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The Lead: A Cryptic Journey Through GreeceThe title of Rita Azevedo Gomes's lyrical but frustrating docu-essay about her travels in Greece cuts both ways—expressing impatience with classical ideals or critiquing modern society that has betrayed ancient standards of beauty and harmony. The film presents a tension between nostalgic aspirations and sobering reality, with texts recited over travelogue images from Athens and the Cyclades.The Artistic Vision: Myth Meets ModernityGomes adds a layer of fictionalization to her exploits, reading a poem by João Miguel Fernandes Jorge based on a 2007 journey to Greece. The poem tells of Irma, who romances a young man named Ion on the island of Delos—birthplace of Apollo and Artemis—but the affair founders against incongruous modern elements like Chinese cargo ships traversing the 21st-century Aegean. The tension between myth and modernity hangs over the film like red kites hovering above ancient ruins.The Personal Context: Beauty and TranscendenceTwo-thirds into the film, Gomes reveals what originally drove her to seek refuge in Greece: an ominous medical diagnosis that has since receded. Her preoccupation with finding consolatory beauty and transcendence is only fleetingly present in a visual collage that feels haphazardly aligned with dense texts. The crew reads many texts on camera—including excerpts from Byron and Keats—but this alienation device comes over inert and uninspiring.The Cultural Resonance: Poets in a Modern WorldSinger María Farantoúri, whom Gomes watched on her first visit to Greece, supplies some focus with lyrics that keep 'the old flame burning.' As she sings, 'The people always find new kings—but we are poets and we remain alone.' Gomes positions herself in this camp, 'far from the polis,' suggesting a deliberate distancing from contemporary society's values and priorities.The Critical Reception: Sphinxlike EnigmaWhile the film presents a visually rich experience, its sphinx-like nature proves to be both its strength and weakness. The reviewer suggests that Gomes's 'forlorn ramblings' may intentionally reflect how degraded modern sensibilities can no longer serve up classical concision. The film's cryptic nature may be part of its artistic statement, but ultimately leaves the viewer wanting more clarity and connection.

The LeadWhen Keir Starmer won a landslide Labour majority promising to pursue five governing "missions", the high-profile leftwing economist Mariana Mazzucato was credited as an inspiration. Two years on, her bracing new book helps shed light on why Labour in power has struggled to project the sense of direction that "mission-led government", as Mazzucato calls it, requires.A New Framework for Economic PolicySynthesising and extending her earlier work, here she proposes "a new economics of collective action around the common good". From this perspective, the economy is not a concatenation of rapacious independent forces, to be contained and offset by public policy, but a project – or rather a series of projects – with direction and purpose.The Five Principles of Common Good EconomicsThe "compass" in the title is really a set of five principles, all of which Mazzucato says such an economy should have: purpose and "directionality"; co-creation by citizens; collective learning; reward sharing; and accountability. Each of these principles is set out in detail. Co-creation implies grassroots participation in designing and redesigning government programmes, for example – because, "when people help define a problem and develop and implement solutions, they see them as theirs rather than something imposed on them".Reward Sharing and PredistributionReward sharing means ensuring the creators or rightful owners of economic value stand to benefit: from Indigenous people whose homes lie near raw material deposits, to social media users whose data fuels Big Tech's profits. That implies radical tax reform – including greater use of wealth taxes – and the robust use of conditions in public contracts, to make sure workers and taxpayers get their fair share: an approach she calls "predistribution".Critique of Labour's Economic ApproachAccording to Mazzucato's definition, Labour's attempt at mission-led government badly missed the mark. Its first and overriding goal – "kickstart economic growth" – cannot be a "mission" at all, because it lacks the necessary purpose. What, in other words, is that economic growth meant to be for? While her scope in this ambitious book is global, the analysis also dismantles Starmer's claim to be pursuing national "missions", by setting out just how radical – and radically different – that would look in practice.Practical Examples and Global Applications"The seeds of transformation are everywhere," she says, citing inspiring projects that range from delivering healthy and sustainable school meals in Sweden to the EU's mission to support cities to become climate-neutral, to the international Nagoya Protocol on sharing the benefits of genetic resources and traditional knowledge. Echoes of Mazzucato's mindset are detectable in some Labour policies – from using the threat of legislation to cajole pension funds to invest more in UK assets, to writing conditions on youth training into clean energy contracts.The Future of Economic DirectionEconomies work best, she believes, when they pursue grand collective goals – developing and distributing a vaccine for a pandemic; or confronting the climate emergency (or, though she doesn't lean on the example here, tooling up for a new and more frightening geopolitical era). We should ask, she says, "not which market failure do we want to be fixed, but what direction do we want the economy to sail in".

