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French artist Camille Henrot presents her latest exhibition “Don’t” at the Perimeter in London, shifting from her previous large‑scale, concept‑driven installations to a pared‑back, intimate investigation of everyday digital overload. The Minimalist Turn: “Don’t” Strips Henrot’s Grand Narratives The show is divided into two bodies of work. The painted series layers screenshots, collaged paper and brushstrokes into frantic digital abstractions, while the accompanying drawings depict mythic beasts and overtly erotic figures. By inserting personal artifacts—a photo of her husband, an X‑ray of her wrist, even a bill for IVF‑related oocyte storage—Henrot turns the exhibition into a visual diary rather than a theoretical treatise. Absence of Big Numbers: What the Lack of Commercial Data Reveals Opening date: 2026‑05‑31 (press review) Venue run: until 25 July 2026 No disclosed ticket‑price or attendance figures, underscoring the exhibition’s focus on personal experience over market metrics. Redefining Post‑Internet Intimacy in Contemporary Art Henrot’s shift mirrors a broader trend in post‑internet practice: moving from hyper‑complex installations toward works that foreground the artist’s private life and digital fatigue. The chaotic blend of analogue and digital elements questions what is “real” in a screen‑saturated world, while the erotic drawings expose the raw, often ignored, physicality behind online personas. Future Directions: Anticipating Henrot’s Next Personal Exploration Given the intimate tone of “Don’t,” future projects may delve deeper into domestic technology, perhaps exploring AI‑mediated relationships or the emotional economics of data storage. Critics will watch to see whether Henrot continues to trade grand gestures for the mundane, reshaping how contemporary art narrates the digital age.

The Lead In a Hollywood landscape where blockbuster hits dominate, smaller films like 'Miss You, Love You' often get lost in the cracks. This affecting grief drama, starring Allison Janney, showcases a powerful performance but may go unnoticed due to a quiet HBO release. Allison Janney Anchors a Powerful Performance 'Miss You, Love You' tells the story of Diane (Allison Janney), a woman dealing with the death of her husband. Her performance is marked by a keen self-awareness and depth, bringing nuance to a character that could have easily become one-dimensional. Janney's portrayal is both heartbreakingly effective and authentic, making it one of her finest turns to date. The Data Analysis No specific data or box office numbers are available for 'Miss You, Love You', but the film's quiet release on HBO suggests it may not reach a wide audience. This is a trend seen with other robustly made and acted films like 'Bad Education' and 'The Great Lillian Hall', which have struggled to garner attention and awards. The Impact Analysis The film's impact lies in its thoughtful exploration of complex themes such as grief, coming out, infidelity, and unrequited love. Writer-director Jim Rash's script is mature and un-mawkish, allowing characters to be flawed and authentic. This approach creates a surprisingly big emotional impact, despite the film's small scope. The Prediction While 'Miss You, Love You' may not receive widespread recognition, it is likely to resonate with viewers who appreciate nuanced, character-driven dramas. The film's premiere on HBO on May 29 in the US, with UK and Australia dates to follow, may help it find a dedicated audience.

A Subtle, Anti-Musical Triumph in the Scottish Highlands Guardian's latest review praises Once for its stripped-down, 'anti-musical' approach that favors intimacy over spectacle, delivering a slick romance that sidesteps traditional showstoppers. John Tiffany's Minimalist Revival at Pitlochry Festival Theatre Directed by John Tiffany and designed by Bob Crowley, the production returns to its original creative team, featuring actor-musicians who 'muck in without fanfare'. The set of scuffed mirrors and wooden paneling creates a bar-room ambience, while choreography by Steven Hoggett leans on physical-theatre angularity. Box-Office Snapshot and Scheduling Venue: Pitlochry Festival Theatre Run: until 27 June 2026 Original Broadway debut: 2012 West End transfer: 2013 Why 'Once' Challenges Conventional Musical Expectations Music by Glen Hansard and Markéta Irglová is arranged by Martin Lowe, emphasizing rhythmic complexity over bombast. The narrative centers on a Dublin busker (Dylan Wood) and a Czech visitor (Lydia White), offering a low-stakes, emotionally true ending. Absence of typical 'high-kicking' numbers positions the show as an 'autumnal' opening for a summer season. Outlook: Minimalist Musicals Gaining Ground in Regional Theatres With its economical production values and focus on authentic storytelling, Once may inspire other regional venues to program similar 'anti-musicals', expanding the genre beyond Broadway-style extravagance.

