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Richard Wagner’s near‑death at sea in 1839 inspired the legend of the cursed ghost ship that underpins The Flying Dutchman. The Welsh National Opera (WNO) brings this myth to life in a fresh production that treats the libretto as a poetic meditation on birth, love, and mortality. Directed by Jack Furness, the opening scene intertwines a woman’s labor with the overture’s turbulent surges, symbolising the birth of Senta—destined to lose her mother and become haunted by the Dutchman’s promise of redemption, which can surface only once every seven years. Visual motifs—circling movements, blood‑red dresses echoing the ship’s sails—reinforce the cyclical fate of both protagonists. Designer Elin Steele and lighting designer Lizzie Powell conjure stormy seas and mist without literal ships, allowing the audience to focus on the raw emotions conveyed by the singers. Minimalist set pieces, occasional gold‑dust flourishes, and precise costume changes keep the drama tight and immersive. The cast delivers a musically rewarding performance. James Creswell shines as Daland with crystal‑clear German diction, while Simon Bailey portrays the tormented Dutchman with a compelling blend of menace and sympathy, especially in the final act. Rachel Nicholls as Senta offers a believable, passionately deluded love, delivering bel canto lines with immaculate pitch. Tenors Trystan Llŷr Griffiths (the Steersman) and Leonardo Caimi (Erik) make strong impressions, though the opera’s numerous choruses feel over‑extended. The WNO orchestra, under the authoritative baton of outgoing music director Tomáš Hanus, creates a convincing tempest that underpins the drama. Facing a thin 2026/27 season, the company is eager to prove its vitality, making these performances a must‑see—though audiences should not anticipate a conventional resolution. Staging dates include the Wales Millennium Centre in Cardiff (19 April), Theatre Royal Plymouth (24 April), Birmingham Hippodrome (7 May) and Milton Keynes Theatre (15 May).Review by Rian Evans, The Guardian, 17 April 2026.

A significant 53% of all voters support a full return to the EU, with 83% of Labour voters, 84% of Liberal Democrat voters, and 82% of Green party voters backing the policy. In contrast, only 39% of Conservative voters and 18% of Reform voters support rejoining the EU.Labour's approach to EU relations has been described as 'muted' and may risk losing support among progressive voters and in 'red wall' constituencies. The party's policy is to align with, but not join, the single market, which means it has no say in shaping regulations and directives.Experts warn that Labour's strategy may be flawed, as the loss of the liberal voter base on issues like Brexit could be more damaging than the loss to pro-Brexit parties. Neil Kinnock, the former Labour leader, believes that Labour will one day campaign for rejoining the EU, but did not provide a timeline.Anand Menon, director of UK in a Changing Europe, argues that Labour's position on EU relations is contradictory and economically unsustainable. He suggests that aligning with EU regulation would require constant monitoring to prevent accidental divergence.

Asif Kapadia has been appointed to direct the final chapter of the ITV documentary series “70 Up,” slated for broadcast later this year. The series, which launched in 1964, was voted the most influential UK television programme of the last 50 years in a 2024 Broadcasting Press Guild poll. Kapadia, celebrated for his award‑winning documentaries on Amy Winehouse, Ayrton Senna and Diego Maradona, described the role as an "incredible honour and privilege" and called the original “Up” series the ultimate portrait of human life. ITV’s factual controller Jo Clinton‑Davis praised the appointment, noting that Kapadia will bring “passion, creativity and incredible flair” while safeguarding the series’ legacy, which she said has become “part of our cultural fabric.” The series was conceived by Granada’s Tim Hewat, who adapted the Jesuit maxim “Give me the child until he is seven and I will show you the man” into a longitudinal study of British social class. Michael Apted, who served as the series’ long‑time director, passed away in 2021; his earlier prediction that the project would continue “as long as I’m above ground” has now been fulfilled. Over the decades, viewers have followed fourteen participants from childhood to senior age. Notable stories include Liverpool’s Neil Hughes, who dreamed of becoming an astronaut at 14, later endured homelessness, and ultimately emerged as a lay preacher and Liberal Democrat councillor. Only one participant, Charles Furneaux, chose to exit the experiment early, while others, such as scientist Nick Hitchon, have passed away. With Kapadia at the helm, “70 Up” will serve as a tribute to both Apted’s pioneering vision and the courage of the cast, who have shared their lives across seven‑year intervals for more than six decades.