The End of an Era: James Milner's Retirement James Milner, the former England midfielder and Premier League appearance record holder, has announced his retirement from football at the age of 40. Milner, who has spent the last three years at Brighton, began his career at his boyhood club Leeds United and has played 24 seasons in the Premier League. A Legendary Career Milner broke the record for the most Premier League appearances while playing for Brighton against Brentford in February, and ends his career with a total of 658 appearances. He made his debut for Leeds at the age of 16 and became the Premier League's youngest scorer. Milner's Statement “After 24 seasons in the Premier League, it feels like the right time to bring an end to my playing career,” Milner said in a statement on Instagram. “From making my debut for Leeds, who I supported growing up, at the age of 16 and becoming the Premier League’s youngest scorer, I could never have dreamed of the journey I’ve been on, right through to not being able to lift my foot last year and then coming back to be part of Brighton qualifying for Europe for the second time in their history at the age of 40.”

The Lead: US Intervention Amid Escalating Conflict Washington has put forward a proposal to de-escalate hostilities in Lebanon, a United States official has told Al Jazeera, adding that Secretary of State Marco Rubio has held separate talks with Lebanese President Joseph Aoun and Israeli Prime Minister Benjamin Netanyahu. The statement comes as Israel's military has taken over the medieval Beaufort Castle just north of the Litani River in southern Lebanon, conducting its deepest push into the country in decades. The US De-escalation Proposal: Conditions for Ceasefire The US official told Al Jazeera on Sunday that under the proposed "roadmap", Hezbollah would halt all attacks on Israel in exchange for Israel refraining from further escalation in the Lebanese capital, Beirut. The US proposal aims to create a conducive environment for a gradual de-escalation and a complete, comprehensive cessation of all hostilities, the official added. Human Cost of Escalation: Casualties and Displacement More than one million people have been forcibly displaced across Lebanon since the fighting between Hezbollah and Israel escalated on March 2. According to the latest figures from the Lebanese Ministry of Public Health, more than 3,412 people have been killed and 10,269 wounded in Israeli attacks since March 2. Israeli forces killed at least 12 people and wounded 35 in more than 36 attacks across southern Lebanon on Sunday alone, according to an Al Jazeera tally. International Response: Global Condemnation Countries across the world have slammed Israel's escalation of its offensive on Lebanon. French President Emmanuel Macron said "nothing justifies" it. United Kingdom Foreign Secretary Yvette Cooper called on Israel to halt its military activity in Lebanon, saying its escalation had "eroded space for diplomacy". Qatar condemned Israel's continuing attacks on Lebanon and the expansion of its ground offensive in the south, describing the campaign as a serious escalation and violation of international law. Path Forward: Mixed Signals and Continued Tensions Israeli Prime Minister Benjamin Netanyahu, who promised to push deeper into Lebanon and called Sunday's operation a "dramatic shift" in the campaign against Hezbollah, ordered the military on Monday to attack targets in Beirut's southern suburbs, known as Dahiyeh, a stronghold of the Lebanese group. The US official placed responsibility for the current round of fighting squarely on Hezbollah and accused it of following Iran's directives without regard for Lebanese interests. "The quickest way to protect civilians and reduce escalation is for Hezbollah to cease fire immediately," the official said, adding that Washington does not expect Israel to tolerate continued attacks on its civilians.

