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Brendan Gleeson has been named best actor at the Critics' Circle theatre awards for his West End debut in Conor McPherson's pub drama The Weir. He beat fellow nominees including Bryan Cranston and Paapa Essiedu, both recognised for All My Sons, and James Hameed and Arti Shah, the duo who together portray Paddington in the new musical about Michael Bond's bear.The Weir, directed by McPherson, was entirely omitted from the nominations for this year's Olivier awards and is being turned into a film with Gleeson and the rest of the West End cast.All My Sons, a critically adored production of Arthur Miller's 1946 classic at Wyndham's theatre, won in two categories at the Critics' Circle awards: best revival of a play or musical and best director for Ivo van Hove. A new production of Stephen Sondheim and James Lapine's Into the Woods, directed by Jordan Fein at the Bridge theatre, also won two prizes – best designer (Tom Scutt) and the inaugural award for best ensemble or cast.The winners, voted for by professional theatre critics, were revealed at a ceremony at the National Theatre in London on Thursday. Paddington: The Musical, with music and lyrics by Tom Fletcher and book by Jessica Swale, won best new musical. James Graham's Punch, based on the real story of a fatal blow, received the Michael Billington award for best new play (named in 2019 in honour of the Guardian's theatre critic after he stepped down from reviewing). Ava Pickett won most promising playwright for her Tudor drama 1536, which was staged at the Almeida theatre in London in 2025, transfers to the West End in May and is being turned into a BBC drama series.Rosamund Pike saw off competition from Kate Fleetwood (Into the Woods), Marianne Jean-Baptiste (All My Sons) and Rachel Zegler (Evita) to win best actress for her acclaimed performance as a judge in Suzie Miller's Inter Alia. Ruby Ashbourne Serkis was named most promising newcomer for her performance in a revival of Tom Stoppard's Indian Ink which opened at Hampstead theatre days after the revered playwright's death. The award for best Shakespearean performance went to Hayley Atwell for her Beatrice (alongside Tom Hiddleston, nominated for the same prize, as Benedick) in Much Ado About Nothing at Theatre Royal Drury Lane.

The World Cup playoffs have reached a critical stage, with several high-stakes matches set to determine which European teams will qualify for the tournament. Gennaro Gattuso's Italy are facing a significant challenge against Northern Ireland, a team they have not beaten in a competitive match since 1983.Craig Bellamy's Wales are also in action, taking on Bosnia and Herzegovina in a match that promises to be closely contested. The winner of that tie will face either Poland or Albania in the playoff final.The Republic of Ireland, who reached the playoffs thanks to Troy Parrott's late winner in Hungary, have a tough match against the Czech Republic in Prague. The victor will play either Denmark or North Macedonia at home on Tuesday.Graham Potter's Sweden are another team in action, facing Ukraine in Valencia with the winner hosting Poland or Albania next week. If Sweden win both ties on penalties, they will become the first team to qualify for a World Cup without winning a single match since Hungary in 1954.These matches represent the final hurdle for several teams hoping to qualify for the World Cup, and the pressure is on for managers like Gattuso, Bellamy, and Potter to deliver results.

The UK launch of HBO Max has introduced a distinctly British true-crime docudrama, 'Boom Box: Beats and Betrayal', which tells the astonishing tale of a record shop and recording studio in Edmonton, north London. The studio, known as Boom Box, was initially set up to provide a safe space for teenagers involved in petty crime, but it unbeknownstingly became a hotbed of gang-related activity.The series reveals that the people these teenagers were getting involved with were not criminals, but undercover police officers who had targeted the area after a spate of murders in 2008. As the four episodes unfold, the ethics of the police operation are questioned by those who feel they were ensnared and manipulated to commit serious crimes they would never have thought about otherwise.The documentary uses dramatic reconstructions contrasted with interviews, and even features the actors who play the Boom Box teens talking to the actors who portray them. The studio was equipped with top-of-the-range equipment, which kids could use for just £15 an hour, giving it a 'Dr Dre vibe' according to one of the teens, Junior.The operation, which cost several hundred thousand pounds, raises questions about the fairness and impact of the police actions. While some officers argue they were making the operation look legitimate while pushing for information on existing criminal activity, others, including a lawyer for two of the men, argue that there was an abuse of process by the police.A judge later deemed the police actions lawful, but the series leaves viewers questioning the morality and effectiveness of the operation. The documentary is co-produced by Rogan Productions, known for diverse and ambitious documentaries, and is centered around the kids whose lives were forever altered by their time at Boom Box.The series is now available on HBO Max, offering a thought-provoking look into the complexities of the situation and the lasting impact on the individuals involved.

As spring arrives, the natural world comes alive with a vibrant mix of joy and discipline. A pair of ravens perform their shuttling flight in glorious sunshine, while a charm of chaffinches flash white wing-bars through the shadows of mossy willows around the pond.A queen red-tailed bumblebee orbits a hedgebank boundary stone, then buzzes off to feed on gorse flowers or prospect for possible colony chambers below. The sounds of nature are filled with the lesser-spotted woodpecker hammering out rapid bursts of drumbeats and chiffchaffs finding their rhythm in the oaks.The article reflects on the discipline of seasonal labors and joys, where creatures return to their routines after a period of dormancy. This cycle of life is contrasted with the passage of time and the impact of suffering in the world.The author, Paul Evans, weaves in cultural references, such as an eighth-century Chinese poem by Meng Chiao, to illustrate the timeless nature of these cycles. The article concludes with a sense of hope and renewal, as the natural world awakens from its winter slumber.

