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The Electrifying Stage Presence of Angine de Poitrine Quebec duo Angine de Poitrine recently made their UK debut, and it was an event to remember. The band, known for their outrageous polka dot outfits and oversized headpieces, brought their unique sound to a sold-out crowd. The stage, drum kit, and even some fans were adorned with polka dots, creating a visually stunning experience. A Musical Mashup Like No Other Angine de Poitrine's music is a weirdly hypnotic blend of math rock, prog rock, punk, and microtonal loops. Their sound is characterized by jerkily repetitive rhythms, twiddly guitar bits, and occasional mechanical “wooo” or “oggy oggy oggy” emissions. The result is a truly extraterrestrial hard rock experience. The Impact of Their Live Performance The band's live show is a testament to their fearsome musicianship and infectious energy. The audience was completely entranced, with many fans participating in matching pyramid shapes with their hands and bouncing up and down in unison. The performance culminated in a frenzied climax, leaving everyone with huge grins on their faces and a tiny pyramid in their heart. What's Next for Angine de Poitrine? Angine de Poitrine's UK debut was a huge success, with several bigger shows already sold out for this autumn. Fans can look forward to more of their unique sound and outrageous style in the coming months. The band's website has a list of upcoming tour dates.

The Detective's Discovery: A Nazi-Looted Masterpiece ResurfacesArt detective Arthur Brand has uncovered what he describes as the "most bizarre case" of his career: a painting looted by the Nazis from the renowned Goudstikker collection has resurfaced in the home of descendants of a notorious Dutch SS collaborator.The Provenance Puzzle: From Göring to the Family HallwayThe artwork, Portrait of a Young Girl by Dutch artist Toon Kelder, was found hanging in the hallway of Hendrik Seyffardt’s granddaughter. Brand identified the piece by a Goudstikker label on the back and the number "92" carved into the frame, matching an item sold at a 1940 auction.1940: Hermann Göring loots the entire Goudstikker collection as the Jewish dealer flees to England.1940: Hendrik Seyffardt acquires the painting at the Nazi-sanctioned auction.2026: Arthur Brand investigates after a relative confesses the family secret.The Legal and Ethical Implications: The Limits of RestitutionThe discovery highlights the fragility of legal frameworks regarding Nazi-looted art. While the family member expressed shame and a desire to return the painting to the Goudstikker heirs, the police are powerless to act because the theft has passed the statute of limitations.A Global Pattern: The Persistence of Nazi-Looted ArtThis case mirrors a 2025 global headline where an 18th-century portrait from the same Goudstikker collection was recovered in Argentina. It underscores the ongoing challenge of tracking art through generations and the reliance on public exposure rather than legal compulsion to achieve justice.

The Life of a Multifaceted ArtistRay Burgoyne, a painter, carpenter and musician from Essex, has died aged 80. He first exhibited his paintings in the late 1980s and spent the next 30 years organizing countless exhibitions across the Essex and Suffolk coastline. Burgoyne was self-taught and arrived in the art world with a seemingly fully realised, studied vision.An Artistic Journey of Abstract ExpressionThe extensive body of work Burgoyne produced mirrored the abstract ballad that was his life – romantic, unpredictable, filled with both childlike simplicity and dark complexity. His paintings featured carnivalesque characters, forgotten landscapes, and were painted in pure, deep colors. When viewing his more abstract paintings, typically characterised by thick oil application and conjured shapes, he was often confronted with the question: "So, what is it actually meant to be?" to which he would reply with that unmistakable Ray smile, "It's whatever you think it is."Early Life and Musical RootsBorn in