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Barcelona coach Hansi Flick has expressed his commitment to protecting teenage sensation Lamine Yamal from criticism, following the 18-year-old's recent displays of frustration on the pitch. Yamal, a rising star in Spanish football, has been making waves with his impressive skills, but his emotional reactions have sometimes drawn negative attention. Flick emphasized that Yamal's youth and inexperience are factors to consider, highlighting his exceptional talent and potential to become one of the best players in the future. The coach acknowledged that while Yamal's outbursts can create unwanted headlines, he will continue to support and defend him against criticism. Yamal's recent behavior was on display during Barcelona's 2-1 victory over Atletico Madrid in La Liga on Saturday. The teenager was visibly irritated after being admonished by a member of the Barcelona coaching staff for shooting instead of passing. This incident, along with his reactions to being substituted, has sparked concerns about his temperament. Flick also discussed the upcoming Champions League quarterfinal against Atletico Madrid, describing it as a tough and intense matchup. He praised Atletico's defensive capabilities and emphasized the need for Barcelona to perform at their best to secure a positive result. In other news, Marcus Rashford is expected to start on the left flank in place of the injured Raphinha. Flick noted that while Rashford has improved defensively, he still needs to work on his defensive work rate to fully integrate into the team.

Vicky López, now 19 years, 8 months and 12 days old, has already etched her name in Barcelona’s history books, featuring in over 120 matches and netting 32 goals for the club.She joined Barcelona in July 2022 at just 16, making her first‑team debut under manager Jonatan Giráldez and instantly setting a series of age‑related records – the youngest player ever to appear at Camp Nou, in the Champions League and in an el clásico. The following campaign she became the club’s youngest scorer in that iconic derby.This season López has featured in 36 games, contributing 10 goals, a tally that already matches her previous year’s output. Barcelona need a maximum of three points from their remaining five Liga F fixtures to clinch a fourth league title – which would also be López’s 11th trophy with the club – while simultaneously preparing for a Champions League semi‑final against Bayern Munich.Despite being a senior figure, López admits younger teammates such as Clara Serrajordi and Aïcha Cámara often turn to her for guidance, though she defers more complex advice to veterans Alexia Putellas and Patri Guijarro.Putellas, the two‑time Ballon d’Or winner, praised López last summer, saying, “I see myself reflected in her – her passion, drive to win and endless ambition.”López’s rise is underscored by personal tragedy; her mother succumbed to a brain tumour in 2018 when López was 11. She honors her mother after every goal, pointing skyward, a ritual that mirrors Putellas’ own tribute to her late father.After a season with Madrid CFF, where she became Liga F’s youngest ever player, Barcelona secured López on a five‑year deal. She continues to dedicate each goal to her mother’s memory.In her debut campaign at Barcelona she logged 13 appearances and scored two goals. “I never imagined playing so many matches in my first year,” she recalled, thanking Giráldez for the trust he placed in her.Initially shy, López admitted, “I wasn’t fully myself in the first training sessions, but it was a dream to train with the world’s best.”She believes the blend of youthful exuberance and veteran experience is Barcelona’s greatest asset: “I bring joy, youth and playfulness,” she said, emphasizing the importance of a balanced squad.Often likened to male prodigy Lamine Yamal, López and Yamal both sport the number 19 and light up the wing with their creativity.On the international stage, López earned her first senior cap at 17 in the Nations League and featured in Spain’s 2025 European Championship final against England. The only time she missed a national‑team camp was in May 2024, when she sat her “selectividad” exams.Looking ahead, López acknowledges she will soon carry the mantle as Barcelona transitions away from legends like Putellas and Aitana Bonmatí. “I’m still working to become the player I aspire to be, but above all I enjoy playing football and spreading happiness to fans,” she affirmed.

Arsenal manager Mikel Arteta hailed his team's resilience and spirit after securing a hard-fought 1-0 victory over Sporting in the Champions League quarter-final first leg. The win came courtesy of Kai Havertz's late goal, which could prove pivotal in their season.The team's performance was far from their best, but goalkeeper David Raya made crucial saves to keep the scoreline level before Havertz's decisive strike. Arteta emphasized that his team had a point to prove, especially after suffering consecutive defeats to Manchester City and Southampton.“I’m extremely happy – it was a big night, a big moment in the season,” Arteta said. “Especially where we’re coming from. I think we had a point to prove.”The victory also secured Arsenal's spot in next season's Champions League, as the Premier League's top five teams will qualify for the tournament. Arteta praised Raya's performance, calling him “extraordinary, magnificent, incredible.”Havertz echoed Arteta's sentiments, describing Raya as “unbelievable” and “the best keeper in the world.”

