring different horror genres – gothic horror in its mansions and monstrous enemies, sci-fi horror in its biological experiments, and folk horror in its sinister villages and religious cults. This comprehensive approach allows it to mirror societal fears, a point underscored by the COVID-19 pandemic."The Covid pandemic reminded us just how real our fear of viruses should be," says Bernard Perron, professor of cinema and video games at the University of Montreal. "In that sense, the fear of a corrupt corporation like Umbrella, along with mad scientists who do not necessarily have humanity's best interests at heart, continues to resonate. These anxieties remain deeply embedded in our posthumanist societies."Throughout its evolution, Resident Evil has maintained a balance between familiarity and innovation. Characters like Jill Valentine, Claire Redfield, and Leon Kennedy provide continuity – relatable but cool figures who spout wry jokes like Hollywood heroes. Meanwhile, charismatic antagonists such as Albert Wesker, Lord Osmund Saddler, and Lady Dimitrescu ensure consistent engagement.The series also excels in pacing and structure, carefully delineating between exploration, puzzle-solving, and combat sections. Locations are filled with beautiful details – lavish furniture, eerie oil paintings, ornate gardens – making exploration pleasurable. After intense battles, players can retreat to safe spaces like Save Rooms, creating a rhythm that prevents fatigue."The series offers deep and entertaining gameplay experiences, but with a very low barrier to entry, even for newcomers," says Aniel. "The Resident Evil games are more accessible than ever: since they are often on sale, they are affordable even for customers in emerging global markets, available on every major game platform."Ultimately, Resident Evil's longevity stems from its ability to create uncertainty while maintaining familiarity. "You know what you will get, but you also don't know," the article concludes. "Around every corner there could be a shock or there could be nothing – it's the uncertainty that gets you. It allows us to write in our own fears and anxieties, or to discover new ones we hadn't considered or acknowledged. Like all great horror fiction, Resident Evil has survived because it looks us right in the eye and says, I know what scares you. Come and see."

BTS, the world's biggest pop band, has made a significant comeback with their new album 'Arirang', which showcases a blend of K-pop experimentation and memorable hooks. The album, named after a traditional Korean folk song, aims to reclaim the band's identity as a Korean act after their previous work became more westernized. The album features collaborations with western artists such as Jpegmafia and El Guincho, known for their work with Björk and Rosalía. The result is a diverse sound that captures the K-pop spirit of experimentation while maintaining a litany of catchy hooks. The album is divided into two distinct moods, with the opening trio of songs showcasing RM as the band's guiding creative force. The songs feature elastic beats, echo-laden drums, and processed vocals, demonstrating the band's ability to have fun and experiment with different sounds. The lead single, 'Swim', is a softer, more straightforward pop track that is expected to top the charts globally. However, the album also features deeper tracks like 'Merry Go Round' and 'Animals', which showcase the band's ability to balance light and serious themes. While the album has some minor flaws, such as duplicate themes and underwritten tracks, it concludes with a surprise: 'Into the Sun', a stripped-back track with vocal effects that adds a curious edge to the album. Overall, 'Arirang' is a successful bid by BTS to reclaim their status as a Korean act and a global pop phenomenon.

The United Kingdom's growing fascination with doodle breeds may require reconsideration following new research indicating that certain designer crossbreed dogs display more behavioral problems than their purebred ancestors.Crossbreeds between poodles and other canine varieties have surged in popularity across the UK, driven by the belief that these dogs will be hypoallergenic, healthy, and child-friendly.However, the study published in Plos One has discovered that cockapoos (cockerspaniel-poodle mixes) and cavapoos (cavalier king charles spaniel-poodle mixes) demonstrate more undesirable behaviors than their respective purebred parent breeds.The research team, led by scientists at the Royal Veterinary College, analyzed comprehensive data from 3,424 crossbreed and 5,978 purebred dogs through owner questionnaires focusing on cockapoo, labradoodle, cavapoo, cocker spaniel, labrador retriever, cavalier king charles spaniel, and poodle owners.The questionnaire assessed owner demographics, expectations, training methods, and included 73 behavioral questions that generated ratings across 12 different behavior scales.Cockapoos exhibited significantly more problematic behaviors than poodles on six different scales, including owner-directed aggression, stranger-directed aggression, dog rivalry, non-social fear, separation-related problems, and excitability.When compared to cocker spaniels, cockapoos additionally showed increased undesirable behaviors in dog-directed aggression, stranger-directed fear, dog-directed fear, and trainability.Cavapoos demonstrated different behavioral patterns compared to poodles on three scales and performed worse than cavalier king charles spaniels on eight of the nine scales where differences were observed.Labradoodles showed better behavioral scores than poodles across all six differing scales but performed worse than labradors on all five scales where differences were found.Professor Daniel Mills of the University of Lincoln, not involved in the study, emphasized that behavior results from the complex interaction between genetics and environment. He noted that cultural factors, including differences in owner behavior and training approaches between breeds, likely contribute significantly to the observed variations.The study authors recommend that potential dog owners should thoroughly investigate breed characteristics during pre-purchase research to avoid making uninformed decisions about breed selection.