The documentary 'Rave Culture: A New Era' is a high-energy testimonial to the UK's dance revolution in the 80s and 90s. Directed by Eduardo Cubillo Blasco, the film features a pantheon of electronic music greats, including Fabio, Orbital's Hartnoll brothers, Slipmatt, Goldie, and Leeroy Thornhill, who provide deep insights into the dancefloor culture.The film explores the logistics of rave parties, including artwork, promotion, and booking, as well as the legal challenges faced by organizers. It also touches on the evolution of rave from a free-for-all to big business, and its subversive power in terms of race and football hooliganism.While the film could be better structured, it effectively captures the creative longevity of rave culture, which has influenced hardcore breakbeats, jungle, speed garage, grime, and dubstep. The documentary serves as a reminder to digital-native generations to keep the live club experience going.The film is set to premiere at the Rio in London on March 27 and will tour thereafter.

The film 'They Will Kill You' is a satirical take on the beat-em-up genre, offering a mix of gore, bad jokes, and deja vu. The story revolves around Asia, a new maid at the Virgil, a satanic co-op residence in New York, where she must navigate a world of satanic rituals and eternal life.The film's tone is pitched between a bloodbath and bath time, with a boyish strain of immaturity dominating the creative force. This is evident in the giddy, inventive approach to violence, where the narrative device of immortality unshackles the filmmaker from the laws of physics. The film's antic gore peaks with an extended interlude following a disembodied eyeball as it rolls down corridors and slingshots itself up an elevator shaft.The adolescent quality runs deeper than that, manifesting more overtly in the potty-mouthedness of the script and the ostentatious stylistic flourishes that are hand-me-downs from other filmmakers. The film's supporting cast is haphazardly assembled and half-assedly differentiated from one another, with Heather Graham and Tom Felton getting the most to do.Despite its sprightly fight choreography and retro synth arpeggios, the film's invoked inspirations and story components err on the side of the popular and well-trod. The received shtick grows worn before long, and the film's attempts at humor often fall flat. A good rule of (severed) thumb: if you're going to make a character quote Monty Python's immortal 'just a flesh wound' bit, you must yourself be capable of originally generating something at least as funny.

The Iranian people's determination for freedom and democracy remains unshaken, even in the face of extreme hardship and oppression. Thousands have died and many more are suffering under the current regime, which continues to patrol streets with guns, beating and arresting citizens. In recent times, the situation has worsened with the outbreak of the US-Israeli war, which has restricted internet access, led to the appearance of checkpoints, and filled Tehran's prisons to capacity. Despite these challenges, the Iranian people's fight for freedom persists. Azar Nafisi, an Iranian-American writer, reflects on her experiences and the resilience of the Iranian people. She recalls the 1979 revolution and the mandatory veil imposed by Ayatollah Khomeini, which led to thousands of women protesting in the streets, chanting 'Freedom is neither eastern nor western. Freedom is universal.' Nafisi emphasizes the importance of cultural heritage in preserving Iranian identity and humanity. Truck drivers across Iran display bumper stickers with poems by Hafez, Saadi, or Ferdowsi, demonstrating the enduring power of literature and art. The writer also remembers her former students in Tehran, particularly Razieh, a young Muslim girl who was imprisoned and executed for her love of literature and independence. Razieh's story serves as a powerful reminder of the sacrifices made in the fight for freedom. Nafisi concludes that even in the midst of war and oppression, there can be hope. The Iranian people's struggle for freedom is a universal fight that can benefit people worldwide, from the UK to Sudan. The preservation of freedom and democracy requires constant vigilance and a willingness to challenge oppression.

Japan has emerged victorious in the Women's Asian Cup, claiming their third title in the tournament. The decisive match against Australia ended with a 1-0 win for Japan, solidifying their position in women's Asian football.A summary of the game is available, providing insights into the key moments and performances. For a detailed account of the match, readers can visit Al Jazeera Sport's full match report.

Real Madrid will host Atletico Madrid at the Santiago Bernabeu on Sunday, March 22, in a highly anticipated La Liga match. The home side aims to stay in touch with league leaders Barcelona, who currently hold a four-point lead and face Rayo Vallecano earlier in the day. If Barcelona wins, Real Madrid will be seven points off the summit. Los Blancos are coming off a strong performance in the Champions League, where they defeated Manchester City 5-1 on aggregate in the last 16. Vinicius Junior scored twice in the second leg, helping his team progress to the quarterfinals. Atletico Madrid, on the other hand, are fourth in La Liga and have a game in hand over third-placed Villarreal. They are also into the last eight of the Champions League and will play Real Sociedad in the Copa del Rey final. Diego Simeone's side are seeking to cause an upset against their city rivals and avenge their 5-2 drubbing in the first league meeting in September. The two teams have a long and intense rivalry, with 242 meetings between them. Real Madrid have won 124 matches, while Atletico have won 60, and 58 games have ended in draws. Atletico are unbeaten in their last six league games against Real Madrid, with four of those games finishing in draws. In terms of team news, Kylian Mbappe is set to start for Real Madrid alongside Vinicius Junior, while goalkeeper Thibault Courtois will be out for about six weeks due to a muscle injury. Andriy Lunin will deputise in goal. For Atletico, goalkeeper Jan Oblak is a major doubt due to a hip problem, and Juan Musso is likely to start between the sticks.