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The LeadThe Venice Biennale, one of the world's most prestigious art exhibitions, has taken a bold stance by announcing its jury will withhold awards from artists from countries whose leaders face war crimes charges. This decision, seemingly aimed at Russia and Israel, represents a significant intersection of art and international justice, potentially reshaping how cultural institutions respond to geopolitical conflicts.The Jury's Human Rights CommitmentThe five-member jury of the Venice Biennale has declared its commitment to "the defence of human rights," continuing the vision established by Koyo Kouoh, the Swiss-Cameroonian curator who was appointed to lead the 2026 edition before her death last year. In a formal statement, the jury announced it would refrain from considering artists from countries whose leaders have been charged with crimes against humanity by the International Criminal Court (ICC).The jury is responsible for selecting winners of the prestigious Golden and Silver Lion awards among the 110 artists participating in the event, which opens on May 9. This decision places art at the center of international political discourse, using cultural recognition as a tool for diplomatic pressure.The International Legal ContextThe ICC has issued arrest warrants for Russian President Vladimir Putin over alleged war crimes committed against children in Ukraine, and for Israeli Prime Minister Benjamin Netanyahu over alleged war crimes and crimes against humanity in Gaza. These legal developments have created a complex backdrop for the Venice Biennale, which has historically maintained a degree of political neutrality.Mayor of Venice Luigi Brugnaro confirmed that the jury had sent his council a letter stating they were unable to give awards to artists whose governments were under investigation by the ICC. Brugnaro emphasized that this was "an independent choice which we respect, just as the biennale is independent in choosing to have these pavilions."The Impact on International Relations and Cultural DiplomacyThis decision has significant implications for international cultural diplomacy. The Venice Biennale has faced intense criticism for allowing Russia to reopen its pavilion at the event, which runs until November 22. The controversy has escalated to the European level, with the European Commission announcing plans to terminate or suspend its €2m (£1.73m) grant for the exhibition due to Russia's participation.Italy's far-right government has also clashed with the biennale over Russia's reintroduction. Culture Minister Alessandro Giuli noted that the decision had been made "entirely independently by the Biennale Foundation, despite the Italian government's opposition." This tension highlights the growing divide between political institutions and cultural organizations in addressing international conflicts.The decision also reflects a broader shift in how cultural institutions are responding to geopolitical crises. Since Russia's full-scale invasion of Ukraine in February 2022, the biennale condemned the aggression and banned access to that year's event for anyone linked to the Kremlin. While Russia was never formally barred from participating, the country was absent from the 2022 and 2024 editions.The Future of Cultural Institutions in Geopolitical ConflictsAs the Venice Biennale moves forward with this controversial stance, it sets a precedent for how major cultural institutions might navigate politically charged environments. The jury's decision to prioritize human rights considerations over diplomatic neutrality represents a significant evolution in the relationship between art and politics.Ukrainian government officials have urged organizers to reconsider Russia's participation, arguing that the biennale must not become "a stage for whitewashing ... war crimes." This perspective has gained traction among various international cultural figures who see art institutions as having a responsibility to take positions on human rights issues.The Venice Biennale now faces the challenge of balancing artistic freedom with political responsibility while maintaining its status as a premier international art exhibition. The biennale has 30 days to respond to the European Commission's funding concerns, adding further complexity to this already delicate situation.

