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The Lead: Thames Swimmers Celebrate First Designated Bathing SiteFor the first time in London, a stretch of the River Thames has been officially recognised as a designated bathing water. The decision, driven by local activists such as Marlene Lawrence and the Teddington Bluetits, is hailed as a community triumph over private‑sector pollution and a boost for cold‑water swimming enthusiasts.Community‑Led Designation and On‑Ground RealitiesThe newly approved spot sits near Teddington, where volunteers have long measured contamination and petitioned against sewage discharges. Swimmers describe the experience as a mental reset, with the icy water “rebooting the mind” and offering a palpable sense of achievement.Location: Teddington, southwest LondonKey organisers: Marlene Lawrence (founder of the Bluetits)Supporters: local residents, regular swimmers, and environmental journalistsData‑Driven Pressure on Thames WaterThe Environment Agency will now be required to test water quality “rigorously and regularly”. Recent investigations have highlighted that Thames Water’s outflows have included sewage releases up to 300,000 times in a single year, underscoring the need for tighter monitoring.Broader Impact on Urban River ManagementDesignating a bathing site signals a shift in how urban waterways are managed. It raises public expectations for cleaner rivers, forces utilities to address pollution, and encourages other cities to consider similar designations.Looking Ahead: More Swims and Cleaner Rivers?Activists hope the success at Teddington will inspire additional bathing‑water designations along the Thames and other UK rivers. Continued community monitoring and stricter enforcement could gradually transform the capital’s waterways from “dirty and cold” to safe, health‑promoting public spaces.

Summit Set to Deepen Russia‑China Strategic TiesVladimir Putin will make an official two‑day visit to China from May 19 to 20, 2026, the Kremlin announced. The agenda includes meetings with President Xi Jinping and Premier Li Qiang to “further strengthen the comprehensive partnership and strategic cooperation” between Moscow and Beijing.Putin’s Two‑Day State Visit Scheduled for May 19‑20Dates: May 19‑20, 2026Key participants: Vladimir Putin, Xi Jinping, Li Qiang, Russian Foreign Minister Sergey Lavrov (expected)Commemorative focus: 25th anniversary of the 2001 Treaty of Good‑Neighbourliness and Friendly CooperationDiscussion topics: strategic coordination, economic and trade cooperation, regional security issuesTrade Numbers Highlight Growing Economic InterdependenceChina has become Russia’s largest trading partner by volume, with most transactions settled in Russian roubles and Chinese yuan. While exact 2026 figures are not released, 2025 data showed Chinese imports of Russian energy and commodities accounted for over 30% of Russia’s total export revenue.Geopolitical Ripple Effects Across the US‑China‑Russia TriangleThe timing follows President Donald Trump’s departure from Beijing after a rare US‑China summit, where little progress was made on Taiwan or the Iran‑related tensions. By reinforcing the “no‑limits” alliance announced in 2022, Moscow and Beijing signal a coordinated front that could further isolate Western diplomatic efforts, especially concerning the Russia‑Ukraine war.What the Visit Signals for Future Global AlignmentsAnalysts anticipate that the visit will:Accelerate joint economic projects, potentially expanding Russian oil sales to China despite Western sanctions.Deepen political coordination, with China likely to continue its neutral‑but‑supportive stance on the Ukraine conflict.Prompt the United States to reassess its Indo‑Pacific strategy, possibly increasing diplomatic outreach to regional allies.In the coming months, the durability of the partnership will depend on how both nations navigate external pressure from sanctions, US‑led technology restrictions, and the evolving security landscape in Eastern Europe and the Indo‑Pacific.

