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Arsenal manager Mikel Arteta has insisted that his team will not panic after suffering back-to-back losses for the first time this season. The Gunners, who were defeated by Manchester City in the Carabao Cup final and Southampton in the FA Cup, face Sporting in the Champions League quarter-final on Tuesday.Arteta emphasized the importance of understanding the reasons behind their recent setbacks and regaining their identity. He stated, 'Instead of panic, understand if that happens, why it happened, and bring clarity. And when you analyse that and you accept that, you'll be better.'David Raya, set to start against Sporting, echoed Arteta's sentiments, urging his teammates to use their recent disappointments as motivation. 'Now that it's gone, we just have to use that fuel, that pain that we had after the game to pick it up for the rest of the season,' he said.Arsenal will be without Bukayo Saka and Jurriën Timber due to injuries, but Gabriel Magalhães, Declan Rice, and Leandro Trossard are expected to feature.Sporting manager Rui Borges expressed confidence in his team's ability to pull off an upset, stating, 'They are a great team and great teams always want to win. They will be more focused and more willing to show their collective and individual capacity.'

Renowned artist and stage designer Es Devlin is pioneering a unique approach to addressing AI ethics through her latest project, which combines ceramics and collaboration. At the AI and Earth conference organized by Devlin, a diverse group of artists, AI researchers, spiritual leaders, academics, and tech experts gathered at Oxford Kilns to discuss AI and create pottery.The conference, held in preparation for the opening ceremony of the Schwarzman Centre for the Humanities at Oxford University, aimed to foster dialogue and understanding among individuals with varying perspectives on AI. Devlin's approach emphasizes the importance of human connection and hands-on engagement in the digital age.Participants, including Alan Turing and Isaac Asimov, discussed the implications of AI on society, while Ethan Mollick introduced his concept of centaurs or cyborgs, describing how humans use AI for specific tasks or close collaboration. The event also featured a performance by the University Chamber Choir and a choral piece by Nico Muhly, inspired by the works of 17th-century theologian and poet Thomas Traherne.Devlin's installation, 360 Vessels, will be showcased at the Schwarzman Centre's opening festival, featuring 360 pots created by participants and the public. The project serves as a platform for exploring the intersection of technology, art, and human values.As Devlin noted, 'I am aware that my art and my words and my every choice, my presence, is being used to train the algorithms that concentrate wealth among a small number of individuals, and, in spite of this – however confusing, however painful – I would like to try to stitch my digital shadow back on to my feet and dance with it myself, and invite others to dance with it too.'

The US war on Iran has now entered its sixth week, with the conflict showing no signs of abating. What was initially touted as a 'precise, overwhelming military campaign' to eliminate 'an imminent nuclear threat' has instead become a protracted and costly endeavor. The war has resulted in rising costs for the US in military equipment and personnel, and has had a significant impact on energy markets, with forecasts of a potential global economic recession in the event of a prolonged conflict.The conflict has also highlighted the Iranian regime's capacity for asymmetric warfare, with the country deploying cheap drones and missiles to disrupt energy facilities and compromise economies in the Gulf region. The closure of the Strait of Hormuz, a critical waterway for global oil shipments, has also had a significant impact on the war effort, with the US and its allies struggling to reopen it.The US's failure to understand the Iranian regime's subjective complex dynamics has been a significant factor in the conflict's prolongation. The regime's ability to withstand pain and prolonged escalation without a clear scenario of military victory against a superpower has been underestimated, and its proxy groups, such as Hezbollah and the Houthis, have proven to be effective in advancing its interests and preventing outcomes that weaken or isolate it further.The conflict has also highlighted the diverging definitions of victory between the US and Iran, with the US seeking a swift and decisive victory, while Iran is focused on maintaining its viability on its own terms in the face of American hegemony. As the war continues, the question remains: how will this conflict end?

