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A devastating stampede at Haiti's iconic Citadelle Laferriere has claimed the lives of at least 30 people, with authorities warning that the death toll may rise. The tragedy unfolded on Saturday during an annual celebration at the early-19th-century fortress, a popular tourist attraction and UNESCO World Heritage Site.The stampede occurred at the entrance to the site, where a large crowd of students and visitors had gathered. Heavy rain exacerbated the disaster, leading to a chaotic and deadly situation. Haiti's Prime Minister, Alix Didier Fils-Aime, extended his condolences to the bereaved families, assuring them of his solidarity during this difficult time.The Culture Minister, Emmanuel Menard, confirmed the deaths of 30 people, stating that the injured are receiving medical care and a rescue team is searching for any missing persons. The exact number of those injured remains unknown. This incident highlights the ongoing challenges faced by Haiti, which has struggled with widespread gang violence and deadly disasters in recent years, including fuel tank explosions and earthquakes.

Benin is voting in its presidential election, with long-serving Finance Minister Romuald Wadagni poised to win in the absence of a major challenger. Polls opened at 7am (06:00 GMT) on Sunday and will close at 4pm (15:00 GMT).More than 7.9 million people are registered to vote, including 62,000 in the diaspora. Wadagni, a 49-year-old former Deloitte executive, is backed by the two main parties in the governing coalition and the outgoing president, Patrice Talon.Wadagni is being challenged by Paul Hounkpe, an opposition figure and former culture minister, whose campaign has been low-key. The new president will have to address major challenges, including a huge gap between the poor and well-off, with the poverty rate estimated at more than 30 percent.Benin’s economic growth will also depend on improving security and stabilising the country, particularly in the north where JNIM, an al-Qaeda affiliate, has made major gains. Wadagni has promised to deliver on bread-and-butter issues like expanding access to potable water and guaranteeing emergency healthcare.Provisional results are expected on Tuesday, with many people expressing concerns about the election process. Some voters have spoken of the presidential election as a formality and urged Wadagni to deliver on his platform, including promoting job opportunities for young people and improving security in the north.

The rise of generative AI has sparked concerns about its impact on the art world. Artists are seeing their work stolen and used to train AI models without consent or compensation. This has led to a heated debate about the role of AI in creative industries and the need for regulation.In 2022, the author, an artist, first started to see knock-offs of their work generated by AI image generators. The tech industry's approach has been to move fast and break things, with little regard for the consequences. The author argues that this is the greatest art heist in history, with billions of images harvested from the internet without credit, compensation, or consent.The tech lords knew what they were doing, with venture capitalist Marc Andreessen claiming that enforcing copyright law would “kill” the entire industry. The industry's narrative of inevitability is a way of getting people to comply in advance. The author notes that people seemed utterly unprepared to question the impact of AI on creative industries.In response, journalist Marisa Mazria Katz and the author launched an open letter demanding to keep AI-generated images out of newsrooms. The letter attracted thousands of signatures from around the world. Other artists have fought back in more powerful ways, including a lawsuit against leading image-generation companies Midjourney and Stability AI.The author argues that the tech elite's anti-humanism is revealed in their attacks on art. They shun human interaction and its serendipities, annoyances, and joys. The author notes that friction is the basis of all pleasure and that learning to make art is also friction.The impact of AI on creative industries has been devastating, with many artists out of work and entry-level illustration gigs annihilated. The audience will have to get used to the fact that generative AI is a tool to discipline and eliminate the human worker. The author argues that this is sold as progress, but it is actually a dystopian future.The author draws parallels with the luddites, who fought against the “satanic mills” and were skilled artisans fighting for their way of life. Artists too are fighting for a way of life, and if they are too disorganised to triumph, that will be everyone’s loss. The author concludes that AI companies' scraping may have started with the work of illustrators, but it has grown to encompass everything else, including culture, education, sanity, and our very imaginations.

The Women's Super League (WSL) is experiencing a critical loss of momentum as the season approaches its climax, due to an extended international break that has left fans and teams alike facing a lengthy period without matches. This 11-day window for up to three international fixtures has created a significant gap in the schedule, coming at a time when interest in the league should be swelling. The break, which includes nearly four weeks without WSL fixtures, poses a challenge for teams and fans. For instance, Everton drew 5,292 fans to the Merseyside derby before going a month without a game. Similarly, Leicester, bottom of the Women’s Super League, do not play at home between 29 March and 3 May, missing a crucial opportunity to rally fan support. Sarina Wiegman, England’s head coach, has expressed concerns about the congested agenda and the amount of games players participate in, stating her preference for a two-match international break over three. This sentiment is echoed by various teams and players who see the extended break as a disruption to the rhythm of the domestic season. While some, like Charlton head coach Karen Hills, view the break as a necessary reset moment for players, both mentally and physically, the overall impact on the league's momentum and fan engagement is significant. The WSL's growth and the development of a fan culture are hindered by such gaps in the schedule, making it challenging for new fans to integrate match-going into their routine. Looking ahead, similar disruptions are expected in 2027, 2028, and 2029 due to scheduled three-game international windows. This ongoing issue highlights the need for a more cohesive scheduling approach to support the growth and continuity of women’s football.

