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Canadian singer Justin Bieber is poised to make a significant return to the live stage at this year's Coachella music festival, despite recent health challenges. The sold-out event, taking place in California's Coachella Valley, is expected to draw around 125,000 music enthusiasts daily.Bieber's performance marks a major milestone in his career, following his 2022 tour cancellation due to Ramsay Hunt syndrome, which left him with 'full paralysis' on one side of his face. At the time, Bieber mentioned that his body was signaling him to slow down.Although he has expressed that touring again seems 'super daunting,' he has been preparing for his Coachella performance, promising fans a 'hell of a show.' The festival will feature seven stages with a diverse lineup, including headliners Sabrina Carpenter and Karol G, who will make history as Coachella's first Latina headliner.Carpenter has teased her headlining set as her 'most ambitious' show to date, while Karol G recently discussed challenges related to her platform and potential repercussions on her visa. The festival's schedule also includes surprise additions and notable absences, such as Jack White and the absence of punk duo Lambrini Girls due to health issues.Adding to the excitement, this year's event may see rainy weather, a stark contrast to last year's near-record temperatures. The shift in weather conditions could impact the festival experience for attendees.

Mom’s mantra – “don’t borrow trouble” – became the compass that steadied Feimster during the uncertain early years of her comedy career. She says the simple advice helped her shift focus from endless worry to actually performing. Growing up, Feimster was captivated by Carol Burnett’s slapstick brilliance, a love sparked by her grandmother’s nightly reruns. The legendary comedian’s on‑ and off‑screen silliness shaped Feimster’s own comedic sensibility. When she was cast as the beaver Nibbles in the upcoming Zootropolis 2, the process was anything but typical. “The script was top‑secret,” she recalls, noting that she entered the recording booth with only a brief scene description from director Jared Bush, never knowing how pivotal her character would become. Feimster also laughs about a nightmare charity gig in a Virginia biker bar, where the stage was literally a wooden crate, the lighting resembled a construction site, and a karaoke machine served as the sound system. “Nobody, including me, enjoyed the show,” she admits. Unlike many performers, she has no elaborate pre‑show rituals. She arrives minutes before the curtain rises, chats with the audience, and treats each performance like a regular day, much to the amusement of co‑host Tom Papa. The relentless travel schedule is a double‑edged sword. Feimster describes the constant touring as exhausting, with the added pressure of having to write fresh material after every special. “You finish one project and must start from scratch,” she says, highlighting the creative churn that fuels her growth. On set with Arnold Schwarzenegger for the film Fubar, Feimster found the experience inspiring. She notes that the legendary actor’s varied career – from bodybuilding champion to governor – made every day on set feel like a master class. Looking ahead, Feimster has wrapped two Netflix comedies: one starring Will Ferrell as a washed‑up pro golfer where she plays his caddie, and another ensemble with Kim Kardashian, Nikki Glaser and Brenda Song. She hints at a future shift toward a more serious, less self‑referential role. Meanwhile, her current stand‑up show “Takin’ Care of Biscuits” continues its North American and European leg, with a stop at London’s Hackney Empire on 3 June and the tour running through 9 August.

Tori Amos has taken to the stage, delivering a dramatic deep dive into her vast and sprawling back catalogue. Her 18th studio album, In Times of Dragons, and first tour in three years have generated significant excitement among fans. The allegorical tales that make up her forthcoming record – a metaphorical story about the fight for democracy over tyranny – are evident in her live performances.The concert featured a range of tracks from Amos's extensive discography, including the delicate deep cut Ruby Through the Looking-Glass and the atmospheric, slow-burn jazzy grooves of Little Amsterdam. The love in the room for Amos is palpable, with her songs, voice, and masterful piano playing bringing out an almost devotional following.Amos's musicianship was on full display, accompanied by a drummer, bass player, and three backing singers, whom she refers to as 'angels.' While their presence occasionally detracted from the raw intimacy expected from Amos, it mostly elevated the performance to new levels. Tracks such as Pandora's Aquarium and Witness were lifted to stirring new heights by the vocal back and forth.The setlist may not have been hit-stuffed, but Crucify was a beautiful closer, delivered in a way that felt both tight and loose, detailed yet expansive, tender and rousing. The encore of early career favourite Cornflake Girl had the whole venue on its feet and in dizzy awe. As Amos navigates the brutal state of the world, she has an audience that will gladly follow her deep into the heart of any dragon's den.