The Erasure of a Scholar's LegacyWhen Donald Trump returned to office in January last year, one of his first acts was to sign an executive order intended to cut federal funding for any school teaching what the administration defined as "critical race theory." A raft of other orders mandated the termination of DEI (diversity, equity and inclusion) personnel, offices and training across the federal government. Federal agencies began flagging hundreds of words to avoid or eliminate, including "intersectional" and "intersectionality." All of which has amounted to 40 years of Kimberlé Crenshaw's work being literally and deliberately erased.The Architect of IntersectionalityFor decades, the 66-year-old legal scholar has been naming things that powerful people would prefer remain unnamed. In 1989, she coined the term intersectionality to describe the way race and gender overlap to shape lived experience, often in ways the law fails to recognize. Around the same time, she was one of a group of African American scholars who created the framework that came to be known as "critical race theory," which sought to examine how racism is embedded in legal systems rather than simply enacted through individual prejudice. Now, Crenshaw's ideas are being contested like never before.The Political Weaponization of Academic Concepts"Unfortunately, I did see this coming," she tells me over a video call from the California offices of the African American Policy Forum, the thinktank she co-founded. We are calling to discuss Crenshaw's new memoir, Backtalker, but the conversation soon shifts. "The fact that they are targeting this … it is because they understand the power of these ideas, the power of this history." Behind her, posters reading "History repeats when we forget" and "The freedom to learn is the freedom to live" hang alongside shelves of critical race theory texts and Black history books the likes of which have, in some states, become politically radioactive.The Cultural War Over "Woke" IdeologyWhat makes the intensity of this backlash striking is how recently Crenshaw's work entered mainstream public consciousness. Until a few years ago, ideas such as intersectionality and critical race theory remained largely within the domain of legal scholarship, academic debate and activist vernacular. It wasn't until 2020, when a loose coalition of conservative activists, media figures and politicians began elevating them as political flashpoints, that they were thrust into the centre of the culture wars. In the ensuing five years, this snowballed into all-out war against "woke," with critical race theory as its ultimate bogeyman. It became a byword for liberal overreach, a catch-all for everything that was wrong with the US in the eyes of the conservative right.The Fascist Narrative and American Democracy"Trump jumped on a bandwagon started by a few rightwing propagandists, claiming that intersectionality and critical race theory were anti-white, anti-male and anti-American," she says. "Fox News amplified this, and within weeks, these ideas were mentioned more than they had been in the previous four decades."Crenshaw, true to form, is not shy about naming what she considers to be the problem. "One of the keys of fascism is control of the nation's narrative," she says. "That, alongside creating a group of people that are legitimate targets of exclusion – an us and them – allows for the autocrat to be seen as the embodiment of the essential nation. And in the United States, we come prefabricated for that dimension of fascism to set into our politics."Why is it that so many white Americans are willing to continue to vote for a president that is demolishing democracy, so long as he's willing to affirm them effectively as true Americans?" she continues. "Because of the idea that those over there are different from us. They don't really belong. That is the way fascism works."From Childhood Inequality to Intellectual FrameworkIt is clearly in Crenshaw's DNA to confront injustice, as is evidenced in Backtalker, which chronicles her journey from witnessing inequality as a child to challenging entrenched power structures in law, academia and politics. "Being a backtalker is like being lactose intolerant," she writes. "There is BS that I cannot digest. To accept anything close to second-class status as the price of belonging sickens me."Born in Ohio in 1959, on the verge of the civil rights movement, Crenshaw grew up at a time of expanding yet restricted possibilities. She watched that tension unfolding in real time, in the speeches of Malcolm X and Martin Luther King Jr on television, and in discussions around the kitchen table, where her parents, dedicated anti-racist activists, treated politics as a daily practice. "As a Black child, I had early inklings that differences would matter in my life, even if I couldn't name them," she says.The Making of an Intersectional ConsciousnessOne such inkling came when her family moved to the predominantly white suburb of Canton, Ohio. "When we arrived, there were children playing everywhere," she remembers. "I was excited." But almost overnight, the children vanished. Neighbours treated the new family as intruders and shouted slurs when they walked by; an estate agent knocked on their door urging a quick sale.Perhaps the most formative incident came when she was five years old, and was the only girl in her all-white class who was not given the opportunity to play the princess, Thorn Rosa, in a school performance. "Thorn Rosa marks the stirring of my nascent awareness that my colour and my girlness were linked," she writes."You push that doubt down until something happens that forces it open," she tells me. "You realize that how others see you will shape your experiences. And that realization is traumatic."The Trauma of Loss and the Birth of ActivismWhat mattered, she says, was that those moments were not dismissed. "I credit my parents for taking them seriously," she says. "They refused to minimize what I experienced, even as a young child. That affirmation was freeing, it told me my feelings were grounded in reality and gave me permission to understand them."It was tragedy that would, in many ways, become the making of the young Crenshaw. She was eight years old when Martin Luther King Jr was assassinated in 1968 – a before-and-after moment in her life. The following day, young Black activists in Canton directed schoolchildren to the local