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The Lead: Iran's Internet Partially Restored Tehran, Iran – Authorities in Iran have reinstated some internet access three months after taking the country offline at the start of the war with the United States and Israel, but restrictions remain in place for most people. The Iranian government said last week that it had started a process to bring internet access back to a pre-war level, which was already very restricted as Iran was at the time still coming off an earlier 20-day shutdown imposed during deadly nationwide protests in January. The World's Longest Internet Blackout Last week's move ended more than 2,000 hours of near-total internet shutdown in the country of 90 million people, the longest-ever nationwide blackout in the world. But according to numerous user reports, local media accounts and expert analysis, Iranians' free access to the global internet is far from restored. Restricted Access and Blocked Services Access to millions of web pages remains blocked by the state, and almost all global services and apps such as YouTube, Instagram, Telegram, WhatsApp, Facebook and Waze are closed off and are not under consideration for reinstatement. Mobile, wireless and landline connections are slow and patchy, to varying degrees, while many local applications and services regularly malfunction or fail to load. The Black Market for Internet Access Most people are forced into a black market for access to the internet, which has proven lucrative for those selling virtual private networks (VPNs) or other circumvention methods, often through affiliations with the state. Those connections have now become cheaper after the authorities restored some internet bandwidth, but demand for VPNs has skyrocketed, and people remain exposed to scammers and malware while navigating the market. The Architecture of Filtering Meanwhile, even after the partial reopening, Iranian authorities continue to impose several complex layers of restrictions that have effectively turned full internet access into a privilege that very few people authorised by the state can enjoy. Many data centres have yet to be fully brought back online, and some internet protocols like IPv6 and HTTP/3 are blocked, while others like UDP are actively disrupted by the authorities, local media reported. Political Conflict Over Internet Policy That has prompted more criticism against Iran's relatively moderate President Masoud Pezeshkian, who campaigned against hardliners, in part, on reopening the internet. The Sazandegi reformist newspaper criticised the government over the "belated opening" in an op-ed on Saturday while the state-linked KhabarOnline news site wrote that the "Internet's technical infrastructure is the victim of the new architecture of filtering". The Tiered-Access Internet System Authorities have also failed to elaborate on what exactly they plan to do with the tiered-access internet system that they began expanding during the war. As part of the system, Iranians get varying degrees of access – or no access at all – to the global internet based on their profession and other classifications made by the state. To implement the scheme, a so-called "Internet Pro" scheme was introduced, which offers slightly less restricted access for about three times the price of a regular, more restricted internet package. Frustration and Limited Normalcy Still, more people have been able to get back on social media, where they have posted more videos from the war, including one that showed a new view as dozens of missiles rained down on the headquarters of Iran's supreme leader in downtown Tehran on February 28. Others are sharing war experiences, including where they were and how they felt when the first bombs hit the capital. But that hasn't alleviated the frustrations for many. "What we have right now is not the internet," said a Tehran resident, who spoke to Al Jazeera on condition of anonymity. "It's a return to the previous half-closed condition that is now being sold as an achievement."

Arsenal's Historic Title Parade Kicks Off in North LondonArsenal took to the streets of north London on 31 May 2026 to celebrate their first Premier League triumph in 22 years. The live‑blog opened with a vivid description of fans swarming the city, shirts everywhere, and the mood of pure celebration.Route and Schedule of the Open‑Top Bus ParadeThe procession began at 2pm and followed a carefully plotted route: Holloway Road, around Seven Sisters, through Blackstock Road to Newington Green, then Essex Road before turning right at Angel station onto Upper Street. Notably, the parade avoided the cordoned‑off Emirates Stadium.Crowd Estimates Reach Up to One MillionLocal authorities and media outlets have quoted figures ranging as high as a million spectators.Some observers suggest the true number could even be higher, given the spontaneous gatherings on trains and surrounding neighborhoods.Why the Parade Matters for Arsenal and the Premier LeagueIt marks a symbolic return to glory for a club that has long awaited a league crown.The sheer scale of fan turnout underscores the commercial and branding power of a successful English club.Such public celebrations boost merchandise sales, sponsorship interest, and reinforce the club’s global fanbase.What the Celebration Could Signal for the Club’s FutureAnalysts predict that the euphoria surrounding the parade will translate into higher season‑ticket renewals and increased demand for Arsenal apparel ahead of the next campaign. The event also sets a precedent for future title celebrations, potentially shaping how clubs engage with local communities during triumphs.