Translated Fiction Review Roundup A collection of recent translated fiction has been reviewed, showcasing the diversity and complexity of global literature. The reviews include: 'Sisters in Yellow' by Mieko Kawakami Sisters in Yellow by Mieko Kawakami, translated by Laurel Taylor and Hitomi Yoshio (Picador, £16.99) Kawakami’s latest opens with a bang, as narrator Hana learns that her old friend Kimiko has been charged with abduction. This MacGuffin takes us to their friendship in late-1990s Tokyo, when teen Hana and the older woman open a bar called Lemon: “Yellow attracts money.” But it’s a turbulent ride and soon Hana is in a world of organised crime. “The world is crazy. I feel like I’m living in a manga.” She’s not the only one, and you need an appetite for Kawakami’s style, which prefers to explore rather than explain – people come and go, buildings burn down, cancer is diagnosed, almost at random – but the relentless rush means there’s no time to get bored. At its best – as in a scene where Hana’s unreliable mother wants to borrow 2m yen for investment in lingerie that helps “your spine and organs move back to where they’re supposed to be” – this is a story both absurd and horrifying. 'All Flesh' by Ananda Devi All Flesh by Ananda Devi, translated by Jeffrey Zuckerman (Pushkin, £12.99) “Forgive me for starting this story with bodily, unpalatable origins.” You may as well – it’s all like that. In an unnamed European country, a schoolgirl “born with no urge but to consume” is getting bigger and bigger. “My gut, my ass, my thighs – they were all set on reaching the farthest corners of the world.” She blames her gluttony on the need to silence the voice of her dead twin sister, who was “absorbed into my tissues” in the womb. She hates school, where other kids mock her, as though her own self-disgust weren’t enough. After a blackly comic scene where she gets stuck in her bedroom doorframe like “an uncooperative cork”, she falls in love with the lonely carpenter who arrives to widen the door – but there are more twists to come. This powerful story is deeply physical, but driven by a compelling voice describing the torment of a girl who is “the psychical mirror of our time … immoderation made manifest”. 'The White Desert' by Luis López Carrasco The White Desert by Luis López Carrasco, translated by Rosalind Harvey (Granta, £14.99) This unpredictable book, comprising five linked stories about a Spanish couple, opens with the end of the world and gets weirder from there. A balloon debate about a post-apocalyptic scenario turns nasty when one participant pulls a knife, or thinks he does. A plane crash-lands on an island. “Can [we] go and get our luggage … Lots of people have, you know, soiled themselves.” What links the scenes is a sense of disconnection in our connected world, but the book subverts expectations: when a group of people celebrating New Year’s Eve go missing, it turns out to be a game of hide and seek. Footnotes peppered throughout suggest we’re viewing all this from the future (“Emirates was a well-known passenger airline …”), and discovering what the white desert is turns everything on its head. For readers who like to do their own joining up, and who want a playful, original take on our precarious lives, this is a thought-provoking treat. 'The Home of the Drowned' by Elin Anna Labba The Home of the Drowned by Elin Anna Labba, translated by Elizabeth Clark Wessel (Harvill, £16.99) “You could have waited, you bastards.” In 1942 Lapland, a village occupied by the semi-nomadic Sámi people is flooded by a new hydroelectric plant’s dam. One family watch as their goahti (peat-covered hut) disappears under the water. “It wasn’t the nicest goahti,” says Ánne. “No, but it was mine,” says her sister Rávdná. When Rávdná wants to build a house to replace it, the authorities refuse permission: the Sámi way of life has been rejected but alternatives are not permitted. A local newspaper half-heartedly offers to publicise their case, but “we receive a lot of angry letters if we use any foreign words”. When the government tells local people the new dam “will lift us out of poverty and injustice”, the words reek with irony. This intimate story of infuriating discrimination is, Labba says, based on real events in Sweden.