church for a hastily organized memorial service. Crowded into pews, everyone was silent when the activists asked if anyone had anything to say about Dr. King. No one moved. It was Crenshaw who broke the silence, exhorting the crowd not to let his death be the end of the freedom struggle. "We pick up where he left off," she recalls saying. "We continue to walk in his footsteps. They can't kill his dream for us – not if we won't let them."Further devastation followed. A year later, her father, an apparently healthy 34-year-old, died suddenly, leaving the family reeling. Not long after, her older brother Mantel was shot and killed while at university. The circumstances were never fully explained, and justice never came. She writes of that period with unflinching candor: "Happiness was dead." These losses left an indelible mark, sharpening her awareness of the unevenness of justice in a world already structured by racial and social inequities.The Complexity of Solidarity and the Limits of "We"Crenshaw arrived at Cornell University in 1978, to a campus shaped by the afterlives of civil rights struggle and Black student organizing. It was there that she entered into a relationship with a fellow student that became physically abusive. In one incident, he beat her and tried to throw her from the window of her 10th-floor dorm room."We were eye-to-eye when he threw the first punch," she writes in Backtalker. "Pressed out of denial, I woke to the fact that he was going to beat the daylights out of me."What followed unsettled her understanding of community more profoundly than the violence itself. Rather than rallying around her, many of her peers – fellow Black students and friends – closed ranks around him. To involve authorities, they told her, would be to expose a Black man to a system already predisposed against him. The implication was that her suffering as a woman should be subordinated to a broader racial solidarity."The way that sexual violence against Black women has long been justified – framing us as unlikely ever to say no to any sexual encounter – you can know this historically, but then when you experience it interpersonally, you have to grapple with the fact that more people in your own community will come to the defense of your abuser than you," she says. "It really presses the question of 'what is solidarity supposed to look like?' she continues. "What does it mean to defend the 'we', when that 'we' often excludes me?"The Birth of Intersectionality in Legal TheoryCrenshaw returns to that question – of the instability of "we"– again and again. From arriving at Harvard Law School and being called the N-word on her first day, to being directed to enter the university's exclusive Fly Club through the back door because she was a woman – the Black male friends she was with, rather than challenge the slight, urged her not to make a scene. What she would later call "asymmetrical solidarities" revealed themselves in practice: loyalty expected but not returned. "I cannot bring myself to ride or die for a politics that won't ride or die for me," she writes of the incident.In legal terms, the problem came into focus when Crenshaw came across a 1976 case in which an African American woman was denied the ability to bring a discrimination claim against her employer on the grounds that the law could recognize race or gender, but not both at once. Her experience – specifically of being discriminated against as a Black woman – fell through the cracks and the case was thrown out of court. In 1989, Crenshaw identified this form of compound discrimination and gave it a name: intersectionality. Around the same time, she was part of a group of scholars developing what would become critical race theory, a broader attempt to understand how racism is a structural part of the legal system.The Promise and Limits of Political RepresentationIt is a lesson that would resurface, years later, in a very different arena. When Barack Obama was elected president in 2008, the language of "we" returned with renewed force – this time, as a promise. For many, Obama's election felt like a rupture with the past. But for Crenshaw, it quickly raised a familiar question."I didn't think it would happen in my lifetime," she says, of that initial hope after Obama's victory. "It felt like a miracle. My mother and I celebrated together on the phone – I was dancing on a table at Stanford and she was doing the same in her retirement facility. For her especially, it was a dream come true."But symbolism, Crenshaw suggests, has limits, particularly when it is used as a substitute for structural change. She found his reticence to address racial injustice head-on frustrating. Very quickly, the terms of Obama's political viability became clear."He had been framed as post-racial, beyond these issues," she says. "And that framing became a constraint on what he could say and how directly he could address racial injustice."Even when Obama did address racial inequality more explicitly in his second term – most notably after the killing of 17-year-old Trayvon Martin in 2012 – the focus, she felt, remained narrow, failing to address the systemic nature of the problem.The Future of Racial Justice in AmericaAs Crenshaw reflects on her life's work and the current political climate, she remains committed to the struggle for racial justice, even as her ideas face unprecedented opposition. "If speaking out means being at odds with people I love, well, so be it," she writes. "I still love them. I hope they still love me."Looking ahead, Crenshaw sees both challenges and opportunities in the fight for racial justice. The backlash against critical race theory and intersectionality, she argues, is a sign of the power these ideas hold to transform American society. "There's a long history in this country of using the threat of violence to keep people under heel," she observes. "But the resistance has always been there too, and it's getting stronger."As America continues to grapple with its racial legacy, Crenshaw's work – and the concept of intersectionality she pioneered – offers a framework for understanding the complex ways race, gender, and other identities intersect to shape experiences of discrimination and privilege. Whether this framework will survive the current political assault remains to be seen, but Crenshaw's decades of scholarship and activism have already left an indelible mark on American discourse and law.

