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Dash Crofts, the renowned musician from the soft rock duo Seals and Crofts, has died at the age of 85. His passing was announced by the duo's producer, Louie Shelton, on social media. Crofts succumbed to complications following heart surgery, as confirmed by a family member. Crofts and his musical partner, Jim Seals, crafted some of the most iconic hits of the 1970s, including 'Summer Breeze' and 'Diamond Girl'. Their 1972 album 'Summer Breeze' reached the top 10 in the US and featured the hit single 'Hummingbird'. The duo's gentle musical style, characterized by breezy soft rock, became a staple of the decade. The duo faced controversy with their 1974 album 'Unborn Child', which reflected their Bahá’í faith. The title track sparked a backlash and was banned by some radio stations following the landmark Roe v Wade ruling. Despite this, their music continued to resonate with audiences, and they remain celebrated for their contributions to the soft rock genre. After the duo disbanded in 1980, Crofts pursued a quieter life in Nashville, focusing on country music. Yacht rock, the genre they helped define, has seen a recent resurgence in popularity, with a 2024 HBO documentary highlighting its importance. Crofts' legacy continues to inspire new generations of music lovers.

The documentary 'Rave Culture: A New Era' is a high-energy testimonial to the UK's dance revolution in the 80s and 90s. Directed by Eduardo Cubillo Blasco, the film features a pantheon of electronic music greats, including Fabio, Orbital's Hartnoll brothers, Slipmatt, Goldie, and Leeroy Thornhill, who provide deep insights into the dancefloor culture.The film explores the logistics of rave parties, including artwork, promotion, and booking, as well as the legal challenges faced by organizers. It also touches on the evolution of rave from a free-for-all to big business, and its subversive power in terms of race and football hooliganism.While the film could be better structured, it effectively captures the creative longevity of rave culture, which has influenced hardcore breakbeats, jungle, speed garage, grime, and dubstep. The documentary serves as a reminder to digital-native generations to keep the live club experience going.The film is set to premiere at the Rio in London on March 27 and will tour thereafter.

Lily Allen, known for her hit album West End Girl, is exploring the possibility of turning her music into a stage play. The album, which details her painful experience of discovering her husband's infidelity, has already been performed in its entirety during a recent tour of theatre venues, including a show at the London Palladium.The album's narrative is semi-autobiographical and features songs that showcase Allen's mastery of dialogue, characterisation, and storytelling. The plot revolves around her being cast in a West End production, mirroring her own debut in 2:22: A Ghost Story in 2021.A potential play adaptation could feature intimate monologues or a more elaborate production with supporting actors. The character of Madeline, the other woman involved in Allen's husband's affair, could be a key role in the play. Allen's fans have been closely following her personal life through her lyrics, and her Architectural Digest video showcasing her Brooklyn townhouse with her now-estranged husband David Harbour. The album's sardonic humour and raw realism could be effectively translated onto the stage.The set design for the tour, created by Anna Fleischle, featured a distinctive two-act structure with an interval and innovative videography. A stage adaptation could also incorporate performance art elements, making it a unique theatrical experience.

Billy Idol: A Postpunk Icon's Life and Times are celebrated in a new documentary, Billy Idol Should Be Dead, directed by Swedish filmmaker Jonas Åkerlund. The film offers a nostalgic look back at Idol's career, from his early days in punk and new wave to his rise to fame in the US.With a mix of humor and sympathy, the documentary examines Idol's outrageous excesses, including his struggles with drug abuse and near-fatal accidents. Idol's life was marked by a series of close calls, including a near-fatal overdose in 1984 and a second episode in the late 80s where he collapsed in a Bangkok hotel lift, much to the horror of Mel Gibson and his family.The film also explores Idol's impact on music and pop culture, comparing him to Elvis Presley and Eddie Cochran. Idol's distinctive snarl-sneer and charismatic stage presence made him a big name, particularly on MTV, which was eager for content and drawn to his self-destructive bad-boy image.At 70, Idol looks back on his life with a cheerfully gravelly voice, recalling his experiences with a mix of humor and reflection. The documentary is a nostalgic tribute to a music legend and a celebration of his enduring legacy.Billy Idol Should Be Dead is set to air on Sky Arts on March 26.

Tansy Davies's intriguing score for 'The Passion of Mary Magdalene' premiered with the Dunedin Consort, conducted by John Butt. This brand new Passion, co-commissioned with the Edinburgh international festival, explores the enigmatic figure of Mary Magdalene through a tautly written 90-minute work divided into seven episodes.The composition features eight singers, including four women and four men, with Mary Magdalene herself portrayed by Anna Dennis. The narrative weaves together texts from various sources, including the non-canonical Gospel of Mary and poetry by Ruth Fainlight. The music is characterized by intricate instrumental layers and a blend of traditional and modern elements, such as the use of an electric guitar.Davies's work is described as a meditation rather than a traditional Passion-setting, with a focus on the mystical and sensual aspects of the story. The performance is set to be featured at the Edinburgh international festival on August 8.

