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The New Era of the Los Angeles Philharmonic The Los Angeles Philharmonic has announced Daniel Harding as its next music director, effective 2027. This move marks a significant shift in the orchestra's direction, with Harding bringing his unique blend of risk-taking, rigour, and radicalism to the role. Harding's Musical Approach Daniel Harding, at 50, has established himself as a conductor who does not take the easy or conventional route. His early recordings with the Mahler Chamber Orchestra, which he co-founded in 1997, showcase a simultaneous rigour and radicalism. His approach to classical music is characterized by forensic attention to detail and musical adventure. Comparison with Elim Chan In a similar vein, Elim Chan, who will lead the San Francisco Symphony from 2027, brings a youthful energy and innovative spirit to her role. At under 40, Chan has already gained extensive experience, including conducting the First Night of the Proms in 2024 and leading the Antwerp Symphony Orchestra. The Future of Classical Music Both Harding and Chan's appointments signal a commitment to the future of classical music in California. Their bold and innovative approaches will likely shape the direction of their respective orchestras and the classical music scene as a whole. Other Musical Highlights Other notable musical events include a two-week festival celebrating Wigmore Hall's 125th anniversary, featuring stars such as pianist Yunchan Lim and soprano Lise Davidsen. The festival will also showcase new repertoire and collaborations, highlighting Wigmore Hall's continued commitment to classical music innovation.

The Birth of a Classic The Mekons and Gang of Four emerged from the same fine art course at Leeds University. After being inspired by the Clash and the Sex Pistols, the Mekons formed and recorded their first single, 'Never Been in a Riot', on a two-track tape recorder in a living room. The Making of 'Where Were You?' For their song 'Where Were You?', Bob Last from the Fast Product label helped them record at Spaceward in Cambridge. The song came together quickly with Kevin Lycett strumming two chords, Tom playing a choppy counter-melody, and Jon on drums. Mark White wrote the lyrics, and Andy Corrigan sang them. The Impact of 'Where Were You?' 'Where Were You?' became a huge success, selling over 27,000 copies and receiving significant airplay from John Peel. The song gained even more popularity when David Bowie compared the Mekons to T. Rex on a Radio 1 programme. The Legacy of 'Where Were You?' The song has remained a classic, with the Mekons still playing it live almost 50 years later. The song's lyrics, influenced by Buzzcocks' Pete Shelley, deal with themes of loneliness and feminism. The Mekons' decision to include women in the band and their anti-macho approach to music set them apart from other rock bands at the time. The Song's Enduring Influence 'Where Were You?' continues to have an impact, with the song being used in an advert for Honda's Acura cars and generating a substantial amount of money for the band. The Mekons' story serves as a testament to the power of creativity and perseverance in the music industry.

The Masterpiece of John Woo The title of this 1990 John Woo extravaganza might lead the uninitiated to expect a chillingly focused, targeted assassination. Actually, there are innumerable bullets and innumerable heads in this over-the-top gonzo spectacle. It is a crime thriller, a wartime action film set in Vietnam, but it offers something other than the usual Hollywood perspective; it is a parable of greed comparable to The Treasure of the Sierra Madre, and even a kind of romantic melodrama. The Symbolic Bullet There is, however, one key bullet in a head, a literal bullet lodged in the skull of someone who achieves a macabre zombie-like semi-survival, the bullet being symbolic of the way violence takes root in the brain, dehumanising its victim. The final “boardroom” scene disclosing this image is toweringly mad and strange. Yet in this movie, as in so many other Woo films, we can see how the director counterintuitively uses sad music – harmonica, woodwind – over grisly, brutal action sequences, as if what he wants us to register is not the violence or the shock but just how poignantly futile and pathetic it all is. The Plot Unfolds The setting is – initially – late 60s Hong Kong; Tony Leung plays Ben, a young guy getting married to his sweetheart Jane (Fennie Yuen), and on hand are his buddies Frank (Jacky Cheung) and Paul (Waise Lee). This trio are involved in a gang war with a rival mob who corner Frank when he has gone to get cash from the local moneylender to pay for the wedding. The confrontation ends in violence and, simply to get away and avoid the heat – Woo has a cameo as a police inspector – the three guys accept a crooked job from a local gang boss smuggling contraband pharmaceuticals in Vietnam. The Climax In Saigon, all their plans explode in pure anarchy; they are at first arrested under suspicion of working for the Vietcong, then upgrade their strategy to cynical arms smuggling for the North Vietnamese, and stealing the gold belonging to the local wiseguy who was supposed to be distributing their drugs. They make contact with a worldly fixer called Luke (Simon Yam), who has a Catherine Deneuve poster in his apartment, and also gallantly undertake to rescue a Hong Kong singer Sally (Yolinda Yam), who has been trafficked to Vietnam to sell sex. They end up on the spectacular field of battle itself (with helicopters, explosions, burning villages), where Paul, increasingly obsessed with the gold, finds himself at a key moment at mortal risk of detection if he cannot keep the wounded Frank quiet, whose cries of pain might alert the enemy to their position. The Legacy It’s an extraordinary, uninhibited barnstormer from Woo, who takes us from regular, domestic crime to military chaos with confidence and sweep. One moment, in which someone stands in front of a tank, even appears to echo the Tiananmen Square protests. No one else could have made it. The Release Bullet in the Head is in UK cinemas from 1 June, and on 4K UHD and Blu-ray from 22 June.