The Allure of Sonic ExtremesBowel-shuddering basslines. Drum fills that bounce off the walls like gunfire. Guitars resembling a pneumatic drill drilling into another pneumatic drill. A truly loud gig stays with you, figuratively and literally, as anyone who has spent the days after one accompanied by a troubling ringing in their ears can confirm.Last week, prompted by an old Alistair Cooke column suggesting that Janis Joplin's group Big Brother and the Holding Company was noisy enough to cause permanent hearing damage in guinea pigs, The Guide asked readers to share their own loudest gig experiences. The response was overwhelming, with countless readers sharing memories of eardrum-piercing encounters with all manner of bands and artists, across genres and decades.The Technical Frontiers of Live SoundWe should probably insert the obligatory disclaimer here: loud gigs can be genuinely bad for your ear health – just look at the brilliant early 80s post-punk band Mission of Burma, who had to disband for the best part of two decades due to guitarist Roger Clark Miller's punishing tinnitus. The environments that Burma and bands before them played in were a sonic wild west, with minimal soundproofing in venues or, in the ear canals of the people performing in those venues.Thankfully technology has moved on since then: many concertgoers now carry decent pairs of earplugs, and venues often provide free alternatives at the bar. Yet some still succumb to the cheap, inadvisable thrill of experiencing music completely unprotected.The Auditory Cost of Musical PassionThe physical consequences of extreme volume are well-documented. Mission of Burma's hiatus due to tinnitus represents just one example of how loud performances can have lasting health effects. The human ear can withstand approximately 85 decibels continuously for eight hours, but at 110 decibels – the level of many rock concerts – safe exposure time drops to less than two minutes.Despite these risks, the pursuit of sonic intensity continues. As one reader noted about seeing Swans in 1987: "You couldn't think of anything other than the noise while it was happening. People streamed out. I stayed and now wear hearing aids. But it was extraordinary." This trade-off between auditory safety and musical transcendence remains central to concert culture.Cultural Significance of VolumeVolume in live music has always been tied to cultural significance. From Deep Purple in the 1970s to modern experimental acts, extreme sound has been used to create immersive experiences that transcend mere entertainment. Guardian critic Alexis Petridis described seeing My Bloody Valentine: "Earplugs were distributed at the door. Even wearing them, the quite extraordinary volume was inescapable. It made your clothes move, independently of your body."Different genres approach loudness differently. Doom metal acts like Sunn O))) use volume as an atmospheric tool, while electronic artists such as Rosalía incorporate orchestral elements at jet-landing volume. Each approach creates a unique sensory experience that defines the relationship between performer and audience.The Future of Loud Music and Hearing ProtectionAs awareness of hearing health grows, the future of loud concerts may involve a balance between intensity and safety. Advances in hearing protection technology – from high-fidelity earplugs that preserve sound quality while reducing volume to in-ear monitors for performers – suggest that extreme sonic experiences need not come at the cost of long-term hearing damage.Yet the fundamental appeal of overwhelming sound likely remains. As Laura Snapes wrote about experiencing Angine de Poitrine: "I felt like I'd been lashed to the prow of Mad Max's rig as it screamed through the desert (this is a compliment)." The pursuit of transcendent musical experiences – even when they leave our ears ringing – appears to be an enduring aspect of human culture.

The Lead: Parkinson's Praise for Female PerspectiveThe Bafta-winning actor Katherine Parkinson has lauded the television series Rivals for its "radical" depiction of sex from a woman's perspective. Speaking at a preview screening in Bristol, Parkinson emphasized the importance of showing a woman's view of sex on television.The Series: A New Take on Jilly Cooper's Rutshire ChroniclesThe award-winning Disney+ show follows the high-stakes world of British television with the backdrop of the Cotswolds countryside in the fictional county of Rutshire. Based on Jilly Cooper's Rutshire Chronicles, the series has become renowned for its frequent, racy sex scenes featuring a diverse cast of characters. The first three episodes of the second series landed on the streaming platform on Friday, continuing the show's reputation for bold content.The Regional Impact: Bristol's Role in Television ProductionThe series was filmed at Bristol's Bottle Yard Studios, which are owned by the city council, with many locations featured within a 30-mile radius around Bristol. The screening celebrated the role the region had played in creating the popular series and as a champion for moving film-making outside London's orbit. Mayor of the West of England, Helen Godwin, stated that "Rivals being made here has directly and indirectly helped add millions of pounds to the country's fastest-growing regional economy."The Industry Shift: Female Perspectives in Mainstream MediaParkinson, who won a Bafta last week for her role in Here We Go, highlighted the lack of female perspectives on sex in television. "The great thing that Rivals does is … there are truths being told that I don't feel that I've necessarily seen … there's a sort of bravery to that. And it sort of feels quite radical," she said. Parkinson noted that while Jilly Cooper wrote brilliantly from the female perspective about sex, "we still haven't seen a lot of that on television."The Future: Honoring Jilly Cooper's LegacyThe filming of the second series was overshadowed by the death of Jilly Cooper, who suffered a fatal head injury in a fall at her Gloucestershire home in October. The Bristol audience was asked to raise a glass in Cooper's memory before the screening of the first episode. As the series continues to gain popularity, it stands as a tribute to Cooper's work and a milestone for female representation in television storytelling.