The LeadMost men in the UK will not be offered prostate cancer screening if the government accepts the final recommendation of an expert committee. The UK National Screening Committee (UKNSC) has concluded that widespread screening using the prostate-specific antigen (PSA) test was "likely to cause more harm than good" despite prostate cancer being the most common cancer in the UK.The Recommendation DetailsThe committee recommended screening only for men with the BRCA2 gene variant who have a family history of certain cancers, suggesting they be screened every two years between the ages of 45 and 61. For this specific group, prostate cancer is more common, develops earlier, and can be more aggressive. Of 100 men with a BRCA2 variant, between 21 and 35 will develop prostate cancer before the age of 80.The committee recommended against screening for other at-risk groups, including black men, citing "ongoing uncertainty on whether screening would cause more good than harm." The main harms of population screening include incontinence and erectile dysfunction in men who do not need treatment for the disease.The Prevalence DataProstate cancer is the most common cancer in the UK, with more than 64,000 men diagnosed every year. However, there is currently no national screening programme for the disease. The UKNSC estimates that its final recommendation would lead to "a few thousand" men being screened for prostate cancer each year.Only around one in every 300 to 400 people will have BRCA gene variations, though as many as one in every 40 Ashkenazi Jewish people carry these variations. In England, the NHS offers free BRCA gene testing for anyone aged 18 or over who has at least one Jewish grandparent.The Impact AnalysisThe decision will come as a blow to campaigners who have voiced support for more widespread screening, including high-profile figures like Sir Chris Hoy, David Cameron, and Sir Stephen Fry. Prostate Cancer UK expressed being "deeply disappointed" with the recommendation, stating that without a screening programme for the UK's most common cancer, "we lose more than 12,000 dads, brothers and partners every single year."However, medical experts argue that screening can reduce deaths from prostate cancer only to a small extent and does not improve overall survival. The challenge remains that once a prostate cancer is found, doctors still can't reliably tell which cancers need treatment and which do not, and treatments can cause long-lasting harm.The Future OutlookThe government will now consider the recommendation, with the new Health Secretary James Murray set to meet with the UKNSC chair. The Department of Health and Social Care stated that Murray "will give full and careful consideration to the recommendation" and would update on the government's response shortly.The committee acknowledged that more research is needed to address evidence gaps, particularly regarding black men. The UKNSC will work with the Transform trial, launched by Prostate Cancer UK, to gather more data. It was noted as "particularly important" that a "sufficient number" of black men be invited to participate in this trial.

Internet Blackout Flickers Back: The Human Toll After 88 DaysAt about 5 pm on Tuesday, the first wave of messages, images and poems broke through Iran’s near‑total internet blackout that began on 8 January. While many celebrated the return of any connection, the tone was dominated by scepticism, anxiety and grief.Partial Restoration Triggers Mixed Reactions Across IranFirst‑hand accounts illustrate the emotional split:Ellie, 42, an artist from Tehran, described lighting a cigarette, playing SoundCloud and crying, calling the glimpse of connectivity “a small taste of a much greater freedom.”Maryam, a photographer, called the celebrations “nauseating” and warned that the internet is a basic right, not a regime achievement.Mina, 23, a recently arrested protester, warned that the limited return could be a prelude to expanded surveillance, dubbing it “filternet.”Other voices, from students posting “Hello, fellow prisoners” to diaspora activists monitoring loved‑ones, echoed a blend of relief and dread.Scale of Disruption: Numbers Behind the BlackoutDuration: 88 days of near‑total outage.Start date: 8 January – imposed to crush nationwide anti‑government protests.Partial lifts: Gradual restoration in February, a second blackout after late‑February US/Israeli strikes, and the latest limited connectivity on 30 May 2026.Access cost: VPNs became “rocketing” in price, leaving most citizens in digital isolation.Why the Partial Return Deepens Political and Social StrainThe limited connectivity does not signal a liberalisation of digital rights. Instead, it reveals a strategic use of the internet as a tool of control:Regime supporters applauded the government, framing the partial lift as a victory.Iranians on the ground reported that essential services—mobile internet, WhatsApp—remain largely unusable, hampering work and communication.The national security council’s recent approval of “Internet Pro”—a restricted, sector‑specific service—suggests a move toward monitored, commercial‑grade connectivity rather than open access.Diaspora observers noted heightened anxiety over possible surveillance, with many fearing that the restored channels will be used to track dissent.What the Next Phase of “Internet Pro” Could Mean for IraniansAnalysts warn that the rollout of Internet Pro may cement a two‑tiered digital landscape: a limited, state‑approved network for businesses and a heavily throttled, surveilled channel for the general public. If the regime expands this model, the following outcomes are plausible:Increased reliance on costly VPNs and satellite links for uncensored communication.Further erosion of trust in online platforms, driving more citizens to offline or encrypted alternatives.Potential escalation of international pressure as human‑rights groups highlight the disparity between “partial restoration” and genuine freedom of expression.For now, the flicker of connectivity serves as a stark reminder that “what truly came back online is our misery, not freedom.”