The LeadThis comprehensive entertainment guide from The Guardian covers all the cultural highlights for the week ahead, offering recommendations across cinema, music, art, theater, streaming, gaming, and more. Whether you're planning a night out or looking for quality content to enjoy at home, this guide has something for every cultural enthusiast.New Cinema ReleasesMother MaryOut nowAnne Hathaway and Michaela Coel play a pop star and a fashion designer embroiled in a psychosexual affair in this A24 drama-slash-thriller from director David Lowery. Also starring FKA twigs, Sian Clifford and Hunter Schafer.Rose of NevadaOut nowStarring George MacKay and Callum Turner, this is a sci-fi drama from director Mark Jenkin about a boat lost at sea for three decades that mysteriously reappears.Exit 8Out nowBased on the hit video game set in a Japanese metro station passageway, this high-concept horror has its protagonist, The Lost Man (Kazunari Ninomiya) trapped in a seemingly inescapable spatial loop.MichaelOut nowSeventeen years on from Michael Jackson's death, his estate-approved biopic finally arrives. Charting his rise from the Jackson 5 to Bad-era superstardom, the film features Jackson's nephew Jaafar in the lead, with Colman Domingo as domineering father Joe.Live Music HighlightsEgo Ella MayManchester, 29 April; touring to 9 MayA fusion of neo-soul and contemporary jazz, south Londoner Ego Ella May's third album Good Intentions gets an airing on this short tour. Keep an ear out for slick tracks such as What You Waiting For.Grand Pianola MusicRoyal Northern College of Music, Manchester, 1 MayPianist Tamara Stefanovich joins the BBC Philharmonic and conductor John Storgårds in Stravinsky's Concerto for Piano and Wind Instruments and John Adams's Grand Pianola Music, inspired by a dream about limousines turning into oversized Steinway pianos.Cheltenham Jazz FestivalVarious venues, 29 April to 4 MayThe 30th anniversary of the ever diverse Cheltenham jazz festival draws a typical raft of established and rising stars. Genre-bending virtuoso violinist Nigel Kennedy (1 May) is an early highlight with Joshua Redman and Emma Rawicz to follow.Louis Tomlinson25 April to 3 May; tour continues BirminghamJust before tours by his former bandmates, Louis arrives in UK arenas in support of January's How Did I Get Here?. With three albums of rock-adjacent pop to lean on now, chances of a One Direction throwback are slim but not impossible.Art ExhibitionsHandpicked: Painting Flowers from 1900 to TodayKettle's Yard, Cambridge, today to 6 SeptemberFlowers are integral to the look and feel of Kettle's Yard: its founders Jim and Helen Ede incorporated fresh cut flowers into the gallery to create visual counterpoints to the artwork and architecture. This exhibition features artists who cared about flowers as much as the Edes, from Henri Rousseau and Winnifred Nicholson to Lubaina Himid and Cedric Morris.George HallettJohn Lennon School of Art, Liverpool, 25 April to 21 JuneSouth African photographer George Hallett's work captures the cultural and political landscape of his country during and after apartheid. This retrospective brings together his most powerful images from a career spanning five decades.