German coaches have long joked about “following your opponent into the loo”, a tongue‑in‑cheek reference to the old‑fashioned man‑marking system that once defined their defensive work‑rate. That approach resurfaced after Atalanta’s surprise Europa League triumph in 2024, but the tactic proved disastrous when the Italian side faced Bayern Munich in the Champions League round‑of‑16, suffering a 10‑2 aggregate defeat that highlighted its limitations against superior individual talent.While a few Bundesliga sides have begun to experiment with tighter marking again, the author warns that such a strategy can only serve as a short‑term surprise element – it cannot sustain a full 90‑minute match on a pitch that is simply too large for pure man‑to‑man battles.In contrast, Spanish teams continue to perfect a ball‑oriented defensive structure built on clearly defined positions, coordinated movement and a collective “swarm” that shifts the battle into the opponent’s half. This philosophy demands constant cooperation and tactical intelligence, turning one‑on‑one duels into moments of brilliance rather than the default defensive method.The results speak for themselves: Spanish clubs have captured 24 titles across the Champions League, Europa League and Cup Winners’ Cup since 2000, far outpacing England’s 11, Italy’s five and Germany’s four. Over the past twelve seasons, La Liga has supplied the Champions League winner in seven instances, and this year it again provides the most quarter‑finalists – Real Madrid, Barcelona and Atlético Madrid.Even when Spanish clubs are not the outright favourites, their influence permeates the competition. Managers such as Mikel Arteta and Luis Enrique, both products of the Barcelona coaching lineage, embed the Spanish style into English and French clubs respectively, while still adding their personal nuances.Spanish coaches now dominate the European scene: in the last‑16 stage of the three major tournaments, eleven managers are Spanish, more than double the count from any other nation, and three Spaniards are already represented in the quarter‑finals.Notable figures include Xabi Alonso, who halted Bayern’s dominance with Bayer Leverkusen, Unai Emery, who consistently elevates second‑tier clubs like Aston Villa, and Cesc Fàbregas, who is reshaping Serie A with Como. Even Pep Guardiola, after a rare Champions League exit, is reinventing his Manchester City side with fresh personnel and tactical tweaks, proving that even the most successful systems must evolve.At the national level, Luis de la Fuente has overseen Spain’s rise to European glory, guiding the senior side to the 2024 Euro title and adding two more continental crowns in the past five editions – a dominance unmatched since Germany’s golden era of the 1970s‑80s.By contrast, Italy’s historic football school appears to be in decline. No Italian club has reached this year’s Champions League quarter‑finals, and the national team failed to qualify for the World Cup for the third consecutive time, underscoring a widening gap between the Spanish and Italian models.The resurgence of man‑marking in Germany, even among elite defenders like Vincent Kompany at Bayern, hints at a possible tactical swing, but the author cautions that without a broader strategic framework it may prove as fleeting as the Atalanta experiment.Ultimately, the article posits that the Spanish coaching philosophy – a blend of technical excellence, positional discipline and collective intelligence – has become the benchmark for European success, leaving rivals to either adapt or risk obsolescence.

Indonesia formally received the coffins of three United Nations peacekeepers who lost their lives in southern Lebanon as Israel intensified its invasion, a development that underscores the expanding regional fallout of the US‑Israel war on Iran. On Saturday, uniformed officers carried the bodies into a solemn ceremony attended by President Prabowo Subianto. Following the tribute, Foreign Minister Sugiono urged a comprehensive UN inquiry into the fatalities, stressing that "incidents like this should not happen" and calling for a security guarantee for peacekeeping troops. The three soldiers—Farizal Rhomadhon (28), Zulmi Aditya Iskandar (33) and Muhammad Nur Ichwan (26)—were members of the United Nations Interim Force in Lebanon (UNIFIL). Rhomadhon was killed when a projectile, later attributed by a UN source to fire from an Israeli tank, detonated near his position. A day later, Iskandar and Ichwan perished in an explosion that struck a UNIFIL logistics convoy. Family members expressed deep sorrow. Iskandar’s father, Iskandarudin (60), told reporters from West Java that the loss was especially painful because the troops were deployed for peace, not combat. The government announced that the trio will be interred on Sunday and pledged financial assistance to their families, reflecting Indonesia’s commitment to support the bereaved. In a related incident, UNIFIL reported that three additional peacekeepers were wounded in a blast at a facility near Adeisse; the cause of that explosion remains unidentified, though the injured were confirmed to be Indonesian. Indonesia’s foreign ministry has called on the UN Security Council to convene an urgent meeting of troop‑contributing nations to review and strengthen protection measures for UNIFIL personnel. The tragedy occurs against the backdrop of a broader conflict: the US‑Israel offensive against Iran has spilled into Lebanon after Hezbollah, aligned with Tehran, launched rockets following the assassination of Iran’s Supreme Leader Ayatollah Ali Khamenei on 28 February. Israeli forces have been bombarding Lebanon for weeks, aiming to establish a 30 km (≈18.6 mi) security zone along the border. Key takeaway: The loss of Indonesian peacekeepers highlights the heightened risks faced by UN missions in volatile theaters and intensifies calls for stronger international safeguards amid escalating Middle‑East hostilities.

Mexico’s art world is in uproar after an agreement with Banco Santander to export a landmark segment of the Gelman collection to Spain. The collection, hailed as one of the most significant assemblages of 20th‑century Mexican art, features masterpieces by Frida Kahlo, Diego Rivera, Rufino Tamayo, José Clemente Orozco, María Izquierdo and David Alfaro Siqueiros. Approximately 400 cultural professionals have signed an open letter demanding clarity from the Mexican government about the fate of the works, especially those by Kahlo that the state has designated as an "artistic monument". Historian Francisco Berzunza warned that Kahlo is "the most important artist in the history of our country" and that her works should remain accessible in Mexico. The disputed batch comprises 160 paintings, sketches and photographs originally owned by collectors Jacques and Natasha Gelman and purchased by the Zambrano family in 2023. Under the Santander deal, the pieces—currently on public display in Mexico for the first time in two decades—are slated to travel to Spain this summer to become a centerpiece of the new Faro Santander cultural centre. Santander’s announcement promised to handle "conservation, research and exhibition" of the collection, yet it omitted the duration of the Spanish stay. The bank’s director, Daniel Vega Pérez de Arlucea, later told El País that the legislation governing the works is "flexible" and that the collection would enjoy a "permanent presence" at the centre, intensifying concerns. Mexican officials have attempted to reassure the public. President Claudia Sheinbaum stated, "Our desire is for the collection to remain in Mexico," while Culture Minister Claudia Curiel de Icaza emphasized that the export is only temporary and that the artworks are expected to return by 2028. Santander also issued a statement insisting the deal does not constitute a sale or permanent removal. Nevertheless, critics argue the contract is ambiguous. The agreement, viewed by the Guardian, allows Faro Santander to retain control of the collection at any point between June 2026 and 30 September 2030, with the possibility of extensions by mutual consent. Such language fuels fears that the pieces could become effectively permanent fixtures abroad. Legal experts note that Mexican law protects works declared national artistic monuments, mandating that they may leave the country only temporarily and that the National Institute of Fine Arts and Literature (Inbal) is responsible for their repatriation. With Inbal owning just four of Kahlo’s roughly 150 pieces, many fear the deal undermines the protective framework. Berzunza summed up the stakes: "If the works were not to return, a fundamental part of this artist’s body of work – and her history – would be lost. These pieces are essential to telling her story and to understanding our identity as Mexicans."

