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The Rise of AI-generated History Influencers “I have just arrived in Tudor London, 1536,” a young woman in a green puffer jacket tells the camera. “I’m going to check in at my room in the inn, get into the market. Then, later I am meeting the actual king – yep, Henry VIII – in person.” On YouTube and other social platforms, users are flocking to watch AI-generated “history influencers”, characters that vlog their travels to historical settings. The Popularity of Chloe VS History One of the most popular channels is Chloe VS History, with more than 610,000 Instagram followers and 15m views on YouTube. Viewers can watch Chloe try eel pie at a Tudor market, explore the first-class suites on the Titanic and take a plunge in an ancient Roman bath. The format has been replicated by other channels, such as Janella Through Time, Nova VS History and Esmetimetravels. Popular destinations include ancient Rome, Pompeii, the wild west and England during the Black Death. The Creator's Vision The creator of Chloe VS History, 32-year-old Jonathan Laramy, said the goal was to “get younger people more interested” in different periods of history. “History is a very visual experience, but it’s just not taught that way,” he said. “It’s taught via a textbook. And that is not compatible with lots of students. So why not use the technology we have to bring that to life in a really visceral way? The Impact on History Education Adam Smith, a historian at Oxford University, believes the format could “massively enhance” how history is taught to young people. “What these AI [videos] are doing is connecting with that visceral, tangible sense of: ‘Oh my God, that could have been me, that was an earlier version of me.’ It’s quite a deep-seated psychological need in many people, to understand themselves in time.”

The Wigmore Hall's 125th Anniversary Celebration Wigmore Hall, a renowned venue for classical music, marked its 125th anniversary with a special gala concert. The event was a partial recreation of the hall's inaugural concert in May 1901, which featured a starry lineup including Ferruccio Busoni and Eugène Ysaÿe. A Tribute to the Past The concert began with a performance of the national anthem, 'God Save the King,' followed by a new piano version of Thomas Adès' 2023 guitar piece 'Vesper (for Henry Purcell).' Adès also performed Beethoven's Op. 109 piano sonata, which showcased his dramatic and polished style. Musical Highlights Thomas Adès performed a new piano version of his 2023 guitar piece 'Vesper (for Henry Purcell)' and Beethoven's Op. 109 piano sonata. Louise Alder and pianist Joseph Middleton performed three Schubert songs, ending with 'Erlkönig,' which was almost like a mini-opera. Alina Ibragimova played the second half of Bach's first Partita for solo violin, in B minor, with freshness, precision, and elegance. Cédric Tiberghien joined Ibragimova for Beethoven's Romance in G and performed Brahms's Paganini Variations. The Venue's Legacy Wigmore Hall has a rich history dating back to 1901 when it was built by Bechstein, a piano manufacturer. The hall has continued to host concerts through the years, including performances by notable artists like David Bowie. Despite facing economic challenges, the venue remains a London home for solo recitals, chamber music, and song. Looking to the Future The Wigmore Hall's 125th anniversary festival continues until June 7, with all concerts being broadcast on BBC Radio 3 and available on BBC Sounds for 30 days. This celebration is a testament to the venue's enduring legacy and its commitment to showcasing classical music.

