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Zimbabwe fast bowler Blessing Muzarabani has been banned from the Pakistan Super League (PSL) for two years after he abandoned a pre‑agreed deal with Islamabad United to play for the Indian Premier League (IPL) franchise Kolkata Knight Riders.The 29‑year‑old was initially signed by Islamabad United despite going unsold in both the IPL and PSL auctions. However, when Kolkata Knight Riders needed a replacement for Mustafizur Rahman – who was released under BCCI instructions – Muzarabani opted to join the IPL side instead.Pakistan Cricket Board (PCB) officials condemned the move, stating that the player “disregarded his obligations in favour of a conflicting arrangement” and violated the contractual principles that underpin professional sport.The IPL and PSL now run almost concurrently, making it practically impossible for an international player to feature in both competitions within the same season.Similar disciplinary action has been taken before: South African bowler Corbin Bosch received a one‑year PSL ban after he chose to play for Mumbai Indians in the IPL, turning down a contract with Peshawar Zalmi.Pakistani cricketers have been absent from the IPL since the 2008 Mumbai attacks, when geopolitical tensions led Indian franchises to stop selecting players from across the western border.Recent concerns about Indian‑owned teams in other leagues, such as England’s The Hundred, have also surfaced. Those worries were eased when Pakistani pacer Abrar Ahmed was signed by the Indian‑owned Sunrisers Leeds, though the move sparked a social‑media backlash and drew criticism from former India star Sunil Gavaskar, who claimed the signing “indirectly contributes to the deaths of Indian soldiers and civilians”.

Super Typhoon Sinlaku, a powerful storm system, is bearing down on the remote Mariana Islands in the northern Pacific Ocean. The storm, which formed on April 9, has sustained winds of 278 km/hour (173 mph) and is moving at a slow pace of about 14 km/hour (9 mph).The super storm was approximately 68 nautical miles (126km) southeast of the island of Saipan in the Northern Mariana Islands at about midday on Tuesday local time. While Sinlaku appears to be weakening and could pass by the Northern Mariana Islands with the strength of a Category 4 or Category 5 storm, it still remains extremely dangerous.The Guam’s Office of Civil Defence warned of widespread rain and flooding along with destructive winds that could cause power outages. Although Guam will likely avoid a direct hit from Sinlaku, the island will still encounter high winds of up to 64 to 80 km/hour (40 to 50 mph) and gusts of up to 105 km/hour (65 mph).The office also warned the island’s 170,000 residents to stay out of the water, as dangerous sea conditions are expected to last until Thursday. Before turning towards Guam and the Northern Marianas, the storm left significant damage to the outer islands and atolls of Chuuk in the Federated States of Micronesia.

Senior Chinese diplomat Sun Weidong has been dismissed from his post as vice minister of foreign affairs, in the latest case of a high-ranking official being removed from office by Beijing. The Ministry of Human Resources announced the news in a brief post on its website on Tuesday, citing a decision of the State Council, the highest body of state power in China.The post did not specify why or when Sun had been dismissed, but the Ministry of Foreign Affairs website shows his last public engagements were meetings with the ambassadors of Brunei and Malaysia to China on March 13. Two days earlier, Sun had met Pakistan’s ambassador to China to discuss bilateral cooperation.Dismissals of this kind in the Chinese government usually indicate high-level disciplinary action and are often followed by news of an investigation. Sun’s dismissal notice included the removal of another official, An Lusheng, from his post as deputy director of the National Railway Administration.Since coming to power in 2012, President Xi Jinping has carried out a wide-ranging anticorruption campaign targeting “tigers and flies”, meaning high- and low-ranking officials. Last year, China investigated more than one million corruption cases and disciplined 938,000 people, according to its Central Commission for Discipline Inspection and National Supervisory Commission.The list of cases involving disciplinary action included 69 provincial or ministerial-level officials, 4,155 bureau-level officials, 35,000 county-level officials, and 125,000 township-level officials, according to the commission’s year-end report. Senior Chinese military officials have also been caught up in Xi’s anticorruption campaign sweeps.

