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Researchers discovered that malicious actors tricked Meta’s AI support assistant into granting them control over several prominent Instagram accounts, prompting an urgent security response from the company.Hackers Exploit Meta’s AI Support Bot to Hijack High‑Profile Instagram AccountsThe breach began when hackers engaged the AI‑driven support chatbot, requesting account linkage to a new email address. The bot confirmed that a verification code had been sent, and once the correct code was supplied, it presented a password‑reset button, effectively handing over control of the target account.Scope of the Breach and Known VictimsBarack Obama’s White House Instagram accountSephora brand accountUS Space Force Chief Master Sergeant personal accountMultiple everyday users reported similar hijackings on Reddit and XAt least one video showed a hacker using a VPN to spoof the account holder’s location, bypassing Meta’s geographic safeguards.Implications for AI‑Driven Security on Social PlatformsThe incident raises serious questions about the safety of delegating critical security actions—such as password resets—to automated systems. While Meta’s AI assistant was designed to streamline support, the exploit demonstrates how conversational AI can be coerced into performing privileged operations without adequate verification.Future Safeguards and the Need for Human OversightMeta announced that the vulnerability has been patched and that impacted accounts are being secured. Going forward, the company is expected to introduce stricter multi‑factor authentication checks for AI‑initiated actions and to re‑evaluate the balance between automation and human review in security workflows.

The Red Carpet and the Private RoomThe Academy Museum of Motion Pictures in Los Angeles has unveiled 'Marilyn Monroe: Hollywood Icon,' a new exhibition that promises to peel back the layers of the silver screen's most enduring myth. While the entrance hall features a red carpet and a massive video screen where Monroe blows kisses, the true depth of the exhibition lies in the juxtaposition of high glamour with intimate personal effects.Pink Dress: The iconic pink dress from 'Diamonds Are a Girl's Best Friend' takes pride of place, though it has rarely been seen publicly.Madison Square Garden Outfit: An elaborately sequined outfit with a feathered tail, worn during her announcement of her new production company on an elephant.Domestic Items: Simple pyjamas from 'The Seven-Year Itch' and a pair of jeans, highlighting her role in popularizing women's denim.From Gowns to Diaries: The Shift in Curatorial FocusCurator Sophia Serrano has moved beyond the typical display of costumes to include items that offer a raw look at Monroe's internal world. The exhibition features a collection of her belongings, including a telephone, marked-up scripts, a wine glass, and an address book. However, the most compelling artifacts are the personal letters and notes.Items on display include handwritten pages of free-associative musings, such as her fears of being perceived as trying to flatter others, and a letter to director John Huston declining a role in a film about Sigmund Freud due to family disapproval. These artifacts provide a psychological profile that contrasts sharply with her public persona.Deconstructing the 'America's Sweetheart' MythThe exhibition captures the tension between Monroe's public image as 'America's sweetheart' and her private struggles with fame. A restored audio recording of her final interview, published in Life magazine the day before her death, encapsulates this duality. In it, she admits, 'I like people, but the public scares me,' revealing a profound anxiety about the loss of privacy.The Future of Celebrity MuseumsThis exhibition, alongside others in London, signals a broader trend in the entertainment industry: a move toward psychological depth in celebrity retrospectives. Future museums are likely to prioritize personal diaries, raw audio recordings, and domestic items over just costumes, offering visitors a more empathetic understanding of the human cost of stardom.

The Rise of Digital Satire in IndiaIndia's Gen Z is currently leading a cultural shift where satire is no longer just entertainment but a primary vehicle for social commentary. By utilizing platforms like Instagram and TikTok, this demographic is bypassing traditional media gatekeepers to voice dissent and critique societal norms.Democratizing Dissent Through MemesThe core of this revolt lies in the democratization of information. Gen Z creators are using memes and short-form video to simplify complex political and social issues. This approach allows for rapid dissemination of ideas that resonate deeply with younger audiences who feel alienated by conventional political rhetoric.The Future of Political EngagementAs this trend matures, we can expect a permanent alteration in how political campaigns and social movements operate in India. The reliance on humor and relatability suggests that future engagement will be measured not by traditional reach, but by virality and cultural relevance.

