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The Paradox of Diplomacy and DestructionUnited States President Donald Trump has publicly stated that he is close to achieving a 'very good deal' with Iran, yet Washington and Tehran are engaged in a dangerous cycle of military exchanges. This contradiction suggests that while diplomatic channels may be open, the military realities on the ground are actively working against a peaceful resolution.The Weekend's Escalation: Radar and Drone SitesThe latest round of hostilities began with a measured response from the US military. In a post on X, CENTCOM confirmed strikes on Iranian radar and drone sites in the city of Goruk and the island of Qeshm over the weekend. The attacks were a direct response to the shootdown of a US MQ-1 drone operating over international waters. US fighter aircraft swiftly eliminated Iranian air defenses, a ground control station, and two one-way attack drones that posed threats to shipping lanes.Tehran's Retaliatory StrikesIn response to Washington's aggression, the Islamic Revolutionary Guard Corps (IRGC) launched a multi-pronged counterattack. On Monday, the IRGC Aerospace Force targeted the airbase responsible for the attack on a telecommunications tower in southern Iran. While the specific location of the facility remains undisclosed, the IRGC claimed the predicted targets were destroyed.Kuwait: State news agency KUNA reported that air defenses intercepted missile and drone attacks on a major US base in the country.Northern Iraq: A senior official in the Iranian Kurdish party Komala accused the IRGC of striking the party's headquarters in Alana Valley, with the Kurdistan Freedom Party (PAK) also reporting a base hit near Erbil.Since the start of the war on February 28, Tehran has retaliated by striking US military bases in the Gulf, Israel, and Kurdish groups in northern Iraq, accumulating over 81 missiles and drones in these operations.The Strategic Value of the Strait of HormuzA critical factor in this stalemate is the strategic chokepoint of the Strait of Hormuz. Colin Clarke, executive director of the Soufan Center, argues that Iran's control over this waterway represents a more usable and powerful deterrent than nuclear weapons. With approximately 20 percent of the world's oil and liquefied natural gas transiting the strait, Iran's ability to close it with mines and shoulder-fired missiles gives Tehran a form of leverage that carries none of the risks of nuclear escalation.Erosion of Trust in NegotiationsDespite the diplomatic rhetoric, trust between the two nations has eroded significantly. Iran's chief negotiator, Mohammad Bagher Ghalibaf, stated that the country would not agree to a deal that does not secure full Iranian rights, citing a lack of trust in the US. Negar Mortazavi, a senior fellow at the Center for International Policy, described the situation as Iranian sources going to talks with their 'finger on the trigger,' expecting bombs to fall from the sky.Outlook: A Fragile Path to PeaceThe future of the ceasefire remains highly volatile. While Trump has toughened the terms of the proposed deal and sent them back to Tehran, Iran demands tangible results before fulfilling commitments. The recent exchange of fire serves as a stark reminder that the military option remains a constant threat, making the path to a durable agreement perilously narrow.

The Lead: A Cryptic Journey Through GreeceThe title of Rita Azevedo Gomes's lyrical but frustrating docu-essay about her travels in Greece cuts both ways—expressing impatience with classical ideals or critiquing modern society that has betrayed ancient standards of beauty and harmony. The film presents a tension between nostalgic aspirations and sobering reality, with texts recited over travelogue images from Athens and the Cyclades.The Artistic Vision: Myth Meets ModernityGomes adds a layer of fictionalization to her exploits, reading a poem by João Miguel Fernandes Jorge based on a 2007 journey to Greece. The poem tells of Irma, who romances a young man named Ion on the island of Delos—birthplace of Apollo and Artemis—but the affair founders against incongruous modern elements like Chinese cargo ships traversing the 21st-century Aegean. The tension between myth and modernity hangs over the film like red kites hovering above ancient ruins.The Personal Context: Beauty and TranscendenceTwo-thirds into the film, Gomes reveals what originally drove her to seek refuge in Greece: an ominous medical diagnosis that has since receded. Her preoccupation with finding consolatory beauty and transcendence is only fleetingly present in a visual collage that feels haphazardly aligned with dense texts. The crew reads many texts on camera—including excerpts from Byron and Keats—but this alienation device comes over inert and uninspiring.The Cultural Resonance: Poets in a Modern WorldSinger María Farantoúri, whom Gomes watched on her first visit to Greece, supplies some focus with lyrics that keep 'the old flame burning.' As she sings, 'The people always find new kings—but we are poets and we remain alone.' Gomes positions herself in this camp, 'far from the polis,' suggesting a deliberate distancing from contemporary society's values and priorities.The Critical Reception: Sphinxlike EnigmaWhile the film presents a visually rich experience, its sphinx-like nature proves to be both its strength and weakness. The reviewer suggests that Gomes's 'forlorn ramblings' may intentionally reflect how degraded modern sensibilities can no longer serve up classical concision. The film's cryptic nature may be part of its artistic statement, but ultimately leaves the viewer wanting more clarity and connection.