The Lead: A Darkly Bright Review of Shaffer’s FarceThe Guardian’s latest stage review celebrates the Orange Tree Theatre’s revival of Peter Shaffer’s *Black Comedy*, highlighting how the production’s inventive lighting turns darkness into the show’s main character.Lighting as the Star: How the Play Turns Darkness into ComedyInspired by a Chinese‑theatre lamp gag, the production stages a power cut with blinding brightness to represent total darkness, and vice‑versa. When a match is struck the lights dim; a switch flicked on triggers an instant blackout, forcing actors to navigate the tiny stage blind and then stumble about as if they can’t see each other while the audience watches the chaos unfold.Key Production DetailsVenue: Orange Tree Theatre, Richmond, LondonRun: Until 11 July 2026Director: Caroline SteinbeisLighting Designer: Elliot GriggsPhysical Comedy Consultant: John NicholsonCritical Reception and Box‑Office SnapshotWhile the review does not provide hard numbers, the production’s limited 75‑minute run and its pairing with the Menier Chocolate Factory revival of *Equus* suggest a strategic centenary push that is likely to attract both Shaffer enthusiasts and farce lovers, bolstering ticket sales during the summer season.Reviving Shaffer: The Play’s Relevance in Modern TheatreThe piece, set in a post‑World‑War‑II context, unintentionally resonates with today’s fragile power‑supply anxieties. Historical touches—Directory Enquiries, antique fuse boxes, and two “comedy Germans”—are balanced by contemporary direction, such as a Caribbean‑styled cleaning‑lady routine that updates Maggie Smith’s original mockney lines.Looking Ahead: The Future of Farce on Post‑Pandemic StagesWith *Black Comedy* proving its staying power alongside the high‑brow *Equus*, the Guardian predicts a renewed appetite for technically inventive farces that blend physical comedy with modern staging tricks. Directors may increasingly lean on lighting and set design to create immersive, laugh‑inducing spectacles that compensate for smaller venue capacities.

