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The Director's Supernatural EncountersMulti-Oscar-winning director Guillermo del Toro has revealed his lifelong fascination with the supernatural, from childhood ghost sightings to a UFO encounter at age 14. The filmmaker, currently in the UK to receive a BFI fellowship, shared his belief that these experiences 'cause a crack' in our perception, allowing 'the mystery of the universe' to rush toward us.From Family Hauntings to Hammer HorrorDel Toro's supernatural journey began at age 11 when he first sensed a spectral presence at his family home in Guadalajara, Mexico – which he believes was his late uncle keeping a promise. This experience inspired Santi, the sighing ghost-boy in his 2001 film The Devil's Backbone. The director has since encountered numerous paranormal phenomena, including surround-sound ghostly disturbances in a New Zealand hotel while scouting locations for The Hobbit.'There are certain magical lands for me,' del Toro explains, 'and the land of ghosts is England.' He is currently looking to purchase a haunted house in the UK to house his extensive collection of silicone figures and memorabilia.The Influence of British CinemaThe BFI fellowship holds special significance for del Toro, who cites British cinema as a major influence on his work. He particularly reveres the 'reveries of Powell and Pressburger or Ken Russell' and the entire Hammer horror legacy, including Terence Fisher's Frankenstein films which partly informed his own 2025 adaptation of Mary Shelley's novel.'The 1974 Hammer film Frankenstein and the Monster from Hell had the worst makeup but the most delicate Creature,' del Toro notes. 'As the movie progressed, the Creature became more of an innocent and the Baron more of a pure villain.' This approach shaped his interpretation featuring Jacob Elordi as the Creature.A Legacy of Monsters and Misunderstood BeingsDel Toro has always portrayed monsters as complex beings capable of tenderness alongside violence, reflecting his belief that 'precisely like us.' This philosophy has resonated with fellow artists, including Taylor Swift, who has cited his films as inspiration. After becoming a fan of The Shape of Water, Swift explored his back catalogue during the pandemic, declaring herself 'dazzled' by The Devil's Backbone and Pan's Labyrinth.The influence is mutual, with Swift later invoking Del Toro-esque imagery in her hit single Anti-hero, picturing herself as 'a monster on the hill … slowly lurching toward your favourite city.' This artistic connection demonstrates how del Toro's vision has permeated popular culture beyond cinema.The Future of Fantastic CinemaAs a BFI fellow – joining the ranks of Martin Scorsese, David Lean, Akira Kurosawa, and Orson Welles – del Toro continues to champion the potential of horror and fantasy genres. His teenage years saw him running a film society in Guadalajara, sourcing controversial works like Powell's 1960 serial-killer classic Peeping Tom from the BFI itself.With his upcoming projects and continued exploration of the supernatural, del Toro remains committed to expanding our understanding of the unknown, both on screen and in his personal life. As he puts it, these experiences 'dislocate your sense of self,' revealing the mysteries that exist just beyond our everyday reality.

The Emergence of Literary Nepo Babies The phenomenon of children of famous novelists becoming writers themselves is on the rise. Historically, there have been instances of literary families, such as Alexandre Dumas père and fils, Fanny and Anthony Trollope, and Arthur and Evelyn Waugh. However, the current trend seems to be gaining momentum. Following in the Footsteps of Famous Parents Kazuo Ishiguro's daughter, Naomi, is set to publish the first in her new fantasy series. Margaret Atwood's daughter, Jess Gibson, has published her fiction debut, and Patrick Charnley, son of poet and novelist Helen Dunmore, has published his first novel to critical acclaim. The Influence of Growing Up in a Writer's Household Nick Harkaway, son of John le Carré, shares his experience of growing up in a writer's household. He recalls that his father's work was ubiquitous, but he didn't realize the unusual nature of his childhood until later in life. Deborah Moggach, whose parents were both authors, notes that she thinks everyone must have writer parents, as it was all she knew. The Role of Parental Influence and Expectations Children of writers often have a unique perspective on their parents' work. Amanda Craig's daughter, Leon, notes that her mother's writing seemed like a way of life, and she didn't feel like she had a choice but to write. Aidan Cottrell-Boyce, son of Frank Cottrell-Boyce, didn't tell his father about his writing until it was discovered by someone else. The Future of Literary Dynasties As more children of famous novelists embark on writing careers, it's clear that the trend of literary nepo babies is here to stay. Whether this trend will lead to a new generation of talented writers or simply perpetuate a cycle of privilege remains to be seen.