The LeadWhen Keir Starmer won a landslide Labour majority promising to pursue five governing "missions", the high-profile leftwing economist Mariana Mazzucato was credited as an inspiration. Two years on, her bracing new book helps shed light on why Labour in power has struggled to project the sense of direction that "mission-led government", as Mazzucato calls it, requires.A New Framework for Economic PolicySynthesising and extending her earlier work, here she proposes "a new economics of collective action around the common good". From this perspective, the economy is not a concatenation of rapacious independent forces, to be contained and offset by public policy, but a project – or rather a series of projects – with direction and purpose.The Five Principles of Common Good EconomicsThe "compass" in the title is really a set of five principles, all of which Mazzucato says such an economy should have: purpose and "directionality"; co-creation by citizens; collective learning; reward sharing; and accountability. Each of these principles is set out in detail. Co-creation implies grassroots participation in designing and redesigning government programmes, for example – because, "when people help define a problem and develop and implement solutions, they see them as theirs rather than something imposed on them".Reward Sharing and PredistributionReward sharing means ensuring the creators or rightful owners of economic value stand to benefit: from Indigenous people whose homes lie near raw material deposits, to social media users whose data fuels Big Tech's profits. That implies radical tax reform – including greater use of wealth taxes – and the robust use of conditions in public contracts, to make sure workers and taxpayers get their fair share: an approach she calls "predistribution".Critique of Labour's Economic ApproachAccording to Mazzucato's definition, Labour's attempt at mission-led government badly missed the mark. Its first and overriding goal – "kickstart economic growth" – cannot be a "mission" at all, because it lacks the necessary purpose. What, in other words, is that economic growth meant to be for? While her scope in this ambitious book is global, the analysis also dismantles Starmer's claim to be pursuing national "missions", by setting out just how radical – and radically different – that would look in practice.Practical Examples and Global Applications"The seeds of transformation are everywhere," she says, citing inspiring projects that range from delivering healthy and sustainable school meals in Sweden to the EU's mission to support cities to become climate-neutral, to the international Nagoya Protocol on sharing the benefits of genetic resources and traditional knowledge. Echoes of Mazzucato's mindset are detectable in some Labour policies – from using the threat of legislation to cajole pension funds to invest more in UK assets, to writing conditions on youth training into clean energy contracts.The Future of Economic DirectionEconomies work best, she believes, when they pursue grand collective goals – developing and distributing a vaccine for a pandemic; or confronting the climate emergency (or, though she doesn't lean on the example here, tooling up for a new and more frightening geopolitical era). We should ask, she says, "not which market failure do we want to be fixed, but what direction do we want the economy to sail in".

The Premier League 2025-26 Season Kicks OffThe Premier League 2025-26 season started with a bang, featuring several thrilling matches. Reigning champions Liverpool began their campaign with a late 4-2 win over Bournemouth at Anfield, their first game back following the death of Diogo Jota. The Reds then secured narrow victories against Newcastle and Arsenal, with Dominik Szoboszlai scoring a stunning free-kick against Arsenal that won goal of the month.Meanwhile, Manchester City suffered a difficult start, losing 2-0 at home to Tottenham and 2-1 away at Brighton. Everton marked the opening of their new home stadium, Hill Dickinson Stadium, with a win. Sunderland, back in the top flight, made a strong start with two wins from their first three matches.Key Matches and MomentsAugust 15: Fans pay tributes to Diogo Jota near Anfield.August 16: Martin Dubravka of Burnley fails to reach a Richarlison strike at Tottenham Hotspur Stadium.August 16: Diego Gómez of Brighton gets involved in a 1-1 draw with Fulham.August: Riccardo Calafiori scores for Arsenal against Manchester United at Old Trafford.

