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Willie Mullins has made the seemingly impossible look easy, securing his third consecutive win at the Grand National with I Am Maximus. This victory not only cements Mullins' reputation as a master trainer but also etches his name in the history books alongside Fred Rimell and Ginger McCain with his fourth Grand National win.The road to victory was far from straightforward. I Am Maximus, ridden by Paul Townend, faced significant challenges, including being blocked multiple times during the race. However, Townend's calm and strategic riding ultimately paid off, allowing I Am Maximus to secure a thrilling win.This achievement is all the more impressive given the challenging conditions. Mullins noted that this winter was the wettest he had experienced in 40 years, which made preparing his horses particularly difficult. Despite these obstacles, Mullins' team successfully primed I Am Maximus for the big event.The victory also marks a significant milestone for owner JP McManus, who has now secured his fourth Grand National win, a record. McManus expressed his admiration for Mullins and Townend, while also hinting at ambitions to equal Red Rum's legendary three consecutive National victories.Mullins, who will turn 70 in September, shows no signs of slowing down. He emphasized his passion for racing and his desire to continue building on his successes. With a clear focus on creating more history-making moments, Mullins and his team are already looking ahead to the next challenge.

Mikel Artura tried to fire up the crowd before kickoff, urging fans to bring “your lunch, bring your dinner” for the 12.30 pm showdown. Players warmed up to a big screen looping Arsenal’s past triumphs, a psychological push meant to spark confidence. The opening half unfolded as many had predicted: a physical tussle in which Bournemouth exploited a right‑flank weakness to go ahead, only for Arsenal to level from a set‑piece penalty. The penalty was calmly slotted by Viktor Gyökeres, who seized the ball from Kai Havertz and demonstrated the composure that has underpinned Arsenal’s recent victories. Early in the second half, Arteta made a rare triple substitution nine minutes in, swapping an ineffective attacking trio for fresh legs. The change stalled Arsenal’s momentum; the new unit struggled to build immediate connections, allowing Bournemouth to seize control. In the 74th minute, Alex Scott delivered a clinical finish after a slick passing move on the edge of the Arsenal penalty area, restoring Bournemouth’s lead. Six minutes later, Gyökeres had another chance from a Max Dowman cross but sent his shot wide, underscoring Arsenal’s growing frustration. Throughout the closing stages, Artura repositioned Gyökeres deeper, turning him into a quasi‑centre‑half in a desperate search for an equaliser. The resulting play was slow and ponderous, reflecting a side unable to generate the quick combinations that had served them earlier in the season. Statistically, Arsenal produced 1.44 expected goals (xG) from set‑pieces, outpacing Bournemouth’s total of 1.2. However, all of Bournemouth’s chances came from open play, while Arsenal managed a paltry 0.19 xG from open play – the second‑lowest home figure since such metrics were recorded. This disparity highlights a reliance on dead‑ball situations and an inability to threaten opponents in regular play. Despite the loss, Arsenal remain nine points clear at the top of the Premier League. Yet the gap is vulnerable: if Manchester City maintain their winning run, the cushion could evaporate quickly. The defeat signals that Arsenal must evolve beyond sheer grit and set‑piece proficiency, finding ways to create and convert chances in open play if they are to withstand the challenge from serial winners.

The New York Times Company has launched an investigation into the coverage of New England Patriots head coach Mike Vrabel by NFL reporter Dianna Russini. This move comes after photos of Russini and Vrabel together at an Arizona resort were published, raising concerns about their relationship and potential bias in reporting.Russini, who works for The Athletic, owned by The New York Times, has been temporarily sidelined while the review is ongoing. The images, published by the New York Post’s Page Six, show Russini and Vrabel together at a luxury hotel in Sedona, including by a pool, in a hot tub, and on a rooftop deck. Some photos appear to show the pair embracing and holding hands.Both Russini and Vrabel, who are married to other people, have claimed that the interaction was platonic and taken out of context. Russini stated that the photos did not reflect that they were part of a larger group gathering, while Vrabel called any suggestion of impropriety “laughable”.The Athletic initially defended Russini, with executive editor Steven Ginsberg saying the images lacked context and depicted public interactions among multiple people. However, the outlet has since expanded its review after additional reporting raised questions about Russini’s coverage of Vrabel and the nature of their relationship.Editors are now seeking to verify claims that others were present at the gathering. Notably, no stories under Russini’s by-line have been published since the photos surfaced earlier this week. The review is ongoing and expected to take time. Russini is among the highest-paid reporters at The Times Company, and her contract is set to expire later this year.