The 'Night Blooms' Tour and New Album Release Jeff Goldblum is set to release his new album Night Blooms on 5 June, marking a significant milestone in his musical career. This release follows a period of intense activity, as Goldblum embarks on a major tour spanning 28 May to 30 June. The tour kicks off in Wolverhampton, offering fans a chance to experience his unique blend of jazz and theatrical performance live. Musical Influences and the 57-Piece Orchestra Goldblum’s musical identity is deeply rooted in jazz, a genre he has cultivated since childhood. His journey began with piano lessons from Tommy Emil, who initially struggled to teach him classical pieces like Beethoven’s Für Elise before Goldblum discovered his love for jazz arrangements of Alley Cat and Stairway to the Stars. Early Inspiration: His father introduced him to Errol Garner, whose block chords and rhythmic style captivated the young pianist. Signature Sound: Goldblum currently performs with a 57-piece orchestra, a massive ensemble that elevates his renditions of classics like Close to You by the Carpenters. Defining Moment: His performance of Mona Lisa with Gregory Porter on The Graham Norton Show in 2017 was pivotal, directly leading to his record contract. Crossover Appeal: Acting and Jazz in the Spotlight The intersection of Goldblum’s acting career and his musical endeavors creates a unique market niche. His persona, often characterized by a quirky, intellectual charm, translates seamlessly into his stage presence. Songs like his humorous rendition of the Jurassic Park theme demonstrate his ability to engage audiences through humor and musicality. His choice of songs—ranging from Stevie Wonder to Fats Waller—reflects a broad appreciation for American jazz standards that resonates with a diverse demographic. Future Outlook: Expanding the Musical Legacy With the success of his recent collaborations and the critical reception of his jazz interpretations, Goldblum is poised to solidify his status as a serious jazz artist. The upcoming tour and album suggest a long-term commitment to music beyond his acting roles. Fans can expect continued experimentation with orchestral arrangements and a focus on jazz classics that have personal significance to him, potentially expanding his reach into the broader jazz community.

Katie Kitamura opens up about the titles that have defined her literary sensibility, from the scandalous allure of Dangerous Liaisons* to the social urgency of The Jungle. The interview maps a personal reading timeline that informs her own fiction and hints at the themes she may explore next. Childhood Spark: Discovering Scandal in *Dangerous Liaisons* At age 10‑11, Kitamura took Pierre Choderlos de Laclos's *Dangerous Liaisons* off the shelf, describing the experience as “scandalised and excited”. The novel’s moral complexity planted an early fascination with narrative power. Teenage Revelation: How *The Jungle* Taught Story as Social Action Reading Upton Sinclair's *The Jungle* at 12 reshaped her view of the novel as a tool for social change. She cites the book as the first moment she grasped literature’s capacity to enact reform. Mid‑Life Turning Point: *A Personal Matter* and the Birth of a Writer In her mid‑20s, while caring for a dying father, Kitamura encountered Kenzaburō Ōe's *A Personal Matter*. The work demonstrated how fiction can sit alongside ordinary life while offering a “perch” for understanding it. Enduring Voices: Kawabata, James, and Spark as Lifelong Companions Yasunari Kawabata: Initially “tonally erratic”, now read as “minor miracles”. Henry James: *The Portrait of a Lady* reread for its shifting meanings. Muriel Spark: Discovered in her early 20s; works like *The Prime of Miss Jean Brodie* and *The Driver’s Seat* remain “astonishing”. Current Projects and Future Outlook: Revisiting Classics While Crafting New Narratives Currently rereading Ford Madox Ford's *The Good Soldier* and Graham Greene's *The End of the Affair*. Kitamura suggests that the act of rereading fuels her upcoming novel, promising a blend of classic structural rigor with contemporary thematic concerns.

Death Sentence Delivered for Kampala Nursery AttackA Ugandan court has handed down a death sentence to Christopher Okello Onyum for the brutal killing of four children aged one to three at a nursery school in Kampala on April 2, 2026. The verdict marks one of the few executions ordered in the country in more than two decades.Details of the Pre‑meditated Stabbing at the NurseryOnyum posed as a parent to gain entry, locked the gate, and carried out the attack in under seven minutes. Witnesses described how he repeatedly stabbed the children, leaving a staff member to intervene by throwing a bicycle at him. An angry crowd of parents attempted to lynch the suspect before a security guard subdued him.Method of entry: impersonated a parentDuration of attack: <7 minutesWeapons used: knifeImmediate response: staff member threw a bicycle, security guard intervenedNumbers Behind the Tragedy and Uganda’s Rare Use of Capital PunishmentThe case involved four victims and a perpetrator whose online searches included “schools near me” and “ISIS beheadings,” indicating pre‑planning. Capital punishment remains legal in Uganda but has not been carried out since the early 2000s, making this sentence statistically exceptional.Victims: 4 childrenLast execution in Uganda: >20 years agoDeath‑penalty usage rate: <1% of sentenced crimesLegal and Social Ramifications for Uganda’s Justice SystemThe judge rejected Onyum’s insanity claim, emphasizing the “accurate and precise manner” of the killings as evidence of premeditation. The ruling underscores a hard‑line stance on violent crime, potentially emboldening calls for stricter security protocols in schools and a re‑examination of the death penalty’s role in deterring extreme violence.What the Verdict Signals for Future Security and Penal PolicyExperts predict heightened security measures at early‑childhood institutions across Uganda, including stricter visitor verification and rapid‑response training for staff. The sentence may also reignite debate within the Ugandan parliament about reinstating executions as a deterrent, while human‑rights groups are likely to intensify advocacy against capital punishment.

