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The LeadGame of Thrones actress Hannah Murray shares her experience of being sectioned in a psychiatric hospital in her new memoir "The Make-Believe: A Memoir of Magic and Madness." The actress describes her mental health journey and the experience of being involuntarily admitted under the Mental Health Act.The Hospital ExperienceThe door to the room opens. A man enters the room. He is a Black man, bald and overweight. He is dressed in uniform. Blue uniform, a blue lanyard that reads "NHS". But I know Steve, the leader of the organisation that introduced me to magic, is a magician. I know he can appear in disguise.I approach the man and try to kiss him.He does not let me kiss him. Then no. It is not Steve.The man has brought me a plate of toast. He has brought me a cup of tea. I add sugar to the tea, which I would never have done in my former life, but a spoonful of sugar helps the medicine go down!I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive … I will never need to eat again. I survive on liquids and air and lightI do not eat the toast. I drink the tea. I am alone in the room again and I urinate into the cup and drink that too.I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive. It is the most potent of potions I can drink. I am a self-contained, utterly self-sufficient being. I will never need to eat again. I survive on liquids and air and light.I decide to explore outside the room. Outside my sanctuary. He has not come. So maybe I need to go searching for him …The Phone CallTime jumps. I am in a corridor lit by overhead strip lights. The electric light is pale yellow in tone. I am sat on one of three chairs in a row against the wall. The chairs are purple, curved plastic. I am still waiting for him to appear.There are two doors in front of me. One is the door to the blue room with the blue sofa and chair. Behind the other door is an office of some kind, and there is a woman in there, shuffling papers and talking on the phone.The woman comes out of the office. She is holding out my phone. My only possession now – the one artefact from my previous life. There is someone she wants me to speak to.Him.When I hold the phone to my ear, I hear a voice I recognise.But the voice belongs to my mother."Hannah?" she says. "Where are you? What's going on?"There is distress in her voice. Her voice is trembling with pain and anxiety.I do not want to hear it.This is a test. A horrible test, certainly, but one that I can pass. They are trying to tempt me back into the human. They are trying to lure me back into the past.I hang up the phone.But, after a moment, it starts to ring. The word Mum lights up the screen."Talk to her," says the woman.I answer the call.My mother sounds different now. Calmer. She asks again what's going on but gently, even cheerfully. I tell her everything's OK. That I'm fine. I tell her not to worry. I'm in a good place.This is the last time I will ever hear her voice, I think. This is the way I say goodbye.The DiagnosisThey tell me I am being sectioned.The words jar with my beliefs."Section 2 … the Mental Health Act … 28 days … right to appeal … "I cock my head.This does not fit at all. It does not fit in the world of Steve, of Ritual Master, of Shambhala and the invention of magic.I am not concerned. I am concerned only with the energy I can feel spiralling up through my body and the voices I can hear in my head.I pace the hospital corridors, delivering a tearful monologue, delivering the greatest performance of my life. A phrase comes to me. The Girl With All the Gifts. The title of a post-apocalyptic horror film released in 2016, starring Gemma Arterton.I am a magician. I am an actress. I am a writer. I have superhuman strength. I can fly. Anything that can be imagined, I can perform it. Every skill and every ability is mine.The film came out as a warning, and a prophecy.And because of me, the apocalypse has been averted.I am the saviour of the planet. I am the girl with all the gifts.The Journey to RecoveryIt was very hard, the journey to get here. It took 27 years. The path was twisting and full of setbacks, there were challenges and so much pain. There were times I wanted to give up. It was very hard. Everyone will have to make their own journey, and their journeys will be their own, unique as snowflakes or fingerprints. That is the beauty of it, the joy of it. Everyone has to figure it out for themselves.But I have laid the groundwork. I have walked the path. It starts with the energy healing, and it goes on and on through the seven dimensions, through increasingly magical planes. It goes on and on until you meet your soulmate, like I met mine.I was in a TV show called Game of Thrones, hidden in plain sight in the midst of a cultural phenomenon. I, the key to the world's salvation, wore the face of a character called Gilly, but really I played every role. Then I worked on a film called Detroit in Boston. David Benioff and Dan Weiss and Kathryn Bigelow were the four horsemen of the apocalypse. Numbers are irrelevant. Three counts as four. David and Dan and Kathryn cast me in the roles that brought about my destiny. The end and beginning of the world.I am the Ur-actress. I am every actress. Every performance ever given has been animated by my energy, my talent, by the gestures and facial expressions I am performing here and now.The Memoir and BeyondThis is an edited extract from The Make-Believe: A Memoir of Magic and Madness by Hannah Murray, published by Cornerstone (£18.99). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.Hannah Murray will be in conversation with Jessie Cave at Kings Place in London on 5 June.

