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The V&A; Museum's lavish spring show, Schiaparelli: Fashion Becomes Art, is a surrealist's dream come true. The exhibition takes visitors on a journey through the life and work of Elsa Schiaparelli, a fashion designer who defied conventions and pushed the boundaries of art and fashion.Schiaparelli's designs are a whimsical and witty blend of art, culture, and fashion. From a shoe that becomes a hat to a telephone dial that transforms into a compact mirror, each piece is a testament to her innovative spirit and creative genius.The exhibition features collaborations with famous artists like Salvador Dalí and Jean Cocteau, showcasing iconic pieces such as the lobster telephone and the skeleton dress. These works demonstrate Schiaparelli's ability to merge fashion and art, creating something truly unique and groundbreaking.Elsa Schiaparelli was a trailblazer in her own right, launching her fashion career in Paris in the 1930s and quickly gaining recognition for her trompe l'oeil sweaters and shocking pink designs. Her legacy continues to inspire designers today, including Daniel Roseberry, who has been spearheading the brand's revival since 2019.The exhibition also features modern pieces that showcase the brand's continued commitment to innovative design and artistic collaboration. From a golden breastplate worn by Bella Hadid at Cannes to a robot baby made from old flip phones and circuit board shards, these works demonstrate the brand's ongoing dialogue with art and culture.Schiaparelli: Fashion Becomes Art is a must-see exhibition for anyone interested in fashion, art, and culture. It challenges visitors to think differently about the relationship between fashion and art, and showcases the enduring legacy of Elsa Schiaparelli's surrealist designs.

Matt Brittin, Google's former top executive in Europe, has been selected as the next director general of the BBC. Brittin, who stepped down as Google's president in Europe, the Middle East, and Africa last year, will replace Tim Davie at a critical juncture for the corporation. The 57-year-old's appointment was confirmed after a BBC board discussion on Thursday. Brittin, a former Olympic rower and Doctor Who fan, is seen as a substantial figure capable of diving straight into crucial government talks over the renewal of the BBC's royal charter. However, his lack of editorial experience has been noted by insiders, who worry about his ability to deal with the periodic crises that occur at the corporation. The BBC is now expected to create the role of deputy director general to support Brittin, with a new head of BBC News also to be appointed. Brittin expressed his excitement about the role, stating: “Now, more than ever, we need a thriving BBC that works for everyone in a complex, uncertain and fast-changing world.” Samir Shah, the BBC's chair, praised Brittin's experience, saying he had “deep experience of leading a high-profile and highly complex organisation through transformation”. The appointment comes after some early favourites for the role dropped out or declined to apply amid concerns that scrutiny and political attacks aimed at the BBC have made leading it one of the hardest jobs in public life. Brittin's lengthy career at Google will also be significant in his new job, particularly as the BBC lays out plans to save considerable costs using a new tech division and forges a new relationship with YouTube, which is owned by Google. The licence fee model is also under pressure, with more people opting not to pay.

A landmark jury verdict has found Meta and YouTube liable for deliberately designing addictive products that harmed a young user, KGM. The jury ruled that the tech companies were both negligent and failed to provide adequate warnings about the potential dangers of their products.The plaintiff, KGM, testified that she became addicted to YouTube at age six and Instagram at nine, which she claimed had deleterious effects on her wellbeing. By age 10, she said she had become depressed and was engaging in self-harm as a result. Her social media use allegedly caused her to have strained relationships with her family and in school.The jury awarded KGM $6m in damages, with Meta to pay 70% and YouTube the remainder. This lawsuit, over social media's alleged harm to young people, was the first of its kind to go to trial.KGM's lawyers argued that the companies' features, such as infinite scrolling and video autoplay, were designed to keep people on the apps and made the products addictive. The plaintiffs' arguments mirrored those brought against big tobacco in the 1990s, focusing on the addictive qualities of social media and the companies' public denial despite knowledge of their products' harms.Meta and YouTube have consistently denied wrongdoing and plan to appeal the verdict. A YouTube spokesperson said the video service was a responsibly built streaming platform, not a social media site. Meta said KGM's mental health issues were brought on by a difficult home life and social media use was not to blame.This trial is the first in a consolidated group of cases brought in California against Meta, TikTok, YouTube, and Snap on behalf of more than 1,600 plaintiffs. The next bellwether case is scheduled to go to trial in July.