The Lead: A Record-Breaking CareerJames Milner has etched his name into football history by breaking the Premier League appearance record, a remarkable achievement that speaks volumes about his longevity, consistency, and unwavering dedication to the sport. The 40-year-old veteran has demonstrated an extraordinary level of professionalism throughout his career, earning admiration from teammates and rivals alike for his commitment to excellence both on and off the pitch.The Professional Profile: Beyond Ordinary DedicationFormer teammates paint a picture of a player who was exceptional from his early days. Michael Bridges, who roomed with Milner during his time at Leeds, recalls: "James Milner was the most dedicated and professional young player I've met. He also took the not inconsiderable transition from being at school to playing in the Leeds first team totally in his stride. Nothing fazed him. He was very level-headed."This level-headedness extended to Milner's lifestyle choices. While teammates socialized with alcoholic drinks, Milner remained steadfast in his commitment to peak physical condition, often opting for Ribena Toothkind instead. His dedication was so complete that teammates nicknamed him the "hydration monster" due to his intense focus on maintaining optimal hydration levels.The Technical Mastery: Versatility Across PositionsWhat sets Milner apart is not just his longevity but his remarkable versatility. Throughout his career, he has excelled in multiple positions, adapting his game to suit different tactical systems and managerial philosophies. Bridges notes: "Above all he's a very intelligent footballer who reads the game well and has the versatility to play in different positions for different types of managers. That's helped him."This adaptability has allowed Milner to remain relevant across different eras of football evolution. From his early days at Leeds to his current role, he has consistently demonstrated an ability to read the game and position himself effectively, even as the tactical demands of the sport have evolved.The Impact Analysis: Redefining ProfessionalismMilner's career offers a fascinating case study in modern professionalism. In an era where footballers often face intense scrutiny and shorter careers, Milner has bucked the trend through his extraordinary discipline and commitment. Steve Harper, who worked with Milner at Newcastle, draws a direct comparison: "His level of professionalism is right up there with Cristiano Ronaldo's. It's no coincidence that they're both still going strong."This approach has had ripple effects throughout the sport. Younger players now have a role model for how to maintain peak performance over an extended career. Milner's career demonstrates that longevity in professional football is not merely about talent but about lifestyle choices, work ethic, and mental fortitude.The Legacy: More Than Just AppearancesAs Milner surpasses Gareth Barry's previous record of 653 Premier League appearances, his legacy extends far beyond the numbers. Curtis Davies, who played with Milner at Aston Villa, emphasizes: "Breaking the appearance record will be testament to him and the way he has lived his life, and if anyone is going to go past Gareth Barry, another former Villa teammate, there's no better person than James to do so."Milner's career represents a different kind of greatness in modern football—one built on consistency, adaptability, and unwavering professionalism rather than just fleeting moments of brilliance. As he continues to add to his record, he stands as a testament to the values that can sustain a career at the highest level for more than two decades.