The UK's Inheritance Tax Expansion: A New Era for Pensions Many of us are still getting our heads around the price increases and tax tweaks that took effect this month, but you might want to give some thought to next April. Some big changes to pensions, savings and investments are coming down the track, and there are things you can do now and in the coming months to get ready for them. One change that is very much front of mind for a lot of older people – and is keeping financial advisers and wealth planners very busy – is Rachel Reeves's "inheritance tax raid" on unspent pension money that takes effect in just under a year's time. This has prompted many people to take action to avoid being landed with a bill that, for some, could run into five or six figures. Bringing unused pension pots within the scope of inheritance tax means that what was once seen as a tax on only the wealthiest "is now firmly a middle-income issue," says Rachael Griffin at the investment firm Quilter. Nicholas Nesbitt, a partner at the accountancy firm Forvis Mazars, says that for families, "the time for planning is now. We're seeing clients shifting their planning strategies, increasing retirement spending and accelerating gifting to cut the tax bill". The Technical Breakdown: How Inheritance Tax Will Apply to Pensions At the moment, pension savings are not normally part of someone's estate for inheritance tax (IHT) purposes. But from April 2027, money left in a defined contribution (AKA money purchase) pension after your death will be pulled into the IHT net. Most workplace pensions and all private pensions are this type. IHT is a tax paid on someone's assets after they die if they leave enough to go above a certain threshold. The standard IHT rate is 40%, and it is charged only on the part of the estate that is above the tax-free threshold, which is £325,000. (There is an extra allowance for homes.) The change means "unused" pension savings could be taxed as part of someone's estate if they help take the total value of the estate over the IHT threshold. Unused savings are money that hasn't been used to claim an income, such as by buying an annuity. The IHT exemption for spouses or civil partners will continue to apply, so everything can be left to them without a bill. But other beneficiaries could face tax. Financial Implications: The Cost of Inaction The potential tax bills could be substantial for many families. With the standard IHT rate at 40%, any pension savings that push an estate above the £325,000 threshold could result in significant tax liabilities. For those with substantial pension savings that remain unused, this could mean bills running into five or six figures. This change has already impacted the financial products market. Sales of annuities have soared: 2025 was a "record-breaking" year, and they now offer better value than they used to. This week, a 65-year-old who uses £100,000 of their pension savings to buy a basic single life level annuity could secure an annual income of about £7,800, rising to about £8,500 and £9,700 respectively at age 70 and 75. Shifting Financial Planning Landscape: The New Normal for Retirement The inclusion of pensions in inheritance tax calculations represents a fundamental shift in how families approach retirement planning. What was once a straightforward inheritance strategy has become more complex, requiring careful consideration of multiple factors. Financial advisers report being exceptionally busy as clients seek to understand their options and implement strategies before the April 2027 deadline. The change has prompted many people to take action to avoid being landed with a bill that, for some, could run into five or six figures. Bringing unused pension pots within the scope of inheritance tax means that what was once seen as a tax on only the wealthiest "is now firmly a middle-income issue," says Rachael Griffin at the investment firm Quilter. Nicholas Nesbitt, a partner at the accountancy firm Forvis Mazars, says that for families, "the time for planning is now. We're seeing clients shifting their planning strategies, increasing retirement spending and accelerating gifting to cut the tax bill". Future Outlook: Planning for the New Pension Tax Regime As we approach the April 2027 implementation date, we can expect continued growth in financial advisory services focused on inheritance tax planning. The pension industry may also develop new products specifically designed to help individuals navigate the changed tax landscape. Long-term, this policy change could influence how people approach retirement savings and spending patterns. Those with substantial pension savings may be encouraged to spend more during their lifetime rather than preserving assets for inheritance, potentially changing consumer behavior across multiple sectors. For younger generations, understanding these changes will be crucial as they plan their own retirement strategies and consider how their parents' financial decisions might impact their inheritance.

