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Sean Shibe's latest album, Vesper, is a masterclass in guitar virtuosity and imagination. The album features a thoughtfully curated selection of works by three British composers: Thomas Adès, Harrison Birtwistle, and James Dillon.Shibe's playing is acutely articulate and technically impeccable as he surveys the guitar's expressive potential through the lens of these composers. The album includes Thomas Adès's Forgotten Dances, a homage to the baroque dance suite, which combines stately harmonics with sneaking slides and pounces.The revelation for some will be five melodic miniatures by Harrison Birtwistle, including Berceuse de Jeanne and Sleep Song, bewitching lullabies that showcase Shibe's mastery of the guitar. Beyond the White Hand, a thorny piece that lasts over 18 minutes, is a testament to Shibe's technical skill and musicality.The album concludes with James Dillon's 12 Caprices, a series of concise meditations that explore the relationship between the structure of the instrument and its modes of expression. Overall, Vesper is a mind-expanding and imaginative recital that showcases Shibe's virtuosity and musicality.

The play 'Huw Fyw' by Tudur Owen takes audiences on a sentimental journey through the life of a curmudgeonly World War II veteran, exploring themes of PTSD, generational trauma, social exclusion, and the weight of irreconcilable grief.Starring Tudur Owen in the eponymous role, the Welsh-language production is marked by its absolute and unironic sincerity, with its heart unabashedly worn on its sleeve. The play's setting, mostly confined to Huw's grimy living room, adds to its plausibly compact and winningly persuasive nature.Despite some convoluted plotting, the play is deftly directed by Steffan Donnelly, with four very fine performances from the cast, including Owen, Leah Gaffey, Owen Alun, and Dafydd Emyr. The play's sentimentality resists tipping into mawkishness, instead offering a poignant survival strategy to cope with the horrors of war.The production's strange double nostalgia for the 1990s and 1940s adds to its uncanniness, making it a must-see for audiences. 'Huw Fyw' is currently showing at Dance House, Cardiff until 18 April, and will be touring until 8 May.

The Democratic Republic of the Congo and the M23 rebel coalition commenced a new round of negotiations in Switzerland on Monday, with mediation provided by the United States and Qatar. The talks aim to halt the persistent violence that has continued despite a December peace accord signed in Washington.During the Geneva session, both parties signed an interim peace‑monitoring mechanism, according to Radio France Internationale. The framework creates a joint body tasked with tracking humanitarian and security developments and flagging any ceasefire violations. Representatives from the DRC government, the M23 coalition, and the United Nations Organization Stabilization Mission in the Democratic Republic of the Congo (MONUSCO) will staff the mechanism.Al Jazeera correspondent Alain Uaykani, reporting from Goma, described the situation on the ground as "very fragile," with each side accusing the other of breaching previous truces. He highlighted the town of Minembwe in South Kivu, where thousands of civilians are caught in crossfire between rival armed groups.Local residents hope that mediators will press both sides to honor the newly‑established monitoring body, after a series of failed agreements. The conflict has intensified since early 2025, when the M23 seized large territories, including the provincial capitals Goma and Bukavu.In December, Congolese President Felix Tshisekedi and Rwandan President Paul Kagame signed a "historic" peace and economic agreement in Washington, a move that was widely criticized as overlooking Rwanda's alleged support for the M23 rebels. Separate Qatar‑mediated talks have also taken place, yet clashes resumed almost immediately after the December deal.Human Rights Watch issued a statement on Tuesday condemning both parties for obstructing aid deliveries and preventing civilians from fleeing the highlands of South Kivu. Clementine de Montjoye, senior Great Lakes researcher at the organization, warned that the region faces a "dire humanitarian crisis" and that the conflict remains "vastly under‑reported."The newly‑formed monitoring mechanism, supported by MONUSCO, represents the latest diplomatic effort to stabilize eastern Congo and protect vulnerable populations, even as fighting continues to flare in the highland areas of South Kivu.