Roughed up by Ramos Mohamed Salah's Liverpool career has been marked by significant moments, including his reaction to being injured by Sergio Ramos in the Champions League final, which showcased his impact on the English game and the respect he had earned. Persistence pays off against Spurs in 2019 Salah's determination and persistence were key factors in Liverpool's success, as seen in their 2019 match against Tottenham, where he played a crucial role in securing a win. Keeping his cool to set up glory in Madrid Salah's penalty in the 2019 Champions League final against Tottenham was a pivotal moment, showcasing his ability to perform under pressure and help Liverpool secure their sixth European Cup. Turning doubters to believers Salah's goal against Manchester United in the 2019-20 season was a significant moment, helping to convince fans that Liverpool could win the league, and ultimately contributing to their title win. Weaving magic against Manchester City Salah's goal against Manchester City in 2021 was a testament to his skill and creativity, as he weaved past four defenders to score a crucial goal for Liverpool.

The Oklahoma City Thunder rallied from a 15‑point early deficit to defeat the San Antonio Spurs 123‑108 on Friday, giving them a 2‑1 lead in the Western Conference Finals. Shai Gilgeous‑Alexander's 26‑Point Performance Secures Thunder's Road Victory Shai Gilgeous‑Alexander scored 26 points, anchoring a comeback after the Spurs opened with a 15‑0 run. The Thunder steadied the game with a 31‑29 lead early in the second quarter and took control at halftime, leading 58‑51. Bench scorer Jared McCain added 24 points, and Jaylin Williams hit five three‑pointers for an 18‑point contribution. The Spurs’ early burst faded as Oklahoma City’s poise, praised by coach Mark Daigneault, turned the tide. Stat Sheet: Scoring Breakdown and Bench Contributions Final Score: Thunder 123, Spurs 108 Series Lead: Thunder 2‑1 Gilgeous‑Alexander: 26 points Jared McCain: 24 points (bench) Jaylin Williams: 5 three‑pointers, 18 points Ajay Mitchell: 10 points (second quarter) Alex Caruso: 10 points (second quarter) Victor Wembanyama: 26 points (Spurs) Devin Vassell: 20 points (Spurs) Series Momentum Shifts: What the Win Means for the Western Conference Finals The Thunder’s ability to absorb a 15‑point blitz and respond with balanced scoring demonstrates depth that the Spurs lacked after their fast start. Coach Daigneault highlighted the team’s “poise” and bench lift, suggesting Oklahoma City can sustain pressure over a 48‑minute game. Conversely, Spurs coach Mitch Johnson admitted the early intensity was unsustainable, indicating a need for adjustments. Looking Ahead: What to Expect in Game Four in San Antonio Game four returns to San Antonio on Sunday. The Spurs must replicate their opening burst while containing the Thunder’s bench firepower. For Oklahoma City, maintaining defensive discipline and leveraging the momentum from their road win will be crucial to extending the series lead.