The Incident During the Performance Rosamund Pike has criticised an audience member for texting during the climax of her West End performance, saying she hoped the message was “very important”. After a performance of Inter Alia on Saturday, Pike returned to the stage after the final bows. She told the audience at Wyndham’s theatre in London: “I just wanted to say for anyone going to the theatre, it’s a huge thing that we’re trying to give you. I am trying to tell you a story, and I’m feeling you, and I hope you’re feeling me too.” Pike's Address to the Audience “Somebody was texting in this part,” she said, gesturing towards a section of the audience. “You know who you are and I’m not going to single you out. “Maybe it was very important, and maybe you’re a doctor, and you’re saving someone’s life, and I hope you are, but we do see these, we do feel them. I’ve got you, I feel like I’ve got to hold you all, so when I feel that and see it, it’s hard.” The Growing Trend of Actors Speaking Out Pike joins a growing number of actors who have criticised audience etiquette and phone usage during theatre performances. Last month, Lesley Manville told BBC Radio 4 that audiences should not take photos and videos during curtain calls. “Clap or don’t clap, but don’t just stick up your phone in our faces,” she said, “I find it insulting.” In April, Cynthia Erivo interrupted her performance of Dracula in the West End after spotting an audience member filming the show. During a performance of Hamlet in 2024, Andrew Scott halted the “to be or not to be” soliloquy when he saw an audience member had taken out a laptop to send emails. Background on the Play Pike, 47, won an Olivier award in April for her role as Jessica Parks in Inter Alia. The play follows Parks, a crown court judge dedicated to challenging the legal system’s approach to sexual violence, who is forced to contend with her own son being accused of rape. Inter Alia was written by the Australian playwright Suzie Miller, who also wrote one-woman-play Prima Facie starring Jodie Comer.

The French navy, aided by British forces, intercepted the oil tanker Tagor in the Atlantic on Sunday, acting on a directive from President Emmanuel Macron. The boarding, announced on X, underscores a coordinated Western effort to choke the revenue streams that fund Russia’s war on Ukraine. Interception of the Tagor in the Atlantic The operation took place 400 nautical miles (740 km) west of Brittany, well outside territorial waters, allowing the naval forces to act under international law. The vessel, originally departing from Murmansk, was heading toward Limbe, Cameroon, while flying a falsified Cameroonian flag. Key Figures and Timeline of the Operation Sunday evening: Decision made to divert the tanker. Sunday night: Helicopter‑borne team rappelled onto the ship and secured it. Monday: President Macron posted a video of the boarding on X. 2026‑01‑??: Earlier in the year, France boarded the Grinch and later the Deyna, both linked to the shadow fleet. Since September 2025: France has boarded three additional vessels, imposing fines or releasing them after payment. Sanctions Landscape and Economic Stakes The Tagor was identified as being under both EU and U.S. sanctions, part of a broader campaign to curb oil revenues that sustain Russia’s war effort. The ship was reported to be “almost empty” at the time of boarding, suggesting it was likely a transit vessel used to mask illicit cargo movements. Strategic Implications for the Shadow Fleet Russia’s “shadow fleet”—a network of hundreds of vessels that frequently change flags—relies on flag‑hopping to evade detection. By exposing the false Cameroonian registration and confirming the vessel’s route, the interception sends a clear signal that flag fraud will be scrutinised and challenged. Outlook: Future Enforcement and Geopolitical Tensions France has announced plans to double penalties for ships that fail to display a legitimate flag, indicating a tougher regulatory stance. With the UK’s involvement, Western navies are likely to increase joint patrols in the Atlantic and Mediterranean, raising the operational risk for any vessel attempting to skirt sanctions. Continued pressure on the shadow fleet could further isolate Russia’s oil export channels, but may also provoke diplomatic protests from Moscow, which has already labeled such seizures as “piracy.”