London-based musician Alex Peringer, known as Reckonwrong, has released his self-titled debut album 'How Long Has It Been?' after years of near silence. The record marks a departure from his early work, characterized by dizzying time signatures and wry tales, instead embracing warm, tinkering sounds and earnest sentiment.The album's theme of winter is reflected in its introspective stories and soft arrangements, punctuated by subtly wonky elements that prevent it from sounding overly polished. Tracks like 'Before and After' and 'Two Lovers' showcase Peringer's ability to blend atmospheric bedroom-pop with left-field flourishes.Influences from Arthur Russell and Robert Wyatt are evident in the album's use of echo and melancholy. Peringer's delightfully off-kilter vocals add to the charm, as he navigates themes of love, loss, and introspection. The album's eclectic sound is both captivating and emotionally resonant.In addition to Reckonwrong's album, other notable releases include Index for Working Musik's 'Bunker Intimations II' and Inrain's 'Rise', showcasing a range of experimental and shoegaze-inflected sounds.

The conflict in the Middle East is having far-reaching effects beyond the region, impacting UK mortgage rates and consumer confidence. In response to surging oil prices and inflation fears, lenders have pulled hundreds of mortgage products, replacing them with more expensive deals.According to Halifax, average UK house prices fell by 0.5% in March, with demand affected by higher mortgage rates. The Guardian wants to hear from individuals who have lost mortgage deals or been affected by rising interest rates.Share your experience by completing a short form or messaging the Guardian on WhatsApp at +447766780300. Responses can be anonymous, and submissions will be kept secure.The Guardian is seeking stories from people who have:Lost recent mortgage dealsBeen affected by rising interest ratesChanged housing plans due to the current economic climateAll submissions will be reviewed and potentially published, with the option to remain anonymous.

Jim Jarmusch, the 73-year-old director known for his offbeat Americana films, has spent seven years crafting his latest project, 'Father Mother Sister Brother'. The film, which won the prestigious Golden Lion at the Venice film festival, is an anthology drama that explores the complexities of family relationships through three distinct stories set in New Jersey, Dublin, and Paris.Jarmusch's approach to filmmaking is characterized by his unique ability to elicit low-key performances from big stars and his focus on the quotidian aspects of life. He cites influences from filmmakers like John Cassavetes and David Lynch, but emphasizes his own humanist approach. 'I make films out of the things other people would leave out,' he notes, highlighting his attention to detail and ability to find beauty in everyday moments.The film features a star-studded cast, including Cate Blanchett, Adam Driver, Mayim Bialik, and Tom Waits. Jarmusch's process involves casting first and then writing the script quickly, often in a matter of days. 'I cast first then write fast,' he explains, showcasing his collaborative approach with actors.Jarmusch reflects on his career, mentioning the challenges of getting films made without compromising his artistic vision. 'It's harder every time to get a film made,' he acknowledges, but remains committed to his unique approach. The director also touches on themes of mortality and the cyclical nature of life, emphasizing the importance of living in the present.The film 'Father Mother Sister Brother' is set to release in UK cinemas on April 10, offering audiences a glimpse into Jarmusch's distinctive filmmaking style and thematic explorations.

Crispin Odey, the former hedge fund manager, has dropped his £79m libel claim against the Financial Times over its reporting of sexual misconduct allegations against him, his lawyers have said.In 2023, the FT published several articles from 20 women alleging sexual assault and harassment against Odey, covering a period of five decades. He has previously denied the allegations against him.On Friday, lawyers for the former hedge fund tycoon, 67, said he had been “forced to accept” that the newspaper was “likely to succeed in establishing” its public interest defence.Odey’s decision to drop his claim follows a three-week hearing in which he challenged a decision by the Financial Conduct Authority, the City regulator, to ban him from the financial services industry.The FT’s editor, Roula Khalaf, said: “This is a vindication for investigative journalism and for the victims whose stories of abuse we reported. The FT was always confident in its reporting. This is a case that should have never been brought.”In March 2025, Odey was provisionally banned from working in financial services and fined £1.8m by the UK regulator for a “lack of integrity”. The FCA said at the time that Odey had attempted to “frustrate” a disciplinary process into sexual harassment allegations against him, and his conduct proved he was “not a fit and proper person to perform any function”.