The recent revival of Malcolm in the Middle, titled 'Life's Still Unfair', has left audiences and critics alike in awe of its miraculous comeback. The show, which originally aired from 2000 to 2006, has been revived with a four-episode special, and it's clear that the magic is still very much alive. Bryan Cranston, who played the lovable but chaotic father Hal, is at the top of his game, delivering a performance that's being hailed as one of the best of his career. His portrayal of a drug-induced ego death is particularly noteworthy, showcasing his incredible range as an actor. The show's revival is not just a nostalgic throwback; it's a well-crafted extension of the original series. The story picks up 20 years after the original series ended, with Malcolm (played by Frankie Muniz) having grown up and moved away from his chaotic family life. However, circumstances force him and his secret teenage daughter back into the fold, leading to a series of hilarious and heartwarming moments. Frankie Muniz shines in his return as Malcolm, bringing a depth and nuance to the character that's impressive. His performance in the emotional climax of the series, where he confronts his mother, is particularly noteworthy, showcasing his talent and dedication to the role. The show's success is a testament to the enduring power of comedy and the talented cast and crew. With its fast-paced humor, emotional depth, and standout performances, 'Life's Still Unfair' is a must-watch for fans of the original series and newcomers alike. The revival is currently streaming on Disney+, and it's clear that this is a limited series that will leave viewers wanting more. Here's hoping that the success of 'Life's Still Unfair' will lead to a full new series, giving fans the opportunity to revisit the lovable but chaotic world of Malcolm in the Middle.

Australia's quest for a spot in the Billie Jean King Cup Finals has gotten off to a rocky start, with the team losing both opening-day singles matches. Spearhead Talia Gibson was expected to give the tie a strong start at Melbourne's John Cain Arena on Friday but suffered a shocking 7-6 (7-4) 7-5 loss to British teenager Mika Stojsavljevic, ranked 275th in the world.Gibson, ranked 56th globally, had been in stellar form leading up to the tie, having recently beaten five top 20-ranked players and achieving a career-high ranking. However, she struggled against the 17-year-old Stojsavljevic, who claimed the first set in a tiebreak and dominated the second set to secure the win.Adding to Australia's woes, Kimberly Birrell was defeated 4-6 6-3 6-3 by top-ranked Brit Harriet Dart. This leaves experienced duo Storm Hunter and Ellen Perez needing to win the doubles on Saturday to keep Australia's hopes alive in the tie.The British team, missing their top four players, were considered underdogs, but Stojsavljevic's impressive performance, including 12 aces, turned the tide in their favor. Gibson acknowledged her nerves and praised Stojsavljevic for her strong serve and overall play.

Event details: The heavyweight showdown between Tyson Fury and Arslanbek Makhmudov is scheduled for Saturday, 11 April 2026. The main card will tip‑off at 19:00 GMT, with the headline bout slated for just after 22:00 GMT at the Tottenham Hotspur Stadium in London. The fight will be streamed live on Netflix, while Al Jazeera will provide a text‑based live commentary starting at 18:00 GMT. Fury, the 37‑year‑old former two‑time world champion, returns after a 15‑month hiatus following consecutive defeats to Oleksandr Usyk. His professional record stands at 34‑2‑1 with 24 knockouts, and he towers at 206 cm (6 ft 9 in) with a 216 cm reach. Makhmudov, a 36‑year‑old Dagestani‑born Canadian resident, holds a 21‑2‑0 record, 19 of those wins by KO, measures 198 cm (6 ft 6 in) and has a 194 cm reach. The bout is billed as a 12‑round heavyweight clash, offering Fury a chance to rebuild his résumé and potentially earn a high‑profile encounter with fellow Briton Anthony Joshua. Makhmudov, however, is far from a tune‑up opponent; 90 % of his victories have come by knockout, and he has demonstrated power against seasoned fighters such as Dave Allen and Carlos Takam. Fury’s perspective: In a recent BBC interview, the “Gypsy King” said he feels “as good as I’ve ever felt” and is “as sharp as I’ve ever been,” emphasizing the need to be at peak form to survive Makhmudov’s single‑punch knockout power. He added that a win would pave the way for a long‑desired showdown with Joshua. Makhmudov’s outlook: The Dagestani fighter described Fury as a “legend” and expressed confidence in his ability to win, noting that the contest will test both mental and spiritual strengths. He hinted at a philosophical edge, saying, “It’s a war between mind and spirit – Inshallah the spirit wins.” Beyond the headline fight, the co‑main event will feature Conor Benn versus Regis Prograis** at 21:30 GMT, marking Benn’s first bout under Zuffa Boxing after parting ways with Matchroom. The British heavyweight title will be defended by Jeamie Tshikeva against Richard Riakporhe**, while Frazer Clarke meets Justis Huni** in a heavyweight clash. Preliminary action includes middleweight, light‑welterweight and flyweight contests, rounding out a full card designed to keep fans engaged throughout the evening. Personal drama adds intrigue: Fury’s father, “Big John” Fury, who has been a vocal presence in his son’s career, is reportedly absent after a recent fallout, though Tyson downplays the impact, stating that the crowd’s composition is irrelevant to his focus. Overall, the London event promises a high‑stakes narrative – a veteran champion seeking redemption, a rising knockout artist eager to cement his status, and a potential pathway to a blockbuster British heavyweight showdown later in the year.