Benin is set to choose a new head of state on Sunday, April 12, 2026, in an election that appears to favor the governing coalition’s nominee, finance minister Romuald Wadagni. The 49‑year‑old, a former Deloitte executive, has been hand‑picked by outgoing President Patrice Talon, who is constitutionally barred from seeking a third term after a decade in power. With roughly eight million eligible voters on the rolls, the contest requires a candidate to secure more than 50 % of the vote; otherwise a runoff would be scheduled for May 10. In practice, only two names appear on the ballot: Wadagni, representing the Progressive Union Renewal‑Republican Bloc alliance, and Paul Hounkpe, the 56‑year‑old former teacher and culture minister who runs under the Cowry Forces for an Emerging Benin (FCBE) banner. Wadagni’s campaign emphasizes continuity of Talon’s economic reforms. Under Talon, Benin’s budget tripled and the country posted its strongest GDP growth in over twenty years, with the International Monetary Fund estimating a 7 % expansion in 2025. Investment in trade, agriculture and the Cotonou port has driven this performance, though benefits remain uneven, especially in the poorer northern regions. Security concerns dominate the northern frontier, where al‑Qaeda and IS‑linked militias from the Sahel have intensified cross‑border raids. Recent attacks by the JNIM network killed 54 soldiers in 2025 and another 15 in early 2026. A failed coup attempt in December 2025, allegedly motivated by neglect of troops in the north, left about 100 suspects awaiting trial. Wadagni has pledged to create municipal police forces to protect border towns, while Hounkpe warns that the current administration has sidelined citizens despite macro‑economic gains. Beyond economics and security, the election raises questions about Benin’s democratic health. Talon’s government has been criticized for suppressing protests, extending presidential terms from five to seven years, and enabling the president to appoint Senate members—moves that have effectively eliminated opposition representation. In the January parliamentary vote, Talon’s allies captured all 109 seats, and the main opposition party, the Democrats, failed to field a presidential candidate. Observers note that voter turnout will be a key barometer of public sentiment. The last presidential election saw only about 50 % participation. Al Jazeera reporter Ahmed Idris described the atmosphere at a governing‑party rally in Cotonou as “lively,” but cautioned that it may not reflect the broader mood in a nation where democratic space appears to be shrinking. Should Wadagni win, he pledges to build on a decade of “economic transformation,” expanding development hubs and healthcare access while maintaining fiscal discipline. Hounkpe, positioned as a moderate alternative, promises to lower basic commodity prices and secure the release of political prisoners detained under Talon’s rule. The outcome will shape Benin’s trajectory at a critical juncture: balancing sustained economic growth, confronting escalating security threats from the Sahel, and navigating the tension between authoritarian tendencies and the country’s reputation as one of West Africa’s more stable democracies.

Brian Cox’s latest live show, ‘Emergence’, draws its spark from Johannes Kepler’s 1609 treatise ‘The Six‑Cornered Snowflake’. Cox explains that Kepler’s wonder at the symmetry of snowflakes, written during a Prague snowstorm, embodies the modern scientific quest to understand the origins of patterns we observe.He says the show explores three realms: what we know, what we don’t know, and what may remain unknowable. This framework sets the stage for his reflections on the biggest unanswered questions in science.If he could answer any scientific mystery, Cox would choose the existence of life beyond Earth. He points to current missions—two spacecraft heading to Jupiter’s moons and the James Webb Space Telescope probing exoplanet atmospheres—as promising avenues that might soon reveal a biosignature.When asked about the future of technology, Cox warns that the trajectory of artificial intelligence is still opaque, making it both thrilling and potentially hazardous. He adds that quantum computing is another frontier with wildly divergent timelines—some experts see breakthroughs within five years, others doubt they’ll arrive in a lifetime—highlighting the revolutionary yet unpredictable nature of these tools.Cox also reflects on his shifting stance toward social media. He admits moving from early optimism about its democratizing power to a more critical view of its noise and misinformation, while acknowledging its complex impact on politics and public discourse.On personal advice, Cox stresses the importance of following one’s passion: “Do what you most enjoy,” he says, recalling his own journey from a teenage musician to a celebrated astronomer, supported by parents who encouraged his interests.He shares a memorable fan encounter: at an ELO concert, a man introduced himself as Paul McCartney after asking a question about Saturn’s moon Enceladus—an encounter that left Cox “overwhelmed” as a lifelong Beatles fan.When asked about a pop‑culture stance, Cox admits he is largely out of touch, but notes that musical innovation seems to have plateaued since the 1980s, contrasting the rapid evolution of earlier decades.One of his favorite astronomical facts is the staggering number of observable galaxies: about two trillion. He highlights how, within a century, humanity moved from debating whether other galaxies existed to quantifying an immense cosmos, also measuring its age at roughly 13.8 billion years.Brian Cox will tour ‘Emergence’ across Australia from 5 to 30 May 2026.