On 25 April 2026, Israel intensified its military campaign in the Gaza Strip, resulting in the deaths of at least 12 civilians. The strikes, part of a broader escalation following recent cross‑border incidents, have sparked renewed international calls for restraint and heightened fears of a wider regional flare‑up. Escalation of Hostilities: Israel's Latest Gaza Offensive Targeted airstrikes on densely populated neighborhoods in northern Gaza. Artillery barrages reported near the Rafah crossing. Israeli Defense Forces (IDF) cited "imminent threats" from Hamas rocket launch sites. Human Toll and Immediate Casualties 12 confirmed deaths, including women and children. Dozens injured; local hospitals overwhelmed. UNRWA reports damage to three aid warehouses, jeopardising food distribution. Regional Repercussions and Diplomatic Fallout Egypt and Jordan issued urgent appeals for a cease‑fire. The United States called for "de‑escalation" while reaffirming Israel's right to self‑defence. Iran warned of "proportionate" retaliation, raising concerns of proxy actions. What Lies Ahead: Prospects for De‑escalation or Further Conflict Potential UN Security Council emergency session within the next 48 hours. Humanitarian corridors under negotiation, but access remains limited. Analysts warn that without a diplomatic breakthrough, the cycle of retaliation could expand beyond Gaza, destabilising the broader Middle East.

The Lead: Continuing Violence Despite Ceasefire Israeli forces have killed at least 12 Palestinians in attacks throughout Gaza, continuing a pattern of violence that persists despite a ceasefire agreement brokered by US President Donald Trump in October 2023. The latest attacks, including a strike on a police vehicle in Khan Younis that killed eight people including three civilians, demonstrate how the truce has failed to protect Palestinian lives in the enclave. Targeting Security Forces: Systematic Violations of Truce The attacks specifically targeted Palestinian police forces working to restore security in civilian areas. In Khan Younis, an Israeli strike killed eight people, including three civilian bystanders, after security forces intervened to break up a fight. A separate attack in Gaza City killed two police officers, while another bombing in Beit Lahiya in northern Gaza claimed two more lives. Gaza's Ministry of Interior condemned the attacks, stating that "the continued silence of international organisations regarding the targeting of civilian police officers constitutes complicity with the Israeli occupation." The ministry emphasized that "there is absolutely no justification for targeting it or killing its personnel," noting that police provide essential services across various aspects of daily life in the Gaza Strip. Casualty Crisis: Humanitarian Impact of Ongoing Conflict Since the ceasefire was announced in October 2023, Israeli attacks have killed at least 984 people and injured 2,235 others in Gaza. The overall death toll from the conflict has surpassed 72,500, with more than 172,000 others injured. Thousands of missing people are believed to be dead and buried under the destroyed buildings. The number of confirmed casualties represents more than 7 percent of Gaza's population of two million people. The Israeli assault has also turned most of the enclave's structures into piles of rubble, creating what rights groups and UN investigators have concluded amounts to genocide: "an effort to destroy the Palestinian people." Geopolitical Implications: Failed Diplomacy and Regional Instability The continued Israeli attacks occur while the country simultaneously violates a separate truce with Hezbollah by attacking south Lebanon. Under Prime Minister Benjamin Netanyahu's far-right government, Israel maintains occupation of most of Gaza while reconstruction in the territory has not begun. Hamas characterized the deadly attacks as part of the Israeli government's "unprecedented bloody, fascist approach," stating that "this escalation represents a clear failure of the role of the mediators and guarantors [of the ceasefire] and the international community to quell the barbaric Zionist killing machine." The Trump administration's 12-point plan for the truce has struggled for implementation. In February, Trump convened his "Board of Peace" to govern Gaza through a council of Palestinian technocrats, but it remains unclear when or how these forces will take over government agencies in the territory. Future Outlook: International Response and Path Forward The persistent violence despite international mediation suggests that the current diplomatic framework is insufficient to protect Palestinian lives and establish lasting peace. The international community faces increasing pressure to take more decisive action to enforce the ceasefire terms and address the humanitarian crisis in Gaza. Without meaningful intervention, the cycle of violence is likely to continue, with potentially devastating consequences for regional stability. The failure to implement reconstruction plans and establish international security forces in Gaza indicates that the underlying political tensions remain unresolved, setting the stage for further conflict in the coming months.