The sports world is reeling from the news that Saudi Arabia's Public Investment Fund (PIF) is pulling back its financial support for LIV Golf, a rebel tour that has been a key vehicle for the kingdom's ambitious attempts to become a leading global sports destination.Conservatively estimated to have cost Saudi Arabia over $10bn in the past five years, the slowdown in lavish spending on sport was expected, but the withdrawal of PIF's support has sent shockwaves throughout the industry. This move was first communicated to LIV executives on Monday, leaving many employees fearing for their jobs.The uncertainty is not limited to golf, with other sports administrators worried that similar cuts could be coming their way. LIV Golf's future is now in doubt, with the tour's chief executive, Scott O'Neil, failing to address the possibility of PIF's withdrawal in an email to staff on Wednesday evening.Sports executives outside golf have expressed concerns about the future, stating, 'We all went running to Saudi for a quick payday and are now wondering what the future holds.' The PIF's investment strategy now focuses on domestic benefits and building real businesses, with LIV Golf being seen as vulnerable due to its lack of profitability.The PIF's financial strategy for 2026-2030 emphasizes 'value realisation through performance, innovation, and private sector engagement.' While sport is not listed as one of PIF's six investment pillars, it will be included under the tourism, travel, and entertainment portfolio.The move towards privatization is evident, with PIF selling a 70% stake in Al-Hilal, one of its Saudi Pro League clubs, to a private company owned by Prince Al Waleed bin Talal Al Saud. Other sports, such as Esports, boxing, and mixed martial arts, are expected to continue receiving investment due to their popularity and potential for growth.The implications of PIF's shift in strategy extend beyond golf, with Newcastle United and other sports organizations potentially affected. As Saudi Arabia continues to invest heavily in certain sports, the future of others, like LIV Golf, remains uncertain.

South Korea is seeking to capitalize on the Iran crisis to accelerate its transition to renewable energy, with a focus on expanding its 'solar income village' program. The initiative, which aims to reach 2,500 villages by 2030, has already shown promising results in rural areas like Guyang-ri, where a one-megawatt solar installation generates $6,800 in net profit monthly. The village uses this revenue to fund communal benefits, including free meals for residents and a 'happiness bus' for elderly people. This approach has strengthened community bonds and improved quality of life, demonstrating the potential for renewable energy to drive social and economic development. President Lee Jae Myung has emphasized the need for a faster clean energy transition, citing South Korea's heavy reliance on imported energy, including crude oil from the Strait of Hormuz. The government has increased funding for renewable energy projects, allocating a supplementary budget of about 500bn won to energy transition, which includes grid infrastructure upgrades and support for renewable energy projects. However, challenges persist, including the country's reliance on Chinese supply chains for solar panels and the need to address grid capacity limitations. Environmental groups have expressed concerns that the government's response to energy transition falls short, citing the allocation of 5tn won to absorb fossil fuel price hikes, including direct subsidies to oil refineries. Despite these challenges, experts believe that the window for transformative change is open, and the government's institutional courage will be crucial in defining South Korea's energy future.

Warner Bros' new take on The Mummy, directed by Lee Cronin, has been met with criticism for its grandiose approach and lackluster execution. The film's attempt to distance itself from Universal's upcoming return to the franchise and capitalize on the current trend of auteur-driven horror films has been seen as unearned and indulgent. Cronin, an Irish filmmaker with only two previous films under his belt, has been praised for his visual talent, but his Mummy has been criticized for being absurdly overlong at 134 minutes and tonally unsure. The film's attempt to blend elements of classic monster movies with modern horror tropes has resulted in a messy and unoriginal product. The film's plot, which revolves around a creepy kid who returns from the dead with a malevolent presence, has been compared to other horror films such as The Exorcist and The Omen. However, the execution falls short, with rubbery prosthetics and an exhaustingly loud finale that fails to deliver scares. Despite its bold ambition and stunning visuals, the film ultimately feels like a lesser imitation of other horror films. The lack of character development, suspense, and logic makes it difficult to become invested in the story. The Mummy is set to release in Australian cinemas on April 16 and in the US and UK on April 17.