The Evening's Premier TV Offerings Television tonight presents an eclectic mix of dramas, game shows, and special celebrations across multiple channels. From a trippy group holiday drama on BBC One to a classic darts game show on ITV, viewers have plenty of options to choose from. Dramatic Escapes and Twisted Holidays Two Weeks in August airs at 9pm on BBC One, featuring Jessica Raine and Damien Malony as friends on a problematic Greek holiday. The drama takes a turn when the group consumes hallucinogenic mushrooms, leading to a twisty, trippy experience. Leila Farzad, Dolly Wells, and Hugh Skinner also star in this sun-soaked drama. Game Shows and Celebrity Competitions Bullseye for Soccer Aid premieres at 5.55pm on ITV1, bringing together celebrities for a classic darts competition. Freddie Flintoff returns as host, with teams including Kym Marsh and her sister-in-law Claire, Jon Richardson and Angela Barnes, and Olly Murs and Mark Wright competing under Richard Ashdown's judging eye. Nobody's Fool at 9pm on ITV1 presents a new quiz show hosted by Danny Dyer and Emily Atack. Ten contestants compete at a manor to appear the most intelligent, with a £100,000 prize at stake. The show combines elements of social experiment with competition, described as "Destination X meets The Traitors." Unique Accommodations Around the Globe World's Most Secret Hotels airs at 8pm on Channel 4, showcasing extraordinary accommodations worldwide. In East Lothian, Scotland, the Bus Stop offers glamping in luxury buses. In Arizona, Castle Hot Springs is located 11km down a dirt road near the Bradshaw Mountains thermal waters. The series is narrated by Julie Walters. Celebrating a Music Icon Cher at the BBC honors the singer's 80th birthday at 9pm on BBC Two. The special features clips of Cher's performances and chatshow moments throughout her career. Cher holds the distinction of being the only artist with US Billboard No 1s in every decade between the 1960s and 2010s, with hits including "I Got You Babe," "Walking in Memphis," "Strong Enough," and "Believe." Classic Detective Reimagined Monsieur Spade at 9pm on U& Drama features Clive Owen as Sam Spade, Dashiell Hammett's iconic detective. Set in 1963 in the south of France, the retired Spade investigates the murder of six nuns, becoming entangled in jurisdictional conflicts with the Vatican. Owen brings a "rumpled melancholy" to the role. Film Highlights for Tonight Is This Thing On?, now available on Disney+, is inspired by the true story of how John Bishop became a comedian. Bradley Cooper directs this drama about marriage and midlife crisis, starring Will Arnett as a New York financier who finds unexpected fulfillment through stand-up comedy. Laura Dern co-stars as his estranged wife. Tom Clancy's Jack Ryan: Ghost War is now streaming on Prime Video. The John Krasinski-led espionage thriller follows the CIA analyst as he teams up with Sienna Miller's MI6 agent to pursue a rogue black ops operative from London to Dubai. The film offers a more relaxed take on the spy genre compared to the high-octane Mission: Impossible series. My Favourite Cake airs at 9pm on BBC Four, celebrating the art of baking with a focus on favorite cake recipes and techniques.

Google has officially joined the glitterati of app icon design, rolling out disco-ball themed icons for Pixel devices in a move that blurs the line between functional UI and digital kitsch. This follows Spotify’s controversial 20th-anniversary icon, which initially drew heavy criticism before evolving into a meme-worthy moment. The Disco Ball Rollout: From Tease to Reality The feature was teased by Android ecosystem head Sameer Samat on X, who asked, "Should we make this icon pack happen on Android?" The answer was a resounding "yes," with the icons now available on Pixel devices via the custom icons feature introduced in March's Pixel Drop. Feature Origin: Part of the "Pixel Drop" update series. Creator: Android head Sameer Samat. Availability: Currently rolling out to Pixel users. Analyzing the "Ugly" Aesthetic: User Sentiment While Spotify's temporary icon sparked complaints about "glitter not being for everyone," Google’s full rollout suggests a shift in consumer tolerance—or preference—for maximalist design. The reaction has been polarized, with users calling it "awful" yet "taking it," indicating a complex emotional response to the change. The Rise of Whimsy in UI Design This move highlights a significant cultural shift in digital aesthetics. As reported by The New York Times, Zillennials are increasingly favoring "whimsical" designs as a playful response to a difficult world. Google’s embrace of the disco ball aligns with this trend, moving away from sterile, uniform iconography toward personalized, expressive interfaces. The Future of App Icon Customization Google isn't the only player in this space; tools like Lovable are already offering disco-ball effects for logos. We predict that as AI-generated design tools become more accessible, the line between "functional app icon" and "digital art" will continue to dissolve, leading to more frequent, bizarre, and highly personalized home screens.