Classical music has long struggled to find relevance and impact in modern times, but a surprising solution may have been found in the form of a blue heeler puppy. Bluey, the Australian cartoon for children of all ages, has become a global phenomenon with over 45 billion minutes watched in the US alone and over 1 billion streams of its albums and soundtracks. The show's music, composed by Joff Bush, is a key factor in its success. Bush's soundtrack is remarkably diverse, incorporating a wide range of genres, including classical music. He seamlessly weaves in classical pieces from renowned composers like Bach, Beethoven, Mozart, and Holst, making them an integral part of the show's narrative. One notable example is the use of Mozart's Rondo alla Turca in the show's first episode, Magic Xylophone. This introduction to classical music is not done in a forced or condescending way; instead, Bush uses these pieces to enhance the emotional impact of each scene. For instance, Holst's Jupiter from The Planets is used in the Sleepytime episode to create a cosmic journey for Bingo. The new Bluey album, Up Here, continues this trend, featuring a three-and-a-half-minute orchestral tone-poem on the Bluey theme tune. This piece serves as a Young Person's Guide to the Orchestra for 2026, introducing listeners to various musical sections and instruments. The album also includes quotes and transformations of famous classical pieces, such as Mozart's Eine Kleine Nachtmusik and Vivaldi's Spring from The Four Seasons. Bush's approach to incorporating classical music into Bluey is refreshing and effective. Unlike previous cartoons that used classical music to parody or mock its elitist pretensions, Bluey presents these pieces in a joyful and organic way. This approach has the potential to introduce classical music to billions of listeners worldwide, making it a significant development in the classical music landscape.

Denis Lavant delivers a captivating performance in 'Redoubt', a Swedish film directed by John Skoog. Lavant plays Karl-Göran Persson, a farmhand from rural Sweden who becomes fixated on transforming his humble shack into a public shelter, dubbed a 'redoubt', in preparation for a potential nuclear catastrophe.The film, shot in stunning monochrome, chronicles Persson's journey as he scours the countryside for materials to fortify his shelter. His obsession is sparked by an official pamphlet warning citizens of the impending threat of nuclear war. As Persson works tirelessly on his project, he faces a mix of curiosity and hostility from the local community.Lavant's portrayal of Persson is both intriguing and vulnerable, evoking comparisons to iconic characters like Quasimodo and Nosferatu. The actor also showcases his musical talents on the accordion and even appears to hypnotize a chicken. Despite the film's static nature, which may leave viewers questioning its direction, Lavant's performance is unforgettable.'Redoubt' is a thought-provoking exploration of loneliness, fear, and community. While the film's conclusion may seem ambiguous, it ultimately presents a poignant reflection on the human condition. With its unique blend of drama and social commentary, 'Redoubt' is set to leave a lasting impression on audiences when it hits UK cinemas on March 27.

Robyn, the self-proclaimed Fembot, has always been known for pushing boundaries with her music. Her latest album, Sexistential, is no exception. The Swedish pop star's ninth album is a collection of songs that explore a new philosophy on love, relationships, and emotions.The album's lead single, Dopamine, sets the tone for the rest of the record. With its glittering, arpeggiated synths and introspective lyrics, the song finds Robyn questioning the nature of love and emotions. “I know it’s just dopamine, but it feels so real to me / I’m tripping on our chemistry,” she muses.Sexistential is a departure from Robyn's previous work, with a focus on electronic sounds and lyrics that challenge traditional notions of romance. The album's title track is a case study in Robyn's new mentality, with Robyn rapping about hooking up while undergoing IVF as a solo parent. The song's counterpart, Blow My Mind, is a revamp of her 2002 single, made psychedelic and faster, with lyrics that focus on loving her young son.The album's themes of love, relationships, and emotions are explored through a variety of songs, each with its own unique sound and style. From the thumping, claustrophobic drum machine of Really Real to the retro vocoder and Ministry of Sound piano of Talk to Me, each song showcases Robyn's ability to craft catchy, thought-provoking pop music.The album's finale, Into the Sun, is a surging electro-ballad with tangled religious imagery that makes it tricky to parse. However, the album's defining moment falls on Dopamine, where Robyn finds a way to hold two truths at the same time: feelings are chemical, and some feelings feel amazing. “When I let go, it’s so easy,” she spins, giddy, before hitting a high note that comes straight from the gut.

Irvine Welsh's cult classic novel Trainspotting is to be reimagined as a musical, with its West End debut scheduled for July at the Theatre Royal Haymarket in London. The musical adaptation, also titled Trainspotting, will be a collaboration between Welsh and composer Stephen McGuinness.Welsh's 1993 debut novel has already been adapted into a film and a play, and has spawned several sequels and soundtrack albums. The musical will feature a mix of original songs and tracks from Danny Boyle's 1996 film adaptation, including Iggy Pop's 'Lust for Life'.“It wasn’t the most obvious book to be successful,” Welsh noted. “And it wasn’t the most obvious movie or stage play to be successful. It’s confounded expectations – especially my own.”The story follows four friends struggling with addiction and crime in Edinburgh. Welsh cited musicals like West Side Story, Oliver! and Rent as examples of successful adaptations of complex, serious material.The musical will include a couple of new characters and contextual material from Welsh's 2012 prequel, Skagboys. Robbie Scott, 26, will play the lead role of Mark Renton, marking his West End debut.“It’s got real sass and vigour in the way the actors spark off against each other,” Welsh said. “I’m really looking forward to an audience seeing it.”