Sonny Rollins' Enduring Legacy: 10 Essential Recordings Sonny Rollins, a jazz icon, has left an indelible mark on the music world. With a career spanning over seven decades, Rollins has consistently pushed the boundaries of jazz, showcasing his mastery and innovation. Here are 10 of his greatest recordings: Tenor Madness (released on Craft/OJC, 1956) A 30-year-old Sonny Rollins had already made his unique mark with Miles Davis and Thelonious Monk by the time this 1956 session was cut. Hooking up with his contemporary and admirer John Coltrane happened by chance on the two-tenor blues chase of this album's title. Saxophone Colossus (Prestige, 1957) This writer's first connection with Sonny Rollins' music was occasioned not by music but words: poetic New Yorker writer Whitney Balliett's evocative review of Sonny Rollins' 1957 Saxophone Colossus. Rollins was partnered on this classic set by pianist Tommy Flanagan, bassist Doug Watkins, and bebop-pioneering drummer Max Roach. Way Out West (Contemporary, 1957) When UK jazz musician Courtney Pine was blossoming as a teenage saxophonist in the early 80s, he would recall that Sonny Rollins' 1957 recording Way Out West was a key inspiration. The format was a Rollins favourite in his own early years – the demanding setup of a sax improviser with just bass and drums in support. A Night at the Village Vanguard (Blue Note, 1957) Rollins' live recordings are not as abundant as his genius in open situations deserves, but this music from New York's Village Vanguard makes up a lot of the ground. Freed from the march of chords by the absence of a pianist, he's in storming form in the company of rock-solid bassist Wilbur Ware and soon to be legendary Coltrane drummer Elvin Jones. Freedom Suite (Riverside, 1958) Rollins was never a natural composer – like Miles Davis, he preferred tunes that could be sketched on the back of envelopes. But Freedom Suite was an interesting departure for him, occasioned by the political climate of US race relations and civil rights in the late 1950s. The Bridge (RCA, 1962) Rollins took a creative break between 1959 and 1961, and his return came with The Bridge, named after the eccentric refuge he found: practising alone on New York's Williamsburg Bridge with only passing trains for company. Live at Ronnie Scott's (Gearbox Records; recorded January 1965) Rollins' visits as a solo performer to London's Ronnie Scott's club in the late 50s and early 60s introduced his mesmerising magic to UK audiences, and also helped to galvanise the local scene's confidence at a time when European jazz became increasingly emancipated from the US. Sunny Days, Starry Nights (Milestone, 1984) From the 1980s onwards, Rollins settled into a concert groove that was predictable – by his exacting improvisational standards – and frequently dazzling for audiences new to him. Sunny Days, Starry Nights showcased him with partners who would regularly join him on stage for the rest of his life. This Is What I Do (Milestone, 2000) The best and most affectionately closeup manifestation of Sonny Rollins' genius as he hit his 70s. The saxophonist's later-life partners are present, and so is one of contemporary jazz's greatest drums pioneers in Jack DeJohnette. Without a Song: The 9/11 Concert (Milestone; recorded 2001) Sonny Rollins and his wife, Lucille, lived close to the World Trade Center, witnessed the buildings' collapse on 9/11, and had to evacuate their apartment shortly afterwards. Four days later, the saxophonist performed and recorded this evocative session with his regular sidemen at the Berklee School of Music in Boston.

The Remix of a Classic Words, words, words. Can Hamlet retain its tragic force without using most of them? This hour-long dance-theatre remix by the late South African choreographer Dada Masilo preserves few speeches and its opening is not auspicious, crashing straight into “To be, or not to be” shorn of context and characterisation. The Dance of Ophelia and Hamlet There follows, as is customary, a meeting between the prince and Ophelia, but Masilo replaces the usual cruel encounter with stolen moments amid a ceremony, as if they are meeting anew like Romeo and Juliet at the Capulet ball. Matching each other’s movements, amid clapped hands, thrusting shoulders and rippling chests, they grow closer with a hint of tango footwork. From this flashback, Masilo practically fast-forwards their choreography with a sense of doom. The Emotional Depth of Gertrude Letting the pair share a tender duet reinforces their romance but also heightens the violence of the nunnery scene where they are traditionally first seen together. Masilo adds another new scene to show Gertrude’s despair upon receiving news of Old Hamlet’s death rather than introducing her as sanguinely remarried to his brother. We see her seek strength amid grief, supported by courtiers whose pulsing, grounded movement is a message of persistence. This is dancing felt in the gut. The Impact of Movement and Music Wooed offstage, Gertrude returns for a convivial ceremony where a young couple are ticked off for getting too raunchy on the dancefloor. Movement styles across generations and cultures are blended by Masilo, who drew attention for remoulding ballet’s classics. Her ensemble is often an industrious force, driven by relentless percussion, as each scene breaks like a wave against Thuthuka Sibisi’s compositions. The Tragic Conclusion The latter stages lose focus but the choreography’s omnipresent sense of returning to the earth foreshadows a climax where all are struck down by the kingdom’s collective sickness, stressed by the lighting of Suzette le Sueur (who also provides some of the elegant costumes). It’s a collection of often piercing scenes that never quite establish full collective power – a tragedy out of joint. At Sadler’s Wells, London, until 26 May