The Unplanned Performance La La Land is a much adored homage to Hollywood, where dreamers take chances and seize unexpected moments. On Saturday night at the ICC’s Darling Harbour theatre, that idea became a reality for a 21-year-old university student who was thrust into the spotlight at a live performance of the movie’s score – and saved a concert from derailment. The Keyboardist's Sudden Illness Sterling Nasa was in the audience at La La Land in Concert, a touring production where the movie – which features Ryan Gosling and Emma Stone – is projected on to a screen while a live orchestra plays the musical score in synchronisation with the film. The performance proceeded normally until the interval, which stretched out to 40 minutes. Then the film’s Oscar-winning composer and conductor, Justin Hurwitz, walked out alone to address the audience. The Call for a Pianist The orchestra’s keyboardist had suddenly fallen ill. Was there by any chance a pianist in the house? And one with exceptional sight-reading skills? Nasa, who plays piano and organ and is the bagpipes tutor at his old school, Scots College, hesitated when the call went out. The Impromptu Performance Nasa told the ABC he was thinking the same thing when he saw the complex score. “I saw it on the score and I thought, oh, I don’t know if I’m going to be able to sight-read that in one go,” he said. Like Gosling’s jazz-pianist character Sebastian, the student had to decide whether to stay in the shadows or take a monumental leap of faith. With no time to overthink, he chose to trust his instincts. The Audience's Reaction The gamble paid off, carrying the orchestra through the number – and earning Nasa a resounding ovation from the audience. “He saw it coming up … and he just improvised,” Hurwitz said. “That is a whole other skill on top of sight-reading. To be able to play a really cool solo in the right key, in the right scale, on the fly with no rehearsal – it was remarkable.” The Future Performance While the production team is now scrambling to rehearse new keyboardists for the upcoming Melbourne and Brisbane legs of the tour, Nasa will be heading back to his regular university lectures. La La Land in Concert will play at the ICC Sydney on Monday, at the Brisbane Convention & Exhibition Centre on Wednesday and at the Hamer Hall in Melbourne from Friday 6 to 8 June.

The Concept of 'On the Edge'The garden, named 'On the Edge', is a celebration of the often-overlooked urban edgelands, those unprotected and modest places that exist on the fringes of towns and cities. Designed by Sarah Eberle, it marks the centenary of the Campaign to Protect Rural England and the launch of the first interactive map of England's countryside edges.The Design and FeaturesThe garden features a naturalistic design with a variety of plants, including herb robert, plantain, bramble, and nettle. A drystone wall is woven with dog roses and willow, representing the hair of Gaia, a giant sleeping figure carved from fallen redwoods. The garden also includes a concrete farm trough, which has been transformed into a beautiful and serene feature with leaf shadows moving over its surface.The Significance of the GardenThe garden's design and features are meant to evoke a sense of wildness and neglect, highlighting the beauty of these often-overlooked areas. The garden's creator, Sarah Eberle, aims to raise awareness about the importance of preserving these urban edgelands and the role they play in supporting local wildlife. The garden's success is evident in its gold and best in show awards at the Chelsea Flower Show.The Future of Urban EdgelandsThe 'On the Edge' garden serves as a reminder of the importance of preserving and protecting urban edgelands. As urban areas continue to grow and expand, these areas are often threatened with development, making it crucial to raise awareness about their value and significance. The garden's message is clear: these areas are not just neglected spaces, but vibrant and beautiful parts of our urban landscapes that deserve our attention and protection.