The Lead: West Ham's Relegation Fate Hangs in the Balance West Ham United faces a critical moment as they prepare to face Tottenham with their Premier League status hanging by a thread. With 36 points - the highest total for a relegated team in a decade - they need a victory to have any realistic chance of avoiding the drop, even a draw would require an improbable 12-goal victory against Leeds United. The Managerial Carousel: From Moyes to Nuno West Ham's current predicament comes after a cycle of managerial changes since they initially parted ways with David Moyes. The Scot had twice saved the club from relegation and delivered their first major trophy in 43 years, yet the board sought a more "exciting" style of play. They turned to Manuel Pellegrini, who achieved a 10th-place finish, but when his second season unraveled, Moyes was brought back to steady the ship. After achieving sixth and seventh-place finishes under Moyes, plus winning the Europa Conference League, the club again sought change. Julen Lopetegui lasted six months, Graham Potter eight games, before Nuno Espírito Santo was appointed in September 2025 on a three-year contract. The Tactical Approach: Routine Amid Crisis As relegation looms, Nuno has maintained a steadfast approach, refusing to deviate from his routine despite the mounting pressure. "The same approach, the same routine, the same dedication," he stated. The matchday process remains unchanged: team meetings, tactical preparation, and maintaining team spirit through a "big hug" before kickoff. Nuno has emphasized focus on their own match rather than being distracted by other results, particularly the simultaneous Tottenham vs. Everton fixture that could further impact their fate. The Player Factor: Bowen's World Cup Snub The uncertainty surrounding West Ham's future has been compounded by the news that Jarrod Bowen, a key player who flourished under Moyes, was not included in Thomas Tuchel's England World Cup squad. Despite several call-ups, the winger's omission adds to the club's instability. Nuno spoke to Bowen following the announcement, telling him: "Life is like that, that some decisions you just have to respect." The manager emphasized that Bowen "doesn't have to prove anything" and needs to be "the best of him" for the crucial match against Tottenham. The Future: Potential Exodus and Managerial Uncertainty Should relegation be confirmed, Bowen is expected to be among several key players likely to depart the club. Nuno, who signed a three-year contract just last September, refused to commit to his future beyond Sunday's match. "Our future is Sunday," he stated, "After that we will assess everything that we have to assess." The situation underscores a broader pattern at West Ham: the pursuit of immediate success and exciting football has often undermined the stability that Moyes provided, leading to repeated crises that ironically bring them back to the manager they initially let go.

The Rediscovery of Gaza's Pre-Conflict EraDecades-old photographs have emerged, offering a rare glimpse into life in Gaza during happier times. These images, recently brought to light, showcase a vibrant community filled with laughter, cultural activities, and everyday joys that stand in stark contrast to the current reality in the region.A Visual Journey Through Gaza's HistoryThe collection of photographs spans several decades, capturing moments of celebration, family gatherings, and community life in Gaza. The images reveal a society rich in culture and social connections, with markets bustling, children playing in the streets, and families enjoying leisure time together.Documenting a Lost EraThese photographs hold significant historical value, documenting a period before the conflicts that have shaped Gaza's recent history. They serve as an important cultural record, preserving memories of a time when daily life was marked by normalcy rather than the challenges faced by residents today.Generational Impact of Historical ImagesThe circulation of these historical images has sparked conversations about Gaza's cultural heritage and the resilience of its people. For many, particularly younger generations who have only known life under conflict, these photographs provide a connection to a past that may seem almost foreign.Cultural Preservation Through PhotographyHistorians and cultural preservationists emphasize the importance of such visual documentation in maintaining collective memory. These photographs not only capture moments of joy but also serve as a testament to the rich social fabric of Gaza that continues to endure despite ongoing challenges.