The relationship between dogs and humans has long been a subject of fascination, and recent groundbreaking research has shed new light on the origins of this enduring bond. Published in the journal Nature, the study reveals that the genetic evidence for domestic dogs dates back an astonishing 15,000 years, a full 5,000 years earlier than previously thought.Ancient DNA analysis of dog remains has provided unprecedented insight into the early days of dog domestication. The oldest specimen, a 15,800-year-old dog buried alongside human remains in Anatolia, Turkey, and a 14,300-year-old jawbone from Gough's Cave in Somerset, England, are key findings that have helped researchers reevaluate the timeline of dog domestication.According to Dr. Lachie Scarsbrook of Ludwig Maximilian University of Munich, the study suggests that dogs with diverse ancestries already existed across Eurasia 15,000 years ago, from Somerset to Siberia. This raises the possibility that domestication occurred during the last ice age, more than 10,000 years before the emergence of other domestic plants and animals.The research, conducted by international teams, analyzed DNA from bones at various sites, including Gough's Cave, Pınarbaşı in Turkey, and two sites in Serbia. Advanced sequencing techniques allowed researchers to piece together tiny fragments of ancient DNA, enabling clear species identification for the first time.Key findings include:Dogs were widespread across Europe and western Asia by at least 14,000 years ago.Isotopic analysis revealed dogs consumed a diet rich in fish, matching the local human diet in Turkey.Evidence of deep emotional bonds between humans and dogs, including the burial of puppies over human remains.The study's authors suggest that dogs may have increased hunting efficiency or served as an early warning system against predators. The genetic relationship between dogs across sites implies that they may have spread rapidly across Europe, possibly through trade between unrelated groups.As Prof. Laurent Frantz notes, the fact that people exchanged dogs so early suggests these animals must have been important, serving purposes beyond being pets. The research provides a fascinating glimpse into the ancient partnership between humans and dogs, highlighting the significance of this bond in human history.

A US adviser has questioned the justification for a potential war on Iran, highlighting concerns over the country's foreign policy. The adviser expressed skepticism about the rationale behind such a move, amid rising tensions in the region.The adviser emphasized the need for clear justification before engaging in military action, citing potential consequences for global stability. The comments come as the US and Iran navigate a complex relationship, with implications for the Middle East and beyond.

Australia and the European Union have sealed a landmark trade agreement, eliminating tariffs on almost all Australian critical mineral exports. This move is part of a broader strategy to mitigate concerns over China's dominant position in the global rare earths market. The deal, which took eight years to finalize, signifies a significant step towards strengthening economic ties between the EU and Australia. European Commission President Ursula von der Leyen emphasized that the agreement would help reduce dependency on any single supplier for crucial minerals, highlighting the strategic importance of this partnership. The agreement will not only facilitate the export of critical minerals from Australia to the EU but also remove over 99 percent of tariffs on EU goods exports to Australia. This is expected to result in a substantial reduction of approximately 1 billion euros ($1.2 billion) in annual duties for EU companies. Consequently, EU exports to Australia are projected to grow by up to 33 percent over the next decade. Australian Prime Minister Anthony Albanese noted that the deal is worth approximately 10 billion Australian dollars ($7 billion) annually to the Australian economy. The agreement underscores the importance of diversifying supply chains and reducing reliance on China, which currently controls about 90 percent of the global processing for rare earths. These minerals are vital for producing technological equipment such as electric cars, lithium-ion batteries, and LED televisions. The trade relationship between the EU and Australia is substantial, with EU firms exporting 37 billion euros ($43 billion) worth of goods to Australia in 2025 and 28 billion euros ($33 billion) in services in 2023. The EU was Australia's third-largest two-way trading partner and second-largest source of foreign investment in 2024.