The Appeal of Period Homes with Modern ExtensionsPeriod properties in England continue to capture the imagination of homebuyers seeking a blend of historical character and contemporary living. The trend of adding stylish extensions to these heritage homes has created a unique niche in the property market, offering the best of both worlds – original features with modern functionality.Architectural Harmony: Blending Old with NewSuccessful period home extensions require careful consideration of architectural harmony. Leading architects specializing in heritage properties emphasize the importance of respecting the original building's character while introducing modern elements that complement rather than compete with the existing structure. This approach has resulted in some stunning transformations across England's historic towns and cities.Market Value and Premium PricingProperties that successfully blend period charm with contemporary living spaces command premium prices in England's real estate market. Recent sales data indicates that well-designed extensions can increase a property's value by 15-25%, with some exceptional cases achieving even higher returns. This financial incentive has driven many homeowners to invest in thoughtful extensions that enhance both lifestyle and investment potential.Popular Extension Styles and FeaturesThe most sought-after extensions include open-plan kitchen-dining areas that flow seamlessly from original reception rooms, glass-walled extensions that flood interiors with natural light while preserving sightlines of period features, and orangery-style spaces that bridge the gap between traditional and contemporary design. Modern amenities under these historic roofs often include underfloor heating, energy-efficient glazing, and smart home technologies discreetly integrated into the original fabric.Regional Hotspots for Period Home ExtensionsCertain areas of England have become particularly known for their innovative period home extensions. London boroughs like Camden and Richmond see frequent transformations of Victorian and Georgian properties, while cities such as Bath, York, and Cambridge showcase remarkable blends of architectural heritage with contemporary design. The Cotswolds and other rural areas also feature prominently, with barn conversions and farmhouses receiving sensitive yet modern updates.Future Trends in Period Property RenovationAs sustainability becomes increasingly important in the property sector, period home extensions are evolving to incorporate eco-friendly features. From solar panels integrated into roofs sympathetic to the original style to heat pumps disguised within period-appropriate outbuildings, the future of period home renovation lies in sustainable modernization. Additionally, there's growing interest in multi-generational living solutions, with extensions designed to accommodate extended families while maintaining the property's historical integrity.

Lead: Triumph Over Tragedy on the Streets of North LondonArsenal fans flooded the streets of north London on Sunday, cheering the Premier League title despite a bruising Champions League defeat. Defender Gabriel Magalhães admitted the shoot‑out loss was “painful”, but the club’s open‑top bus parade quickly shifted the narrative to celebration.Open‑Top Bus Parade Turns Celebration into Citywide FestivalThe squad left the Emirates Stadium at 2:15 pm for a 5.6‑mile route that wound through Holloway Road, Highbury, and surrounding neighborhoods. Captain Martin Ødegaard led the first bus, proudly displaying “Champions 25/26” and the Premier League trophy, while the women’s team followed on a third bus with the FIFA Champions Cup.Parade Route, Timing and Crowd EstimatesDeparture: 2:15 pm from Emirates StadiumDistance: 5.6 milesEstimated spectators: hundreds of thousands along the routeKey stops: Holloway Road, Highbury, IslingtonNotable participants: Gabriel Magalhães, Eberechi Eze, Myles Lewis‑Skelly, coaching staff, club officialsCommunity Reaction and Club Momentum After Dual OutcomesLocal businesses, such as the Coffee Zee café on Holloway Road, described the scene as “the most insane I have ever seen”. The parade not only celebrated the league triumph but also served as a morale boost after the Champions League disappointment, with manager Mikel Arteta promising to use the setback as “fuel” for next season.What the Celebration Signals for Arsenal’s Next SeasonPlayers like Myles Lewis‑Skelly expressed optimism, calling the moment “the start of a new era” and pledging to “go and achieve our dreams”. The massive fan turnout and unified club atmosphere suggest a strong foundation for Arsenal as they aim to convert domestic success into European glory in 2026‑27.

The LeadParis Saint-Germain's second consecutive Champions League victory was marred by violent celebrations as police arrested more than 130 people and deployed thousands of officers to control crowds across the city. The celebrations turned tense with skirmishes between PSG fans and law enforcement, resulting in damaged property and the use of teargas.The Championship Celebration Turns ChaoticMore than 40,000 fans gathered at PSG's Parc de Princes stadium in western Paris to watch the club win its second consecutive title on penalties at the Puskas Arena in Budapest on giant screens. The atmosphere quickly escalated as some PSG fans aimed fireworks at police officers, while others were seen wearing provocative T-shirts and setting fire to Lime Bikes on city streets. Smoke rose from several areas during the clashes as police responded with riot gear and teargas.Security Response and ArrestsBy 11pm local time, police had made more than 130 arrests, with six vehicles and two storefronts damaged during the disturbances. Interior Minister Laurent Nuñez emphasized that authorities had a "very robust, very solid system in place" to curb violence. A police spokesperson stated their responsibility was "to guarantee everyone a festive celebration that is calm and fully secure." France had deployed 22,000 police to maintain order in the capital for the event.A Pattern of Post-ViolenceThis year's celebrations follow a concerning pattern from 2025 when PSG won the Champions League for the first time by beating Inter Milan. That victory resulted in two deaths and close to 200 injuries. Despite increased security measures, the celebrations once again turned violent, raising questions about how the city manages large-scale sporting events and fan celebrations.The Future of PSG CelebrationsAs PSG continues its dominance in European football, authorities will face increasing pressure to find better solutions for managing victory celebrations. The Champs-Élysées boulevard, which was partially cordoned off, saw an estimated 20,000 peaceful supporters, suggesting that while violence occurred, it was not representative of all fans. Future celebrations may require even more sophisticated crowd management strategies to prevent both property damage and potential injuries.