Tyson Fury, the 37-year-old British former heavyweight world champion, has come out of retirement for the fifth time in his career to face Canada-based Russian Arslanbek Makhmudov at the Tottenham Hotspur Stadium in London on Saturday. Fury is looking beyond this weekend's fight, expressing his desire to face Anthony Joshua in a long-awaited bout if he emerges victorious.In a recent interview with BBC Radio, Fury stated, “I’ve got Arslanbek Makhmudov to think of on Saturday night, but all going well [Joshua is] the fight I want next.” He also mentioned that he is ready for the fight immediately after his comeback bout.Joshua, 36, recently secured a sixth-round knockout victory over American Jake Paul in Miami. However, his plans for the next fight are still uncertain following a car accident in Nigeria that resulted in the death of two close friends.Meanwhile, American former WBC world champion Deontay Wilder has also called out Joshua for a matchup after beating Briton Derek Chisora on a split decision last Saturday. Boxing promoter Eddie Hearn has advised Joshua to take time to heal before considering another fight.Fury, who last fought in December 2024, losing to Ukraine's Oleksandr Usyk, dismissed the idea of a Joshua versus Wilder fight, describing their recent bout as sad to watch.

It's been 20 years since the passing of Muriel Spark, a celebrated Scottish novelist, short story writer, poet, and essayist. With a career spanning over two decades, Spark left an indelible mark on literature with her 22 novels, which are characterized by their uncanny, astute, and witty storytelling. James Bailey, author of the biography Like a Cat Loves a Bird: The Nine Lives of Muriel Spark, provides a guide to Spark's oeuvre, highlighting her unique narrative style. A typical Spark novel begins by introducing an enclosed community, such as nuns, schoolgirls, or desert island castaways, filled with gossip, deceptions, and conflicts. This setup is then disrupted by a dramatic event, like a murder or scandal, allowing Spark to explore the consequences. For readers new to Spark's work, Memento Mori (1959) is a great starting point. This darkly comic novel follows a cast of bickering pensioners who receive anonymous phone calls with the ominous message: 'Remember you must die.' The novel raises questions about mortality, fear, and the human condition. Spark's debut novel, The Comforters (1957), is a remarkable example of her innovative storytelling. The protagonist, Caroline Rose, believes she can hear the clanking typewriter keys of an entity she calls the Typing Ghost, which dictates the events of her life. This novel showcases Spark's ability to blend diabolism, diamond-smuggling, and supernatural elements. One of Spark's most famous novels, The Prime of Miss Jean Brodie, is known for its quotable lines, such as 'Give me a girl at an impressionable age and she is mine for life.' This novel explores themes of favouritism, fascism, and the seductive power of belonging. Spark considered The Driver's Seat (1970) her finest achievement, describing it as her creepiest work. This novel follows Lise, a protagonist whose holiday romance takes a dark and unexpected turn. Spark's works often explored the contrast between public personas and private lives. Her 1968 novel, The Public Image, is a prime example, delving into the world of a film star struggling to maintain her reputation amidst paparazzi and self-absorbed relationships. Spark's short stories, collected in her Complete Short Stories, offer a glimpse into her versatility as a writer. These tales often feature unquiet spirits and explore themes of mortality, guilt, and redemption.

Doug Allan, a pioneering wildlife cinematographer, died at the age of 74 while on a trek in Nepal, his management firm said, noting he passed away "immersed in nature and surrounded by friends."Best known for his role as principal camera operator on landmark BBC series including Planet Earth, Frozen Planet and The Blue Planet, Allan amassed a remarkable collection of honors, among them eight Emmy Awards, five BAFTAs, and an OBE awarded in 2024 for services to broadcast media and environmental awareness.Born in Dunfermline, Fife, he earned an honours degree in marine biology from Stirling University in 1973 and soon after joined the British Antarctic Survey as a research diver at Signy Island. It was during this period that his passion for filming blossomed, leading to a pivotal encounter with Sir David Attenborough in 1981, which set him on the path to a distinguished career.Allan’s early forays into polar filming began with a 16 mm camera he purchased for an Antarctic expedition, capturing emperor penguins and selling the footage to the BBC—a move that launched his lifelong partnership with the broadcaster.His dedication to extreme‑environment storytelling earned him the Polar Medal twice, underscoring his expertise in filming some of the planet’s harshest locales.In a 2017 interview, Allan revealed he had spent roughly 620 days tracking and recording polar bears. He recounted a memorable moment when a bear’s wet nose brushed a window, likening it to “a squeegee mop cleaning the glass.” Another close encounter saw a hungry walrus seize his legs underwater, which he repelled by striking the animal with his camera.Allan’s visual legacy, described by his representatives as "breathtaking and intimate moments in the natural world," continues to inspire audiences to appreciate and protect Earth’s wonders.