The Retaliatory Strike Iran's Islamic Revolutionary Guard Corps (IRGC) says it launched a retaliatory strike on a base used by US forces that it claims was used for an attack on an Iranian communications tower. The IRGC Aerospace Force fighters targeted the airbase where the aggression originated, and the predicted targets were destroyed. The Escalation The attacks come after the United States said it carried out strikes on Iran this weekend in response to 'aggressive Iranian actions that included the shootdown of a US MQ-1 drone that was operating over international waters.' US fighter aircraft swiftly responded by eliminating Iranian air defenses, a ground control station, and two one-way attack drones that posed clear threats to ships transiting regional waters. The Fragile Ceasefire The attacks, the latest in several exchanges of fire in recent days, come as indirect negotiations between the US and Iran to formalize a fragile ceasefire that took effect in April continue. There have been mixed signals about whether the two sides are close to an agreement to extend the fragile truce. The Potential Memorandum of Understanding The two sides have reportedly been reviewing a potential memorandum of understanding (MoU) that would extend the ceasefire for a further 60 days and begin negotiations to end the war permanently. The MoU will state that shipping through the Strait of Hormuz is to be 'unrestricted,' meaning there will be no tolls, no 'harassment,' and that Iran will have 30 days to remove all sea mines. Iran's Response Iran's Foreign Ministry spokesperson Esmaeil ‌Baghaei said on Monday that any delay ⁠in ⁠the diplomatic process to end the war can ⁠be explained by a lack of trust, ⁠Washington's contradictory positions and Israel's attacks on Lebanon. Negotiations have started amid severe suspicion and mistrust, and the exchange of messages is taking place in ⁠this atmosphere. Trump's Statement US President Donald Trump said in a statement on his Truth Social platform late on Sunday, Tehran 'really wants to make a deal' and that whatever deal is reached will 'be a good one' for the US 'and those that are with us.' He lashed out at domestic critics for 'negatively 'chirping'' about his handling of the war but made no mention of the US strikes on Iran.

The Dance Challenge: A Weekend Immersion As I wait for my first Cuban salsa class to begin, I have the distinct feeling that I am poorly prepared. I'm wearing heavy jeans, a bulky woollen sweater and boots. I have never done a dance class in my life – or any kind of exercise class. I don't know anything about salsa, Cuban or otherwise. Standing alone, I notice that everyone has come with at least one friend, and begin to suspect that it takes two to Cuban salsa. This year, Rising festival – Melbourne's winter arts offering – has consolidated its longstanding dance focus into a mini-festival: the inaugural Australian Dance Biennale, showcasing Australian and international work. There's also a series of dance classes, romantically titled The Land of 1000 Dances, held in the romantically decrepit Flinders Street Ballroom. Running daily until 7 June, with classes costing $29 a pop, the diverse schedule includes Afro-fusion, ballroom, voguing, waltz and K-pop for teens and tweens. From Salsa to Shuffle: A Dancer's Journey As an audience member, I am an avid appreciator of dance; as a participant, I can most kindly be described as "curious" but uncoordinated. What if I went to a bunch of dance classes and then wrote about it? Precisely 24 hours before my first class, the misgivings begin – doing my first dance class while dressed for the show I'm seeing directly afterwards sounds like a bad idea. At the ballroom, I am briefly reassured: the crowd is a diverse mix of ages, genders and bodies, and hardly anyone is wearing dance-appropriate clothing. But the class itself is a blur – sometimes literally – as I try to learn and enact the cucaracha, the guapo and other basic Cuban salsa moves; attempt to locate the beat, my hips, any sense of coordination at all. Every time I feel as though I'm starting to get the hang of something, the instructor adds a new step. Then he corrals us into pairs – and a series of new moves, yelling "change partners!" every three minutes. Going solo, it turns out, is fine: everyone is friendly; many seem as unsure as I am. Some are nailing it but there's a sense of camaraderie: we're all in this together. That said, we're all a bit too sweaty to be holding each other. The Social Dynamics of Dance Classes I move from absolute befuddlement, through occasional moments of triumph, to a sense of quiet despair. A move that involves a 360-degree rotation to an eight-count almost breaks my spirit and I consider quitting. To my surprise, this awakens a latent fighting spirit: screw the rules, I'm doing it my way. I experience brief elation. Then we change partners and I find myself in a cursed duet involving four left feet. The elation shrivels. The class ends and I run to the theatre feeling like a dank, demoralised biohazard. I spend the next hour watching a show by the Irish choreographer Oona Doherty featuring a mix of professional, student and untrained dancers – and I mentally salute them all, with a newfound appreciation for the dark art of dance. Finding Joy in Movement I approach my next class, Melbourne shuffle, with a sense of dread. Not only do I now know how bad I am but I have agreed to be photographed. And I made the choice without knowing anything about the Melbourne shuffle, mistakenly assuming it was somewhere in the ballpark of the city's other great cultural tradition. This feeling I am experiencing, I discover, is known as "endorphins". The physical exertion, the mental focus required, the social connection – it all combines to create a chemical cocktail that makes the experience worthwhile despite the occasional humiliation. By the end of my dance weekend, I haven't become a dancer, but I've gained a profound respect for those who are. The Australian Dance Biennale and The Land of 1000 Dances offer not just entertainment, but an invitation to participate, to challenge oneself, and to discover new dimensions of movement and expression.