The Lead: A Memoir Through Musical EvolutionJesse Bernard's 'Escaping Babylon' presents a unique blend of personal memoir and cultural history, chronicling the development of Black British music through the lens of his own experiences as a Black British man and music journalist. Published in 2026, the book arrives during a significant moment for Black British music, coinciding with the 30th anniversary of the MOBO Awards and the V&A; East exhibition 'The Music is Black: A British Story'.The Book's Structure: A Musical TapestryBernard structures his work like a mixtape, weaving together personal anecdotes, interviews with artists, and cultural analysis. Beginning in 1989—a landmark year for Black British music with Soul II Soul's rise to fame in America and Sade's global success—the book follows Bernard's journey from a schoolboy expelled for mischief to a music journalist exploring the depths of Black British musical heritage.Historical Roots: From Reggae to Modern GenresThe book establishes reggae as the foundational 'tree' from which all UK Black music branches grow, a concept articulated by former Saxon sound system emcee Tippa Irie. Bernard traces this evolution through various genres including UK funky, grime, jungle, and drill. He gives particular attention to the 1990s era, highlighting artists like Lynden David Hall and the importance of Trevor Nelson's MTV Base show 'The Lick' in shaping Black British musical identity.Cultural Challenges: The Modern Chitlin' CircuitOne of Bernard's key insights is his argument that Black British artists effectively operated their own version of the Chitlin' Circuit—a network of venues where African American artists were forced to perform during segregation. He recalls Dizzee Rascal's description of venues like Le Fez in Deptford and the Stratford Rex as places where artists could perform but struggled to make significant money, highlighting the economic challenges faced by Black musicians well into the 2000s.Legacy and Contemporary ContextWhile acknowledging the removal of Form 696—a venue-vetting document used by the Metropolitan Police to effectively ban Black music events in London—Bernard also points to ongoing challenges, including police monitoring of lyrics to identify artists as potential 'gang' members. The book maintains an intimate focus rather than examining broader external factors, reflecting its personal approach to history.The Future of Black British Music Documentation'Escaping Babylon' represents an important contribution to the documentation of Black British music at a time when its cultural significance is increasingly recognized. By blending personal narrative with cultural analysis, Bernard has created a multifaceted portrait of Black British musical evolution that complements other recent works like the V&A; exhibition. The book's mixtape-like structure, while occasionally leaving arguments underdeveloped, captures the fragmented yet interconnected nature of musical memory and cultural heritage.

Former England international Raheem Sterling was arrested on the M3 motorway on 28 May 2026, and a source close to the player says the incident has left him feeling “disposable” after ten years at the top of the game.Sterling’s Arrest on the M3 Sparks Public ScrutinyLocation: Southbound carriageway of the M3 near Minley Interchange, Hampshire.Time: Just before 9 am.Charges: Suspicion of driving while unfit through drugs, dangerous driving, possession of a class C drug, and failing to provide a specimen.Status: Bailed while investigations continue.Financial Context: Contract Value and Club DepartureThe source noted that Sterling left Chelsea by mutual consent in January 2026, despite having 18 months remaining on a contract worth £325,000 a week. He subsequently joined Dutch side Feyenoord, seeking a fresh start away from the English spotlight.Psychological Toll and Media Narrative on Black FootballersAccording to the insider, Sterling has endured “immeasurable” psychological strain over “an extremely tough couple of years”, compounded by persistent racist abuse and what he perceives as disproportionate media criticism of black players. The source argues the episode highlights a broader issue: players who are no longer “fit for purpose” are treated as disposable.What Lies Ahead for Sterling’s Career and ReputationWhile the police investigation proceeds, Sterling’s future hinges on both legal outcomes and his ability to rebuild confidence at Feyenoord. The source stresses that the arrest is “under suspicion” with no proof of drug influence, suggesting the narrative could shift if cleared. Observers will watch how clubs, sponsors, and the media respond, potentially influencing how former Premier League stars are supported during career transitions.