Southend-on-Sea, Essex, Ray was the youngest of two children of Joseph Burgoyne, a greengrocer, and Dolly (nee Nash). His early life was characterised by fierce independence, spent trying to ride on the back of his pet pig, Rosie, pretending to be one of Alan Ladd's cowboys, fishing at the end of the pier and drinking in seafront dance halls to the soundtrack of the Shirelles.The Mod Scene and Musical CareerBy the early 60s, Ray was at the heart of the emerging mod scene in Southend as a founding member and drummer for the Flowerpots, a local rhythm and blues band who opened for the Animals and the Who. He stayed in the band until 1966, demonstrating his early artistic expression through music before transitioning to visual arts.Carpentry and Family LifeRay dreamed of going to art school, but after leaving Wentworth high school for boys, aged 14, was sent to work at a cabinet maker's as an apprentice carpenter. He continued to work as a carpenter throughout his life, at a boat-building yard in Leigh-on-Sea, doing shop fitting and antique restoration around Essex, and installing shows for the Design Centre in central London. In the mid-70s, he became master carpenter at the Palace theatre in Westcliff-on-Sea, building and constructing sets for repertory productions.Personal Relationships and Later YearsIn 1968 he married Sylvia, and they had four children, Claire, Paul, Helen and Sam. Ray and Sylvia divorced in 1986, and Ray married Gilly, a student nurse, later that same year. They had two children, Phelan and the author of this obituary. After the family moved to the village of Friston, in Suffolk, in 1999, Ray finally became a full-time artist.Artistic LegacyRay exhibited both solo and in groups, primarily in the nearby seaside town of Aldeburgh, with established and fledgling artists. He is survived by Gilly, his six children and 15 grandchildren. His artistic legacy continues through his extensive body of work that captured the romantic, unpredictable nature of his life through abstract expressionism and deep, pure colors.

Moulin Rouge! celebrates its 25th anniversary, and the film’s cast and crew look back on the daring production that revived the musical genre. Behind the Red Curtain: Luhrmann’s Vision and the Film’s Production Journey Baz Luhrmann set out to create a flamboyant love‑story set in turn‑of‑the‑century Paris, blending frantic editing, over‑the‑top visuals and contemporary pop songs. Auditions were held in Sydney, with workshops that combined singing, movement and table reads. The crew rehearsed intensively at Luhrmann’s Iona building in Sydney before filming began at Fox Studios in November 1999 and wrapped in May 2000. The production featured more than 350 extras and over 1,000 costumes, reflecting the film’s extravagant scale. Box‑Office Numbers, Budget, and the Scale of the Spectacle The movie was made on a budget of US$50 m. Despite mixed reviews, it became a “huge box‑office success”, eventually earning enough to become the first musical since 1991 to receive a best picture Oscar nomination. Its financial triumph proved that big‑budget, stylised musicals could still draw audiences. How Moulin Rouge! Reshaped the Modern Musical Landscape By marrying classic cabaret aesthetics with modern pop tracks, the film sparked a revival of the musical genre in Hollywood. It demonstrated that contemporary music could coexist with period settings, influencing later projects such as La La Land and The Greatest Showman. The oral histories from cast members like Nicole Kidman, Ewan McGregor, and Jim Broadbent highlight the collaborative spirit that set a new benchmark for musical storytelling. What the Next Quarter‑Century Might Hold for Musical Cinema As the industry embraces streaming platforms and hybrid releases, the legacy of Moulin Rouge! suggests future filmmakers will continue to experiment with genre‑blending, high‑concept visuals and diverse soundtracks. Anniversary re‑releases, stage adaptations, or even a sequel could keep the spirit alive, while emerging talent may draw inspiration from Luhrmann’s audacious approach.