The Heatwave Prompt and a Glimpse into Everett’s PastDuring a scorching London heatwave, Rupert Everett—now 67—sits in a Bloomsbury café and admits the weather triggers memories of the summer of 1976, when he was a lanky teenager dreaming of stardom. The interview opens with his self‑deprecating humor about weight and age, setting the tone for a raw, introspective conversation. The 1997 Hollywood Resurgence: “My Best Friend’s Wedding”Everett’s most notable comeback arrived in 1997 when he played Julia Roberts’ gay best friend in My Best Friend’s Wedding. This role vaulted him into the position of the coveted “camp bestie” for leading ladies, briefly turning him into a box‑office draw.1997 – Cast as the gay confidant in My Best Friend’s Wedding1998‑2002 – Frequent supporting roles alongside A‑list actresses2006 – Publishes first memoir, Red Carpets and Other Banana Skins Memoir Revelations: Sex, Drugs, and Unflinching GossipEverett’s two memoirs—Red Carpets and Other Banana Skins (2006) and Vanished Years (2012)—expose a life of heroin use, cocaine experimentation, and selling himself for sex during lean periods. He spares no one: calling Madonna “vaguely sweaty,” describing Julia Roberts as “beautiful and tinged with madness,” and lampooning public figures like Alastair Campbell and Alan Sugar. The memoirs positioned Everett as a modern‑day Hedda Hopper, wielding ruthless, barbed gossip as a form of self‑critique. Personal Reckoning: Body, Identity, and the Weight of MemoryEverett confronts the physical and psychological toll of his past. He acknowledges his current “chubby” physique, the lingering “punk upper‑class attitude,” and the paradox of heroin as an “upper‑class version of punk.” The actor admits he often sabotaged his own performances—disrupting shows, sending bizarre gifts to critics, and indulging in drug‑induced escapism—behaviours he now finds “horrifying.” Looking Ahead: Redemption, Legacy, and the Role of Truth‑tellingDespite the self‑destructive legacy, Everett hints at a desire for redemption through honesty. By laying bare his flaws, he hopes to reshape public perception and perhaps inspire a new generation of actors to confront their own demons. The interview ends with a quiet acknowledgment that the heatwave, while uncomfortable, may finally force him to “smash his past up through sex” and move toward a more authentic future.

Lead: A Personal Tale of Shelter Amid a Militarised BorderThe Guest follows a Polish family who open their home to Alhyder, a 27‑year‑old Syrian refugee, illustrating the daily danger in the Poland‑Belarus “danger zone”. The film reveals how political decisions have turned a humanitarian corridor into a lethal exclusion area.Documentary Unveils the 3‑km Polish Exclusion ZoneSince 2021, the Polish government has enforced a 3‑km strip along the Belarus border where migrants are seized and deported back to Belarus. The documentary captures constant military patrols, the ban on NGOs, and the covert network of locals providing food, clothing, and translation.Location: Small town in Poland bordering BelarusKey figures: Zvika Gregory Portnoy and Zuzanna Solakiewicz (directors)Subject: Alhyder, Syrian refugeeNumbers that Frame the Crisis27‑year‑old refugee at the centre of the story3‑km exclusion zone established in 2021Film released on 5 June on True Story platformHumanitarian Impact and Ethical ConcernsThe film highlights the bravery of “good samaritans” but also raises ethical questions after showing a deceased refugee’s body without clear consent. By focusing mainly on victimhood, the documentary risks reducing displaced people to statistics rather than full human narratives.Looking Ahead: Policy and AwarenessAs the documentary reaches international audiences, it may pressure EU and Polish authorities to reconsider the exclusion zone policy and improve humanitarian access. Continued media attention could spur NGOs to negotiate limited access or push for legal challenges against forced deportations.