Aaron Ramsey, a name synonymous with Welsh football excellence, has officially retired from the sport. His career was marked by early promise, rapid rise to international stardom, and a legacy that will be remembered for generations to come.Ramsey's journey began with Wales' national team debut at just 17, a testament to his prodigious talent. He quickly became a cornerstone of the team, known for his exceptional technique, vision, and creativity on the field. His performances earned him captaincy by the age of 20, a rare honor that underscored his leadership qualities and influence.One of the defining moments of Ramsey's career was his heroic performance in Euro 2016, where Wales reached the semi-finals, a feat that rekindled the nation's passion for football. His four assists and one goal in the tournament showcased his skill and determination. Ramsey's absence in the semi-final due to suspension was deeply felt, as Wales were eventually eliminated by Portugal.Despite struggling with injuries that plagued him throughout his career, Ramsey's impact on Welsh football cannot be overstated. He was a key player in qualifying for Euro 2020, scoring crucial goals against Hungary. His partnership with Gareth Bale was particularly notable, as they inspired victories and memorable moments for Welsh fans.As Wales failed to qualify for the 2026 World Cup, fans will look back on Ramsey's contributions with gratitude and admiration. He is undoubtedly a shoo-in for Wales' all-time XI, a testament to his enduring legacy in the sport.

Event details: The heavyweight showdown between Tyson Fury and Arslanbek Makhmudov is scheduled for Saturday, 11 April 2026. The main card will tip‑off at 19:00 GMT, with the headline bout slated for just after 22:00 GMT at the Tottenham Hotspur Stadium in London. The fight will be streamed live on Netflix, while Al Jazeera will provide a text‑based live commentary starting at 18:00 GMT. Fury, the 37‑year‑old former two‑time world champion, returns after a 15‑month hiatus following consecutive defeats to Oleksandr Usyk. His professional record stands at 34‑2‑1 with 24 knockouts, and he towers at 206 cm (6 ft 9 in) with a 216 cm reach. Makhmudov, a 36‑year‑old Dagestani‑born Canadian resident, holds a 21‑2‑0 record, 19 of those wins by KO, measures 198 cm (6 ft 6 in) and has a 194 cm reach. The bout is billed as a 12‑round heavyweight clash, offering Fury a chance to rebuild his résumé and potentially earn a high‑profile encounter with fellow Briton Anthony Joshua. Makhmudov, however, is far from a tune‑up opponent; 90 % of his victories have come by knockout, and he has demonstrated power against seasoned fighters such as Dave Allen and Carlos Takam. Fury’s perspective: In a recent BBC interview, the “Gypsy King” said he feels “as good as I’ve ever felt” and is “as sharp as I’ve ever been,” emphasizing the need to be at peak form to survive Makhmudov’s single‑punch knockout power. He added that a win would pave the way for a long‑desired showdown with Joshua. Makhmudov’s outlook: The Dagestani fighter described Fury as a “legend” and expressed confidence in his ability to win, noting that the contest will test both mental and spiritual strengths. He hinted at a philosophical edge, saying, “It’s a war between mind and spirit – Inshallah the spirit wins.” Beyond the headline fight, the co‑main event will feature Conor Benn versus Regis Prograis** at 21:30 GMT, marking Benn’s first bout under Zuffa Boxing after parting ways with Matchroom. The British heavyweight title will be defended by Jeamie Tshikeva against Richard Riakporhe**, while Frazer Clarke meets Justis Huni** in a heavyweight clash. Preliminary action includes middleweight, light‑welterweight and flyweight contests, rounding out a full card designed to keep fans engaged throughout the evening. Personal drama adds intrigue: Fury’s father, “Big John” Fury, who has been a vocal presence in his son’s career, is reportedly absent after a recent fallout, though Tyson downplays the impact, stating that the crowd’s composition is irrelevant to his focus. Overall, the London event promises a high‑stakes narrative – a veteran champion seeking redemption, a rising knockout artist eager to cement his status, and a potential pathway to a blockbuster British heavyweight showdown later in the year.