Lead: A Personal Tale of Shelter Amid a Militarised BorderThe Guest follows a Polish family who open their home to Alhyder, a 27‑year‑old Syrian refugee, illustrating the daily danger in the Poland‑Belarus “danger zone”. The film reveals how political decisions have turned a humanitarian corridor into a lethal exclusion area.Documentary Unveils the 3‑km Polish Exclusion ZoneSince 2021, the Polish government has enforced a 3‑km strip along the Belarus border where migrants are seized and deported back to Belarus. The documentary captures constant military patrols, the ban on NGOs, and the covert network of locals providing food, clothing, and translation.Location: Small town in Poland bordering BelarusKey figures: Zvika Gregory Portnoy and Zuzanna Solakiewicz (directors)Subject: Alhyder, Syrian refugeeNumbers that Frame the Crisis27‑year‑old refugee at the centre of the story3‑km exclusion zone established in 2021Film released on 5 June on True Story platformHumanitarian Impact and Ethical ConcernsThe film highlights the bravery of “good samaritans” but also raises ethical questions after showing a deceased refugee’s body without clear consent. By focusing mainly on victimhood, the documentary risks reducing displaced people to statistics rather than full human narratives.Looking Ahead: Policy and AwarenessAs the documentary reaches international audiences, it may pressure EU and Polish authorities to reconsider the exclusion zone policy and improve humanitarian access. Continued media attention could spur NGOs to negotiate limited access or push for legal challenges against forced deportations.

The Lead The review of Russell T Davies's new drama 'Tip Toe' highlights David Morrissey's performance and the show's exploration of various social issues, despite some initial shortcomings. Russell T Davies's Latest Drama The article begins by describing the opening scene of 'Tip Toe', which sets the tone for the rest of the series. The story revolves around Clive, an electrician played by David Morrissey, and his family. The show tackles various social issues, including LGBTQ+ rights, racism, and online harassment. The Data Analysis The review mentions that the show's first episode feels like a 'flurry of box-ticking' as it attempts to cover a wide range of topics. However, as the series progresses, the narrative begins to build, and the characters become more fleshed out. The Impact Analysis The show's exploration of social issues is a significant aspect of the review. The article notes that while the show's approach can be seen as 'agitprop', Davies's skill as a storyteller helps to balance the narrative. The review also highlights the performances of the cast, particularly David Morrissey and Alan Cumming. The Prediction The review concludes that while 'Tip Toe' has some initial shortcomings, it shows promise as it progresses. The article praises Davies's storytelling ability and the cast's performances, making it worth watching for fans of character-driven dramas.

The LeadMaggie O'Farrell's 10th novel, "Land," is a sweeping narrative set in the aftermath of the Irish famine, exploring themes of trauma, identity, and cultural preservation through the lens of mapmaking and Celtic mythology. The novel follows multiple generations across various locations, blending historical realism with mythical elements to create a complex tapestry of Irish heritage.The Historical and Mythical Framework"Land" opens in 1865 on a rainswept Irish peninsula, where Tomás and his 10-year-old son Liam are mapping territory for the English Ordnance Survey. Tomás, a famine survivor working for the English, must navigate complex local legends and toponyms while dealing with his own trauma. The narrative expands to include Dublin, Rome, Quebec, and Kerala, weaving together the stories of multiple generations and incorporating elements of Celtic mythology through a magical well that transforms those who drink from it.The Narrative Structure and StyleO'Farrell adopts the role of a "seanchaí" (traditional storyteller) in this novel, employing fable-like elements, direct address to the reader, and shifting perspectives between human characters, animals, and even the land itself. The narrative unfolds episodically with an uneven passage of time, creating a storytelling approach that feels more traditional than conventional. However, this results in a book that is light on dialogue and dense in description, with characters that don't always feel fully developed.The Literary and Cinematic PotentialThe reviewer notes that "Land" feels "uncomfortable in its own skin," neither fully fable nor history nor family saga. However, the novel's visual quality and episodic nature suggest strong cinematic potential. Indeed, the film rights have already been acquired by the same production company that adapted O'Farrell's "Hamnet," with several award nominations. The novel contains scenes written with a cinematic perspective, as if describing character movements for a screenplay.The Cultural Significance"Land" explores the complex relationship between Ireland and its colonial rulers through the lens of mapmaking—a process that both documented and erased Irish place names and cultural knowledge. By incorporating Celtic mythology and focusing on the trauma of the famine, O'Farrell creates a narrative that grapples with cultural preservation and identity in the face of historical upheaval. The novel's magical elements serve as a counterpoint to the harsh realities of colonial mapping and famine survival.