The LeadSimon Rogers, Google's data editor, presents a fascinating exploration of human curiosity through the lens of search queries in his book 'What We Ask Google.' The compilation of anonymized search data from 2004 to the present offers a unique mirror into our collective concerns, from parenting questions to existential queries, though the review suggests the book presents a somewhat rose-tinted view of technology's role in our lives.The Book OverviewRogers, a former Guardian journalist who joined Google in 2015, organizes the search data into themed chapters that blend statistics with personal anecdotes. The book traces search trends back to 2004, when internet access was limited to less than half of UK households. Rogers posits that our search queries reveal something 'real and deep and meaningful about who we are as humans,' arguing that even brief searches indicate genuine care and concern.The Data InsightsThe book reveals intriguing patterns in human search behavior. Parenting-related queries like 'Why do babies get hiccups?' and 'How to tell kids about divorce?' appear frequently. Notably, in early 2023, searches for 'take care of parents' surpassed 'take care of kids,' reflecting the demographic pressures on the sandwich generation. The data also highlights geographical peculiarities, such as Austrians, Nigerians, and Canadians most frequently asking about back pain at night, and Americans in Kansas struggling to spell 'chaos' while their Missouri neighbors are stumped by 'unconscious.'The Critical PerspectiveThe review identifies significant limitations in Rogers' approach. As a 'company man' who joined Google from Twitter, the book presents an overly optimistic view of the internet and Google's role in society. There's minimal acknowledgment of the AI revolution's impact on search behavior and its consequences for content creators. The book also avoids addressing darker aspects of human nature reflected in search histories, political influences like Donald Trump, and how big tech may actually amplify parenting anxieties rather than alleviate them.The Cultural ImpactDespite its limitations, the book offers a diverting window into collective curiosity. It demonstrates how our search habits reflect societal concerns, from the practical ('How to fold a burrito') to the profound ('How often can you donate plasma?'). The reviewer notes that Rogers interprets this latter query as evidence of altruism rather than recognizing it as a symptom of US healthcare inequities. The book ultimately serves as an interesting, if selective, cultural artifact that captures our digital age's peculiarities and preoccupations, even if it doesn't fully confront the complexities of our relationship with technology.

The Lead: Arsenal's Quest for European GloryMikel Arteta has dismissed suggestions the pressure is off Arsenal in Saturday's Champions League final after their first Premier League title for 22 years and insists he and his players are hungry for more trophies. The manager has declared that their ambition is bigger as they seek to add European success to their domestic triumph.The Event Details: Arsenal vs PSG in the Final ShowdownParis Saint-Germain, who defeated Arsenal in the semi-finals last year before being crowned European champions for the first time, saw off Chelsea, Liverpool and Bayern Munich in the knockout stages and are strongly fancied to retain their crown. Jurriën Timber looks likely to start after Arteta confirmed the Netherlands defender had recovered from a groin injury, although he has not featured since the win over Everton on 14 March.The Data Analysis: A Season of Record MatchesSaturday's game will be Arsenal's 63rd of the season, more than any other team from the top five European leagues. It will be PSG's 56th but Saka insisted fatigue would not play a part. "We've had a week to recover and we're ready to go again and a game like this is not going to be decided on minutes," he said. "It will be decided on moments and which team can produce a bit of quality and be well organised."The Impact Analysis: Writing a New Chapter in Arsenal HistoryArsenal have yet to win the Champions League and reached the final on one previous occasion, in 2006, when they were defeated by Barcelona. Arteta is determined Arsenal seize their opportunity on the biggest stage in club football after finally ending their long wait for the league title. "We have the opportunity to write a new chapter in the history of this football club," the manager said. "And in order to do that, we have to play with such clarity, a lot of courage, and a relentless desire to win."The Prediction: A Team Driven by DesireArteta, asked whether he had noticed something different when he looks in the eyes of his players, said: "That they want more. Going through those moments brings you a different kind of desire. Because you lift it, you know exactly how it feels. You want to reproduce that feeling as many times as possible." Bukayo Saka, who scored Arsenal's goal in last season's 3-1 aggregate defeat by PSG, revealed that Thierry Henry – part of the team that lost to Barcelona 20 years ago – had been in touch this week to offer encouragement. "It feels like this last week it's all become a reality and tomorrow is another exciting opportunity to create more history and win another for the club that I love," Saka said.