The Defiant Sound of Queer ResistanceFor queer Malaysian punk band Shh … Diam!, every live gig is a small miracle. Their name translates as "Shut up!", a powerful and defiant cry in a country rife with homophobia. Favouring distorted riffs, heavy drums and swaggering lyrics, the band's powerful sound seeks to drown out the noise of prejudice and discrimination. Their courage, as well as their simple joie de vivre, thrum through Yihwen Chen's documentary portrait. Shot over six years, the film charts the monumental changes undergone by the band members and their home nation.Voices of the MarginalizedAlways ready with a joke, lead singer and guitarist Faris is a proud trans man. Rejected by his own family, the charismatic performer finds a safe haven with his bandmates Yon and Yoyo, and their audience. Their songs turn up the volume on issues faced by the queer community, and also bristle with an anarchic sense of humour. One particularly tongue-in-cheek tune is titled Lonely Lesbian; a title taken from a hostile rightwing article citing ways to spot a lesbian, its playful and defiant lyrics reconfigure homophobic ideology into satire, an act of rebellious subversion cloaked in irony.Music as ActivismThe band's activism extends from the stage on to the streets, as the members join in pro-democracy and queer rights protests. Faris is filled with optimism when, for the first time in 60 years, the conservative Barisan Nasional was defeated in 2018, but joy would later turn to anger when the party returned to power as part of a coalition in 2022. Despite the pessimism triggered by the cycles of electoral politics, Chen's film prioritises hope, foregrounding moments of personal triumph, such as Faris's top surgery and Yoyo's beautiful wedding to her girlfriend. Political parties might come and go, but people's power seems to rock on.Cultural Impact and RepresentationQueer as Punk offers a rare glimpse into the lives of LGBTQ+ individuals in Malaysia, a country where queer identities remain largely marginalized. The documentary not only captures the band's musical journey but also serves as a testament to resilience and community building in the face of systemic discrimination. By amplifying voices that are often silenced, the film contributes to a broader global conversation about queer rights and representation in media.The Future of Queer CinemaAs Queer as Punk makes its way to UK cinemas from May 15, it arrives at a time when queer stories are gaining more visibility in mainstream cinema. The film's focus on punk music as a vehicle for social commentary highlights the intersection of music, activism, and identity. For audiences, particularly those unfamiliar with Malaysia's cultural landscape, the documentary offers both education and entertainment, demonstrating how art can be a powerful tool for social change.

What a “Scientology speedrun” actually isThe term describes a viral TikTok challenge where participants rush into Church of Scientology buildings to see how far they can get inside, often wearing masks or costumes. The stunt blends prank culture with a curiosity about a controversial organization.From a viral LA raid to nationwide TikTok challengesThe phenomenon began in March 2026 when creator Swhileyy filmed himself storming the Los Angeles Scientology headquarters on Hollywood Boulevard. The clip amassed 90 million views before being removed, inspiring copycats across the globe.2026‑03: Original LA video posted, 90 m views.2026‑04‑30: Trend spreads to the UK, with teenagers targeting multiple Scientology sites.2026‑05‑07: Groups gather at Sydney’s Castlereagh Street and Brisbane’s George Street.View counts, arrests and police responses: the numbers behind the crazeTikTok videos of the raids have collectively drawn several hundred million views. Law‑enforcement actions in Australia included:Two arrests in Sydney (19‑year‑old woman, 17‑year‑old girl) for non‑compliance.Two teenagers (15 and 18) charged in Brisbane after a driver‑side car jump and a BMX stunt.Police deployed riot squads to disperse crowds of roughly 100 people in each city.Why the stunt is rattling the Church and sparking wider cultural debateThe Church of Scientology condemned the raids as “dangerous mobs” and announced heightened security. Former members such as Leah Remini criticized the trend for trivialising serious concerns about the organization, while activists like Alexander Barnes Ross warned it could undermine legitimate protest.Beyond the church, the craze highlights TikTok’s power to turn absurd pranks into flashpoints that attract police attention and fuel discussions about religious freedom, public safety, and digital‑era activism.Will the trend fade or evolve into a new form of digital protest?Analysts expect the “speedrun” format to mutate as platforms tighten moderation and law‑enforcement responses increase. The next phase may involve coordinated “virtual protests” that avoid physical trespass while still leveraging the viral mechanics that made the original craze so compelling.