Real Madrid were left reeling after a late equaliser from former Barcelona defender Hector Bellerin secured a point for Real Betis in a 1‑1 La Liga clash, keeping Barcelona eight points clear and offering them a pathway to an 11‑point advantage.The Late Equaliser That Shook the Title RaceVinicius Junior opened the scoring in the 17th minute, but Betis fought back throughout the night. In stoppage time, Bellerin pounced on a loose ball after Antonio Rudiger blocked a cross, smashing it home to snatch a point at the death.Match Stats and Standings ImpactFinal score: Real Madrid 1 – 1 Real BetisGoal scorers: Vinicius Junior (Madrid), Hector Bellerin (Betis)Points awarded: Madrid 1, Betis 1Current La Liga table (after match): Barcelona 8 points ahead of MadridPotential swing: A win for Madrid against Getafe could cut Barcelona’s lead to 5 points; a Barcelona win could push the gap to 11 points.Strategic Implications for Madrid and BarcelonaMadrid entered the game without injured winger Lamine Yamal and with Andriy Lunin in goal for the sidelined Thibaut Courtois. The draw highlights defensive frailties and raises concerns over Kylian Mbappé's fitness ahead of the World Cup.Barcelona, meanwhile, sit on a provisional lead and will travel to Getafe next, where a victory could extend their cushion to 11 points, putting the pressure squarely on Madrid for the remainder of the season.What the Next Fixtures Could Mean for the ChampionshipIf Madrid secure a win at Getafe and Barcelona falter against their upcoming opponent, the title race could tighten dramatically, turning the final weeks into a winner‑takes‑all scenario. Conversely, a Barcelona win would give them a near‑unassailable lead, allowing them to manage squad rotation ahead of the World Cup.

The Legacy of a Groundbreaking PerformerWhen Michael Patrick became the first actor in Ireland's theatrical history to portray Richard III as a wheelchair user, he was determined that neither his nor his character's disability be seen as part of the play's inherent tragedy. Instead, as he explained in an interview with the Guardian at the time, he used his still recent diagnosis of motor neurone disease to inform a new understanding of one of the greatest plays in the canon. "It's less about the disability being the tragedy, and it's more about people's reaction to the disability being a tragedy, if that makes sense. Because, you know, in an ideal world, Richard could be in a wheelchair and he could still do all the things he wants to do," he told me ahead of opening night.A Revolutionary Theatrical VisionThe adaptation, staged in 2024 at the Lyric theatre, Belfast, was a huge success and earned Patrick the judges' award at the Stage awards in 2025. The production came about thanks to a half-joking comment Patrick made on social media in July 2023 when he first shared his MND diagnosis: he listed parts he wanted to be cast for, now that "my limp is really authentic", and one was Richard (another more sarcastic suggestion was Dickens' Tiny Tim).A Career Forged in CollaborationPatrick, who has died aged 35, was a well-known figure in the Irish drama world, having had roles with the Royal Shakespeare Company in productions of The Taming of the Shrew and Measure for Measure in the 2019-20 season, as well as several BBC shows including Blue Lights (2023) and This Town (2024), and others for the Irish broadcaster RTÉ. He also appeared in an episode of the sixth season of Game of Thrones in 2016.The Creative Partnership That Defined His WorkHis career was shaped by his long-term creative partnership with the writer and director Oisín Kearney. They were also great friends. The two met at Cambridge University, where Patrick was in the middle of a physics degree at Churchill College when he realised he wanted to be an actor; he later went to drama school at the Mountview Academy of Theatre Arts in London.Political Theatre and Personal StorytellingTogether they put on several plays at Cambridge, including Frank McGuinness's Someone Who'll Watch Over Me and Samuel Beckett's Play, and jointly led the university's Irish society. Working together, Patrick and Kearney would go on to write, direct and act in many productions for stage and screen. The Alternative, a play that reimagined the Irish Republic as part of the United Kingdom and dramatised a fictitious referendum on breaking up the country, was selected over hundreds of scripts to win Fishamble theatre company's competition looking for "a play for Ireland", with an acclaimed touring production in 2019.From Personal Health to Artistic TriumphFor one of their first projects together, the pair wrote a one-man show, My Left Nut, about a testicular