The Broadway adaptation of The Fear of 13, a play by Lindsey Ferrentino, has been described as sturdy and dependable, but ultimately unremarkable. The play tells the true story of Nick Yarris, who spent 22 years on death row for a crime he did not commit.Based on Yarris's memoir and documentary, the play follows his journey from a troubled youth to his wrongful conviction and eventual exoneration through DNA evidence. Despite its powerful subject matter, the play's execution feels safe and conventional, lacking the depth and inventiveness needed to make a lasting impact.The cast, featuring Adrien Brody and Tessa Thompson, delivers solid performances, with Thompson bringing warmth and understatement to her role as Jacki, Yarris's love interest. However, the play's structure has been criticized for being lopsided, with too much focus on setting up the story and not enough on the emotional depth of the characters.Ferrentino's writing is crisp and propulsive at times, but falters when attempting more lyrical moments, such as the play's final monologue, which falls into vagueness and cliché. The play's themes of hope, perseverance, and the beauty of everyday life are worthy, but not particularly new or insightful.Overall, while The Fear of 13 is a well-crafted and engaging play, it ultimately feels like a fleeting experience that fails to leave a lasting impact on the audience.

A recent Cochrane review analyzing 17 clinical trials involving over 20,000 people with mild cognitive impairment or dementia has concluded that anti-amyloid drugs have a 'trivial' effect on cognition and dementia severity over 18 months.The review, which assessed seven anti-amyloid drugs, found that improvements in functional ability were 'small at best' and that the drugs caused more swelling and bleeding in the brain than the placebo.The findings are a blow to the new wave of drugs designed to slow Alzheimer's by clearing clumps of amyloid protein that build up in the brain. Despite initial hype, with some regulators approving drugs like lcanemab and donanemab, many countries have stopped short of providing them through public health services due to concerns over their effectiveness and cost.Critics of the review argue that it combines results from older, failed drugs with those from newer, more effective medicines, which may skew the conclusions. However, the review's authors defend their approach, stating that all the drugs aimed to remove amyloid from the brain and assessed the impact on patients in a similar way.The review's lead author, Edo Richard, notes that the effect sizes are too small for patients and caregivers to notice, and that the drugs are also 'burdensome' due to the need for regular intravenous drug infusions and MRI scans.Experts in the field, such as Robert Howard, express concerns that the drugs may not truly alter the course of Alzheimer's, and that it's unfair to raise expectations in patients. Meanwhile, Alzheimer's Research UK argues that the review's conclusions are limited by its methodology and that anti-amyloid treatments will not be the whole answer to curing Alzheimer's.

Average private rents across Great Britain have halted their near‑decade‑long climb, with the typical advertised rent outside London remaining at £1,370 per month during the first quarter of 2026, according to Rightmove data.That flat reading marks the first time since 2017 that rents have not risen in the opening three months of a year compared with the end of the previous year, signalling a potential easing of the chronic affordability squeeze that has plagued tenants.Rightmove warned that many renters are now hitting the “ceiling” of what they can afford, a trend compounded by broader cost‑of‑living pressures. Estate agent Jeremy Leaf noted that the Iran war that began on 28 February has heightened tenants’ financial anxieties.Conversely, the conflict has spurred a modest influx of migrants from the Middle East, bolstering demand in the “prime” rental segment, according to Chestertons.Rightmove’s property expert Colleen Babcock cautioned that the war’s immediate impact is an increase in borrowing costs for landlords, which could later translate into higher rents.In response to the softening market, landlords are “positioning rents correctly for the current market.” About 26 % of rental listings have been reduced in price while advertised – the highest proportion recorded since Rightmove began tracking this metric in 2012.After years of demand outstripping supply, the market now shows signs of balance: the number of homes available for rent is 3 % higher than a year ago, and supply is at its strongest level for this time of year since 2021.London’s average advertised rent rose modestly by 0.7 % to £2,736 per month, still below the record peak reached in the summer of 2025.The sector is also bracing for regulatory change. The Renters’ Rights Act, effective 1 May 2026, will abolish Section 21 of the Housing Act, ending “no‑fault” evictions. Charities have warned of a potential surge in last‑minute evictions ahead of the deadline, but Rightmove reported no noticeable increase in newly listed rentals before the law takes effect.Analysts view the pause in rent growth as a temporary relief for tenants, yet warn that higher financing costs for landlords and the upcoming tenancy reforms could reignite upward pressure later in the year.