When Kayleigh Davies, a seasoned valuer at the auction platform Auctionet, examined the base of a vase marketed as a genuine Lalique piece, she immediately recognised the deception. The word “Lalique” had been crudely engraved onto the bottom, a trick the seller hoped would inflate the price.Davies rejected the item, noting that without the fraudulent engraving it would have been a saleable piece. Her experience underscores a growing problem: traditional antique scams are being amplified by the reach of internet marketplaces.Typical red flagsFraudsters often disguise flaws—such as restored cracks or repainted toy cars—while claiming pristine condition. Even high‑value items like original‑packaged Star Wars figures can be misrepresented by placing cheap replicas in authentic‑looking boxes.Other warning signs include unexplained scuffs on glassware, suspiciously perfect finishes on aged objects, and a lack of clear provenance for autographs. Davies advises buyers to ask probing questions; a dishonest seller is likely to become evasive or refuse further details.Electrical collectibles, such as vintage lamps, pose additional hazards, as faulty wiring can lead to fire risks.Consumer safeguardsPlatforms like eBay enforce strict policies against counterfeit goods and offer a “money‑back guarantee” that protects purchasers when items do not match their listings.In the UK, Citizens Advice confirms that buyers have a legal right to a refund for fake products. If a seller refuses, shoppers can:Initiate a chargeback through their bank if they paid by debit card or used a credit card for purchases under £100.File a Section 75 claim for credit‑card purchases over £100, shifting liability to the card issuer.Suspected fraud can also be reported to the national Report Fraud centre, and to local Trading Standards via Citizens Advice.By staying vigilant, demanding documentation, and leveraging consumer‑rights mechanisms, buyers can reduce the risk of falling victim to counterfeit antiques and collectibles.

Real Madrid coach Alvaro Arbeloa has come out in defense of Spain, insisting that the country is not racist despite a recent incident of Islamophobic chanting during a national team match. The incident occurred during Spain's friendly against Egypt on Tuesday, where sections of the crowd at Espanyol's RCDE Stadium in Cornella sang, “Whoever doesn’t jump is Muslim.”Arbeloa emphasized that Spain is a tolerant country and that racist attitudes should be eliminated. “I think Spain is not a racist country. If it was, we would have a problem every weekend at all of the stadiums,” he told reporters. He stressed the importance of eradicating any racist attitude at stadiums and in society, while also highlighting Spain's tolerant nature.The incident drew criticism from Spain and Barcelona forward Lamine Yamal, who is Muslim, and criticised those chanting as “ignorant and racist.” Barcelona coach Hansi Flick praised Yamal for making a “great statement” by condemning those responsible for the abuse, emphasizing the importance of inclusion and respect.The issue of racism in Spanish football has been a recurring problem, with Real Madrid striker Vinicius Jr having been racially abused at several stadiums across the country in high-profile incidents in recent years. In 2025, five Real Valladolid fans who racially abused Vinicius in a 2022 match were found guilty of committing a hate crime – the first such ruling in Spain regarding insults at a football stadium.Catalonia’s regional police are investigating the chants, and Spanish Prime Minister Pedro Sanchez called the incident “unacceptable”, emphasizing that Spain is a diverse and tolerant country that cannot allow an uncivil minority to tarnish its reality.

The film 'Palestine 36' delves into the 1936 Palestinian revolt, a pivotal moment in history that nearly changed the course of the Israeli-Palestinian conflict. Director Annemarie Jacir sheds light on the often-forgotten roots of today's crisis and why this history still feels painfully present.Before the Israeli occupation, there was British colonialism. The film provides a unique perspective on the events leading up to the current situation, offering insights into the complex and tumultuous history of the region.Key aspects of the film include its exploration of the revolt's impact on the region and its people, as well as its relevance to contemporary issues. The director's work aims to bring attention to the historical context that has shaped the Israeli-Palestinian conflict.The episode also features recommended stories related to the topic, including discussions on the 'Greater Israel' project, Iran's stance on the US, and the significance of universities in the region.