The LeadIga Swiatek has called for the French Open to make changes to the layout of their courts after multiple players were forced to withdraw this week having been injured when tripping over obstacles at the back of the Roland Garros courts. The world number one player expressed concern that the current setup is not safe for competitors.The Court Safety CrisisThe most recent incident occurred on Friday when Turkish player Zeynep Sonmez ran into one of the Lacoste advertising boards placed at the back of the court and fell to the floor. After a medical time out, Sonmez, alongside her partner Tatjana Maria, was forced to retire from her second round doubles match while trailing 2-0.Earlier in the week, Belgian player Alexander Blockx was forced to withdraw after injuring himself on the rain covers at the back of a practice court. In a statement on Instagram, Blockx revealed: "Unfortunately during today's practice I heard a snap in my ankle while I sprained it thanks to the 'really necessary' covers at the back of the court at Roland Garros, which is why I had to withdraw from tomorrow's match."Great Britain's Katie Boulter also had a near miss, saying the boards need to be removed after she tripped on one during her second-round match. "THESE THINGS HAVE TO GO. Got lucky last night but next time I might not be…" she wrote on social media.Historical ContextThis is far from a new issue at Roland Garros, which uses these panels towards the back of the court to advertise their sponsors. In 2017, David Goffin was forced to retire from his third round match due to a similar incident. No other grand slam tournament places their rain covers behind the baseline, making the French Open unique in this aspect.The issue is particularly problematic on clay courts due to the tendency for players to move and defend from deeper positions on the surface. This increases the likelihood of players running into the obstacles at the back of the court during extended rallies.Tournament UniquenessThe French Open is the only big tournament that still uses line judges, with the tournament placing their boards next to lines people in the court. Arthur Ashe Stadium at the US Open is the only other grand slam court with advertising hoardings on the court, but those boards are pressed directly to the back wall, not placed in the playing area.This design choice has been a point of contention for years, with players consistently raising concerns about the safety implications of having obstacles in the playing area. Despite these concerns, the tournament has maintained this setup, citing tradition and sponsorship requirements.Player Reactions"I didn't see the incidents, but I heard about them," said Swiatek. "Obviously if these things happen, there needs to be a reaction, because there are other ways for us to be visible for sure, you know? It's a shame, and it shouldn't – I hope they're going to put them in a different place or just put the advertising in a different way there, because it's not safe for sure."After her straight sets win over Viktorija Golubic, Marta Kostyuk expressed skepticism that the tournament would make changes: "Honestly, I feel like there are some rules that no matter what happens, they just cannot be changed, and no matter how much you speak about it or how much you fight over it, it's just the rules. I don't know."Swiatek's Path ForwardDespite the concerns about court safety, Swiatek continues to build confidence and momentum in her first major tournament alongside her new coach, Francisco Roig. After projected tough opponents like Jelena Ostapenko and Elena Rybakina were eliminated in round two, Swiatek now faces a different challenge in the form of Marta Kostyuk.Kostyuk is on a 15-match winning streak and has not lost on clay this year after winning titles in Rouen and Madrid. "I definitely have a different feeling going into this match, because I feel like last time that I played her in Cincinnati, I lost this match way before it even started, and I don't feel the same this time," said Kostyuk.