condition Patrick developed as a teenager, in which Patrick played himself and other characters. They premiered it at the Dublin fringe festival in 2017 and took it to Edinburgh the following year. Although it dealt with heavy themes, such as shame and the grief a young Patrick experienced when he lost his father, the Guardian described it as "wincingly funny", and it was later adapted for the screen by the BBC.A Final Performance of Profound ResonanceOne-man plays about body parts would prove the bookends of his acting career. Last year, he and Kearney wrote My Right Foot, a deeply personal production about living with a progressive, terminal condition. Patrick, by then using a powerchair, performed it at the Dublin theatre festival. The Stage called the show "funny, warm and incredibly moving".A Life Shaped by Loss and LovePatrick's off-stage name was Michael Campbell, and he was known to friends and family as Mick. Born in Belfast, the son of Mickey, a computer engineer, and Pauline (nee Hughes), a priest's housekeeper, he went to Rathmore grammar school in the south of the city. He was introduced to Shakespeare by a drama teacher, Gwyneth Murdock, as a teenager, and developed a lifelong love of the playwright's work.The Impact of Motor Neurone Disease on His ArtWhen Michael was eight his father also died of MND at the age of 47. Later, he credited his mum with bringing up him and his three siblings while raising £100,000 for an MND charity. When My Left Nut was broadcast, he told the BBC it had been good to have the opportunity to talk about his dad, saying: "He's been a lot more present in our lives recently, which has been really nice."A Legacy of Determination and HumorSpeaking after his friend's death, Kearney said: "His diagnosis didn't stop him from working. He performed onstage six months before his passing and he was still writing up to the moment he went into a hospice. He was as determined as ever to make work with honesty and a sense of humour."Remembering a Life Cut ShortPatrick is survived by his wife, Naomi (nee Sheehan), whom he married in 2023, and by Pauline and his siblings, Kate, Hannah and Maurice.

The LeadIsrael has continued its attacks on southern Lebanon, hours after a ceasefire between the two countries was extended for a further three weeks. The Israeli military reported eliminating six Hezbollah fighters in Bint Jbeil, while Lebanese authorities confirmed two deaths in an Israeli air strike in Touline, demonstrating that the truce remains fragile despite diplomatic efforts.Continued Military Operations Despite CeasefireThe Israeli military maintains its presence in southern Lebanon, establishing a so-called "yellow line" in the region—similar to measures implemented in the Gaza Strip. Earlier reports indicate several people were wounded in an Israeli artillery attack on the town of Yater, while forced evacuation orders were issued for Deir Aames. Despite the truce, both sides have engaged in ongoing military activity, including air strikes, drone attacks, and rocket fire across the border.Escalating Casualties and Human CostThe human cost of the conflict continues to mount, with Lebanon's Health Ministry reporting that the casualty toll since fighting broke out on March 2 has reached 2,491 people killed and 7,719 wounded. These figures underscore the devastating impact of the conflict on civilian populations in the region, despite international efforts to broker a lasting ceasefire.Hezbollah's Response and Ceasefire CriticismIn response to the continued Israeli attacks, Hezbollah has dismissed the ceasefire extension as "meaningless." Hezbollah lawmaker Ali Fayyad stated that "the ceasefire is meaningless in light of Israel's insistence on hostile acts, including assassinations, shelling, and gunfire," adding that every Israeli attack gives Hezbollah the "right to retaliate." This position complicates diplomatic efforts and suggests the cycle of violence may continue despite formal truce agreements.International Reactions and Future OutlookInternational responses to the situation remain divided. Israel's Prime Minister Benjamin Netanyahu maintains that Israel is "maintaining full freedom of action against any threat" and accuses Hezbollah of "trying to sabotage" the ceasefire deal. Meanwhile, United Nations Secretary-General Antonio Guterres welcomed the extension of the ceasefire and praised the US for its role in mediating the truce, emphasizing that "everyone must fully respect the cessation of hostilities, cease any further attacks & comply with their obligations under international law." The coming weeks will test whether diplomatic pressure can translate into a sustainable peace on the ground.