The Rise of a Provocative Comedy StarOnce in a while, you get to see a legend at the absolute top of their game," booms a voice at the beginning of Robby Hoffman's Netflix special, Wake Up, welcoming her to the stage. High praise indeed – especially since the voice is that of the leading US comedian John Mulaney, who directed the special, and who clearly thinks this 36-year-old New Yorker is one of the hottest talents around.Over the last year, Hoffman's star has risen at a stunning pace. She is currently on TV in Rooster, a college campus comedy starring Steve Carell, as well as the fifth season of the critically acclaimed sitcom Hacks. This is only her second season as talent agency assistant Randi, but last year the role earned her an Emmy nomination.From Religious Upbringing to Hollywood Success"Last week, I was a Hassidic Lubavitch Jew living in Crown Heights, New York," was Hoffman's first line as Randi. "Now I'm in LA, I'm gay and probably an atheist." Hoffman's own life has taken a similar about-turn after being thrust into the spotlight. Randi, a role that was created for her by writers Lucia Aniello, Paul W Downs and Jen Statsky and draws on Hoffman's own background, has been "a life-changing part," she says on a video call from the home in Los Angeles that she shares with her wife, the reality TV star Gabby Windey.Home life in Montreal was chaotic, living in a house that was "so packed with so many people," Hoffman says. She would frequently get into physical fights with her brothers and "cried every single day … sometimes I was kicking and screaming on the floor." She got out as soon as she could, at 17, when she began renting a place of her own, taking on a part-time job to support herself through her Cégep, a type of pre-university college unique to Quebec.Awards, Recognition, and Controversial Comedy StyleAlthough Hoffman insists she isn't trying to offend ("I do think that a lot of my jokes are misinterpreted"), she also doesn't think being offended is the worst thing: "Being poor is." She's speaking from experience: she grew up in a family that relied on welfare payments, the seventh of 10 children.Wake Up includes gags about "disgusting" women ("always the hottest ones are sickest") and abortion ("we raise the age of abortion till 10, we got a lot of well-fucking-behaved kids on our hands"). Not to mention the jokes about paedophilia. But although her punchlines make some audience members bristle, "I just don't get to choose my thoughts," the comedian says. "I'm just sharing it with you. I wish I didn't know some of these things. I truly wish paedophilia was not something that I was introduced to or heard about. I think it's more democratic that I joke about everything, you know?"The Changing Landscape of ComedyThe comedian's proclivity for referring to women, including herself and her mother, as "bitches" is an aspect of her onstage coarseness that carries over into our call, in which she is otherwise much more mellow and thoughtful. Sure, she doesn't follow the typical Hollywood script of simpering self-deprecation, instead unapologetically backing herself and frequently talking about how great it is to be rich. But you get the impression that this is self-conscious gaucheness, a send-up of convention rather than outright rudeness."I come in hot," Hoffman admits – especially on stage. But she is not pretending to be something she's not – unlike, she says, supposedly "kind and nice" figures such as Will Smith, who was banned from the Oscars after slapping the comedian Chris Rock, or Ellen DeGeneres, whose talk show was cancelled after allegations that junior staff had been bullied.Future Prospects and Industry ImpactHoffman is endearingly grateful for her success. "Am I not living one of the greatest lives you've heard about?" she said during her recent appearance on Late Night With Seth Meyers. "I really do feel that," she says. When she started out in comedy, it felt like "such a risk" to pursue a career with no promise of financial stability: "It's becoming harder and harder to go from no money to money, so when we get one of our guys in, it always feels miraculous."She wishes it wasn't so miraculous – Hoffman is a Bernie Sanders supporter and believes "everybody's entitled to dignity." She resents being an example of someone who "did it" – got herself out of poverty via talent and determination. "You shouldn't have to be this special, you shouldn't have to be this talented," she says. Throughout her adolescence, she was "so sick of being poor," so focused on working hard at the Jewish private school for which her grandfather had helped her win a scholarship, then pursuing a degree in accounting.