Harry Maguire has committed his future to Manchester United by signing a contract extension that will keep him at the club until 2027, with the option for a further year. The defender, who joined from Leicester in 2019, was due to reach the end of his deal this summer.Maguire expressed his delight in extending his stay at the club, stating: “Representing Manchester United is the ultimate honour. It is a responsibility that makes myself and my family proud every single day. I am delighted to extend my journey at this incredible club to at least eight seasons and continue to play in front of our special supporters to create more amazing moments together.”He also highlighted the club's ambition, saying: “You can feel the ambition and potential of this exciting squad. The determination throughout the whole club to fight for major trophies is clear for everyone to see and I am confident that our best moments together remain ahead of us.”

NASA's Artemis II mission has made history by breaking the record for the farthest human travel from Earth. The four astronauts on board the Orion spacecraft surpassed the previous record of 400,171km (248,655 miles) on Monday at 15:58 GMT, a feat previously achieved by Apollo 13 in April 1970.The mission, which is currently travelling around the far side of the moon, is expected to reach its maximum distance of roughly 406,788km (252,760 miles) from Earth at 23:07 GMT. During this journey, the crew will spend more than six hours analysing and documenting lunar surface features.The astronauts began their landmark day with a message from the late Jim Lovell, who took part in the Apollo 8 and 13 missions. Lovell recorded the message shortly before his death, saying, “It’s a historic day, and I know how busy you’ll be, but don’t forget to enjoy the view. Welcome to my old neighbourhood. I’m proud to pass that torch on to you as you swing around the moon.”Travelling around the moon's far side, the astronauts will witness previously hidden lunar territory, including the Orientale basin, a massive crater that had only been viewed by orbiting cameras on uncrewed missions. Kelsey Young, the lead scientist for the Artemis II mission, highlighted the importance of human observation, stating, “The human eye is basically the best camera that could ever or will ever exist.”The Artemis II crew includes several firsts: Victor Glover will be the first person of colour to fly around the moon, Christina Koch will be the first woman, and Canadian Jeremy Hansen will be the first non-American. The mission is a crucial step towards preparing for subsequent missions like Artemis III in 2027 and a lunar landing as part of the Artemis IV mission in 2028.

Courtney Lawes, the 37‑year‑old former England captain, is slated to return to the English Premiership after completing two seasons with French club Brive. His departure will be announced at the close of the 2025‑26 season.Lawes, who retired from international rugby following the 2023 Rugby World Cup, moved to France after helping Northampton Saints clinch the 2023‑24 Premiership title. During his 17‑year tenure at Saints, he secured two Premiership championships and two European Challenge Cup trophies.While the specific English club he will join remains undisclosed, the move would render him eligible once again for England selection. Brive’s management expressed support for his decision, noting the club’s appreciation for his contributions.Brive president Thierry Blandinières praised Lawes, stating: “We are very proud to say that Courtney Lawes will have been a Brive player for two seasons. He arrived here with humility and ambition and has shown the full extent of his talent since his first day in Brive.” The club added that Lawes is “one of the legends of world rugby and one of the best back‑row forwards of his generation.”Lawes’ international résumé includes 105 caps, three Six Nations titles, and participation in four Rugby World Cups. He was part of the England side that finished runner‑up in 2019 and secured third place in 2023.Reflecting on his time in Corrèze, Lawes said: “I’m having an experience in Brive that I’ll never forget, both on and off the pitch. I’m going to give it my all until the end of the season to finish this adventure with CAB in the best possible way. My family and I have been very warmly welcomed in Corrèze and we will always have Brive at heart.”

Aisling Bea, 42, finally steps onto the solo stand‑up circuit with a 75‑minute show titled “Older Than Jesus.” The title, a tongue‑in‑cheek nod to the mid‑life milestone of outliving the biblical figure, hints at the personal reflections that anchor the performance. Although Bea is best known for TV hits and a stint on Taskmaster, this is her inaugural headline tour. The material draws heavily on her recent “accidental pregnancy” and the ensuing transition to motherhood, offering a candid look at the chaos and comedy of late‑stage parenthood. True to her reputation, Bea’s humor remains delightfully reckless. She riffs on childhood memories of crafting DIY Dairylea spreads with second‑hand “bodies of Christ,” reenacts a disastrous Take That movie wrap‑party, and even masquerades as a dad in her sister’s antenatal class. Each anecdote is delivered with a cartoonish egotism that celebrates her own absurdity. Physical comedy spikes the night: a deliberately over‑the‑top “slut drop” followed by a playlist curated for her own C‑section. These moments juxtapose the glamour‑obsessed persona she projects on Instagram with the far less polished reality of a new mother, underscoring the show’s central tension. In the closing segment, Bea pivots from pure silliness to a more earnest commentary, using pregnancy and parenthood as lenses to critique entrenched gender expectations. The moral—delivered with a sincere, if slightly unexpected, earnestness—offers a satisfying resolution to a set that otherwise revels in delightful immaturity. The premiere took place at De Montfort Hall in Leicester on 8 April, with the tour set to continue across the UK in the weeks ahead.