The Lead: Pochettino Highlights America’s Cultural Gap with SoccerDuring a Thursday episode of the Stick To Football podcast, Mauricio Pochettino defended the US men’s national team’s prospects while questioning whether the nation truly feels an "emotional relationship" with the game.Early Development vs. American Sports CulturePochettino contrasted his own upbringing—kicking a ball before he could walk—with the typical American experience, where children often start organized soccer at 11‑13 years old. He noted that sports like basketball and American football dominate early childhood because they involve hand‑ball play.Numbers Behind Youth Soccer ParticipationIn traditional soccer nations (e.g., Argentina, Spain), 70‑80% of players begin before age 6.US youth soccer enrollment peaks at age 12‑13, according to US Youth Soccer data.Only 30% of American kids have regular access to public, free‑play soccer fields, compared with >60% in Europe.Implications for USMNT’s World Cup AmbitionsThe coach warned that without a cultural shift, the US team may struggle to meet the media‑set benchmark of a quarter‑final finish at the co‑hosted 2026 World Cup. He recalled a conversation with Donald Trump before the draw, where optimism was met with a simple “Why not?”—a sentiment he hopes to translate into grassroots reality.Outlook: What Must Change Before the 2026 TournamentPochettino calls for:Greater investment in publicly accessible, safe soccer spaces.Community‑driven play that mirrors the informal street football of his youth.A shift in media narrative from short‑term results to long‑term cultural integration.If these steps materialize, the USMNT could build the emotional foundation needed to compete beyond the group stage, turning optimism into tangible performance.

Careless People by Sarah Wynn‑Williams is an audiobook memoir that pulls back the curtain on her seven years inside Meta (formerly Facebook) and the legal gag order that tried to keep the story quiet.The Insider’s Tale: A Memoir of Meta’s Dark SideBegins with a childhood shark‑attack that shaped Wynn‑Williams’s worldview.Joined Meta’s public‑policy team in 2011, witnessing unchecked power, privacy neglect, and a 24/7 “always‑on” work culture.Features an introduction by Naomi Alderman, who explains the contractual gag order imposed by Meta.Numbers Behind the Narrative: Awards, Length, and ReachAudio runtime: 13 hr 26 min.Winner of the 2025 British Audio Award for nonfiction.Published by Macmillan.Why This Memoir Matters: Cultural and Ethical Implications for TechExposes how senior staff at a leading tech platform prioritized rapid expansion over privacy and misinformation concerns.Highlights the personal toll on employees, including responding to emails while in labour.Illustrates the use of contractual clauses to suppress whistle‑blowing, raising questions about legal protections for former staff.Looking Ahead: What Careless People Signals for Future WhistleblowingSets a precedent for insiders to narrate their experiences directly, bypassing traditional publishing constraints.May encourage stricter scrutiny of gag orders and push regulators to consider new safeguards for employee speech.Signals a growing appetite for transparent, first‑hand accounts of tech‑industry culture.