It's been a year since the Trump administration's sweeping cuts to the federal workforce, and the effects are still being felt. Tens of thousands of employees were offered buyouts or faced termination, leaving many to navigate a difficult job market. Maggie, a former employee of the US Office of Personnel Management, took a buyout offer in May 2025. She has since applied to over 250 jobs but is still waiting for an ethics letter to start work elsewhere. 'I couldn't be without health insurance through the delivery of my baby,' she said, highlighting the challenges faced by those who lost their jobs. The federal workforce has declined by about 355,000 employees since Trump took office, with 18,000 workers leaving in March 2026 alone. The cuts have left remaining government workers overwhelmed, trying to keep essential public services afloat. Charles Melton, a 20-year veteran of the US Department of Agriculture, took early retirement but still helps former colleagues with job applications. 'I'm still mad as hell,' he said. 'We just got thrown away like garbage.' The impact on public services has been significant, with customer service at the Social Security Administration worsening and healthcare workers at the Department of Veterans Affairs reporting ongoing staffing issues. The shutdown of USAID has resulted in hundreds of thousands of deaths worldwide due to the spread of infectious diseases and malnutrition. The White House has declined to comment, but Scott Kupor, OPM's director, stated that 'reshaping the federal workforce is essential to building a government that works for the American people, not the bureaucracy.'

Jimmy's Corner, a beloved dive bar in New York's Times Square, has been a staple of the community for over 55 years. However, the bar is now facing closure due to an eviction notice from its landlord, the Durst Organization.The bar's history dates back to 1971 when it was opened by Jimmy Glenn, a former boxer. Over the years, Jimmy's Corner has become a safe haven for locals and a symbol of the city's gritty past. The bar's walls are adorned with ageing photos of boxers and its restrooms are decorated with stickers representing long broken-up bands and long-shuttered bars.Regulars, including David Gladman, a 73-year-old former executive chef, have expressed their attachment to the bar. Gladman, who has been drinking at Jimmy's Corner since 1988, said, “It holds a lot of memories for me. For everyone.”The eviction notice has prompted a rally from the community, with local politicians and patrons coming together to protest the closure. Adam Glenn, Jimmy's son, who took over the bar in 2015, has filed a lawsuit against Durst and is fighting to keep the bar open.The Durst Organization has offered Adam money to vacate the premises, but he has refused. In a statement, the company said it had done nothing wrong and that the building was ideal for a new housing development.Local politicians, including Julia Salazar, a New York state senator, have joined the fight to save Jimmy's Corner, citing the importance of small businesses to the community. Salazar said, “Small businesses are the beating heart of the city. They represent culture. They also employ more than half of the workers in New York state, and it really has a profound ripple effect when a small business is forced to close due to unsustainable costs.”

The musical adaptation of Heathers, based on the 1989 black comedy film, has premiered in Melbourne. The show features a young cast, including Emma Caporaso as Veronica Sawyer, and Conor Beaumont as Jason 'JD' Dean. The musical tackles serious issues like suicide, bullying, and rape culture, but its approach has been updated for modern audiences.The show's aesthetic and tone are more akin to its millennial successors, with a high-octane blast of colour and a bombastic pop-rock score by Laurence O'Keefe and Kevin Murphy. The cast shines, particularly Emma Caporaso, who brings a warmer and more likable take on Veronica Sawyer.The musical covers serious issues, from suicide and bullying to eating disorders, rape culture and homophobia. However, some changes, such as the removal of the controversial song 'Blue', have been made to update the approach to these topics. The show's tonal chaos is the embodiment of the whiplash in one of Slater's chilling lines from the film: 'Our love is God. Let's go get a slushie.'Despite some missteps, including unsubtle moralising in newer songs, the show is good, hammy fun, and the cast and audience alike are clearly having a ball. The show will tour to various cities in Australia, including Melbourne, Adelaide, Gold Coast, Canberra, Sydney, and Perth.