The Unlikely World of Greenland Football In a world where football often conjures images of packed stadiums and international superstars, 'No Place for Football' offers a refreshing look at the sport's fringes. The documentary focuses on Greenland's eight-team championship playoff, bringing to light the struggles of the country's football enthusiasts. The Challenges of Playing Football in Greenland The film highlights the difficulties faced by Greenland's footballers, from battling ice and snow to dealing with travel issues that make it hard to arrange matches against teams from outside the island. The team captain, Patrick Frederiksen, is shown hunting for seals, while giant icebergs float near the football pitch. The short playing season, due to the country's harsh climate, is a significant obstacle. The Data Behind Greenland's Football Struggles Greenland has only a few short summer weeks where the weather thaws enough for outdoor matches. Travel issues make it almost impossible to arrange games against teams other than local sides. The country's national side has been turned down by Fifa's North and Central Americas organisation Concacaf. The Impact on Greenland's Football Community Despite the challenges, there seems to be plenty of enthusiasm for football in Greenland. However, the country's footballing powers-that-be appear reluctant to give official sanction to the national side. The documentary offers an interesting insight into the fringes of the global game, showcasing the determination and passion of Greenland's footballers. The Future of Greenland Football As climate change continues to affect Greenland, it's possible that warmer weather could increase the country's chances of developing its football scene. For now, 'No Place for Football' provides a unique perspective on the sport's grassroots level, highlighting the struggles and triumphs of Greenland's football community. The film is available on digital platforms from May 29.

The Tragic Consequences of the Exam Leak In the Jhunjhunu district of India's western Rajasthan state, Rajesh Kumar sat staring at a chemistry book in his tin-roofed shed, once mastered by his son Pradeep. Pradeep, 21, had spent years preparing for the NEET, one of the world's largest medical entrance examinations, but took his own life after the exam was cancelled due to a paper leak. The Exam Details and the Leak Nearly 2.3 million test-takers across India and at examination centers in Doha, Dubai, Singapore, and Kathmandu appeared for the NEET on May 3. However, allegations of a paper leak flooded social media, and the Indian government announced on May 12 that the examination had been voided, and another test would be held later. Four students who appeared for the exam died by suicide. Pradeep had scored more than 650 marks, enough to secure a seat in a government medical college. The Data Analysis The National Testing Agency (NTA), which conducts most of India's major central entrance examinations, including the NEET, has remained under scrutiny in recent years over repeated allegations of irregularities and paper leaks. The NTA operates with limited resources, including just 22 employees on deputation, 38 contractual staff members, and 138 outsourced workers. Experts say the agency has been stretched beyond its capacity and is struggling with limited resources. The Impact Analysis The paper leak controversy has deeply shaken students and severely affected their morale. Many are left in shock and struggling to regain focus. Students and their families are demanding justice and reforms. States ruled by governments in opposition to Prime Minister Narendra Modi's Bharatiya Janata Party have urged the federal government to abolish NEET and allow states to conduct their own medical admission processes. The Prediction The upcoming NEET examination, now scheduled for June 21, will be conducted with stronger security measures and greater transparency. However, students and their families remain skeptical about the system's ability to prevent future leaks and irregularities.

The India-US Critical Minerals Framework India and the United States have signed a framework agreement to secure supplies of critical minerals and rare earths, including their mining and processing, according to the Indian Ministry of External Affairs and the US embassy in India. What are Critical Minerals and Why are They Significant? Critical minerals are nonfuel minerals used to manufacture batteries, clocks, wiring, military hardware, semiconductors, and other technological products. The US describes them as “essential to the economic or national security of the US” and having “a supply chain vulnerable to disruption”. The Data Analysis: Critical Minerals Stockpile India has 13.15 million tonnes of monazite, a phosphate mineral that contains rare earth oxides, one of the main natural sources of rare earths. The Indian government estimated that the country’s monazite contains 7.23 million tonnes of rare earth oxides (REOs). By comparison, a US Geological Survey report estimated that China has an estimated 44 million tonnes of REOs in its reserves, almost half of the world’s known reserves. The Impact Analysis: Reducing Reliance on China The US and other countries rely heavily on China for these minerals, and Washington, especially under President Donald Trump, has pushed to diversify US sourcing of these minerals to reduce reliance on China. The deal matters for India because its ambitions for critical minerals development require financing, and secure offtake. The Prediction: Future Cooperation and Investment The Quad countries have also agreed to share information on good practices and technical approaches for permitting, licensing, and other regulatory processes. They also agreed to cooperate on recycling and recovery of critical minerals, including during processing, to strengthen supply chains and promote the recycling of critical minerals among Quad partners and “like‑minded” countries.