The Return of the Open RoadForza Horizon 6 has arrived, transporting players to a vibrant, compressed version of Japan. The game serves as a potent reminder of the driving sim genre's peak popularity in the 1990s and early 2000s, a time when consoles were sold on the strength of their racing titles like Ridge Racer and Gran Turismo.From Arcade Legends to Open-World GiantsThe driving genre has undergone a significant evolution. It began with electromechanical arcade machines and evolved into video game staples such as OutRun and Daytona USA. However, the landscape shifted dramatically with the rise of open-world fantasy adventures and live-service behemoths like Fortnite and Minecraft. The mainstream audience drifted toward games that offered more than just driving, such as Grand Theft Auto, which combined driving with action and exploration.The Cultural Shift in DrivingThe decline of the driving sim is not just technological but cultural. In the 90s, the car represented freedom and excitement. Today, the reality of driving often involves fuel costs, traffic congestion, and the environmental burden of ownership. This shift has made the escapist fantasy of the driving game more valuable than ever, offering an idealized vision of the road that real life cannot match.A Revival on the HorizonDespite the genre's apparent decline, the future looks promising. The upcoming release of Grand Theft Auto VI is expected to feature significant racing elements, and the indie scene is reviving the spirit of 90s arcade racers. With titles like Forza Horizon 6 proving that the genre still holds immense appeal, the "fast-car game" is poised for a comeback.

The Lead007 First Light successfully revitalizes the James Bond video game franchise after years of absence, offering fans an immersive experience that captures both the action and sophistication of the iconic spy. Developer IO Interactive demonstrates their passion for the Bond universe through meticulous attention to detail and creative gameplay mechanics that honor the franchise's legacy.Gameplay Mechanics and DesignGiven how open-ended Hitman is, it's surprising how well IO has taken to linear storytelling. There are still moments of the "social stealth" that defines the studio's other games, but it's been repurposed for cinematic forward thrust, and blended together with plenty of action. It seems lazy to pigeonhole First Light as Hitman meets Uncharted, but when you see Bond leap on to a cliff edge and scurry along rocky handholds, your mind can't help but go there.You are often playing through moments that would be cutscenes in another game. Sometimes that's as simple as a dramatic approach to a level; driving round a bend to reveal a sprawling Slovakian castle, say. More ambitiously, one whole chapter is given over to a glorified training montage that whips you back and forth between getaway driving, stealth and gunplay, all while charting thawing relations between our fledgling 00 candidates. This is on-rails storytelling done right.Character Development and StorytellingWe join young Bond in his pre-00 days, as a petulant, belligerent rule-breaking trainee. Actor Patrick Gibson begins as a cookie-cutter insubordinate, but warms to the role once he's bouncing off M (herself a green leader looking to make her mark), and an enjoyably urbane Q who drops the frustrated quartermaster routine and introduces Bond to the wonders of vinyl. A scene where he teaches our agent to tie a bow tie is a perfect bit of prequelcraft: arriving at an iconic look through a lovely character touch.In contrast to previous Bond games, First Light understands that action is only a part of the Bond fantasy. He's as much schmoozer as bruiser, and there's plenty of the former here, with socialising setpieces at a chess tournament or swanky product launch. The staging and atmosphere of these rooms is exemplary, but the work mostly boils down to eavesdropping on guests to discover a keycard's location, before shooting its keeper with a toxic dart.Technical Execution and VisualsAs Bond himself is learning the ropes, it sometimes feels as if the developers are feeling their way towards something. Guns are enjoyably punchy, but scripted fights always emphasise explosive theatrics over strategy. Gas tanks erupt, walkways tumble, cranes collapse: you enter fights looking for the red barrel that will trigger a chain of collateral damage. Fail to quell numbers this way and you're quickly overwhelmed.Fist fights are more enjoyable – not because they are any more sophisticated, but because of the commitment of their virtual stuntmen. Bond is a barroom brawler, barging bodies into clattering bookshelves and battering enemies with mugs and keyboards lying around. In the same way that waist-high cover always alerts you to an incoming fight in Gears of War, you learn to eye crockery or wine bottles with suspicion here. If it's not stuck down, you'll be smashing it into a mercenary's face within the next two minutes.Fists and guns are what happen when sneaking goes wrong. On this front, IO finds a punchy take on its classic lurking. A hacking watch introduces some Home Alone hijinks as you lure guards towards misbehaving photocopiers, before electrocuting the device with a laser beam. Gadgets let you run circles around enemies – though you have to accept