The Unraveling of the Duterte-Marcos AllianceThe Philippine House of Representatives is on the brink of impeaching Vice President Sara Duterte for the second time, marking a dramatic escalation in the political feud between the Duterte and Marcos families. This move, driven by allegations of corruption and a fractured alliance with President Ferdinand Marcos Jr., plunges the nation into a deepening political crisis.Allegations of Misuse and the $110M FlagThe complaint against Duterte outlines four specific violations of the constitution, including betrayal of public trust and bribery. A central pillar of the case is a massive financial discrepancy flagged by the anti-money laundering agency, involving more than $110m in private bank transactions.Constitutional violations and betrayal of public trustFailure to disclose wealthBribery allegationsDeath threats against President Marcos and his family“The scale of these transactions cannot be reasonably explained by lawful income,” said House member Terry Ridon, characterizing the vote as a constitutional act of accountability.Constitutional Thresholds and Political MathFor the impeachment to proceed, the House requires a third of its members to vote in favor. The threshold has already been reached, with a member of the House from Duterte's stronghold in Mindanao confirming the votes are secured. In a previous attempt in 2025, the motion passed with 215 votes out of 313 representatives.However, conviction requires a two-thirds majority vote in the Senate, a much higher bar that will determine the final outcome of this political battle.A Fractured Nation and the 2028 RaceThe impeachment is the latest symptom of a broken political alliance. Duterte and Marcos ran together in 2022, but their partnership has since unraveled, leading to the arrest of former President Rodrigo Duterte by the International Criminal Court (ICC). Meanwhile, Vice President Duterte has already declared her intention to run for the presidency in 2028.The Divine Narrative and Future OutlookAs the vote approaches, the political atmosphere is charged with fatalism. Duterte stated that whatever the outcome is “written by God,” reflecting a sentiment of inevitability among her supporters. The House's move to seek her “perpetual disqualification” signals a long-term strategy to remove her from the political stage, setting the stage for a high-stakes Senate trial.

The Horror Crash That Ended Jay Vine's Giro d'ItaliaAustralian cycling star Jay Vine has suffered a broken elbow and concussion in a horror crash during the Giro d'Italia, forcing him to abandon the race. The UAE Team Emirates rider, who has endured 23 spills in his five-year career, was fortunate to avoid more serious injuries according to his team and wife.Details of the High-Speed CrashThe 30-year-old Vine was involved in a third serious crash in just 13 days of racing when he was brought down by teammate Marc Soler's slipping front wheel with 22km remaining in Saturday's stage. The high-speed crash occurred on a soaking right-hand turn, causing multiple riders to career into a roadside barrier."Unfortunately, we were badly affected by the crash on stage two yesterday," Dr Adrian Rotunno, UAE Team Emirates' medical director, said. "Jay Vine suffered a concussion and an elbow fracture. Marc Soler has a pelvic fracture. At this stage, neither should require surgery."Team leader Adam Yates also abandoned the race after suffering heavy abrasions and a laceration to his left ear, with delayed concussive symptoms appearing after initial clearance.Team Devastated but RelievedUAE Team Emirates, considered the peloton's most powerful outfit, was left decimated by the crash with three of their key members forced to abandon the race. The team expressed relief that the injuries, while serious, were not more life-threatening."Yesterday was honestly really scary," Bre Vine, Jay's wife, wrote on Instagram. "But the main thing is Jay is OK. Considering how bad that crash was, he's been relatively lucky to come away without anything more serious.""Unfortunately in this sport you can do everything right, be in the right position, and still end up on the ground," she added, highlighting the unpredictable dangers of professional cycling.Implications for the Giro d'ItaliaThe crash has significantly weakened one of the pre-race favorites for the overall classification. With Vine, Soler, and Yates all out of contention, UAE Team Emirates faces an uphill battle in the remaining stages of the race.The Giro arrives at its Italian home on Tuesday, following Monday's rest day, with stage four's 138-km ride from Catanzaro to Cosenza. The absence of three key riders from one of the strongest teams will undoubtedly affect the dynamics of the race.Recovery Road Ahead for VineDespite the severity of his injuries, Vine faces a positive recovery prognosis as he will not require surgery. The Australian will now focus on rehabilitation as he travels home to continue his recovery under medical supervision.This latest crash adds another chapter to Vine's accident-filled career, which has seen him endure 23 spills in his five years as a professional cyclist. His resilience will be tested as he works to return to competitive form following this latest setback.