The Lead: Arctic Monkeys' Humble Beginnings In 2005, Sheffield's music scene was buzzing with energy, enough that NME coined the term "New Yorkshire" to describe the explosion of talent in the region. Among these bands, Arctic Monkeys were just beginning their journey, a group of childhood friends from High Green who would go on to revolutionize British indie music. Their story is one of youthful determination, local influences, and a rejection of the mainstream music industry's expectations. The Sheffield Divide: Art vs. Traditional Indie Sheffield's music landscape in the mid-2000s was characterized by a distinct split between two types of bands. On one side were the more artier, often student-led indie bands like The Long Blondes, who deliberately positioned themselves against the local scene. The Long Blondes famously declared in their press materials: "Our shared influences include the Mael Brothers, Marx Brothers and the Bewlay Brothers. We do not listen to the Beatles, the Rolling Stones, Jimi Hendrix, the Doors or Bob Dylan." This intentional pomposity was perceived as arrogance by some, but represented a deliberate rejection of what they saw as staid, male-dominated music. On the other side were more traditional local indie outfits like Milburn, formed in 2001 by a group of teenagers in their mid-teens. These bands were influenced by the punk ethos of doing it yourself, often with little regard for what came before. As Milburn's Joe Carnall recalled: "If you had said Longpigs to me, I'd have gone, what? And if you'd have said Pulp, I'd have been like, he's a bit poncey isn't he? We were just angry young lads, so everything was shit. Which I think is great because it means you try and do something new." The Regional Rivalry: North vs. South Sheffield The divide in Sheffield wasn't just musical—it was geographical and cultural. As Jon McClure of Reverend and the Makers explained: "Culturally, it's different. I'm from north Sheffield where the accent is different. It's a lot thicker and harder, and the people are more brusque." This regional tension created a competitive environment where bands were suspicious of each other, with Carnall admitting: "It was very regional. We were suspicious of other bands. Like, [arty band] the Long Blondes, what's that? I'm not proud of it but that fuelled what we did." Milburn's Influence: The First Local Success Formed in 2001, Milburn quickly became a significant presence in Sheffield's music scene. They released a demo called "Steel Town" and built a substantial following, selling out the 500-capacity Boardwalk venue (locally known as "The Mucky Duck"). Their success demonstrated that bands from Sheffield could achieve local recognition without being based in London or other major music centers. Arctic Monkeys drummer Matt Helders later acknowledged Milburn's impact: "Milburn were the first people we saw doing it that were kids our age. We didn't think it was a thing that people did where we were from. We had this naive, or even maybe cynical attitude that all bands were just put together in London and that it doesn't happen to people like us." Arctic Monkeys' Formation: From Street Corners to Stage Arctic Monkeys emerged from High Green, a suburb of north Sheffield near the Barnsley border. The band consisted of childhood friends Alex Turner, Matt Helders, and Andy Nicholson (soon joined by Jamie Cook). Their formation was organic and spontaneous, as Helders explained: "This band came about from us hanging out on the street. Instead of deciding which house to go and egg that night, we were like, why don't we start a band? It really came from those kinds of conversations when you're on a field somewhere and people are smoking and drinking cider." Before Arctic Monkeys gained recognition, Helders and Turner briefly played in a funk ensemble called Judan Suki (Japanese for "being kicked in the weak spot") organized by Jon McClure. The experience was formative, even if the band was "fucking horrendous" according to McClure. For Helders, it was crucial: "I can see why Jon looks back and cringes but for me it was really important. And also for Al, because we'd never played onstage before. So it made it seem more accessible and realistic." The Practice Regimen: Building From Scratch Unlike some bands that might have emerged fully formed, Arctic Monkeys dedicated themselves to rigorous practice before performing publicly. They practiced consistently for nearly a year before their first public shows, demonstrating their commitment to developing their craft. This dedication would later pay dividends as they honed their distinctive sound and tight musical chemistry that would become their trademark. The Legacy: How Sheffield Shaped a Global Phenomenon The story of Arctic Monkeys' early years reveals how a specific local environment can nurture unique musical talent. The band's success wasn't just about their songwriting or performance abilities—it was about their authenticity and connection to their roots. They emerged from a vibrant but divided scene, influenced by but distinct from their contemporaries, and maintained their identity even as fame came their way. As the band members themselves acknowledged, they were "stubborn teenagers" who didn't want to be famous—at least not in the conventional sense. This attitude allowed them to create music on their own terms, which ultimately resonated with audiences worldwide and helped redefine what British indie music could be in the 21st century.

The End of an Era: George North's Rugby Retirement Wales great George North has announced he will retire from rugby at the end of the season. The 34-year-old began his career with Scarlets and joined Northampton Saints in 2013, where he won the Premiership. A Legendary Career The wing or centre made the move to Ospreys in 2018, spending five years there before joining French side Provence. North retired from international rugby in 2024 with 121 caps for Wales and toured twice with the British and Irish Lions during his career. Tribute and Next Chapter In a video posted on X, North said: “Hi guys, I just want to come on here and let you know at the end of the season I’ll be retiring. For me, it’s the right time. I’ve been able to live out my childhood dream for many seasons playing with some of the best players, coaches and the staff behind. “I can’t thank my family, my friends and you guys enough for the support you’ve shown me over the years. Honestly it’s meant the world to me. The next chapter? Still working on that one, but I’m excited to see where that journey takes me. “So again, from the bottom of my heart, thank you. Diolch.”