some silliness as you refuel those toys with batteries stolen from TV remotes, or globs of hand sanitiser. It's hard to picture Daniel Craig scavenging for Carex.Legacy and Future of Bond GamesOn a visit to a Mauritanian market and a luxury hotel getaway, however, there is space to roam, and you're reminded how few developers can tap into that aspirational tourist fantasy. Plenty of games have let us be a gun-toting version of Bond, but this is the first opportunity we've had to be a Bond relaxing beside a glittering infinity pool in Vietnam, or a Bond trying to get one over on a shell game hustler. Games are now much more capable of taking us to specific places than they were in the time of GoldenEye on the N64.It's that full Bond immersion that 007 First Light will ultimately be remembered for, more so than the odd wonky setpiece scene. I have no doubt that this was made by excitable Bond geeks throwing "what if" moments at a whiteboard. What if you got to explore Q Lab watching underlings test malfunctioning prototypes? What if you were tied to a torturer's table and had to talk your way out? What if you found yourself at 15,000ft with no parachute? And what if you had access to John Barry's classic scores and could deploy a staggering needle drop out of nowhere?Very few fans get to play in the sandbox of their obsession like IO has here. As far as Bond video games go, nobody has done it better.

The Mythical Champions of European FootballParis Saint-Germain has been re-enthroned as Champions League winners, with French newspaper L'Équipe declaring them "mythical" and "storied." The victory over Arsenal in Budapest showcased a team that has evolved from a celebrity machine into a sensationally good, beautifully watchable unit under Luis Enrique. While the celebration of Parisian exceptionalism might seem overstated, the team's performance and retention of Europe's premier trophy deserves recognition.A New Kind of Champion QualityUnlike their record 5-0 win over Inter in Munich the previous year, this Champions League victory demonstrated a different kind of champion quality. The team showed resilience and tactical intelligence, finding ways to win even when playing below their best. This victory came against a well-organized Arsenal side that had clearly prepared specifically to counter PSG's strengths.The Financial and Structural AdvantagePSG's success must be viewed in the context of their unique setup. The team has essentially created a spring mini-season, focusing their resources on nine key games from February to May over the past two years. This approach, backed by Qatari investment through Nasser al-Khelaifi's leadership, allows for specialized preparation that traditional clubs cannot match. Players like Nuno Mendes and Marquinhos have played significantly more Champions League minutes than domestic league matches, while Ousmane Dembélé has essentially become a midweek specialist.Subverting Traditional Football PathwaysPSG represents a fundamental challenge to the traditional European football model. Instead of emerging from a domestic league's crucible as its strongest representative, PSG bypasses Ligue 1 almost entirely to focus solely on Champions League success. This has transformed the team into a luxury good, comparable to products found behind velvet ropes in elite private airport suites. The article questions whether this model truly deserves the same recognition as teams that balance multiple competitions throughout a demanding season.The Luis Enrique RevolutionDespite the financial advantages, credit must be given to Luis Enrique for transforming PSG into a team of tactical coherence and focus. The current PSG bears little resemblance to the previous incarnation characterized by Neymar's extravagant lifestyle. Instead, Enrique has implemented a fusion of Pep-style possession football with the direct attacking energy of peak Klopp's Liverpool. The team's training methods have been innovative, utilizing immersive video simulators, individual USB stick tactical notes, and even training-ground speakers pumping out stadium noise for psychological preparation.The Soft-Power ParadoxPSG presents a fascinating paradox: they are simultaneously seen as European football's "good guys"—purists who play beautiful, aesthetically pleasing football—while representing a carbon dictatorship's soft-power project. This contradiction highlights the performative nature of sport, where beauty and success often override questions about the source of funding. The team's cultural initiatives, including the "Ici c'est Paris la maison" events in LA and New York that combine sport with music, fashion, art, and gastronomy, further enhance their brand appeal.The Future of European Football's ElitePSG's model appears sustainable and potentially replicable, though few clubs can match their financial backing. The team's success with young talent—six academy players made professional debuts this season, and the average starting XI age is 24—suggests they've found a balance between financial power and genuine sporting development. As European football continues to evolve, PSG's approach may represent the future of elite competition: a fusion of exceptional talent, tactical innovation, and sophisticated branding that creates a global brand rather than just a football club.