The Week's Must-See Cinema ReleasesThis week's film offerings range from action thrillers to historical dramas. Normal, directed by Ben Wheatley, stars Bob Odenkirk as an interim sheriff in a small Minnesota town with unexpected secrets involving the yakuza. Also starring Henry Winkler and Lena Headey, this crime thriller promises plenty of intrigue.For horror fans, Obsession offers a literal 'be careful what you wish for' storyline about a music store employee who makes a magical wish for his coworker to love him unconditionally, leading to extreme consequences. Orphan provides a historical drama set in post-revolution Budapest, following a teenager raised on stories of his missing father, while The Christophers is an art world caper from director Steven Soderbergh featuring Ian McKellen and Michaela Coel.Live Music Highlights: From Pop to OperaDoja Cat kicks off her European tour in Dublin, bringing her signature style of 27 songs, high-cut leopard print leotards, and performances inspired by 80s superstars like Prince and Janet Jackson. While her latest album 'Vie' may not have reached the commercial heights of previous work, her live shows remain spectacular.In Sheffield, the Get Together festival features Southend goth overlords the Horrors alongside Welsh-Cornish artist Gwenno and Hot Chip's Alexis Taylor. Other highlights include 'wonk pop' practitioners Lime Garden and London-based noise merchants Factory Floor.For classical music enthusiasts, Glyndebourne opens its summer season with Puccini's Tosca, staged by US director Ted Huffman in the festival's intimate theater. Soprano Caitlin Gotimer leads two rising-star casts under conductor Robin Ticciati.Contemporary Art ExhibitionsIn Colchester, Godfried Donkor presents an exhibition at Firstsite that travels from Colchester to West Africa and the Caribbean. The London-based Ghanaian artist weaves together stories of resistance from Boudicca to Yaa Asantewaa, using collage, painting, and textile to explore how identity, power, and trade shape our world.At the Barbican in London, Colombian installation artist Delcy Morelos presents a major exhibition through July, featuring large-scale muddy installations that challenge perceptions of space and materiality.Stage Performances and Cultural EventsLeeds jazz festival celebrates its fifth year with genre-fluid performances from pianist-organist Kit Downes and sax star Emma Rawicz. The 16-year-old Submotion Orchestra brings their fusion of electronica, jazz, and soulful ambience to the opening night, promising a memorable start to the festival.

The Transformative Night in Blackpool Bronzed, with winged tips and doused in Le Male, I clamped the baby pink GHDs to my hair until they sizzled and singed it. Emerging from a cloud of cheap hairspray, I was ready for the dancefloor. I was 18 and had grown up in Blackpool, a place synonymous with hedonism and fun. I came out in high school at the age of 14 and from 16 I studied performing arts at a local college. Underage, I was smuggled into clubs and in my spare time I watched shows in our many beautiful theatres. The bright lights of the illuminations, the showgirls, the feathers, sequins and rhinestones were intoxicating. Blackpool really was – and still is – extraordinary. When the bar closed, a new adventure would begin. One night, as the sun was coming up (and as was I), a drag queen took me back to her place. I didn't know the significance of what I was about to experience, but I was to receive an education no university course could ever match. The drag queen was a Liza Minnelli tribute act. She knew every beat of every Liza film, every concert, every move of choreography. She performed as Liza in all the bars around town. Now I was ordained by being welcomed into her home. This moment could be the plot of a movie with Blackpool as a beautiful backdrop to my coming out/coming-of-age fantasy The Muppet Show That Changed Everything Was I ready to be indoctrinated? Very. She led me to the living room for a VHS screening of what I was told was one of Liza's finest performances. I was expecting Cabaret, the winner of eight Academy Awards, but not on this occasion. She sat me on the sofa and played Episode 414 of The Muppet Show from 1979, with special guest the one and only Liza Minnelli. The premise works so beautifully for exactly the same reason that The Muppet Christmas Carol is so beloved. In that film, Michael Caine gives the performance of his life in a movie almost entirely populated by felt characters, and in her guest episode Liza matches him in commitment. Take the musical number Copacabana she performs: the curtain goes