Itch! thrusts viewers into a nightmarish scenario where a hyper‑contagious disease forces victims to scratch themselves to death. The film’s most striking moment features a woman literally tearing her own skin, a set‑piece that showcases the director’s knack for visceral body‑horror despite a shoestring budget. The narrative then shifts to a cramped department store, where a rag‑tag group of uninfected shoppers must endure a claustrophobic dialogue‑driven showdown. While the premise echoes classic confinement thrillers such as John Carpenter’s The Thing and Assault on Precinct 13, the limited resources prevent the film from fully capitalising on these influences. Critics note that a larger budget could have amplified the already effective practical effects, and a tighter script would have deepened the human drama. The ensemble includes a widowed father (played by director‑screenwriter Bari Kang) juggling single‑parenthood, a cantankerous customer (portrayed by Douglas Stirling) who complains about price‑matching on Amazon, and several other archetypal figures. However, the screenplay struggles to give each character a distinct emotional arc, leaving audiences at a distance. Despite these shortcomings, the film’s core concept—an epidemic of fatal itching—offers a fresh angle for the under‑served eczema community and delivers moments of genuine horror. Itch! becomes as much a character study as a genre piece, though the balance tilts unevenly. The movie is available on UK digital platforms from 20 April 2026 and on US digital platforms from 21 April 2026.

Great Britain is on the verge of a record‑breaking summer of wind and solar generation, creating the possibility of the first zero‑carbon electricity periods in the nation’s power system.The government’s ambition to achieve a 95% gas‑free grid by 2030 underpins this push, as electrified transport, heat pumps and low‑carbon industry will need a clean power supply to meet climate targets.National Grid ESO (Neso) forecasts that on sunny weekend afternoons the grid could have more renewable power than demand, leaving excess capacity that would otherwise be wasted.To turn surplus into savings, Neso is urging households and businesses to shift flexible loads—such as charging electric vehicles, running dishwashers or doing laundry—to those high‑renewable windows.Leading suppliers Octopus Energy and British Gas have confirmed participation, offering special tariffs that reward consumers for using electricity when it is abundant.British Gas’s “PeakSave” scheme, for example, provides half‑price electricity from 11 am to 4 pm on Sundays, with an even cheaper “Super Sunday” option from 9 am to 5 pm. The company says the tariff has saved over £45 million for more than 1 million customers since its 2023 launch. Octopus Energy reports helping 2 million households save about £11 million, including £3 million in free electricity during periods of high renewable output.Other providers—including Ovo Energy and EDF Energy—offer similar “time‑of‑use” tariffs that charge higher rates when renewables are scarce, giving price‑sensitive users a clear incentive to shift consumption.Beyond bill reductions, flexible demand curtails the need for “constraint payments” to wind and solar farms—payments that reached almost £1.5 billion last year. By encouraging consumers to “turn up” rather than forcing generators to “turn down,” the grid can avoid these costly curtailments.Businesses are also joining the flexibility movement. Tech firms report that adaptable energy use can cut datacenter grid costs by up to 5% and slash emissions by as much as 40%. Danish engineering group Danfoss estimates that if datacentres operated flexibly for just 1% of the time, the pipeline of new facilities expected by 2035 could be accommodated without overloading the grid.In short, leveraging surplus renewable power now—through smart tariffs and demand‑shifting—offers a cheaper, faster alternative to massive storage or grid‑upgrade projects, while delivering tangible savings for consumers and a decisive step toward a low‑carbon British electricity system.

In a tense showdown at Wembley, England’s women’s national team edged past Spain 1‑0 to keep their World Cup qualifying campaign flawless. Lauren Hemp opened the scoring in the third minute, a strike that set the tone for a match defined by English resolve. Coach Sarina Wiegman entered the game with a clear plan: abandon possession‑heavy play and adopt a compact low‑block to frustrate Spain’s technical superiority. Captain Keira Walsh echoed this approach, noting that “you can’t go toe‑to‑toe with Spain for possession”. The strategy paid off as England held the ball for only 36.7% of the time, yet limited the visitors to 21 chances, just three of which were on target. Defensively, England were razor‑sharp. The side recorded 21 tackles with a 61.9% success rate, and the newly‑formed partnership of Lotte Wubben‑Moy and Esme Morgan kept the Spanish attack at bay. Goalkeeper Hannah Hampton cemented the clean sheet with a world‑class save from Edna Imade’s close‑range header, preserving the lead. Beyond Hemp’s early goal, the attacking trio of Lauren James on the left and Lucy Bronze on the right added width and defensive cover, showcasing the squad’s evolution since last year’s goalless draw. While Wiegman admitted the team “could have been higher up the pitch”, she praised the collective effort that made Spain uncomfortable once the English side entered the opponent’s half. The victory propels the Lionesses to the top of their qualifying group with three wins from three games and a healthy goal difference. A return fixture in Mallorca in June now looms, but England have already secured a psychological edge.