The Lead: Iran's Internet Partially Restored Tehran, Iran – Authorities in Iran have reinstated some internet access three months after taking the country offline at the start of the war with the United States and Israel, but restrictions remain in place for most people. The Iranian government said last week that it had started a process to bring internet access back to a pre-war level, which was already very restricted as Iran was at the time still coming off an earlier 20-day shutdown imposed during deadly nationwide protests in January. The World's Longest Internet Blackout Last week's move ended more than 2,000 hours of near-total internet shutdown in the country of 90 million people, the longest-ever nationwide blackout in the world. But according to numerous user reports, local media accounts and expert analysis, Iranians' free access to the global internet is far from restored. Restricted Access and Blocked Services Access to millions of web pages remains blocked by the state, and almost all global services and apps such as YouTube, Instagram, Telegram, WhatsApp, Facebook and Waze are closed off and are not under consideration for reinstatement. Mobile, wireless and landline connections are slow and patchy, to varying degrees, while many local applications and services regularly malfunction or fail to load. The Black Market for Internet Access Most people are forced into a black market for access to the internet, which has proven lucrative for those selling virtual private networks (VPNs) or other circumvention methods, often through affiliations with the state. Those connections have now become cheaper after the authorities restored some internet bandwidth, but demand for VPNs has skyrocketed, and people remain exposed to scammers and malware while navigating the market. The Architecture of Filtering Meanwhile, even after the partial reopening, Iranian authorities continue to impose several complex layers of restrictions that have effectively turned full internet access into a privilege that very few people authorised by the state can enjoy. Many data centres have yet to be fully brought back online, and some internet protocols like IPv6 and HTTP/3 are blocked, while others like UDP are actively disrupted by the authorities, local media reported. Political Conflict Over Internet Policy That has prompted more criticism against Iran's relatively moderate President Masoud Pezeshkian, who campaigned against hardliners, in part, on reopening the internet. The Sazandegi reformist newspaper criticised the government over the "belated opening" in an op-ed on Saturday while the state-linked KhabarOnline news site wrote that the "Internet's technical infrastructure is the victim of the new architecture of filtering". The Tiered-Access Internet System Authorities have also failed to elaborate on what exactly they plan to do with the tiered-access internet system that they began expanding during the war. As part of the system, Iranians get varying degrees of access – or no access at all – to the global internet based on their profession and other classifications made by the state. To implement the scheme, a so-called "Internet Pro" scheme was introduced, which offers slightly less restricted access for about three times the price of a regular, more restricted internet package. Frustration and Limited Normalcy Still, more people have been able to get back on social media, where they have posted more videos from the war, including one that showed a new view as dozens of missiles rained down on the headquarters of Iran's supreme leader in downtown Tehran on February 28. Others are sharing war experiences, including where they were and how they felt when the first bombs hit the capital. But that hasn't alleviated the frustrations for many. "What we have right now is not the internet," said a Tehran resident, who spoke to Al Jazeera on condition of anonymity. "It's a return to the previous half-closed condition that is now being sold as an achievement."