Monica Barbaro, known for her Oscar-nominated portrayal of activist Joan Baez in James Mangold's A Complete Unknown, is now preparing for her stage debut in the National Theatre's revival of Les Liaisons Dangereuses. Barbaro, 35, will play Madame de Tourvel, a role previously taken on by notable actresses such as Juliet Stevenson and Michelle Pfeiffer.During an interview, Barbaro joked about her accent, saying, "I feel like I'm imitating an American accent, but it really is mine." She switches to an English accent for rehearsals, where she is working on the play's 18th-century French aristocracy setting. "I feel it's best to use my own voice," she explained.Barbaro expressed apprehension about speaking aloud in a theater for a large audience, a significant departure from her previous work in film. "Speaking aloud in a theatre for this big of an audience is new for me," she said.Her preparation for A Complete Unknown was intense, involving months of studying Baez's voice and music, learning guitar, and wearing prosthetic teeth to capture the singer's distinctive look. "We filmed it only a year and a half ago, and it was put out within months," she reflected. "It was really intense. It took a long time for me to land afterwards and feel more like myself again."Barbaro also discussed her connection to Baez, citing their shared mixed identity (Barbaro is a quarter Mexican) and Baez's activism. "I'm just like: 'Then she marched with Martin Luther King, are we clear on that? Do people know that?' It was really nice to hear from a lot of people who watched the movie that they were intrigued to find out more about her."She met Baez in person last year and described the experience as "so trippy." "It was so strange to hear in person the voice I'd been obsessing over for so long. There's a worship quality to it; I felt in complete awe of her," Barbaro said.Regarding her Oscar nomination, Barbaro called it "totally surreal" but something she tried to process in advance. "It seemed embarrassing to want it, or celebrate it, and I needed to confront that it was something I'd love to have. Then, when it happened – unbridled joy. It was a big shift for an actor who went into the film fangirling over the rest of the cast and the director."Barbaro is currently rehearsing for Les Liaisons Dangereuses at the National Theatre, where she will work with director Marianne Elliott. The play explores themes of power, corruption, and manipulation among the aristocracy, resonating with modern issues such as the Epstein files. "It was about the corruption of a certain class who could operate with impunity, and fuck over anyone they wanted," she said.Barbaro reflected on the enduring power of the play, saying, "As a modern woman with autonomy and independence, the thing I fear most in the world is dying of heartbreak." She emphasized the relevance of the play's themes, particularly systemic abuse and corruption.

Martin Ho arrived at Tottenham in July, inheriting a side that had slumped to 11th place the previous season. Within months the club has risen to fifth in the Women's Super League, just three points shy of matching their record 32‑point tally from 2021‑22. With three league games remaining, Spurs are set to face Chelsea in an FA Cup quarter‑final, while a recent League Cup exit saw them lose 2‑1 to Manchester United. Ho, who began coaching at 17 after an unfulfilled stint at Everton’s academy, describes the campaign as a success so far, noting the progress from a “rudderless” squad to a more cohesive unit. He acknowledges the boldness of such a claim before the season ends, especially after consecutive 5‑2 defeats to Manchester City and Arsenal, but stresses that the club’s trajectory is positive. Only two new signings – Norway forward Cathinka Tandberg and Japan defender Toko Koga – joined the roster in the summer, a deliberate move by Ho to assess the existing squad first. "I needed to see the players with my own eyes and apply my coaching methodology," he explained. Ho’s approach draws on his experience as an assistant at Manchester United under Casey Stoney and Marc Skinner, and his earlier head‑coach role at Norwegian side SK Brann. He spent time learning the club’s culture, fanbase and values before implementing changes. Key to the transformation was a psychological reset. Ho told his players that the team must look forward and abandon the disappointment of the previous season. "We asked them to play bravely, press higher and accept that mistakes are part of growth," he said. The 5‑1 loss to Manchester City early in the season became a catalyst. Ho observed that the squad’s response demonstrated a shift in mentality, prompting him to reinforce belief and challenge the players to improve. Consistency has been elusive – three wins from eight league matches – but the side has shown signs of potential, and January brought additional reinforcements. Looking ahead, Ho warns against over‑inflated expectations. "If we promise Champions League football now and fail, it harms everyone," he cautioned, noting that European competition would be premature for a club still building its foundation. He emphasizes the need for steady, sustainable progress rather than a flash‑in‑the‑pan surge. "We must evolve the squad, staff, processes and investment together," Ho said. With a limited pool of elite talent, attracting and retaining players remains a challenge. Ho stresses creating an authentic environment that offers clear development pathways, saying, "When players see their value and a clear route forward, they stay and improve." Born in Liverpool to a Chinese father and English mother, Ho credits his upbringing for his holistic coaching philosophy. He often remarks that coaches are like thieves, constantly borrowing ideas from one another, and strives to adapt those influences into a style that reflects his own vision for Tottenham Women.