The Lead: This Week's Entertainment HighlightsThis week's entertainment landscape offers a diverse array of critically acclaimed shows and films, from hilarious comedies to chilling horror. Channel 4's "Make That Movie" stands out as one of the funniest shows of the year, while Netflix's "The Four Seasons" returns with a brilliant second season. Horror fans can explore the disturbing world of "Backrooms," while Marvel offers a stylish take with "Spider-Noir."TV Comedy Gold: Make That MovieChannel 4Summed up in a sentence Last One Laughing finalist delivers one of the funniest shows of the year, with this mockumentary about a director who makes awful films.What our reviewer said "So ostentatiously silly that it deserves to be paraded around the streets." Stuart HeritageRead the full reviewFurther reading "People are like: you're a crackpot": how Sam Campbell became comedy's oddball superstarNetflix Triumph: The Four Seasons ReturnsNetflixSummed up in a sentence Tina Fey triumphs again with the return of this comedy about a group of middle-aged friends who reunite during holidays throughout the year.What our reviewer said "Even more perspicacious, poignant and hilarious than the first." Chitra RamaswamyRead the full reviewMarvel's Stylish Take: Spider-NoirPrime VideoSummed up in a sentence In Marvel's witty homage to the hard-boiled films and fictions of the 40s – which can be watched in colour or black-and-white – Nicolas Cage plays Ben Reilly, who gave up being superhero "the Spider" five years ago.What our reviewer said "Everything is shot with style and confidence." Lucy ManganRead the full reviewFurther reading The life of PIs: the strange case of 2026's resurgence of hard-boiled detectivesHidden Gem: PoniesNow/Sky AtlanticSummed up in a sentence Emilia Clarke and Haley Lu Richardson have heaps of fun as two widows who become cold war spies in this espionage comedy-drama.What our reviewer said "It's a mashup of genres and tropes, but it is its own thing too – and an unexpected treat at that." Lucy ManganRead the full reviewHorror Innovation: BackroomsIn cinemas nowSummed up in a sentence A debut from 20-year-old director Kane Parsons that examines memory, reality and fear in an icily disturbing horror, in which Chiwetel Ejiofor accesses an infinite series of hidden rooms that all feel creepily askew.What our reviewer said "Backrooms progressively raises its game towards the big finish with jump scares, squirm scares and tiny shiver scares. There is real fascination in exploring this vast, invisible city state of fear." Peter BradshawRead the full reviewFurther reading Are you sitting uncomfortably? How Backrooms upended the horror movieMusic and Bromance: Power BalladIn cinemas nowSummed up in a sentence Nick Jonas and Paul Rudd star in a comedy of bromance and betrayal from Irish writer-director John Carney that brilliantly brings together Rudd's washed-up wedding singer and Jonas's insecure ex-boyband superstar.What our reviewer said "Power Ballad is about making it and dreaming big, about every busker never giving up on hopes of one day being mega. But as so often with Carney, it's about something else, usually left unacknowledged in movies about music or any sort of show business: the terrible binary of success and failure." Peter BradshawRead the full reviewUnexpected Pairing: TunerIn cinemas nowSummed up in a sentence Playing a piano tuner with super-sensitive hearing, Leo Woodall's relationship with Dustin Hoffman is a tender highlight in this safe-cracking thriller.What our reviewer said "What a pair they are; they are a real pleasure to watch in an easy, unforced drama that mixes romcom moments with a relaxed crime thriller. It's like the Safdie brothers in chill-out mode." Cath Clarke

Leïla Slimani’s Madrid Residency: Finding Light in Goya’s DarknessFrench-Moroccan author Leïla Slimani is currently in Madrid, utilizing the Museo del Prado as a sanctuary for her next literary work. Her deep dive into Francisco Goya’s Black Paintings reveals a writer obsessed with the darkness of the human condition.The Residency and the Black PaintingsSlimani is participating in Writing the Prado, a residency inviting international authors to produce new work inspired by the museum. She is particularly drawn to Goya’s later works, which depict violence, fate, and societal disillusionment. Slimani explains that Goya painted the future, seeing things others did not, and that his bleak outlook resonates with her own preoccupations.Location: Museo del Prado, MadridResidency: Writing the PradoPrimary Inspiration: Goya’s Black Paintings (e.g., Saturn Devouring His Son)The Cultural Impact of Literary PrestigeWhile the article focuses on a residency, Slimani’s career trajectory highlights the immense cultural capital of literary recognition. Her success is not just personal but systemic.Award: First Moroccan woman to win the Prix Goncourt (2016) for Lullaby.Role: Appointed by President Emmanuel Macron as a representative for promoting French language and Francophone culture.Her presence in Madrid as a cultural ambassador demonstrates how high-profile authors bridge the gap between national identity and global literature.The Intersection of Trauma and Artistic ExpressionSlimani’s work is driven by a formative family trauma: the arrest and imprisonment of her father on financial charges. She describes her early impulse to write as driven by anger and a desire for revenge.“Literature is probably the best way to give justice back to people who are not understood or listened to,” she says. Her ability to transform personal pain into universal empathy—allowing readers to feel tenderness for characters they might reject in real life—defines her impact on modern literature.The Future of Cross-Cultural Literary InspirationSlimani is currently working on a new project inspired by the Prado, signaling a continued evolution in her style. Her upcoming work, I’ll Take the Fire, focuses on her family history, suggesting that her future writing will continue to explore the tension between nostalgia and the necessity of moving forward.As she navigates the complexities of being a French-Moroccan writer, Slimani’s journey suggests a future where literature will increasingly serve as a tool for deconstructing rigid cultural identities and embracing the contradictions of the human experience.