The New Job Search FrontierGen Z workers are entering the toughest job market since the pandemic, with the number of job seekers vastly outweighing available positions. As traditional application methods yield diminishing returns, young professionals are turning to social media platforms to showcase their skills and personalities in creative ways. This shift represents a fundamental transformation in how job seekers approach career opportunities in an increasingly digital world.Creative Content as Career CurrencyYoung workers are leveraging platforms like Instagram and TikTok to create video resumes, quirky presentations, and authentic content that highlights their unique value propositions. Sibusisiwe Khupe, 26, exemplifies this approach by describing herself as a "really hot, really talented, really funny" gen Zer in a LinkedIn post, plastering her face across slides with her work experience. Similarly, Anya Roodnitsky created a 94-second Instagram video showcasing her skills with humor and personality, which garnered over half a million views and ultimately led to a job offer.Market Challenges and StatisticsThe global hiring rate has plunged to a five-year low, with the number of applicants for every job opening increasing by nearly 30%, according to LinkedIn data. About 72% of candidates report that the job search negatively affects their mental health, and two-thirds feel burned out before landing a job. College graduates face especially tough conditions, with an unemployment rate of almost 6% compared to 4.2% for all workers of any age, according to Federal Reserve Bank of New York data.Industry Transformation and Employer ResponseAs companies increasingly rely on AI to vet résumés and conduct interviews, job seekers are finding it harder to stand out through traditional channels. This has created a paradox where technology intended to streamline hiring processes is pushing candidates toward more human, creative approaches. Employers are beginning to recognize these unconventional methods, with career experts noting that video content can highlight soft skills like storytelling, enthusiasm, and passion that might be missed in traditional applications.The Future of Job SeekingAs Gen Z continues to reshape the job search landscape, we can expect further evolution in how candidates present themselves and how companies identify talent. While creative social media strategies may not replace traditional applications entirely, they are becoming an increasingly important supplement to job hunting. The most successful approach likely combines innovative content creation with traditional application methods, creating a comprehensive personal brand that resonates with both human recruiters and AI screening systems.

Colin Matthews: A Life of Influence on UK Classical Music It's hard to think of a single figure who has been so influential on contemporary UK classical music for so long as Colin Matthews, who turned 80 earlier this year. This release from the Nash Ensemble, conducted by Jessica Cottis, showcases his works for voice and chamber group. The Kaleidoscopic Sound World of Seascapes What's striking throughout these four song cycles is the kaleidoscopic sound world he creates with such forensic precision, whether he has seven players to work with or 17. The songs teem with detail; some would almost work without the singer. And yet the vocal line remains the focus. Exploring the Album's Tracks The Island (2007), setting three poems by Rilke, was written for Claire Booth's cool-water soprano; she's also the soloist in Seascapes (2020) and A Land of Rain (2017), and sounds as vibrant as ever, even if occasionally the words get lost in the supple musical lines she is sculpting. In 2018's As Time Returns, it's the baritone Marcus Farnsworth who sings Ivan Blatný's poetry, with honeyed tone and disarming clarity. A Land of Rain: A Study in Interpretation The largest-scale work is A Land of Rain: 10 songs setting words by the poet Nicholas Moore, taken from the 31 different translations he made of a single Baudelaire poem (entries to a newspaper competition, submitted under 31 variously silly pseudonyms). Matthews's music, moving chameleon-like through different styles, brings them alive as a study in how words can be reinterpreted from a myriad of angles. The last song sets the French original – and as the musical strands finally coalesce, in almost Mahlerian style, it's as if all the other songs were a daydream. Listening to Seascapes Listen on Apple Music (above) or Spotify