The recent actions of Israel, the United States, and Iran have raised questions about their adherence to international law, prompting scrutiny from the global community. Allegations of violations have sparked concerns about the potential diplomatic repercussions and impact on global stability.The incident has brought attention to the complex relationships between these nations and the importance of upholding international law. International law experts are closely monitoring the situation, analyzing the implications of these actions on the global stage.The United Nations and other international organizations are likely to play a crucial role in addressing these concerns and promoting diplomatic solutions. As the situation unfolds, the international community will be watching closely to ensure that international law is upheld and that stability is maintained in the region.

Robyn, the self-proclaimed Fembot, has always been known for pushing boundaries with her music. Her latest album, Sexistential, is no exception. The Swedish pop star's ninth album is a collection of songs that explore a new philosophy on love, relationships, and emotions.The album's lead single, Dopamine, sets the tone for the rest of the record. With its glittering, arpeggiated synths and introspective lyrics, the song finds Robyn questioning the nature of love and emotions. “I know it’s just dopamine, but it feels so real to me / I’m tripping on our chemistry,” she muses.Sexistential is a departure from Robyn's previous work, with a focus on electronic sounds and lyrics that challenge traditional notions of romance. The album's title track is a case study in Robyn's new mentality, with Robyn rapping about hooking up while undergoing IVF as a solo parent. The song's counterpart, Blow My Mind, is a revamp of her 2002 single, made psychedelic and faster, with lyrics that focus on loving her young son.The album's themes of love, relationships, and emotions are explored through a variety of songs, each with its own unique sound and style. From the thumping, claustrophobic drum machine of Really Real to the retro vocoder and Ministry of Sound piano of Talk to Me, each song showcases Robyn's ability to craft catchy, thought-provoking pop music.The album's finale, Into the Sun, is a surging electro-ballad with tangled religious imagery that makes it tricky to parse. However, the album's defining moment falls on Dopamine, where Robyn finds a way to hold two truths at the same time: feelings are chemical, and some feelings feel amazing. “When I let go, it’s so easy,” she spins, giddy, before hitting a high note that comes straight from the gut.

When future generations examine television trends, they might be surprised by the glut of dramatisations about famous men caught in sex scandals. Jimmy Savile and Prince Andrew have both received multiple treatments, and now, with almost crushing inevitability, comes Channel 5's Power: The Downfall of Huw Edwards.Edwards, the high-profile BBC newsreader who resigned in 2024 before being charged with three counts of making indecent images of children, remains defensive. Prior to the broadcast, he released a statement claiming the drama is unlikely to convey reality while asserting: I am repelled by the idea that some people enjoy viewing indecent images of children.The drama earns its title by portraying a powerful man utilizing a queasy power dynamic to manipulate a teenage boy into fulfilling his sexual desires. While not the pinnacle of drama, the film succeeds in capturing a sickening feeling in the pit of your stomach.The main draw comes from its casting. Martin Clunes, known for roles that rely on his innate likability, creates an impressively accurate Edwards. He captures the fascinating mix of swagger and vulnerability, along with Edwards' distinctive accent and diction. Even during disturbing scenes, his performance never wavers.For much of the film, Edwards remains a figure of distant menace. Instead, this is really the story of Ryan (Osian Morgan), a teenage boy who finds himself being groomed by Edwards. The drama is constructed around first-hand interviews with Ryan (using a pseudonym to protect his identity), showing how Edwards validated his desire for connection before making the relationship transactional.Most powerfully, the film depicts the effect on Ryan's parents, as their dismay at his increasing waywardness first becomes anger directed at Edwards and then fear that they had become the bad guys.Still, the producers face challenges with a story that isn't visually interesting. Much of the relationship happened over text, meaning excessive time is spent watching people type or narrate messages. The film makes odd stylistic choices, including framing everything around the Queen's death and ending with Edwards reporting on his own charges.Edwards has promised to tell his side of the story, but as the reviewer notes, few will have the stomach to hear it when that day arrives.