Establishment of a Special Military TribunalIsrael’s Knesset passed legislation creating a special military tribunal to try Palestinians accused of participating in the Oct. 7, 2023 Hamas‑led assault. The law authorises televised trials and gives the court the power to impose the death penalty on convicted detainees.Casualties, Detainees, and the Scope of the Tribunal1,139 Israelis killed and 250 abducted in the Oct. 7 attack.More than 72,600 Palestinians killed in Gaza since the conflict began.Estimated 300 Palestinians detained and slated for trial, including civilians such as Dr. Hussam Abu Safiya.Political Backing and Domestic SupportJustice Minister Yariv Levin, co‑sponsor of the bill, called the legislation “one of the most important moments of the current Knesset.” He emphasized cross‑party unity on the issue despite upcoming elections. Public opinion among Jewish Israelis reportedly shows overwhelming support for the tribunal and punitive measures against Palestinians.International Reaction and Calls for RepealThe UN Human Rights chief Volker Turk urged repeal, stating the process fails to meet international standards. The International Bar Association warned of unfair trials, citing risks of coercive practices, false confessions, and miscarriages of justice. Rights organisations such as Amnesty International, Human Rights Watch, and B’tselem condemned the legal framework.What the Tribunal Means for Israel’s Legal LandscapeAnalysts question whether the televised trials will satisfy demands for accountability or simply function as a tool of vengeance. Political commentator Ori Goldberg noted Prime Minister Benjamin Netanyahu appears unconcerned with electoral repercussions, treating the tribunal as another political gamble. The outcome could shape Israel’s domestic legitimacy and its standing in international human‑rights forums.

The Growing Rift at Roland GarrosA simmering dispute between players and the Grand Slams over revenue sharing intensified at the French Open, with Novak Djokovic warning the sport risked further fragmentation as leading players pressed for a greater voice in shaping its future. Several players limited their appearances at Friday's traditional pre-tournament media day to 15 minutes and declined additional multi-media interviews in a coordinated display of discontent.Player Demands Beyond Financial ConcernsThe tensions have been building for weeks, but the rhetoric sharpened in Paris, where players, such as Taylor Fritz, insisted that their grievances were not just about "wanting more money". "It's about just wanting what's fair," the American added. "As the tournaments make more money, we obviously want to see the revenue shared back to the players reflect that."Players have pointed to pensions, tournament expansion, scheduling and late-night finishes among the issues fuelling frustration, alongside what several described as a persistent lack of dialogue from organizers. Russian Andrey Rublev painted a picture of a widening disconnect: "When you try to communicate for so many years ... they don't hear you. They don't answer," Rublev said. "When you send the mail in, no one responds to official mail for months."The Financial Divide in TennisWhile top ATP and WTA events redistribute around 22 percent of revenues to players, the Grand Slams are estimated to return closer to 15 percent, a gap that has become a central source of tension. French Open organizers have been arguing that tournament profits fund entire national tennis ecosystems, not just prize money. They are expected to meet player agents on Friday as discussions continue over revenue sharing and player representation.Industry-Wide ImplicationsWorld number one Aryna Sabalenka cast the debate as a struggle on behalf of the sport's lesser lights rather than its leading stars. "It's not about me. It's about the players who's lower in the ranking, who is suffering," she said. "But as the world number one, I feel like I have to stand up and to fight for those players."Djokovic emphasized the broader structural issues facing tennis: "We tend to forget how little is the number of people that live from this sport." He pointed to golf and the divisions caused by the emergence of LIV Golf as a warning for tennis: "Let's learn from that. Let's try to be a bit more united and have a unifying voice into finding better structure and better future for our sport."Path Forward for Tennis GovernanceEven so, players adopted a more cautious tone over the prospect of a boycott after Sabalenka raised the possibility earlier this month in Rome. "I don't know if I want to start throwing around the 'B' word," Fritz said. "It's a really big deal, and I don't think we as players should really make big threats like that unless we're fully ready to do it."French Open tournament director Amelie Mauresmo expressed regret over the reduced media access: "It's always regrettable because media day is an important moment for the tournament, for journalists who come from all over the world and also for the fans through the media coverage," Mauresmo told reporters. "We understand that there are discussions and concerns from the players, but dialogue is always preferable."