The online gaming industry has become a cutthroat world where success is fleeting. Developers are under pressure to create games that generate immediate and significant returns, making it difficult for them to sustain player engagement. Consider the case of Highguard, a free-to-play game that launched with a peak of 100,000 concurrent players on Steam. However, 90% of players abandoned the game within a week, and the developer, Wildlight Entertainment, announced that it would end service on March 12, after fewer than 50 days online. The game's failure can be attributed to several strategic errors, including a refusal to conduct public play tests before release and a complex structure that was difficult for players to understand. However, the main reason for its failure is the increasingly demanding expectations for immediate returns in the live-service game market. Live-service games are investments that are meant to deliver endless revenue, and developers are under pressure to emulate the success of genre juggernauts like Fortnite. However, executives and developers have different priorities, and the online commentariat is often negative about these types of games. Sony, for example, has greenlit several live-service games, but most of them have been canceled before release. One of its few successes is Helldivers 2, which sold 20 million copies and still has a healthy player base. Bungie's new game, Marathon, has also received critical acclaim, but its fate is uncertain due to the high expectations for returns. The game's developers have spent years maintaining Destiny, a trailblazing online shooter, which gives Marathon a significant advantage. However, the pressure to generate profits is still a major challenge, and the game's success is not guaranteed. In conclusion, the online gaming industry is becoming increasingly challenging, and developers are under pressure to create games that generate immediate returns. While some games, like Marathon, show promise, the existential threat facing them is the same: profit margins.

Scientists have made a groundbreaking discovery that could lead to the development of new obesity drugs. By studying the unique metabolic abilities of pythons, researchers have identified a molecule that appears to play a crucial role in regulating appetite and weight loss. The molecule, called pTOS, was found to increase significantly in the blood of pythons after they eat, and when administered to obese mice, it led to a significant reduction in food intake and a 9% loss of body weight over 28 days. The discovery could lead to the development of new obesity drugs that work in a different way to existing medications, such as GLP-1 medications like Wegovy. Unlike these medications, which can have side effects such as nausea and stomach pain, pTOS appears to act on the brain's appetite centers, reducing food intake without these adverse effects. The researchers, led by Dr. Jonathan Long from Stanford University and Prof. Leslie Leinwand from the University of Colorado Boulder, published their findings in the journal Nature Metabolism. They believe that pTOS, which is naturally produced by the snake's gut bacteria and also found in human urine, could be a safe and effective treatment for obesity. While further research is needed before the findings can be applied clinically, the discovery is seen as a promising step towards the development of new obesity treatments. The study's results suggest that pTOS could be a potential therapeutic target for the treatment of obesity and related metabolic disorders.

The race for the 2027 Oscars is already heating up, with several talented filmmakers and actors poised to make a strong impact. Aaron Sorkin, known for his acclaimed screenplays, is working on The Social Reckoning, a film focusing on the 2021 Facebook leak, which could earn him another Oscar nomination.Sandra Hüller, fresh from her success in Anatomy of a Fall and The Zone of Interest, is set to star in the $200m sci-fi adventure Project Hail Mary alongside Ryan Gosling. Her role in the upcoming cold war drama 1949 could also generate Oscar buzz.Charles Melton, who gained recognition for his performance in May December, is lined up for two festival-primed projects: Her Private Hell and Saturn Returns from Sing Sing. The latter, a sweeping romantic drama, could attract Academy attention.Japanese director Ryusuke Hamaguchi, who won nominations for Drive My Car, is working on a new film, a mix of French and Japanese influences, which could secure him another Oscar nod.Ruth Madeley, known for her roles in Doctor Who and Years and Years, is set to star in Being Heumann, a biopic about pioneering disability rights activist Judith Heumann, which could lead to her first Oscar nomination.Sebastian Stan, following his Golden Globe win for A Different Man and Oscar nomination for The Apprentice, will star in Fjord, a drama that could boost his chances of another Academy nomination.Octavia Spencer is set to star in a new adaptation of Death of a Salesman, which could earn her another Oscar nomination, given her track record of critically acclaimed performances.Jack O’Connell, after his success in 28 Years Later: The Bone Temple and Sinners, will lead in Danny Boyle’s adaptation of Ink, a 60s-set Fleet Street drama.Parker Posey, who impressed in The White Lotus, has been cast in Martin McDonagh’s Wild Horse Nine, which is likely to receive Oscar nominations.Andrew Garfield will play OpenAI CEO Sam Altman in Artificial, a film about the behind-the-scenes drama at OpenAI, and also star in The Uprising, a historical drama about the English peasants’ revolt of 1381.