Equity’s Choreographers and Movement Directors Network (CMDN) says that theatre’s physical storytellers are still marginalised by awards bodies and should receive dedicated recognition.At the recent Olivier Awards, Fabian Aloise secured the best theatre choreographer prize for "Evita" at the London Palladium. While the network welcomed the visibility, it pointed out that the movement directors behind the nominated productions were omitted from any specific category, sparking a broader debate about the language used to credit theatrical creation.CMDN highlighted several movement directors whose work shaped this season’s most impactful shows, naming Leanne Pinder ("Punch"), Sarah Golding ("Kenrex"), Imogen Knight ("Dead Man Walking"), Jenny Ogilvie ("Into the Woods"), Sung Im Her ("The Glass Menagerie"), Lucy Hind ("Inter Alia") and Kloé Dean ("The Boy at the Back of the Class").Movement direction, the network explains, is not always dance but is essential to a production’s physical language, characterisation and dramatic flow. "If we celebrate the impact of physical storytelling, we must also evolve how we acknowledge the artists behind it," CMDN said.The network praised the Black British Theatre Awards for expanding their choreography category in 2022 to include movement direction, but noted that the UK Theatre Awards and Critics’ Circle Awards still lack dedicated categories for either choreography or movement direction.Founded in 2023 by movement director and choreographer Polly Bennett, CMDN now counts over 200 members. In a 2025 interview, steering‑group member Ellen Kane asked, "Why aren’t there Oscars or BAFTAs for choreography? Why aren’t we being credited?"Last month, more than a hundred theatre professionals signed a petition urging the Olivier Awards to create a separate video‑design category, arguing that the current system lumps video designers with other disciplines. This year’s Olivier winners illustrate the overlap: Tom Pye (set) and Ash J Woodward (video) shared the best set‑design award for "Paddington: The Musical", while Aideen Malone (lighting) and Roland Horvath (video) shared best lighting‑design for "Into the Woods".

Angelina Jolie leads the new fashion‑driven drama Couture, bringing a rare level of personal honesty by confronting a storyline that mirrors her own double mastectomy performed to prevent breast cancer. While her performance is undeniably courageous, the film’s overall execution falls short of its ambitions.The plot follows Maxine, an American indie filmmaker (Jolie) who arrives in Paris to direct the opening short for a prestigious runway show. She discovers, through a compassionate doctor played by Vincent Lindon, that a recent biopsy confirms she has breast cancer, forcing her to consider postponing or abandoning her next project. Jolie conveys the shock and denial with subtlety, yet the script, penned by director Alice Winocour, often lapses into glib dialogue that undermines the emotional weight of the situation.Supporting characters include Ada, a fledgling South Sudanese model (Anyier Anei), makeup‑artist‑turned‑writer Angèle (Ella Rumpf), and the brooding first‑assistant director Anton (Louis Garrel). Their subplots—most notably Ada’s ankle injury that threatens the runway performance—remain underdeveloped, serving more as decorative set‑pieces than integral narrative threads.Visually, the film captures the glamour of Parisian haute couture with polished cinematography, yet this sheen accentuates the story’s lack of depth. The fashion world is presented with a “precious” aesthetic that feels specious, offering little insight beyond surface‑level allure.Despite these shortcomings, Jolie’s star power shines through. Her willingness to align a fictional role with a deeply personal health battle adds a layer of authenticity that the surrounding screenplay fails to sustain. ‘Couture’ will be available on digital platforms from 20 April, offering audiences a chance to appreciate Jolie’s performance even if the film’s broader ambitions remain unfulfilled.

Alex Manninger, 48, died when his vehicle was hit by a train at a level crossing near Salzburg on Thursday morning. The accident occurred at approximately 8:20 am local time (06:20 GMT), according to Salzburg police. The former Austria goalkeeper, who earned 33 caps for his country, spent the early part of his career at Arsenal (1997‑2001), where he was part of the squad that won the league and FA Cup in the 1997‑98 season, before finishing his playing days at Liverpool in 2017. In Italy he guarded the posts for Fiorentina, Torino, Bologna, Siena, Udinese and Juventus. OEFB Sporting Director Peter Schoettel called Manninger “an outstanding ambassador of Austrian football” and praised his “professionalism, calmness and reliability” that inspired a generation of young goalkeepers. Police reports indicate the car was hit by a railcar of the Salzburger Lokalbahn while crossing the tracks and was dragged along. The driver – Manninger – was alone in the vehicle; the train driver escaped injury. First responders freed him, but resuscitation attempts were unsuccessful. Clubs paid tribute: Fiorentina announced a minute’s silence and black armbands for their Conference League match against Crystal Palace, while Arsenal expressed shock on social media. Liverpool and Juventus also released statements, with Juventus noting that Manninger will be remembered for his “humility, dedication and exceptional professionalism.” The tragic loss underscores the dangers of level‑crossing accidents and has prompted an outpouring of grief across the football community.