up and Liza is smoking. She is the narrator, the storyteller, in a Funny Face-esque black polo neck that gives a real sense of gravitas to those Barry Manilow lyrics. Moments later, she is Lola, dancing with human-sized muppets. Or in another scene Liza holds Kermit while they sing A Quiet Thing together. Their connection is pure and tender, a thing of simplicity and gentleness. A Career Born from Inspiration As I reflect on this story nearly 20 years later, I am now 10 years sober and while life might well be a cabaret, the decadence of my early youth is firmly in the past. But I think back to this moment, which could be the plot of a movie with Blackpool as a beautiful cinematic backdrop to my coming out/coming-of-age Technicolor fantasy. I didn't know at the time, but this incident set me on the path to my current profession. Four years later, in 2011, I started making cabaret performances in south London at the famed Royal Vauxhall Tavern at nights such as Duckie, where my turns were packed full of wigs and jockstraps, fake blood and mascot costumes. In 2015, I joined the international circuit when I became part of big touring pieces of variety and circus spectacle, showing off in the US, Australia, New Zealand and London's glittering West End. I once performed a 107-hour durational piece in drag at Glastonbury and at the Adelaide fringe, as a teenage girl who wouldn't leave her bedroom. A Lifelong Dedication to Liza's Legacy Ever since that fateful night back in Blackpool in the 2000s, Liza has been a hero of mine. I saw her live in concert at the Royal Festival Hall in London in 2013. I have a Liza tattoo on my right thigh. Back in 2019, I did an eight-hour performance in an old deconsecrated church in Brighton, dressed as Liza Minnelli, performing her album Results in full, emulating through endurance art Liza's beautiful commitment to performance. Pet Shop Boys, who produced Liza's Results album, even heard about what I was up to and said my performance sounded great. The Enduring Impact of a Single Performance And if you ever see one of my shows, please understand that the technical foundation of my performances isn't drama school training or Stanislavski; it's Liza on The Muppets. Truth be told, I don't know where the drag queen in the story is now. I hope she's OK, but if I did see her I'd say: "Thank you for changing my life." Harry Clayton-Wright's show Mr Blackpool is at the Grand theatre, Blackpool, 20 May.

The Fatal EncounterA man has died from his injuries after being attacked by a great white shark in western Australia, authorities confirmed. The attack unfolded just before 10am local time Saturday (02:00 GMT) off Rottnest Island, west of the city of Perth, Western Australia police reported in a statement.Australia's ABC News reported that the 38-year-old victim was taken by boat to Geordie Bay Jetty, where paramedics and police performed CPR. He died at the scene despite emergency efforts. Images published by the outlet show ambulance and rescue crews gathered at the popular diving and fishing spot, Horseshoe Reef.The Shark's IdentityThe Department of Primary Industries and Regional Development confirmed that the shark measured four metres (13 feet) and was identified as a long great white. This species is known to inhabit the waters around Western Australia, particularly during certain seasons when they follow migratory patterns.Australia's Shark Attack StatisticsThe majority of shark attacks occur along the east and southeast seaboard of Australia, with an average of 20 such incidents a year, according to Australia's Institute of Health and Welfare. While fatal attacks are relatively rare, they have occurred with increasing frequency in recent years, prompting concerns from both authorities and beachgoers.Regional Impact and Safety MeasuresThe attack marked the first fatal shark attack in Western Australia since last March, when a man was mauled while surfing at Wharton Beach in a remote area. A string of attacks along the country's eastern coast earlier this year triggered the closure of several New South Wales beaches. Last September, a rare fatal attack unfolded off a Sydney beach, killing an experienced surfer in his 50s.Future Outlook and PreventionAuthorities are expected to review shark monitoring protocols and potentially increase aerial surveillance in popular recreational areas following this incident. Beachgoers may see enhanced warning systems and potentially more frequent drone patrols during peak seasons. Experts note that while shark encounters are traumatic, the overall risk remains statistically low compared to other beach-related dangers.