The world of ballet has long been associated with a specific physical ideal, particularly when it comes to foot shape. However, dancers with flat feet are proving that this condition is not a barrier to success. For Claudia Efemini, picking up her ballet shoes again after six years was a bittersweet experience. While she was excited to revisit a childhood hobby, she was also disheartened by the memory of being discouraged from pursuing ballet due to her flat feet.The industry's obsession with 'perfect' feet, characterized by high arches, has led some dancers to use fake arches, or farches, to create the illusion of more flexible feet. However, flat-footed dancers like Alex Maureen and Ruth Essel are thriving in the ballet world. Maureen, a performer and dance instructor at New York University, and Essel, founder of Pointe Black, a London-based ballet school, reject the notion that flat feet are an obstacle to success.Research shows that Black people are more prone to having flat feet, but Essel and Maureen's experiences demonstrate that this condition does not predetermine one's potential in ballet. Through education and self-advocacy, they have overcome discouraging beliefs about their feet and developed strategies to work with their body types. Essel, with a background in psychology, learned about anatomy and exercises to strengthen her ankles and improve foot mobility.Injury prevention is crucial for flat-footed dancers, who tend to land on their heels. Maureen and Essel stress the importance of educators adapting to different body types and seeking specialist advice when needed. They also highlight the need for greater diversity in ballet, including more Black pointe shoe fitters and physiotherapists.Maureen and Essel have developed checklists for their students before they start using pointe shoes, ensuring a comfortable and supportive fit. As Maureen advises, 'You just need your shoe to work for you, not against you.' For aspiring ballerinas with flat feet, Maureen's words of encouragement are 'Give yourself grace. Be kind to yourself.'

Netflix's Historic Night at the 2026 Academy AwardsStreaming giant Netflix dominated the 2026 Academy Awards, securing a total of five Oscars. The wins for Guillermo del Toro’s *Frankenstein* and the animated hit *KPop Demon Hunters* highlight a growing trend of premium content production from non-traditional studios. While the Best Picture award remains out of reach for the streamer, the sweep of technical categories demonstrates a high ceiling for their creative output.Guillermo del Toro’s *Frankenstein* and *KPop Demon Hunters* Sweep the Visual CategoriesThe ceremony was a landmark night for Netflix’s diverse portfolio, with two distinct films taking home hardware across different genres.Frankenstein: Director Guillermo del Toro’s reimagining of the classic tale won three prestigious awards: Best Production Design, Best Costume Design, and Best Makeup and Hairstyling. The film was a heavy favorite, entering the night with nine nominations, including the coveted Best Picture and Best Supporting Actor.KPop Demon Hunters: Netflix’s most-watched movie ever, *KPop Demon Hunters*, secured Best Animated Feature and Best Original Song, proving that the streamer’s investment in global pop culture phenomena pays off on the awards stage.The Streaming Giant's Growing Influence on Award SeasonNetflix’s success tonight reinforces the reality that streaming companies are now integral to Hollywood’s award season ecosystem. The wins for *Frankenstein* and *KPop Demon Hunters* add to a growing list of streaming titles recognized by the Academy, following in the footsteps of Roma, The Power of the Dog, and All Quiet on the Western Front. This trend suggests that the barrier to entry for critical acclaim is lowering, even if the path to commercial dominance remains competitive.The Elusive Best Picture Prize for StreamersDespite the technical triumphs, the industry is still waiting for a streaming service to capture the Best Picture award. Host Conan O’Brien humorously acknowledged Netflix co-CEO Ted Sarandos’ presence, noting, “This is exciting: It’s his first time in a theater!” While *Frankenstein* was a top contender, the top prize ultimately went to *One Battle After Another*. This distinction marks Apple’s *CODA* (released during the pandemic) as the only streaming film to date to win Best Picture.The Future of Award-Winning Content in the Streaming EraThe 2026 Oscars indicate that while Netflix and Apple are winning technical and creative awards, the Best Picture title remains a rarefied air reserved for traditional studio powerhouses. However, with the volume of high-budget content increasing, the gap is likely to narrow. We can expect more streaming films to dominate the technical categories, but the Best Picture race will likely remain a battleground where theatrical exclusivity still holds significant sway.