Asana's Strategic AI AcquisitionAsana has acquired the workflow automation company StackAI for $75 million, marking a significant step in the company's broader AI pivot. The acquisition aims to position Asana as an "AI-native workplace platform" and integrate StackAI's agent-building capabilities into Asana's existing work management system. The announcement was made Thursday afternoon to coincide with Asana's earnings and investor call.StackAI's Workflow Automation CapabilitiesStackAI, built as an AI workflow-automation system, designs agents to operate within existing business systems, pulling in data from platforms like Salesforce, Slack, and Gsuite. The company, founded by Tony Rosinol and Bernard Aceituno, will join Asana as part of the acquisition. StackAI has faced competition from automation tools like Zapier as well as AI labs like OpenAI and Anthropic in the rapidly evolving AI automation space.Financial Terms and Funding BackgroundThe acquisition comes as StackAI had raised just under $20 million, according to PitchBook data, with most of it coming in a recent $16 million Series A round. That round included funding from Gradient, Epakon Capital, Lobby VC, LifeX Ventures, and Vercel CEO Guillermo Rauch. While the $75 million acquisition price represents a significant premium over StackAI's funding, it reflects Asana's commitment to accelerating its AI capabilities.Asana's AI-Native TransformationWhile users are most familiar with Asana's work management system, the company has been releasing AI-oriented products in recent years, including the AI Studio agent builder and AI Teammates series of pre-built automations. Asana believes its deep integration into existing corporate workflows provides a key advantage, allowing it to distill context and training data that would otherwise be unavailable. This acquisition specifically aims to "agentify the most complex business processes end-to-end," according to CEO Dan Rogers.Future of Human-Agent Work in EnterpriseAsana has struggled on public markets during the AI era, losing more than half its market cap value since the introduction of ChatGPT. However, revenue has continued to grow steadily, and the new leadership is confident that human-agent products will enable a rebound. With this acquisition, Asana aims to accelerate its roadmap into "the next phase of human-agent work," potentially differentiating itself from both traditional work management platforms and standalone AI automation tools in the competitive enterprise software landscape.

The Upset at Roland Garros Jannik Sinner, the No 1 men’s tennis player in the world, was still leading by two sets and serving for a place in the third round of the French Open when it became clear he was in significant danger on the baking clay in Paris on Thursday afternoon. He was undone in the second round of the only Grand Slam he has yet to win, not by the ingenuity of his opponent or even the immense pressure that comes with being the prohibitive favourite, but rather by his own body. The Impact of Extreme Heat The Italian – who had not lost a match since February – said afterward that he had been struggling with an illness. Despite waving away suggestions he had wilted in the high temperatures, the unprecedented heat wave in the first week of the French Open this year could not have helped his cause. He fell 3-6, 2-6, 7-5, 6-1, 6-1 to Juan Manuel Cerúndolo before a stunned, packed audience on Court Philippe-Chatrier. Player Reactions to the Heat His defeat represents one of the most shocking results in recent years. The 24-year-old had entered the court on a 30-match winning streak and earlier this month he became the only man other than Rafael Nadal, the greatest clay court player in history, to win all three clay court ATP Masters 1000 titles in the buildup to the French Open. Most players are used to disruptive weather at Roland Garros coming in the form of rain delays and damp courts, but this year in Paris the heat has changed the state of play and divided the locker room over its intensity. The Tournament's Heat Rules The temperature has consistently ranged between 32 and 35C most afternoons so far. Such conditions are so rare in the second Grand Slam of the year that there was significant confusion about the tournament’s heat rules at the start of the week. When asked about them on Wednesday, Novak Djokovic incorrectly thought that they did not exist: “I really don’t understand why they don’t have the heat rule,” he said. “I actually didn’t know. I thought that there is in every slam, but then someone told me that Roland Garros has no heat rule.” Adapting to the Conditions The actual rules are based around the tournament organisers using wet bulb sensors to monitor the temperature, and a match could be suspended when it crosses 32.2C. To date, however, no match has ever been suspended at Roland Garros due to the heat. The scorching temperatures also make a significant difference to the way matches are played on clay. Wet, damp and colder conditions make balls heavier, leading to longer rallies and a lower bounce, the hot weather hardens the court and allow the ball to fly more quickly.