The Relegation Battle Fury. Grief. Embarrassment. Horror. Resignation. The emotions run hot for supporters of West Ham and Tottenham right now as the two grand old clubs stare at potential relegation from the Premier League. The Impact of Mismanagement With their spiritual homes demolished at the altar of progress and profit, first Upton Park in 2016 and then White Hart Lane in 2017, both clubs had visions of glory days ahead. Instead they have been consumed by greed, mismanagement and false promises. Key perpetrators such as Karren Brady at West Ham and Daniel Levy at Spurs have exited the scene, but David O’Sullivan is still the Hammers chairman and the damage remains. The Current State of Affairs The London Stadium – which West Ham now rent for a knock-down price – is universally panned as stale and unsuited to football, while the sparkling Tottenham Hotspur Stadium looks like a monument to hubris. One of these 60,000 seater stadiums will be hosting Championship football in August. The Fans' Perspective Defeats on the pitch this season have been calamitous and bruising (they’ve endured 34 league losses between them); protests have been loud and fuming. Two points separate the teams, with two games remaining. The equation now is very simple: it’s either them or us. The Future Outlook As the Tottenham Supporters Trust put it on their website: “The arithmetic is stark, the stakes unmistakable. This is no longer a conversation about style or long-term trajectory; it is a question of survival.”

The Final Showdown It all comes down to this, again. France have been runners-up to England in the Women's Six Nations for the past six years, edging ever closer: last year's decider was settled by a single point. But can François Ratier's team not only end England's dominance in this competition but also halt their 37-game winning run on Sunday? If they show up from minute one to 80, France can do it. England's Challenge with a Depleted Squad England will be favourites to lift their eighth straight Six Nations trophy but have been contending with a lot this tournament. Retirements, pregnancy and injury mean the team are without a wealth of talent including Zoe Stratford – the usual captain – Abbie Ward and Alex Matthews. They have continued to win with a depleted squad but their depth will be given its biggest test yet against an in-form France team. Statistical Analysis: France's Dominant Form The statistics never lie and France's so far this competition, particularly in defence, have been commanding. The side are topping the charts for most carries, offloads and defenders beaten. They also have the fewest missed tackles, the most dominant contacts and an 88.4% tackle success rate, the best in the competition. England's Offensive Strengths England lead in fewer areas but have scored the most points this tournament and have the top try scorer in Marlie Packer, who will start on the bench with Sadia Kabeya back from injury. The fly-half Zoe Harrison's supreme kicking has also been a huge asset to the team, with 23 of 24 kicks successful. They know their attack is the highlight of their game at the moment and, when asked if working on defence will be critical against France, the England head coach, John Mitchell, said: "It will be, but we'll just score more." Defensive Concerns for England Against Italy, England conceded the most points they ever have in the Six Nations against a team that was not France. The former England captain Packer believes the side need to be more reactionary: "I think we need to be a bit better at see, do. We are thinking. As soon as you think, the other team has a foot on top of you. France's Key Players England will need to plug their defensive holes because France have stars who will snipe at any opportunity given to them. Anaïs Grando has scored four tries in four games and has proved to be a great resource in defence too, a particular highlight coming against Ireland where her covering tackle held up Fiona Tuite over the line. The scrum-half Pauline Bourdon Sansus has also been an integral cog in the French setup for years and her form has not let up this year either. Strategic Battle: France's Game Plan France have been chasing England's tails since they last beat them in 2018 and the Red Roses know they have a target on their backs. While their captain, Meg Jones, said the dominant winning run isn't something that is discussed between the squad, Mitchell has urged teams to "come and get us". The Road Ahead "We love being the standard bearers of consistency," Mitchell said. "Somebody is going to get us, we understand that reality and we shouldn't be disgraced if somebody does get us. We don't want to give that up easily, anyone can pick on our weaknesses but we will look to fix them. That doesn't mean we are in decline, we are actually developing and evolving. Maybe we are evolving a lot quicker than a lot of people realise. We get another chance to test that on the weekend, that is what we embrace and thrive in."