A Senate vote on Wednesday failed to block a proposed sale of military bulldozers to Israel, with the measure losing 40‑59. Only seven Democrats crossed party lines to side with the Republican majority, underscoring a notable, though limited, shift in congressional sentiment.Progressive Senator Bernie Sanders introduced the bill amid mounting outrage over Israel’s use of bulldozers to raze villages in Gaza and Lebanon—actions described by rights groups as ethnic cleansing. While the resolution did not pass, 36 Democratic senators also backed a separate effort to stop 1,000‑lb bombs from reaching Israel, more than double the support such measures received last year.Advocacy organizations seized on the vote as a historic moment. Hassan el‑Tayyab of the Friends Committee on National Legislation said the tally shows a majority of Senate Democrats now oppose unconditional aid, aligning with broader American opinion. A recent Pew Research Center poll found 60 % of U.S. adults hold unfavorable views of Israel, with even higher negativity among voters under 50.Republican senators remained uniformly opposed. Senator Rick Scott accused the Democratic supporters of siding with terrorism, arguing that the blocked sales would have helped allies confront threats. The partisan divide highlights the political risk for Republicans who break with former President Donald Trump on Israel policy.Prominent lobbying groups also weighed in. The pro‑Israel lobby AIPAC warned that curbing arms sales would jeopardize Israel’s security, while liberal Zionist organization J Street welcomed the growing willingness to question unconditional assistance. Jewish Voice for Peace’s political director Beth Miller called the vote an "inflection point," suggesting it reveals "massive cracks" in the long‑standing U.S.–Israel alliance.Within the Democratic caucus, Senate Majority Leader Chuck Schumer faced criticism for voting against the resolution, prompting calls from progressive lawmakers like Rep. Ro Khanna for his resignation. Demonstrators outside Schumer’s and Sen. Kirsten Gillibrand’s offices demanded they support the bill, reflecting intensified grassroots pressure.The episode signals a potential realignment in U.S. foreign‑policy calculations. As public fatigue with the Gaza war, the Lebanon conflict, and the stalled Iran confrontation grows, lawmakers appear increasingly wary of using American tax dollars to fund overseas military operations that could entangle U.S. troops and erode domestic support.

The United States military has announced that it has attacked a new vessel in the Eastern Pacific, killing three people it accuses of “narco-trafficking”. This latest strike is part of a pattern of dozens of similar operations carried out by the US military in recent months.According to US Southern Command, the targeted vessel was operated by unnamed “Designated Terrorist Organizations” that were “transiting along known narco-trafficking routes” in the region. The military shared a video of an air strike that appeared to tear into the vessel, which burst into flames.The US military stated that none of its forces were harmed in the operation. This incident comes a day after another US military strike in the eastern Pacific killed four people, and a separate strike on Monday in the region resulted in two fatalities.In total, US attacks on vessels accused of narco-trafficking have killed at least 178 people since September, when US President Donald Trump ordered the attacks to stop what the White House claims are Latin American cartels transporting drugs to the US.Critics have questioned the legality of the strikes, with some arguing that they have targeted civilian fishing boats. Human Rights Watch has described the strikes as “unlawful extrajudicial killings”, while the American Civil Liberties Union has cast the assertions by the Trump administration against those it targets as “unsubstantiated, fear-mongering claims”.Legal experts argue that if some vessels were involved in drug trafficking, those on board should face the law, rather than deadly attacks. Sarah Yager, Washington director at Human Rights Watch, stated that “US officials cannot summarily kill people they accuse of smuggling drugs”.Critics have also questioned the effectiveness of the US military operation, particularly since the fentanyl behind many fatal overdoses in the US is typically trafficked over land from Mexico, where it is produced with chemicals imported from China and India.

Reed Hastings, the co-founder of Netflix, is leaving the streaming service's board of directors after 29 years. Hastings will not stand for re-election at the company's annual meeting in June and plans to focus on philanthropy and other pursuits.In a letter to investors, Netflix said Hastings' decision to step down is not a result of any disagreement with the company. The company's stock dropped about 8% on the news of Hastings' departure.Hastings co-founded Netflix in northern California and led it through its pivot from a mail-order DVD company to a leading streaming TV service. He stepped down as CEO in 2023.Netflix reaffirmed its mission to entertain the world, providing movies and series for many tastes, cultures, and languages. The company's full-year financial outlook remained unchanged. Revenue rose to $12.25 billion, an increase of 16% from the year-ago period, modestly exceeding analyst forecasts.The company plans to use technology to improve the user experience and monetization, with advertising revenue on track to reach $3 billion in 2026, a twofold increase from a year ago. Netflix also highlighted areas of future growth, including video podcasts and live entertainment.