The Vision for AI Coding Agents Cognition CEO Scott Wu made headlines again this week when his two-year-old AI coding agent startup raised $1 billion at a $26 billion valuation. Cognition is the maker of Devin, one of the first and, arguably, most successful AI coding agents. Devin, the CEO says, “naturally owns tasks end to end.” The Future of Software Development In fact, in the blog post announcing that raise, Cognition laid out a vision where “we are shifting to a world of self-driving software development.” So, could Devin replace, say, a mid-level L4 programmer? Yes, and no, Wu told TechCrunch. “We’ve never thought about it as replacing humans. I know it’s like a scenario, folks have said these things. It has never been our view.” Preserving the Joy of Programming Wu emphasizes that the goal is not to make human programmers obsolete. “We are all programmers ourselves,” he explained. “I started coding when I was nine.” He views agents as another layer of abstraction between envisioning a software product and producing it, similar to how visual development environments abstracted software creation away from machine instructions. The Role of Devin in Cognition Cognition says that Devin’s role in its own company is to ship nearly all the software. The company says that 89% of code committed by its engineers was committed by Devin, and the rest by local agents. Wu explains that his agent’s role is largely to do the kinds of long-tail maintenance tasks that many programmers don’t like to do anyway: bringing old software up to date; moving applications off one platform and onto another. The Future of AI Agents Wu predicts that agents will enter other fields where they will learn tasks, from customer service to medicine, but hopes the goal will be to augment human workers in those areas, too. “Code and software has been the first to move, but we’ll see this happen in all these other industries,” he predicts. “One thing that’s been clear to us since the beginning is, it should always be up to the human what to do … you really see this in software engineering, but I think it’s true in all these other professions too.”

The Making of a Coach: Mikel Arteta's Early Years Santi Cazorla recalls watching Mikel Arteta during their time at Arsenal, noting that Arteta would pause and rewind matches to analyze player positions and strategies. This behavior hinted at his future as a coach, and Cazorla joked that Arteta was the worst person to watch a match with because of his constant analysis. Arteta's Formative Experiences Born in Gipuzkoa, Spain, Arteta was known for his intelligence, character, and competitiveness from a young age. His teammates at Antiguoko, a youth club in San Sebastián, described him as 'alive' with a spark in his eyes. Arteta's ability to grasp concepts quickly and his determination to find solutions on the pitch set him apart. The Influence of La Masia At 14, Arteta began training at Athletic Club, where he was coached by José Luis Mendilibar. Mendilibar noted Arteta's exceptional intelligence on the pitch and his ability to explain his vision to others. This experience laid the groundwork for Arteta's future as a coach. Barcelona's La Masia: A Life-Changing Experience Arteta's time at Barcelona's La Masia, alongside future stars like Andrés Iniesta and Carles Puyol, was instrumental in shaping his football philosophy. The traditional Catalan farmhouse provided a unique environment where young players lived and trained together. Arteta's experiences and relationships during this period significantly influenced his approach to the game. Maturity and Adaptability Arteta's teammates and coaches highlight his maturity and adaptability as key factors in his success. Despite being a year younger than his peers, Arteta demonstrated a level of confidence and self-assurance on the pitch that impressed those around him. His ability to demand the ball and dictate play showcased his natural leadership qualities.

The Final Deadline for TechCrunch Disrupt 2026 Speaker Applications Today is the last day to submit an application to speak at TechCrunch Disrupt 2026, which will return to Moscone West in San Francisco from October 13 to 15. The event is a premier gathering for startup and VC leaders, with over 10,000 attendees expected to explore the latest trends in AI, scaling, fintech, infrastructure, robotics, and the future of innovation. Opportunities to Take the Stage TechCrunch is inviting founders, investors, operators, and technology experts to apply for a chance to speak at the event. There are two session types available: Breakout Sessions: A 30-minute talk with up to 4 speakers and a 20-minute audience Q&A;, with a capacity for 100 attendees. Roundtables: A 30-minute speaker-led group discussion for up to 40 participants, focusing on insight and conversation without slides or AV. The Application and Selection Process Each application will be reviewed by TechCrunch's editorial team. Finalists will be selected for the Audience Choice vote, where TechCrunch readers will choose which sessions make it to the Disrupt Stage. To apply, interested individuals must submit their application before tonight's deadline of 11:59 p.m. PT. Why Apply? TechCrunch is looking for high-impact speakers with actionable insights and real-world experience to contribute meaningfully to the tech ecosystem. If you have expertise to share and want to help shape the conversations defining the tech industry, now is the time to apply.