The UK's culture secretary, Lisa Nandy, has cleared Axel Springer's £575m takeover of the Telegraph titles, paving the way for the end of almost three years of uncertainty over the ownership of the newspapers. Nandy stated that she does not believe there are grounds to intervene and refer the deal to the media regulator, Ofcom, for an in-depth regulatory investigation. The culture secretary has the power to call in mergers for further scrutiny on public interest grounds, as well as the new foreign state influence regime. Axel Springer, a German media group, had tabled a significantly superior offer to Lord Rothermere's Daily Mail and General Trust (DMGT), prompting the United Arab Emirates-backed group that controls the Telegraph to seek UK government approval to switch the permission to sell the right-to-buy option to Axel Springer. The Telegraph titles will add to Axel Springer's media portfolio, which includes Europe's biggest newspaper, Bild, Politico, and Business Insider. Axel Springer CEO, Mathias Döpfner, has promised to invest in the Telegraph to make it the “leading centre-right media outlet in the English-speaking world”, with a rapid expansion planned for the US supported by the expertise of Politico and Business Insider. The sale of the newspapers was kicked off in 2023 when the Barclay family lost control of the group over £1.16bn of unpaid debts owed to Lloyds bank. RedBird IMI, which is 75% controlled by Sheikh Mansour bin Zayed Al Nahyan, the vice-president of the UAE and the owner of Manchester City, took control of the publishing group after agreeing to pay the Barclays' debts.

Dianna Russini, a prominent NFL reporter for The Athletic, has resigned from her position amid an investigation into photos of her with New England Patriots coach Mike Vrabel. The images, published by The New York Post, show Russini and Vrabel together at a luxury hotel in Sedona, Arizona, and have sparked speculation about their relationship.Russini maintained that her interactions with Vrabel were platonic and taken out of context. She expressed frustration with the media frenzy surrounding the photos, stating that it was 'unmoored from the facts' and had caused significant damage to her career.In a letter to The Athletic's executive editor, Steven Ginsberg, Russini said she had covered the NFL with professionalism and dedication throughout her career. She chose to resign before her contract expired on June 30, rather than allowing the situation to continue and potentially harm her reputation further.The Athletic initially defended Russini, with Ginsberg stating that the images lacked context and depicted public interactions among multiple people. However, the outlet expanded its review after additional reporting raised questions about Russini's coverage of Vrabel and the nature of their relationship.Russini joined The Athletic in 2023 after nearly a decade at ESPN, where she held various roles, including SportsCenter anchor, NFL analyst, and insider. Vrabel, who won three Super Bowls as a player with New England, is preparing for his second season as coach of the Patriots.

The author of the article, a self-proclaimed lifelong Nintendo fan, recently watched the new Super Mario Galaxy movie with their children over the Easter break. The film received harsh reviews from critics, with The Guardian's Peter Bradshaw calling it 'worse than AI' and Empire deeming it a 'humourless, hysterical trudge'. Despite this, the author's children loved the movie, which sparked a reflection on its strengths and weaknesses.The film is criticized for its lack of depth and originality, launching into an unrelated storyline that fails to develop the characters or plot. The author notes that the movie relies heavily on action sequences and lacks humor, with Jack Black's Bowser being a notable exception. However, the film's attention to detail and commitment to accurately representing the Mario universe are praised.The author argues that the movie's creators, including many from Nintendo itself, genuinely care about the Mario games and have ensured that the details are accurate. This love for the source material is evident throughout the film, even if it's not always successful in translating to the screen. The author also criticizes the film for feeling like an advertisement, particularly with the inclusion of Fox McCloud from Star Fox, which seems to be a promotional move.Ultimately, the author concludes that while the Super Mario Galaxy movie is not great, it's not as bad as critics make it out to be. The film's shortcomings are largely due to its shallow storytelling and reliance on familiar elements rather than innovative ideas. The author hopes that future Nintendo movies will be more enriching and engaging for young audiences.